this took 30 mins

after seeing @edendaphne put a ponytail on her older lb, i had to try it out on my adult lb and now i am dead. like i love short haired lb so much but…gfhfgghhHHhdhsjfsdj g u y s

…so yea bless u eden, thank u for the inspiration ;0;

also bonus bad cellphone pics of my updated adult chat below the cut cos i don’t feel like making a new post lol

Keep reading


Sanvers AU : Detective Maggie Sawyer is interrogating her prime suspect involved in a bank robbery. Is Alex really involved in it ? To what extent ? Will Maggie find the real story behind it ? And will she be able to resist the magnetic pull towards Alex ?


This AU is from: @bunny-yams .

This is one of my favorite AU’s in fact (LOL). Their just quick sketches and I hope its oke to post them. 

Alex is just like: What the actuel fuck is wrong with this forest?! 

And Thomas has the creepiest rapeface i ever draw in my whole life O_o.

Thomas took me around 30 and Alexander around 15? min. 


RFA + MC Family AU Quick Look!

!!! DO NOT REPOST THIS ON FACEBOOK OR ANYWHERE ELSE. These are only AUs and I don’t really feel like it should be circulated around. Please leave them here on tumblr or IG so only those who are interested can go see them ;;v;; Thank you!

Since so many people refuse to read my descriptions in IG, we’re going visual! This took me like 30 mins I hope it helps me explain stuff hhhaksjfsfd

For some reason, many people think that the kids in Taemin Han’s AU should be the same as the kids in my RFA Family sets. Which can’t happen because those kids from before can only exist in their own routes.

Some think that the new kids in Taemin’s AU are all MC’s kids. Which can’t happen because, as I said before and as drawn in previous Jumin Doge comics, MC married Jumin in this AU so the other RFA members found someone else as their partners (saddd right). Also, V found someone else!!! Not Rika!!! It’s weird but things happen after Jumin’s end so there you go. Lol.

I hope this clears things up :D Next time, I’m just going to link people to this in case they ignore the captions again && start complaining • v •;;; come on give me a break – i use my spare time to make all these fan content for u all – and for freeeeee skdjhf let me live

anonymous asked:

So... Do you have any tips on how to compose music for French horn?? Like, what even is that key signature... Do you have a method for writing it?

Welp I’ve never composed original music for horn before soo..ahaa

(I’ve arranged stuff??) but I guess I could write down some things that may help you compose for it:

“what even is that key signature”…same

- yeeahh we play in F. meaning a P4 up from C. my method for writing for horn is using sibelius and selecting ‘horn’ as the instrument and then bOOM done.

If you’re writing for horn by hand, you can always write it in C. But then we’d have to transpose it, and sure we’re used to that by now, but we’ll definitely sigh or groan when seeing thatthepieceisn’tinF……….

so either write in C >:(,  transpose into F as you compose, or use online program’s magical-ness to transpose for you

- we have a pretty solid uhhh range but it depends on the skill level of the player? Lowest we can play that sounds decently good is pedal C (concert F) (2 octaves below the staff) and high, above the staff C (again, concert f) (yes we can play higher than that)(no do not write horn parts higher than that please).

- treble clef!!! unless writing really low parts for 4th horn, then you may write in bass clef. or if you’re composing for solo horn… yes you may go into bass clef sometimes. just mainly stick to treble <3

- we sound hella good in all dynamics so. compose extreme dynamics for us. in all ranges, yes.

(loud and low is hard, & soft and high is hard,,, btw)

- speaking about range?? high stuff is usually hardest b/c that’s when our partials get closer and closer together so accuracy is…sometimes shady but yeah careful if you have us jump around partials too much. if you want to make the piece easy, that is. if ya want your piece to be at a more difficult level, jump around all you like.

-yes to double tonguing and triple tonguing required rhythms but eeehahksjdrk

- if you’re writing a symphony??…. 1st and 3rd horn usually have the highest parts and 2nd and 4th are lower and support 1st/3rd horn parts in octaves. sometimes. you might already know that but yeah.

- we can do trills….we can do stopped horn!!! writing for stopped horn is fun and it makes cool noises so you can get creative with that…same with flutter tongue and multi phonics and other mute required stuff C: (yay brass lyfe)

oh and hand in bell, we can do weird bendy pitch stuff with that so you can take advantage of that too.

- in band? since there are usually 4 or less of us…we’re usually doubled with saxes or baritones or trombones. Does that mean we like it? no. Especially not saxes. if you hAVE to double us, do it with some other brass instrument. WE CAN PLAY REALLY LOUD BTW AND EASILY TAKE CHARGE OF OUR OWN MELODY ;A;

- …if you ever find yourself writing a march, give us the melody for once…. no more off beats…please and thank you.

ok that’s all I could come up with at the top of my head…. fellow horn players feel free to add on!