this scene is the best thing that ever happened to me

5
5 Reason’s Why Supernatural is the Gayest Show on Television (That’s Still Stuck in the Closet)

To start with, I’m not delusional.  I’m fully aware that the studio and execs have settled into a comfortable pattern with Supernatural, and especially considering it’s heavily mixed demographic (interestingly, it was ranked a favorite among republicans and democrats in 2016) they’re unlikely to rock the ship with a canonically queer relationship between two of it’s main characters.  

However, it’s important to understand exactly how much queerness is bubbling beneath the thick surface layer of “no homo:”  from the orgies of male-on-male eyesex to the inspiration for most of its main characters, Supernatural is queer to its very core. 

Here are five (blaring but stubbornly unacknowledged) reasons why:


1.  Dean’s gratuitously bisexual inspiration. 

Whenever someone claims a queer interpretation of Dean is baseless, I’m always happy to direct them straight to his flamingly bisexual source:  Dean Moriarty, his namesake and direct inspiration, a la the novel On the Road.  

Admittedly, I read On the Road and didn’t particularly enjoy it, as I found it to be a somewhat masturbatory reassertion of masculinity for its narrator, Sal Paradise.  Sal idolizes and fixates the charismatic Dean and his promiscuous lifestyle, openly having sex with and impregnating multiple women, and is all around a heterosexual power figure…right up until the point at which Dean propositions a male prostitute.  

Though he’s never shown doing anything gratuitous with male characters (since the book was published in the 1960s, it wouldn’t have been legal to) it’s clear that Dean is very much bisexual, not ashamed of it, and in terms of personality, very similar to Dean.  There are a few key differences (Dean Moriarty, for example, legitimately gives zero fucks about anything, whereas Dean Winchester is secretly a little ball of anxiety with the weight of the world on his shoulders) but it’s clear where Eric Kripke got his inspiration from.

Moreover, Dean Moriarty was in turn based off of the real life bisexual counterculturist Neal Cassady, who among other things had a twenty-year sexual relationship with a male poet.  Here, he is pictured in a Denver mugshot: 

So next time someone tells you the homoerotic subtext of Supernatural exists only in the imagination of rabid fangirls, remember that Dean is the direct descendant of two ragingly bisexual icons.

2.  Castiel (or at least his wardrobe) was also based off of a bisexual character.

For a show so aggressively devoted to a “no homo” interpretation, it has a real propensity to drawing inspiration from queer characters:  everyone’s favorite baby in a trench coat, for example, was modeled after the demon-busting John Constantine from the Hellblazer comics.  Yup, another bisexual.   

Though in true assbutt fashion, his love of men is censored in movie and TV adaptions, Constantine unabashedly swings both ways in paper form – a.k.a. where Kripke found inspiration for Castiel’s look.  Here, we see him platonically receiving a man-hug from one of his bros:

So I’m not saying the fact that two out of three main characters are modeled after canonically queer figures could have anything to do with Supernatural’s gratuitous queer subtext, but y’know.  It might.

3.  Cas himself is sexually complex (and literally cannot be straight.) 

Dean has made reference to the fact that he “doesn’t swing that way” (ironically, both of which times he was literally in the midst of blatantly flirting with men.)  

Cas, however, has no such reservations:  he’s never indicated, vocally or otherwise, a preference towards either gender, so much as outright declaring that he doesn’t give a damn.  

He reacts to male and female flirtation much the same way:  just try and tell me his suspicious glower and Mick wasn’t similar to Mandy the waitress (and try and tell me they both weren’t acting like they’d like to eat him for dinner.)

Moreover, the only time we’ve seen him ever achieve some kind of intimacy with female characters is when they’re literally throwing themselves at him.  Hey, he’s an aesthetically pleasing fellow – or rather, an aesthetically pleasing something.  

Which brings me to my next point that he isn’t really a fellow at all:  Cas not only gives zero fucks about sexual orientation, he also gives zero fucks about gender.  Sure, he’ll spend seven years in the same ill-fitting trench coat, but he’ll also rock a petticoat like nobody’s business.

I’ve discovered that the writer for “Lily Sunder Has Some Regrets,” Steve Yockey, is a gay man, which honestly makes it all the more perfect:  not only does it establish the Orlando-esque flexibility (or nonexistence) of Cas’s gender, but it eliminates the possibility of his straightness.  

And I want Destiel to be canon as much as anybody, but am I opposed to Cas being a genderfluid lesbian?  No.  No, I am not.    

4.  Dean can textually be interpreted as bisexual (and probably should be.)

For anyone who questions whether Dean not being straight as an arrow, I’m happy to point out some very canon things that happened on the show:

(Examples courtesy of @some-people-call-it-tragic!)

And yes, when feeling threatened, he’s professed not to swing that way.  But you know how many queer people I know who have at one point felt compelled to lie about our sexual orientation?  Every single one.  And I live in the bluest of blue states – Dean was raised in Bible Belt America and spends most of his time in the Southwest.  Not to mention the fact that he was raised during the heat of the AIDS academic.

In other words, he has every logical reason to be wary at the prospect of coming out of the closet, or even acknowledging same sex attraction at all.

Moreover it’s been canonically established that Dean has a habit of lying about himself to protect his image of masculinity:  according to Dean, he doesn’t do shorts, chick flicks, cucumber water, skinny jeans and sunglasses, and Taylor Swift music.  You know how many of those things he loves?  All of them

Finally, not every member of the cast or crew might agree (though I know for a fact that some of them do) but their interpretations do not effect textuality.  And Dean can textually be interpreted as bisexual.  

5.  Dean and Cas make a better couple than any of their love interests.

I’m going to state something I feel is obvious:  Cas and Dean have more buildup, tension, chemistry, emotional connection, and romantic history than literally any of their other interests.  

Take Lisa, for example:  she’s Dean’s longest lasting introduced as female partner, and she’s introduced as the “bendiest weekend of his life.”  

Furthermore, I’d argue that sexual attraction notwithstanding, Dean was never romantically in love with Lisa.  To him, she epitomizes his desire for a mother figure, a home, and his lost childhood, as is best demonstrated in his fantasy from “Dream a Little Dream of Me:”  Lisa isn’t a seductive or romantic figure here – she’s a maternal one. 

Though since Dean has never had a long lasting relationship (or, to my belief, been completely in love with a girl) it’s easy to see how he’d misinterpret these feelings as romantic love. 

Then we have Cas, who’s introduced by pulling Dean from the depths of hell, who makes most one-on-one scenes with Dean look like a soft core porno, and who recently (canonically!) declared his love for Dean.  

I don’t dislike Lisa, but it’s easy to see which of the two relationships is more three-dimensional, more original, and more worthy of screentime.

You know what, the ‘suddenly, there’s 5 more Winter Soldiers’ subplot

has gotten a lot of flack, and I don’t disagree that it could and should have been handled a lot better, but even as it is, I really really like what it says, or rather, confirms about Bucky.

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I’m glad we’re not getting a Season 2 this year

I’ve seen people disappointed about the movie, and wanting a Season 2 in October.

My perspective is… This is the BEST NEWS THAT I HAVE HEARD in this fandom, hallelujah.

The biggest enemy that Yuri on Ice has always had is its own success. When your show is basically printing money in DVD and merchandise sales, you can bet that the higher ups are breathing down your neck. Do more. Do it now. Do it faster. If you find a goose that lays golden eggs, by all means, make that thing lay as fast as it freaking can, and while you’re at it, can you make those eggs any bigger?

I have seen success absoutely ruin amazing shows/series/book series/etc. Over and over and over again.

This is particularly true when the show/series/book series has a strong romantic subplot, as Yuri on Ice does. That’s because often, in order to keep people who are invested in the romance invested, shows tend to do one of two things: 1. Keep people from getting together long after any reasonable person could imagine that they’d be apart, or 2. Add ridiculous drama to keep splitting them apart and then getting them back together.

I trust Kubo and Yamamoto. I don’t for one second trust bean counters. And I absolutely do NOT want to see someone splitting up Yuri and Victor in nonorganic ways just to keep some unnaturally stupid tension. Yuri on Ice was magical because it was made with love–every aspect of it–and every time the show surprised us, it was with how much more love was in the show than we’d ever imagined. But it is hard to manage that fine line between enough internal tension to move the story forward and that love that makes Yuri on Ice utterly magical.

When I heard details about the production, I could sense that love. They traveled to every venue, constructed the story around what was actually possible. The spirit of everywhere they went to pervades each scene. You can line up shots of where they were with anime scenes. The way they constructed characters, their skates, the music for their skates, how it all fits together to tell an overarching story about love in all its forms, something that is utterly compelling and yet lacks villains. Even details like putting the wedding rings on the right hand. This is storytelling at its very damned best, at every level, and I’m on my knees to it.

And you want them to do what they did in years for season 1 in a matter of months? It’s not possible. Not with the site visits. Not with needing to construct characters with respect and love. Not with commissioning music. Kubo was talking on Twitter today about visiting Mexico, and the idea of her taking Leo’s heritage as a Mexican American so seriously, and with such respect, in a time when Mexican-Americans are being absolutely vilified in this country, makes me almost weepy. That is what I want–that love, that respect for what they do.

The very, very worst thing that could happen to Yuri on Ice is for the second season to be made with money in mind rather than love. I would rather have no second season than to see someone push this show to become more “mainstream” (read: toning down the queerness, fuck that), or for them to not have the time to develop a story line that continues season 1 with the mastery and the love that made it so special.

The fact that they’re taking their time is the best thing I could have heard. We can get it fast or we can get it good. There’s plenty of media out there that comes out fast. There’s a reason this one was special. Everyone who wants something fast, well, there’s plenty of crap out there–feel free to be a fan of it.

Have a little patience, and trust the people who brought you this piece of genius, who have every financial incentive to take as much money as possible. If they say you’re not getting a season 2 this year, you better believe that it’s because they can’t do it well.

Two years may sound like an eternity, but a crappy season is the thing that actually lasts forever.

Pepero Day (M)

MASTERLIST

Pairing: Yoongi x reader

Genre: Smut, Bestfriend!Yoongi, Valentine’s Day themed

Word count: 5.7k

warnings: Rated M, language, graphic sexual descriptions

A/N: This was meant to be a valentine’s day fic, but it’s a day late, rip. I hope you enjoy it regardless!

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Yuri on Festival voice drama (detailed report)

I went to watch the next-day viewing of yesterday’s Yuri on Festival event, and this time I took notes for the drama so I’ll write a more detailed summary, also because this one isn’t going to be sold on DVD. I believe other people have probably written reports too, but in cases such as this I think “the more the merrier” because it’s not recorded so it’s better to have more accounts. Also, now you’ll start seeing more Japanese reports & art too. Most people were keeping quiet out of consideration for the ones who could only watch the viewing and didn’t want spoilers.

Official title of the drama: “Fundoshi da yo!!! Sekai Metsubou Daipinchi Hasetsu Kunchi Spiritual!!” which roughly translates to “Fundoshi!!! The world is in danger of being destroyed. Hasetsu Kunchi Spiritual!!”

It was in 3 parts, separated by game and information corners.
I hope it’s not too confusing, but especially the last part is impossible to summarize decently because they talked a lot and I couldn’t possibly take note of everything, not to mention what they say is mostly crazy stuff, lol. For some parts and lines I double-checked looking at other Japanese comments online. If something is not clear feel free to send me an ask.

Continue under “keep reading”.

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Late Late Show

Summary: At the launch of your new series Riverdale, you and Cole’s relationship has finally become public after KJ leaked a photo of you two out of character onto Twitter. In addition to dating him, your character is Jughead’s love interest, and so you have an interview with James Cordon.

Word Count: 1141

Originally posted by paranoid-papi

Originally posted by yourreactiongifs

“Everyone please welcome, one of the newest stars of the CW’s hit Riverdale, (Y/N) (Y/L/N)!”

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fake fake fake
  • the clip starts with eva talking about causeries: humorous written piece that, in english, can be referred to as “talk of the town”. eva says she’s not good at it while noora says she doesn’t even know what it is. 👀👀👀
  • even before sana starts focusing on the carrot munching, from the very first second of the clip, the audio has a slight echo to it. which could just be the staircase in which they’re in but i’d think that the team would fix it in post-prod. i feel like they left it because it gives a daydreaming quality to the scene and sana’s pov. from the start, she’s not really listening.
  • carrot munching from the trailer
  • i’ve seen people comment that noora is eating too loudly, that’s not what it is.
    firstly: have you ever managed to eat a carrot silently? and secondly: the shot is to show how much sana is annoyed by noora now. when you hate someone, you tend to find every single thing they do annoying. suddenly, they breathe too loud, eat too loud, are just generally gross.
  • in my attempt to find out if there was a word for this phenomenon other than misophonia (as i understand it, misophonia is when you’re hypersensitive to certain sounds regardless of the context or person…i was looking for a word for when it happens only when you hate someone), i discovered a video of 5mn of carrot munching noises. here it is if you want to die.
  • the mcdonald’s discourse
  • sana looks outside at sara, vilde, and laila and…
  • …i’ll come back to this image later.
  • as sana focuses on noora and eva joining the group, she tunes out the noise around her just as when in prayer or when she was looking at yousef’s facebook profile. it seems that the music from sigur rós is used here as it was used in the other focusing scenes.
  • isak literally gets his nose into other people’s business (and i feel that almost everyone noticed immediately, despite how little of the frame it takes, because of the reading sense)
  • again, we have isak trying to reach sana and he says exactly what’s on sana’s mind: “has sara stolen all your friends?”

[cont. after the “read more”]

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anonymous asked:

Please please share your thoughts on Wonder Woman? Thank you! :)

ANYONE WHO WATCHED WONDER WOMAN (2017) DIR. PATTY JENKINS AND WASN’T COMPLETELY IN LOVE IS NOT TO BE TRUSTED

Some thoughts:

  • So we all knew it was going to be emotional to FINALLY have a female superhero movie, but the movie exceeded those expectations. The fight scenes were incredible and so focused on Diana and what she was capable of – the men basically weren’t even there. The fuckin no man’s land scene SAVED MY LIFE. Superhero movies are known for being heavy handed and this one didn’t escape that for sure (the love speech at the end was….a lot), but that scene was so well done…they didn’t have to stoop to some Éowyn knock off line of “I am no man,” we were allowed to just see her do what real women do - step up and do it. Even though that wasn’t the first time we’ve seen her in full Wonder Woman costume on screen, it felt like it was, like it was the first time I’d EVER seen ANY hero before and it took my breath away. By far the best Superhero Reveal Moment I’ve ever seen. My girl taking out bullets right and left, drawing fire from the entire German army!! Fuck me up!!!
  • You can’t talk about this film without talking about gender role reversals. Chris Pine was So Perfect and I think they really couldn’t have pulled the movie off if they’d cast any other white boy in the role. He was funny but genuine, capable but never arrogant, charming but not entitled about it. He learned quickly what Diana was capable of and respected her for it, always moving to the sideline during the fight scenes (the shield moment with the bell tower comes to mind - who needs a sniper when you can fuckin launch a god at the shooter??), knowing that these were her fights and never trying to mansplain her out of them. He wanted to protect her, but didn’t underestimate her - all the things that a typical female romantic interest does in these kind of movies. It was amazingly well balanced, so much so that I didn’t even mind the romantic sub plot. Plus he was almost entirely naked there, way to play to the audience my dudes!!!!
  • The historical context did the movie such a great service. The outward displays of sexism became so ridiculous when faced with Diana, who genuinely had never had to deal with the patriarchy’s bullshit before. It didn’t just make the men in London look pathetic and mean, it cast a large shadow over the way that women are treated today. 
  • The Dark DC Gradient™ on all the shots isn’t my favorite but it did Chris Pine’s fuckin bright blue eyes a huge favor
  • Gal Gadot was so fuckin good??? Not only was she beautiful, like really really distractingly beautiful, like I kept having to force myself to pay attention to the dialogue cause I, like Steve Trevor, could not stop looking at her (and she’s standing next to Genuine Stud Chris Pine and still?? SHE’S SO BEAUTIFUL). But she was way more then that, her performance was spot on. Diana was naive, commanding, strong, compassionate - while never being reduced down to just a one note version of these things. She felt so real to me, in a genre that spends very little time on character development. Even in the sappiest parts of the script, she sold it. She absolutely sparkled. 
  • Some of the best dialogue was the back and forth between Diana and Steve when she’s asking questions about mankind/London - it was cute and funny without being too overdone or obvious, which it easily could have been
  • The villains weren’t much to write home about, but they didn’t need to be. The movie was so laser focused on Diana and Steve that they really didn’t matter, you could self insert whatever you wanted to there
  • Themyscira is the ideal for I too want to hang out on the beach and never see a man again
  • Also that lesbian line, and how stupid male reviewers blindly did not understand it!!! Fuckin drag em
  • But also the fight scenes on Themyscira were INCREDIBLE. I wish that first section had been a bit longer just because I was enjoying it so much, but it was so refreshing to see all women on screen - women who fought and loved and supported each other. Incredible. 

I haven’t enjoyed, really enjoyed, to the point of not having to think about the message or the structure or how much fuckin time I’ve wasted listening to some male superhero talk about honor or some equally boring garbage, since The Avengers came out in 2012. Even then, Wonder Woman felt like something else entirely. It leaned on many of the same tropes and sequences, but there was enough reinvention in between (particularly the characters, who I felt were much more fleshed out then any superhero movie I’ve seen before) to make it feel fresh and exciting. This so easily could have been a throw away movie, a chance for movie execs to point and say, hey we tried with women that one time!! But Patty Jenkins, and Gal Gadot, and all the other women who worked on this incredible production, knew what was at stake, and weren’t going to let that happen. Every time I see a little girl dressed up as Diana Prince, on her way to the theater, my heart fills more and more. During the film, I found myself on the verge of tears five or six times - sometimes because it was so beautiful, to see a woman who felt so real being strong and vulnerable and saving the damn world, but other times because the plot itself genuinely moved me. Wonder Woman is revolutionary for the industry, sure, but more importantly, it’s just a damn good movie. 

favourite parts of beauty and the beast

  • THE INTRO AND THE WAY IT ZOOMS INTO THE CASTLE AND THE ORIGINAL INTRO MUSIC PLAYING IN THE BACKGROUND LIKE FUCK ME UP
  • THE FUCKING SCENERY. LIKE SAME WITH CINDERELLA I HAVE DECIDED THAT THE LIVE REMAKES OF ALL THE DISNEY FILMS ARE THE ABSOLUTE BEST AND IT’S BECAUSE OF THE SCENERY
  • THE CGI IN THIS FILM IS A FUCKING MASTERPIECE OK
  • “trust me ladies…it’s never going to happen”
  • THE BE OUR GUEST SCENE
  • literally lefou. everything about him made this fucking film
  • “i just realised i’m illiterate and i’ve never had to spell it out loud before”
  • ALSO WAS THAT A BI MAN I SPIED WITH MY LITTLE EYE DURING THE “how is your wife” SCENE
  • “are you busy” “no”
  • père robert being a fuckign badass
  • stanley tucci. enough said
  • “i want adventure in the great wide somewhere, i want it more than i can tell” like that whole scene gave me chills the way she’s standing on the top of the hill and you can see down into all the little valleys it’s so magical
  • THE DESIGN OF THE CASTLE LIKE IT WAS SO ASTOUNDING I COULD BARELY BREATHE
  • IAN FUCKING MCKELLEN
  • “please turn back into a clock. please turn back into a clock”
  • EMMA THOMPSON LADIES AND GENTLEMEN
  • when belle says that her favourite shakespeare play is rom and jules and the beast is like “why is that not a surprise”
  • THE LIBRARY SCENE
  • “was that a joke? are you making jokes now?”
  • gaston talking to himself in the mirror
  • “you are the most gorgeous thing i’ve ever seen. nobody deserves you” same buddy same
  • “i’m not done with you yet” “me neither”
  • CHIP. IS. THE. SWEETEST
  • belle throwing a snowball at the beast and he’s just like “right” and fuckign decks her
  • THE WHOLE MRS. POTTS AND LEFOU SCENE
  • “we’re in a bad place right now” “you’re too good for him anyway”
  • THE TALE AS OLD AS TIME SCENE WHEN THE LIGHTS COME DOWN FROM THE CIELING FUC K ME UP
  • “happy place, gaston, happy place”
  • “the widows!” “oh, the widows”
  • “are there any other tasteless demands you wish to make upon my artistry?” “no, that’s it”
  • garderobe changing the three thugs and one of them looking fucking fabulous
  • LEFOU AND THE THUG DANCING AT THE BALL
  • “have you ever considered growing a beard?”
  • HIS FUCKING GROWL AT THE END
Columbine Songs
Eminem
Columbine Songs

Eminem and Columbine


I am an Eminem Fan for years now and when I started to get more and more into True Crime I was surprised to find a lot of his Lyrics mentioning Columbine which I never really realised before. Of course he also mentioned other murderers or events, like Ted Bundy and the Aurora theater shooting but I wanted to start with the Columbine lyrics because there’s a lot of material. So let’s start:


The Way I Am, 2000
0:00-0:16
When a dude’s getting bullied and shoots up his school
And they blame it on Marilyn and the heroin
Where were the parents at? And look where it’s at!
Middle America, now it’s a tragedy
Now it’s so sad to see, an upper-class city
Havin’ this happening

Marshall states that he thinks that he thinks that not music is the reason for the shooting but bullying and the parents. But as we all know Marilyn Manson was partly blamed for Columbine by the media.
Em is also making fun of the fact that Columbine was the first shooting that people cared this much about although there have been a lot of shootings but now it happened at a “nice” school.

There is an alternative version of this song featuring Marilyn Manson (x)
He performed it live with Manson (x and x)
Manson also appeared in the official video (x)

Remember me, 2000
0:17-0:30
Came home and somebody musta broke in the back window
And stole two loaded machine guns and both of my trenchcoats
Sick, sick dreams of picnic scenes
Two kids, sixteen, with M-16’s and ten clips each
And them shits reach through six kids each

Em is making fun of the idea that musicians like him are a bad influence because he is not the one who gives these kids their weapons.

And as we all know, Eric Harris and Dylan Klebold both wore a Trenchcoat when the attack started, that’s why „both of my Trenchcoats“ were stolen. And so he thinks that they were stolen to start another Columbine.
And when you have these „two kids“ with guns that, when you shoot them, „reach through six kids each“ you have 12 dead kids. And as we all know, during the Columbine massacre died 12 kids (and one adult).

By the way, Eminem needed two months to write his whole verse on this song while Sticky Fingaz wrote his verse in one day. 


I’m Back, 2000
0:30-0:41
I take seven [kids] from [Columbine]
Stand ‘em all in line, add an AK-47, a revolver, a 9
A MAC-11 and it oughta solve the problem of mine
And that’s a whole school of bullies shot up all at one time

This is probably the most well known Columbine reference made by Eminem.
This album came out one year after the massacre so it was still an sensitive subject. Therefore his label censored these two words (Kids and Columbine), even on the explicit version of the album.
I don’t think I have to explain what exactly this lyric means, it’s pretty clear.
In his book he states this:


“ I was getting shit about the Columbine reference on “I’m Back” and the label was telling me that I wasn’t gonna be able to say it. My whole thing was, what is the big fucking deal? That shit happens all the time. Why is that topic so touchy as opposed to, say a four-year-old kid drowning? Why isn’t that considered a huge tragedy? People die in the city all the time. People get shot, people get stabbed, raped, mugged, killed and all kinds of shit. What the fuck is the big deal with Columbine that makes it separate from any other tragedy in America?”

In 2015 a 15 year-old boy was arrested. He posted these lyrics on Instagram and added “Cause I’m just like shady and just as crazy as the world was over that whole Y2K thing”
The origiginal lyrics are “ ‘Cause (I'mmmm) Shady, they call me as crazy
As the world was over this whole Y2K thing”

When authorities searched the boy’s home they found weaponry and eventually arrested him. He denied any knowledge of the weapons and said he didn’t post this text on Instagram.


White America, 2002
0:42-0:48
White America, I could be one of your kids
White America, little Eric looks just like this

In this song it’s not only about the Lyrics but also about the music video.
With “little Eric” he mentioned Eric Harris but it was also meant as an example for a typical white kid. He is from middle america because his name is in the middle of amERICa.
The interesting part is, as I said, the video. Where you can see news of an school shooting during “I could be one of your kids”
And during “little Eric looks just like this” you can see one of those typical yearbook pictures and the house of the school shooter. The house looks a bit like the one the Harrises had.

When these lines get repeated you can see a boy full of (probably) blood stepping out of the map of america. On his shirt is written “I am Eric”.


Rap God, 2013
0:49-0:54
I’ll take seven kids from Columbine
Put ‘em all in a line, add an AK-47, a revolver and a 9

This was the first time we could hear the Columbine Line uncensored. Eminem didn’t rap all of the “I’m back” lines because he just wanted to
“See if I get away with it now that I ain’t as big as I was”
As you can hear, he got away with it.





Eminem is one of the few people who openly give their sympathy for the two shooters.
He admitted to be interested in serial killers in this statement:
“I did find myself watching a lot of documentaries on serial killers, I mean, I always had a thing for them. I’ve always been intrigued by them and I found that watching movies about killers sparked something in me.The way a serial killer’s mind works, just the psychology of them is pretty fucking crazy. I was definitely inspired by that, but most of the album’s imagery came from my own mind.”

But Marshall Mathers seems to have an very personal realationship with the whole Columbine Issue.
He himself was bullied on a daily basis during his childhood, often for his race and for always being the new kid. When he was nine years old he got beaten up so bad he was in an coma for several days. I think he is one of the people who is trying to understand what Harris and Klebold were going through.
But I think it is important to mention, that he is the living proof that even when your life is is shitty right now because of some people who have nothing in their life but to terrorize you, that you can still have a better life. And you beat them best when you keep on living.

“That Columbine shit is so fucking touchy. As much sympathy as we give the Columbine shootings, nobody ever looked at it from the fuckin’ point of view of the kids who were bullied—I mean, they took their own fucking life! And it was because they were pushed so far to the fucking edge that they were fucking so mad. I’ve been that mad.

-Marshall Mathers

Insecure (Peter Parker x Reader)


Authors note: this was requested by the lovley @signethatsmelol, also I hate myself bc I turned my precious babies against each other for the sake of fiction

Warning(s): some swearing, violence, angst BUT DW BC FLUFF AT THE END

Something was wrong. Seriously wrong. Maybe it was the unusual silence of the school halls after class or the fact that Peter hadn’t come to find you but something was definitely up.

You frowned as you made your way to your locker, your boyfriend of a year nowhere to be seen.  Opening it up, you loaded in your calculus textbook and a few other things before heading your academic decathlon club. You often found yourself looking forward to your team meets as you’d get to spend more time with your boyfriend, Peter and best friend, Flash.

You’d actually met Peter through Flash, when you’d first joined Midtown high. Flash had been your ‘tour’ guide as such, and he was extremely sweet towards you, he’d made you feel comfortable with the move to a new high school and even invited you to the team’s first meet of the year, although he was very flirtatious and you weren’t into that. Peter had joined the meet a little later than it had started because of his Stark internship and it was pretty much love at first sight from then on.

You’d grown to love his little stammer every time he talked to you, and that blush that spread from his cheeks to his neck every time you held his hand in public. You could even say you loved Peter Parker . That’s why you were so worried when he hadn’t come to meet you, the pair of you were inseparable so you knew something was wrong.

You were pulled out of your thoughts as your friend Michelle came running towards you, panic etched across her features. “Michelle?” You asked, turning from your locker to face her, concern stitched into your voice. She was hunched over, hands gripping  her knees as she struggled to catch her breath.

“I-it’s Peter” she began, drawing herself upwards. “He’s gotten into another fight”

Your eyes widened as she spoken, you slammed your locker shut as the curly haired girl lead you towards the fight. Within a matter of minutes, you found yourself behind a large gathering of people, formed into a circle. People were cheering and filming the ordeal. Hurriedly, you pushed your way through the bands of people, trying to get a better look at the scene.

“Excuse me, sorry. Pardon me”

What you saw after weaving your way through the crowds made your heart drop. Your friend, Flash and your boyfriend Peter.

They were currently standing opposite each other, faces swollen and bruised. Flash had clearly gotten the brute end of it, and looked like he was on his last legs. Peter on the other hand looked significantly less injured and you knew in that moment he had been the one to start the fight. You knew Flash had picked on Peter, that’s what made it hard to maintain your friendship with him but you never thought Peter would lash out on him like this.

“Say that again, I dare you” you heard Peter spit, bouncing his fist up and down menacingly. Through the pain, you could see Flash draw his lips into a cruel smirk.

“She doesn’t want you, she never has. She’s only with you to get back at me”

That was all it took for Peter to launch himself at Flash, you covered your eyes and bit your now quivering lip, as you heard the pair’s grunts of pain. You knew know that this wasn’t some stupid spat between boys.

This was about you.

Opening your eyes, you rushed out into the circle, the cheers from the crowd only sky rocketing. At this point, both boys were at either side of the circle, you rushed between them in an attempt to stop the violence. “Stop it!” You yelled breathlessly, looking between them. “Just stop it! You’re hurting each other!”

Both boys fixed their posture before looking at you. You stared Peter down, meeting his gaze with a confused look, you could see the guilt swirling in his eyes. Your attention was stolen, when Flash begun to speak up. “Get outta the way (Y/N), I gotta let this punk have it

Don’t talk to her like that” Peter seethed back. You shook your head, begging yourself not to cry as the two boys you cared about glared and growled at each other. You could see that Peter was tired and could tell that he was feeling guilty.

“Leave it Flash” you called out as he tried to advance. You turned to your boyfriend and grabbed him then by the wrist trying to get him out of there. You pulled him into a guest toilet and locked the door behind you. You sat him down on the lid of the toilet,  grabbing some tissue and running it under some cold water before pressing the compress to his bruised knuckles.

“What the fuck was that Peter?” You said, as you worked in silence. Peter could only watch as you moved about, making more compresses for his cuts before they bruised.

“I’m sorry” the brunette boy whispered, not meeting your eyes as you inspected his face. You paused, looking into his chocolatey orbs, anger swirling in them.

You’re sorry?!” You yelled, your calm facade breaking down. This wasn’t the first time Peter had gotten into a fight over you, in fact, they’d been happening a lot more recently. You’ve never mentioned it to him before, at first you thought he was being over protective, but now you could tell it was much more serious. “Sorry doesn’t cut it Peter! Do you know how many times I’ve had to pull you out of these situations? Do you know how many times I’ve had to save your ass from being beaten into the ground? Do you know how much that scares me? I don’t know what’s going on with you Peter but you need to sort this out.”

Your boyfriend flinched at every word you spoke, as if he was being

sprayed by acid. He knew what you were saying was true, but he couldn’t help it.

“Peter, I love you!” You cried out, as he gazed at you intently. “But you can’t keep fighting people over me! Flash is one of my best friends, and to see you both almost kill each other out there breaks my heart! I don’t know what’s gotten into you, but if it keeps happening, I don’t know if I can stay”

This time, Peter’s head snapped up, looking you directly in the eyes. “W-what are you - are you saying?” he whispered, voice low and uneven. He was standing now, and you could see his body shaking.

“I’m saying that maybe…” you sighed, backing away from Peter. “We should…take a break?”

“No!“Peter practically screamed, his voice cracking as he did so.

In the dim light of the bathroom, you could see his eyes glaze over as his body begun to shake. “P-please”

Peter…

“I meant it when I said I was sorry” he tried, his voice betraying him. “I don’t know what came over me, F-flash was just saying these awful things about you, a-about us and I began to doubt myself”

You neared your sobbing boyfriend, immediately feeling guilting for suggesting that you end things. You wrapped your arms around his neck, pulling his head down to rest on your shoulder as he cried. “T-they say I don’t deserve you, all the guys. T-they say you’re too good for me… and it’s true”.

You stroked his hair softly as he let out his emotions. You never knew that he’d felt this way, that this could have ever been the reason for his outbreak. That Peter Parker was insecure.

Baby no” you whispered but he didn’t stop there.

“You’re the kindest and sweetest soul and I don’t know what I ever did to deserve you. You’ve been with me through everything and I-I’m just… Peter” he hiccuped, pulling away from you with bleary eyes. “P-please don’t leave me, you’re everything I have”

“Peter…” you sighed, holding him close until he’d calmed down. “I-I’ll never leave you, I’m sorry, I’m so so sorry”. You clung to him, trying to tell him that you were there and that you weren’t ever going to let go, you cursed yourself for being such a terrible girlfriend. When you both pulled away, you looked up at Peter, feeling his love for you radiate off of his body. You stood on your tip toes and slowly pressed your lips to his, the taste of his cherry lip balm invading your tongue. His warm and familiar hands snaked their way around your waste, pulling you closer to him. You gripped the collar of his plaid shirt from under his jumper and tugged him towards you, wanting to be as close to him  as possible, wanting him to feel the love you had for him. All of Peter’s insecurities melted away in that moment, he knew that you would never leave him, he knew that you loved him and that none of the other guys meant anything to you, not even Flash.

When you’d both come up for air, a small smile graced your lips. Peter returned your smile, going to bury his head in the crook of your neck again. “I’m so in love with you” he whispered against the  skin of your neck.

“I love you too Pete”

You both stood in silence, holding each other, the only sounds being made were your giggles as Peter pressed kisses to your neck. “I really am sorry about Flash though, I know how much he means to you” Peter spoke, after a few moments.

You rolled your eyes, before ruffling Peter’s hair. “He was an asshole anyways, you’re all that I care about”

You both laughed before you pressed a quick kiss to Peter’s lips, making him blush. “Now we should probably get out of here before people think we’re up to something” you winked at him playfully , as he shook his head at your antics.

Peter only let out a laugh as you pulled away to unlock  the door. You  grinned back at him, admiring his smile, and the way it reached his eyes. You really loved Peter and god help anyone that tried to make your baby insecure again.

So I just saw Get Out and this post will have no spoilers but holy shit, does it ever deserve its current perfect score on Rotten Tomatoes.

I’m not going to go on about its racial commentary aspects because I am white as hell and I figure it’s best if I leave that discussion up to POC, but it is just a fantastic horror film and a really well made movie and I highly endorse it.

Some thoughts:

  • I have only ever seen Allison Williams as Peter Pan before and so in my head, for the whole movie, she was Peter Pan
  • The cinematography is so GREAT and claustrophobic and that combined with the fabulous score just puts you so on edge and GAH
  • The preview makes it look like a racial Stepford Wives and it’s SO MUCH WORSE AND MORE DISTURBING, DAMN
  • But honestly though, I was actually the most unnerved during the setup than when things became a straight up horror film because at least then you could tell yourself “well this isn’t actually possible” but before that it’s like the microaggression equivalent of Chinese water torture and it’s so uncomfortable and cringe-worthy and the worst part is hearing shit like “I would have voted for Obama for a third term” or “my man” or “Is [the sex] really better?” and realizing you know people who would say that sort of thing and think they’re not racist at all and then you start to wonder if you’re that obnoxious and it’s almost a relief when things go to hell
  • Except it’s not a relief at all because HOLY SHIT THIS MOVIE
  • also the takeaway for white people here (other than don’t participate in human trafficking and racism) is probably that if you’re like Peter Pan and realizing your community is hella racist, the thing to do about it is not get privately frustrated but not actually stand up for your friends beyond incredulous looks at racist asshats, use your privilege for good, people
  • there is some comedy in this movie, and it’s great because it’s a Jordan Peele film, and it comes in exactly the right spots when you need a bit of levity or you might die of the tension, but it always felt like a proper horror film to me more than a horror comedy
  • the design of the hypnosis sequences are GORGEOUS
  • so there’s some gore in this movie but what you see is pretty much all surgical gore and any gory violence is just implied off screen, you only see blood as a result of violence
  • There’s no sexual violence in this movie, but there is human trafficking so that does imply that sexual violence is happening somewhere
  • There’s also an extended sequence of animal death where you don’t really see much but you hear the most awful pained cries
  • As far as I remember, there aren’t racial slurs or really explicit racist language (like “boy” or “you people” or calling the lead less than human or anything), but there is one scene that is very deliberately and painfully reminiscent of slavery auctions and there’s a lot of fetishizing of black (clothed) bodies by the white characters and casual dehumanization of black lives and at least in my perspective that made it even more uncomfortable and painful because these people probably are totally convinced they’re not at all racists and urgh
  • this movie made me like the TSA
  • like every single line of this movie has significance later, it’s really well-written
  • I know I said I wouldn’t comment on the commentary aspects much, but really, white people should see this movie, it points out a lot of microaggressions and makes you uncomfortable and it should
  • Daniel Kaluuya pretty much carries the movie in a lot of scenes and he’s great, I don’t know what his role in Black Panther is but I can’t wait to see more of him
13 Reasons Why

Thoughts on 13 Reasons Why characters and a rating of how much I dislike them from 1 being “my baby!!!!” to 10 being “FUCK THEM THEY CAN ROT” 

Hannah Baker: Didn’t deserve everything she went through especially rape. She pushed some people away though and sometimes she was kind of idk how to word it but I didn’t like stuff about her at times. Either way she deserved so much better than what she got. Deserved to be happy with Clay. 2/10.

Clay Jensen: Will fight anyone for Hannah. He was so shy around her and didn’t know what to do whenever he was with her, he’s so precious. Sometimes there were some things he did that didn’t sit right with me but he definitely deserved a happy ending with Hannah Baker; they deserved to be happy and in love and ugh. Also… took like 4823707592 years to listen to the tapes? 2/10.

Tony Padilla: Gay POC which I love because we need more of them. I love him he was so patient with Clay and all he ever did was try and protect Hannah’s wishes. Glad he shared the tapes with Hannah’s parents because they deserved to know why she killed herself instead of being left in the dust wondering why. I was always so happy when he came on screen. CLAY LISTEN TO THE GODDAMN TAPES. 1/10.

Jeff Atkins: My pure cinnamon roll, didn’t deserve to die because of a stupid girl who couldn’t own up to her mistakes. I hate how nobody including his parents and except Clay never knew he wasn’t drunk that night he died. Just wanted Clay and Hannah together. Your fave is problematic: uses “unique” 7 times in an essay. -5435973495797/10. I love him forever, hes so great. Never did anything bad.

Justin Foley: Didn’t deserve the home life he had BUT i really hated him for what he did to Hannah and the fact that he’s a rape enabler and a rape apologist like he literally let his best friend rape his unconscious girlfriend, covered up for him, and lied to her about it and then when she found out, he STILL was justifying what he and Bryce did by telling her that he didn’t tell anyone because Bryce does all this shit for him. KNEW that whatever happened at that party was fucking Jessica up but didn’t come forward until the very end. Claims he cared for her but you don’t do that shit to someone you claim you care about. Fuck him for that. 8/10.

Jessica Davis: She was so cool and nice in the beginning but then I hated how she got mad at Hannah and slapped her for the list instead of Alex, like really??? You think she asked to be on that list?? PLEASE. But after all that, she was still nice towards her and was never ill-mannered when it came to Hannah. Also, can we talk about how she didn’t deserve to be raped??? Justin Foley DEFINITELY didn’t deserve her. YOU GO GIRL. TELL HIM YOU NEVER WANT TO SEE HIM AGAIN. 5/10.

Alex Standall: He made some poor decisions making that list for a stupid reason and then letting Hannah pay the price. I somewhat like him though. I think he was a redeemable character and had a conscience (although it was too late, rip Hannah Baker) and felt that he needed to own up to it and tell the truth, was ready for whatever penalty he was gonna get. Was the only one (for a while) who thought what the others were trying to do was stupid. He definitely deserved better too, he didn’t deserve to shoot himself (or in other theories, didn’t deserve to be shot by Tyler). Please be okay…please be alive, baby. 4/10. 

Courtney Crimsen: GIRL, BYE. I hate and will always hate her character so much. Her and Bryce should just rot. She was a rape apologist and only cared about herself. Like girl I get that coming out is hard, I haven’t even done it, but to fuck up Hannah’s life like that? Are you serious? Justified Bryce’s actions to hide her truth. And she fucked up Jessica’s life too, in my opinion. She tried so hard to convince herself (and others) that Hannah was lying, Bryce isn’t a rapist, and that Jessica was never raped just so she can stay in the fucking closet. Like there’s nothing wrong with being gay. And she has two gay dads for fucks sake. 10/10 would always hate her again. 

Zach Dempsey: I think he genuinely liked Hannah but after all the shit Hannah had been through and the fact that his friends were his friends, I definitely see Hannah’s side of why she shot him down. I think he, himself, was lonely too but in different way; just because someone’s popular doesn’t mean they’re not lonely. Didn’t get compliments so he stole Hanah’s when she needed it most (I hate how he did that ugh like WHY…did you really need it?). Redeemable character, though. Also…HE KEPT HANNAH’S NOTE IN HIS WALLET!!! 5/10.

Tyler Down: Fuck him. A fucking creep. Like, he stalked people and took pictures of them when they were unaware (especially Hannah) and when she confronted him, HE FUCKING SENT THE PICTURE TO EVERYONE. Claims he “loved” Hannah but really?? FUCK HIM. Why did he even have so much guns? I’m pretty sure he’s planning a school shooting…fucking psychopath…”I can take care of myself” BOY BYE. And if he did shoot Alex, FUCK HIM EVEN MORE. 9/10.

Ryan Shaver: Didn’t respect Hannah’s wishes. Only cared about himself and poetry. Didn’t even care that Hannah didn’t want her shit to get out. I only liked him whenever he said Bryce is a rapist and that Courtney should just shut the fuck up and stop justifying Bryce’s actions. 8/10.

Marcus Cole: He cared more about himself and his reputation more than anyone. Thought he was the shit. Sexually assaulted Hannah then called her easy for refusing. 9/10.

Sheri: I liked her and she was genuinely nice but she crashed the stop sign and left a drunken Hannah at the scene and fled. Caused Jeff to die and I hate her for it. Though she reported it because she knew it was the right thing to do, it was already waaay too late. 6/10 because of Jeff.

Bryce: Rapist. Douchebag. Scum of the earth. He didn’t even think what he did was wrong. He raped two fucking girls and didn’t even feel remorse. He just thought every girl wanted him and that was that. I hate him so much, he can die. 102804802020x100000/10.

Mr. Porter: Could have tried better to stop Hannah from killing herself. She was set on suicide until she had doubts and needed just one person to help her and the one person she came to didn’t care enough to chase after her when she left his room that day. Worst. Guidance Counselor. Ever. 8/10.

June

GUYS I’ve decided to start posting my Drarry Recs at the end of every month all in one place (this was supposed to be posted on Friday; I’m already off to a great start). It won’t necessarily be NEW stories, it will just be ones I have read within that month and think everyone else needs to read as well! SO in no particular order:

O Sinners, Let’s Go Down by birdsofshore

  • Rated: Explicit
  • Word Count: 32.6k
  • Summary: It seemed like such a straightforward plan ‒ a trip to Suffolk to research his mother’s family tree and spend a few days relaxing by the seaside. Harry wasn’t looking for anything more than that. He certainly wasn’t looking for Draco Malfoy.
  • I did not know I had a thing for Draco as a priest until this story came into my life. Seriously. It’s the actual hottest thing. Wait until you get to the scene in the Confession Box *dies*

The Heart’s Honest Truth by @bixgirl1 and @carpemermaid

  • Rated: Explicit
  • Word Count: 16k
  • Summary:  “Don’t you think I would have gone to Pomfrey if I thought she could help me?” “Then what can I do?” “I nee—” Malfoy broke off with a soft grunt and a pained expression. He took a shaky breath and tried again, his voice wobbling. “Will you touch me, Potter?” Draco is cursed to speak in questions. Well…Spelled, thanks to the stupidly improper archival practices of the fourth century. Harry Potter is there to save the day, but Draco isn’t going to give in to his help so easily. Fortunately, the method of saving might be more satisfactory than Draco expected this time.
  • These two authors writing together is EVERYTHING! This fic is so sweet and hot and funny PLUS it has magical theory AND is Eighth Year. Seriously. What more could you want?

Playing The Hero by @l0vegl0wsinthedark

  • Rated: Explicit
  • Word Count: 29.4k
  • Summary: Nobody kissed me like Harry did. He kissed like he flew; he kissed like he dueled - with his whole being, not caring about anything else. I had never felt as vulnerable as I did when he kissed me, seizing all and any control I had over myself. But when Harry kissed me, I felt free…
  • I know some people are wary of first person POV fics but guys, Loveglows absolutely knocked this one out of the park. I can’t imagine this being done any other way; the emotions are so much more intense. The flashbacks are seamless and gahhh Harry’s an idiot and then Draco’s an idiot and it’s just wonderful to watch them figure it all out and come back together.

Uncaged by @0ctobersky13

  • Rated: Mature
  • Word Count: 19.8k
  • Summary: Although the craziness surrounding Scorpius’ and Albus Severus’ fourth year at Hogwarts tore Ginny and Harry apart, it brought Harry to a life of love and happiness with Draco Malfoy. A few years later, Draco is contacted about sensitive information regarding the death of Sirius Black. Tormented by the memory, Harry agrees to go with Draco to Azkaban to interrogate Death Eaters present during the break-in at the Department of Mysteries to find out the truth. Afterwards, Harry is taken from their home. The kidnappers demand the release of Death Eater, Walden Macnair, in exchange for information on his whereabouts. Draco and his team of Aurors use mobile phones, surveillance equipment, and vehicles to move through Muggle London trying to find him.
  • Read the triggers guys. Don’t be like me and get caught by surprise and end up ugly crying in a corner and sobbing about how in love Harry and Draco are. I was literally on the edge of my seat as I read this and if you’re looking for an intense fic with lots of feels, this is for you!

And We Are Revellers by professordrarry

  • Rated: Explicit
  • Word Count: 5.4k
  • Summary: “You know you have to buy him a proper gift, right?” Harry said finally. “Yeah,” Malfoy sighed. “I know.” What happens when Draco has failed at Birthday Gift giving? This, apparently. After all, Malfoys don’t give up that easily. Not when winning is on the line. Threesome, PWP, established relationship.
  • Okay so this is technically a threesome fic with Harry/Draco/Neville but it needs to be here because it’s brilliantly done and I’m so on board with this combo now, and also Draco trying to outdo Neville with presents is adorable.

Two Weeks by @shiftylinguini

  • Rated: Explicit
  • Word Count: 21.9k
  • Summary: If Harry had to guess which out of he or his Auror Partner, and tentative new friend, Draco Malfoy, would turn out to have Veela ancestry, his answer would be: neither, because that is ridiculous. Finding out the answer is actually him, and that his Veela heritage is wreaking havoc on his ability to work, sleep, and above all be in the same room as Malfoy, is a surprise to say the least. But this is fine. Harry’s been through worse, and he can just sit this one out, regardless of how much his body is screaming for the one person he doesn’t want to ask for help. Can’t he?
  • The UST guys the UST! I love fics where Harry and Draco are friends first, and when Draco is determined to help Harry. Their phone conversation when Harry is trying to explain his situation is one of my favourite scenes EVER.

Happy Birthday to Draco Malfoy by @mrbenzedrine89

  • Rated: Explicit
  • Word Count: 11k
  • Summary: Draco is convinced his friend is bisexual -the only problem is, Harry doesn’t know it yet. On Draco’s birthday, he takes it upon himself, with a little help from a lust potion, to figure out the truth.
  • Get a fan or a cold shower ready. I kept thinking wow that chapter was incredible, it can’t get more intense, but IT DID GUYS IT JUST KEPT GETTING BETTER

A Private Reason For This by @femmequixotic

  • Rated: Explicit
  • Word Count: 92k
  • Summary: When the wife of a star politician in the Scottish Ministry turns up dead just outside Hogsmeade, Draco Malfoy and his murder investigation team are called in from the Edinburgh Auror force to find her killer. What DCI Malfoy doesn’t expect, however, is to have an ex from two decades past end up in his murder room, endangering not only his case, but also his heart
  • A murder mystery, and Harry and Draco are exes with oodles of UST between them. The best combination. Femme is on of the best authors I’ve ever read, the details in her fics are so intricate and flawless, and this is one of those stories you literally CANNOT stop reading until you get to the end.

Homecoming by November Snowflake

  • Rated: Explicit
  • Word Count: 27.2k
  • Summary: Harry thinks spending two weeks as a guest lecturer at Hogwarts will offer the perfect chance to get away from his troubles. Then he meets his assigned faculty guide: Potions Master Draco Malfoy.
  • Professor Draco, and an adorable side pairing? A L L  T H E  H E A R T E Y E S! *swoons*

All Our Secrets Laid Bare by firethesound

  • Rated: Explicit
  • Word Count: 149k
  • Summary: Over the six years Draco Malfoy has been an Auror, four of his partners have turned up dead. Harry Potter is assigned as his newest partner to investigate just what is going on..
  • I just sat there in a daze when I finished this because what was I supposed to do with my life now??? Once you start this you absolutely won’t stop

Just Go With It by @l0vegl0wsinthedark

  • Rated: Explicit
  • Word Count: 3k
  • Summary: The prompt: Draco is a telemarketer who calls Harry trying to sell him stuff; phone sex ensues.
  • Honestly, if you’re not already reading this after the summary then I don’t even know.

The Compliment Game by @dorthyanndrarry

  • Rated: Mature
  • Word Count: 3k
  • Summary: Harry and Draco end up in detentions together with their new and decidedly odd Potions Professor who decides to inflict the most awful of punishments on them, a compliment game. 
  • This is so sweet and lovely and will make you smile like a total loon! All of Dorthyann’s fics are total feel goods, but this one just made my day when I was feeling down.

Flirting Is Hard When You’re Harry Potter by @dorthyanndrarry

  • Rated: Mature
  • Word Count: 1.4k
  • Summary: Every time Draco complains about Harry Potter and the wanker is in earshot, he agrees with everything Draco says. It’s absolutely abhorrent.
  • One of my favourite fluff pieces. Harry drives Draco nuts by insulting himself instead of insulting Draco back, but then Draco threatens to STOP and Harry is having none of that. *happy sigh*
How to Write a Novel:  Tips For Visual Thinkers.

1.  Plotting is your friend.

This is basically a must for all writers (or at least, it makes our job significantly easier/less time consuming/less likely to make us want to rip our hair out by the roots), but visual thinkers tend to be great at plotting.  There’s something about a visible outline that can be inexplicably pleasing to us, and there are so many great ways to go about it.   Here are a few examples: 

  • The Three-Act Structure
    • This one is one of the simplest:  it’s divided into the tried-and-true three acts, or parts, a la William Shakespeare, and includes a basic synopsis of what happens in each.  It’s simple, it’s familiar, it’s easy to add to, and it get’s the job done. 
    • It starts with Act I – i.e. the set-up, or establishing the status quo – which is usually best if it’s the shortest act, as it tends to bore audiences quickly.  This leads to Act II, typically the longest, which   introduces the disruptor and shows how characters deal with it, and is sandwiched by Act III (the resolution.)  
  • The Chapter-by-Chapter
    • This is the one I use the most.  It allows you to elucidate on the goings on of your novel in greater detail than the quintessential three act synopsis generally could, fully mapping out your manuscript one chapter at a time.  The descriptions can be as simple or as elaborate as you need them to be, and can be added to or edited throughout the progression of your novel.
    • Can easily be added to/combined with the three-act structure.
  • The Character Arc(s)
    • This isn’t one that I’ve used a lot, but it can be a lot of fun, particularly for voice-driven/literary works:  instead on focusing on the events of the plot, this one centralizes predominantly around the arc of your main character/characters.  As with its plot-driven predecessors, it can be in point-by-point/chapter-by-chapter format, and is a great way to map out character development.  
  • The Tent Moments
    • By “tent moments,” I mean the moments that hold up the foundation (i.e. the plot) of the novel, in the way that poles and wires hold up a tent.  This one builds off of the most prevalent moments of the novel – the one’s you’re righting the story around – and is great for writers that want to cut straight to the action.  Write them out in bullet points, and plan the rest of the novel around them.
  • The Mind Map
    • This one’s a lot of fun, and as an artist, I should probably start to use it more.  It allows you to plot out your novel the way you would a family tree, using doodles, illustrations, and symbols to your heart’s content.  Here’s a link to how to create basic mind maps on YouTube.

2.  “Show don’t tell” is probably your strong suit.

If you’re a visual thinker, your scenes are probably at least partially originally construed as movie scenes in your head.  This can be a good thing, so long as you can harness a little of that mental cinematography and make your readers visualize the scenes the way you do.

A lot of published authors have a real big problem with giving laundry lists of character traits rather than allowing me to just see for myself.  Maybe I’m spoiled by the admittedly copious amounts of fanfiction I indulge in, where the writer blissfully assumes that I know the characters already and let’s the personalities and visuals do the talking.  Either way, the pervasive “telling” approach does get tedious.

Here’s a hypothetical example.  Let’s say you wanted to describe a big, tough, scary guy, who your main character is afraid of.  The “tell” approach might go something like this:

Tommy was walking along when he was approached by a big, tough, scary guy who looked sort of angry.

“Hey, kid,” said the guy.  “Where are you going?”

“I’m going to a friend’s house,” Tommy replied.  

I know, right?  This is Boring with a capital ‘B.’  

On the other hand, let’s check out the “show” approach:

The man lumbered towards Tommy, shaved head pink and glistening in the late afternoon sun.  His beady eyes glinted predatorily beneath the thick, angry bushes of his brows.

“Hey, kid,” the man grunted, beefy arms folded over his pot belly.  “Where are you going?” 

“I’m going to a friend’s house,” Tommy replied, hoping the man didn’t know that he was ditching school.

See how much better that is?  We don’t need to be told the man is big, tough, and scary looking because the narrative shows us, and draws the reader a lot more in the process.  

This goes for scene building, too.  For example: 

Exhibit A:

Tyrone stepped out onto his balcony.  It was a beautiful night.

Lame.  

Exhibit B: 

Tyrone stepped out onto his balcony, looking up at the inky abyss of the night sky, dotted with countless stars and illuminated by the buttery white glow of the full moon.

Much better.

3.  But conversely, know when to tell.

A book without any atmosphere or vivid, transformative descriptors tends to be, by and large, a dry and boring hunk of paper.  That said, know when you’re showing the reader a little too much.

Too many descriptors will make your book overflow with purple prose, and likely become a pretentious read that no one wants to bother with.

So when do you “tell” instead of “show?”  Well, for starters, when you’re transitioning from one scene to the next.

For example:

As the second hand of the clock sluggishly ticked along, the sky ever-so-slowly transitioning from cerulean, to lilac, to peachy sunset.  Finally, it became inky black, the moon rising above the horizon and stars appearing by the time Lakisha got home.

These kind of transitions should be generally pretty immemorable, so if yours look like this you may want to revise.

Day turned into evening by the time Lakisha got home. 

See?  It’s that simple.

Another example is redundant descriptions:  if you show the fudge out of a character when he/she/they are first introduced and create an impression that sticks with the reader, you probably don’t have to do it again.  

You can emphasize features that stand out about the character (i.e. Milo’s huge, owline eyes illuminated eerily in the dark) but the reader probably doesn’t need a laundry list of the character’s physical attributes every other sentence.  Just call the character by name, and for God’s sake, stay away from epithets:  the blond man.  The taller woman.  The angel.  Just, no.  If the reader is aware of the character’s name, just say it, or rework the sentence. 

All that said, it is important to instill a good mental image of your characters right off the bat.

Which brings us to my next point…

4.  Master the art of character descriptions.

Visual thinkers tend to have a difficult time with character descriptions, because most of the time, they tend to envision their characters as played their favorite actors, or as looking like characters from their favorite movies or TV shows.

That’s why you’ll occasionally see characters popping up who are described as looking like, say, Chris Evans.  

It’s a personal pet peeve of mine, because A) what if the reader has never seen Chris Evans?  Granted, they’d probably have to be living on Mars, but you get the picture:  you don’t want your readers to have to Google the celebrity you’re thirsting after in order for them to envision your character.  B) It’s just plain lazy, and C) virtually everyone will know that the reason you made this character look like Chris Evans is because you want to bang Chris Evans.  

Not that that’s bad or anything, but is that really what you want to be remembered for?

Now, I’m not saying don’t envision your characters as famous attractive people – hell, that’s one of the paramount joys of being a writer.  But so’s describing people!  Describing characters is a lot of fun, draws in the reader, and really brings your character to life.

So what’s the solution?  If you want your character to look like Chris Evans, describe Chris Evans.

Here’s an example of what I’m talking about:

Exhibit A:

The guy got out of the car to make sure Carlos was alright, and holy cow, he looked just like Dean Winchester!

No bueno.  Besides the fact that I’m channeling the writing style of 50 Shades of Grey a little here, everyone who reads this is going to process that you’re basically writing Supernatural fanfiction.  That, or they’ll have to Google who Dean Winchester is, which, again, is no good.

Exhibit B:  

The guy got out of the car to make sure Carlos was alright, his short, caramel blond hair stirring in the chilly wind and a smattering of freckles across the bridge of his nose.  His eyes were wide with concern, and as he approached, Carlos could see that they were gold-tinged, peridot green in the late afternoon sun.

Also note that I’m keeping the description a little vague here;  I’m doing this for two reasons, the first of which being that, in general, you’re not going to want to describe your characters down to the last detail.  Trust me.  It’s boring, and your readers are much more likely to become enamored with a well-written personality than they are a vacant sex doll.  Next, by keeping the description a little vague, I effectively manage to channel a Dean Winchester-esque character without literally writing about Dean Winchester.

Let’s try another example: 

Exhibit A:

Charlotte’s boyfriend looked just like Idris Elba. 

Exhibit B:  

Charlotte’s boyfriend was a stunning man, eyes pensive pools of dark brown amber and a smile so perfect that it could make you think he was deliciously prejudiced in your favor.  His skin was dark copper, textured black hair gray at the temples, and he filled out a suit like no other.

Okay, that one may have been because I just really wanted to describe Idris Elba, but you get the point:  it’s more engaging for the reader to be able to imagine your character instead of mentally inserting some sexy fictional character or actor, however beloved they may be.

So don’t skimp on the descriptions!

5.  Don’t be afraid to find inspiration in other media!

A lot of older people recommend ditching TV completely in order to improve creativity and become a better writer.  Personally, if you’ll pardon my French, I think this is bombastic horseshit.  

TV and cinema are artistic mediums the same way anything else is.  Moreover, the sheer amount of fanart and fanfiction – some of which is legitimately better than most published content – is proof to me that you can derive inspiration from these mediums as much as anything else.

The trick is to watch media that inspires you.  I’m not going to say “good media” because that, in and of itself, is subjective.  I, for example, think Supernatural is a fucking masterpiece of intertextual postmodernism and amazing characterization, whereas someone else might think it’s a hot mess of campy special effects and rambling plotlines.  Conversely, one of my best friends loves Twilight, both the movies and the books, which, I’m going to confess, I don’t get at all.  But it doesn’t matter that it isn’t good to me so long as it’s good to her.   

So watch what inspires you.  Consume any whatever movies, books, and shows you’re enthusiastic about, figure out what you love most about them, and apply that to your writing.  Chances are, readers will find your enthusiasm infectious.

As a disclaimer, this is not to say you get a free pass from reading:  I’ve never met a good writer who didn’t read voraciously.  If you’re concerned that you can’t fall in love with books the way you used to (which, sadly, is a common phenomenon) fear not:  I grappled with that problem after I started college, and I’ll be posting an article shortly on how to fall back in love reading.

So in the meanwhile, be sure to follow my blog, and stay tuned for future content!

(This one goes out to my friend, beta reader, and fellow writer @megpieeee, who is a tremendous visual thinker and whose books will make amazing movies someday.)

What happened at the Wayhaught Panel

I watched the Periscope and I tried to quote as much as I could. They might not be exact quotes though cause I’ve got hearing issues and tend to hear things wrong but I tried to quote as best I could. Anyway. This is the important stuff that happened at the Wayhaught ClexaCon Panel.

“It can always get gayer” Emily Andras about Wynonna Earp

“On a scale of one to gay…pretty gay” Dominique Provost-Chalkley about Wynonna Earp

Kat cut her hair specifically so she wouldn’t have to wear a braid anymore. She wanted Nicole to “Be sexier” Like she asked permission first and Emily said yeah. She said she wanted Nicole to let loose a bit more so she changed her hair. She thought the braid was a bit tightly wound.

Emily got asked about how she balances a happily ever after and still makes the relationship real and have the occasional problem like a real real does and she said that “You have to believe that even when they’re fighting they’re fighting for each other”

There’s a new cast member. I couldn’t really hear her name but I THINK Emily said her name was Tamara Duarte. (Correct me if I’m wrong)

They’re gonna continue Nicole’s Tumblr! And Waves might be involved as well!

When asked if Wynonna would have some thoughts on Wayhaught Kat,Dom and Emily all went “Oh yeah oh yeah.” In unison.

Wynonna does like Nicole but she’s very protective of Waverly.

Kat teased that there might be some tension surrounding Wynonna and Nicole since they both have very different personalities. (Possibly having to do with Wayhaught) “She thinks no one is good enough for Waverly much as she loves Nicole.” (Wynonna is who they were talking about)

Dom said she absolutely loves how Wynonna’s reaction and the way she feels about Wayhaught was written!

Wynonna and Nicole have a scene that Kat loves that they’re shooting on Thursday and it’s one of her favorite scenes she’s read of them and she can’t wait to shoot it.

Wynonna is oblivious to a whole new batch of things in season 2

Wynonna Earp is gonna be on Netflix in everywhere that doesn’t have it yet in May.

In season 2 “Waverly has such an insane season”

“Every episode is like what’s Dominique’s special skill this episode”

“Everything was nice for Nicole but this next season the barrier of nice is broken and everything gets a little more emotional and a little more frustrating”

Nicole’s “Barrier of nice” is broken and everything gets more emotional and frustrating for her.

WE GET NICOLE’S BACKSTORY. And according to Emily “It’s crazy”

“Doc has some really fun relationships this year with people who are unexpected”

They did a five second improvised Wayhaught scene that I couldn’t really hear.

There are two more posters they’re gonna release at various times

Emily said that the fandom is proof people want to hear stories about queer characters and strong women and now is a better time than ever to tell them.

Yuri on Ice interview translation - CREA 2017/03 (p32-33)

This is the full interview with Mitsurou Kubo published on CREA. I actually wanted to translate all the YOI interviews together but some translations going around urged me to post this one before the others, as I wouldn’t be able to finish everything tonight.

It’s not really an interview, it’s more like a partial interview and a short commentary of each episode.

The other 4 short interviews are with Kenji Miyamoto (choreographer), Eiji Abiko & Junpei Tatenaka (figure skating animators), Yuuko Sagiri (original costume designer), Keisuke Tominaga (music producer). I will try to post them tomorrow night if I can finish them.

***If you wish to share this translation please do it by reblogging or posting a link to it***

***Re-translating into other languages is ok but please mention that this post is the source***


The reality as expressed by 5 people who created “Yuri on Ice”

Reality #1: Story x Mitsurou Kubo

“The reality of emotions” is what Kubo-san gave most importance to when she created the manga storyboard for this series. “Simply listing up the contents of the skaters’ programs and their score and connecting them together is not going to create something emotional. In my storyboard I tried to convey the feelings of all athletes, not just Yuuri, with their performances, to express them carefully, so that other skaters who watch them will in turn be influenced by them like in a chain reaction.”
An important tool to express those feelings are the monologues that can be heard during the programs, blended in harmony with the performance.
“Watching the footage of the choreographies by Kenji Miyamoto-sensei I realized that, even though he simply created them based on the songs, in many cases they perfectly match the athlete’s feelings too. I was so moved and thought that Kenji-sensei is an amazing person.”
As the series is pursuing reality, it does not contain any unrealistic techniques.
“If we had included something over-the-top people would have just said ‘that’s unreal’, so I thought that it was better to just go a little ahead of reality, and consulted with many people to decide the difficulty of the techniques to use. However, shortly thereafter real life skaters actually surpassed that level, which really surprised me. We did decide the level knowing that it would be surpassed one day, but we didn’t think it would happen so soon!”
The writer Mitsurou Kubo also needed a lot of courage to portray Yuuri determined to win for love.
“On the ice rink you can express anything, and that’s why, even if I had never thought about what true love is or represented it before, I decided to try my hand at openly depicting love as fiction. As a result, I myself was encouraged by the story I wrote and felt that I could make a fresh start after that.”

“I ended up being encouraged by the story about love that I openly portrayed as fiction.”

Highlights of every episode by Mitsurou Kubo

#1 Nan no Piroshiki!! Namida no Grand Prix Final
“I want you to watch the best figure skating animation”
Before the series was broadcasted I was worried, because normally original anime not based on a previous work and airing late at night take a long time to catch the viewers’ attention. However, my fear was swept away by the extraordinary skating scenes of the first episode, and the show gained a good reputation right away. Stunning images can provide the best promotion.

#2 Futari no Yuri!? Yutopia no Ran
“Figure skaters feeling more familiar”
This part is set during the off-season in Yuuri’s hometown. If we had showed special people battling each other in a faraway place from the very start the viewers would never have felt close to them, therefore I decided to start the story with the Russians, Victor and Yurio, spending time in the onsen of the castle town Hasetsu, eating katsudon and spreading news via the SNS, so that they would feel more familiar to the audience.

#3 Boku ga Eros de Eros ga Boku de!? Taiketsu! Onsen on ICE
“You can feel the growth of Yuuri and Yurio”
Once the Grand Prix series starts no one can afford to lose anymore, so I created this provisional match between Yuuri and Yurio to emphasize their relationship as rivals but also as comrades. I also wanted to show that a competitive program is progressively brushed up during the season based on each athlete’s pace. Originally I also thought of showing Yurio’s mother rushing to the scene.

#4 Jibun wo Suki ni Natte… Kansei!! Free Program
“Yuuri and Victor gradually become closer”
In the process of completing the free skating program Yuuri and Victor become closer to each other, both as coach and student and as equals. Yuuri’s gesture of poking the top of Victor’s head has no logical meaning. I think it symbolizes how Yuuri, acting on an impulse, breaks his own shell and steps into the territory of the person that previously was only considered a living legend.

#5 Kao Makka!! Shosen Da yo! Chuu-shikoku-kyuushuu Senshuken Taikai
“Check out the relationship between seniors and juniors”
Minami-kun, a skater that looks up to Yuuri, appears in this episode. I really like the scene where Yuuri, finally becoming aware that he is going to lead the current generation of Japanese skaters, silently hits Minami-kun’s back. As in the scene where he pokes Victor’s head, once again Yuuri uses a physical action, instead of logic or words, to try to communicate something. When it’s animated it looks really awesome.

#6 Kaimaku Grand Prix Series Yacchaina!! Chuugoku Taikai SP
“Check out Chris’ sexiness”
The tournament starts and many fascinating athletes make their appearances, but this episode is also an occasion to fully enjoy the charm of Chris’ ass. After watching Kenji-sensei’s choreography I decided to draw a beautiful ass in my storyboard, then its charm was further emphasized in the animation, and finally thanks to the voice actor’s absolutely sexy voice we could obtain the best ass animation ever.

#7 Kaimaku Grand Prix Series Yacchaina!! Chuugoku Taikai FS
“An FSP where Yuuri and Victor overcome their fears”
Yuuri and Victor were both anxious before the FS, and I feel that the strongly emotional scenes following that were represented in a very effective way. Regarding the last scene, I started receiving lots of questions from overseas, asking “Did Yuuri and Victor hug? Or was it a kiss?” and that’s when I realized how much the anime’s popularity had spread worldwide.

#8 Yuuri VS Yuri Osoroshia!! Russia Taikai SP
“JJ’s striking appearance is a must see”
This episode is where Jean-Jacques Leroy, aka JJ, one of the most likely candidates to win the gold medal, appears. What is scary about JJ is that he has the ability to paint any story in JJ color, overshadowing even the protagonist. Mamoru Miyano-san, the one who played his role, managed to take JJ to the next level with his natural personality and made him all the more convincing.

#9 Yuuri VS Yuri Osoroshia!! Russia Taikai FS
“When the absence of an important person makes you grow”
This episode is where Yuuri grows after fighting without Victor next to him. When we went location hunting at the Fukuoka airport there was a glassed-in corridor close to the arrival lobby, and as the director saw it she excitedly said “Yuuri and Victor are going to run side by side separated by the glass!”. I was like “they definitely are!”, and we started taking heaps of pictures. The airport is currently being remodeled and it’s not possible to recreate the scene.

#10 Chou Ganbaranba! Grand Prix Final Chokuzen Special
“Ordinary life episode the night before the last fight”
As the last part depicting ordinary life before the Grand Prix Final, I wanted to create a relaxing episode without skating scenes while at the same time introducing the athletes, but in the end so many things happened in it that no one could relax and I was told that even animating it was a pain. The ring Yuuri gave Victor also carries the meaning of a symbol that the two of them are like soul mates.

#11 Chou Chou Ganbaranba!! Grand Prix Final SP
“The speed leading to the last episode is impressive to watch”
The OP footage, that was gradually changed from episode 1 by adding colors, is finally complete. I was happy that we could welcome as voice actors Ken Gamada-san, who actually works as an MC in tournaments and ice shows, and Nobunari Oda-san as himself doing the commentary. With the pace of the story speeding up toward the finale, this episode was just chaos.

#12 Chou Chou Chou Ganbaranba!!! Grand Prix Final FS
“A final episode where you can catch a glimpse of everyone’s future”
Including Stéphane Lambiel-san’s debut as an anime seiyuu, which is something no one could have expected, the chaotic mixup of anime and reality reaches a climax in this episode. Beside the sense of fulfillment for the victory, I think that the contents also let you catch a glimpse of each character’s future. I was about to faint looking at the beauty of Victor’s tears.


Final note (this is just my opinion, it’s not part of the translation): There is a translation going around where the line about soul mates is translated as “proof”, but actually the word 証 (akashi) can have many different meanings, among which symbol/mark/token/proof/sign etc. In this case, I personally do not think it means “proof” (also to be honest when it’s “proof” usually they write it as 証拠 shouko). It’s more like symbol/token, as in “it’s meant to symbolize Yuuri and Victor’s deep bond that goes beyond a normal relationship”. Although the difference is only subtle, I still think it’s not the same. Also please understand that the Japanese word “soul mate” does not have the meaning that is used in fanfiction… I believe it’s actually the same in English too, but in normal conversation it means “two people that have a strong spiritual/emotional bond (that makes them suited for each other, be it either as friends or lovers)”, not “two people who were destined to be together from their previous life”. That is something you are free to imagine or fantasize about, however please do not twist the creators’ words just to fit people’s headcanons…

P.S.: And please do not misunderstand me. I love Victuuri, but I prefer to draw a line between canon and fanon, and I don’t really like it when words by the creators are “adapted” to accomodate people’s shipping ideas. I think what she says is deep enough even without mistranslating it anyway…

Adult World (Jungkook smut)

Originally posted by nochuie

Description: You reveal to your friends that no one except yourself has ever made you cum. Jin in particular finds this interesting and dares you and Jungkook to go to the sex shop down the street and purchase a sex toy, for your own benefit of course.

Pairings: You x Jungkook, You x Taehyung, Jungkook x Taehyung (you know how truth and dare goes)

Basically: Taehyung is a cocky lil shit who features quite a lot. Jin is a mean lil shit and Jungkook is a very helpful lil shit ;)

Genre: Smut, Angst, Fluff (so much smut, like damn this was hot to write)

This fic includes: A brief boy on boy scene, swearing, alcohol, sex toys, explicit smut

Word count: 6k


“You’ve got to be kidding!” Jin practically howls with laughter, doubling over himself and nearly falling off the couch with laughter. You’re about to tell him off but Jungkook beats you to it.

“Shut up. It’s not that big of a deal.”

Jin sits up straight, looking down at Jungkook, who sits next to you on the floor, opposite Jin. He wipes the tears from his eyes, his laughter finally dying down. “Hey, don’t you think you should talk to me with a bit more respect?” He prods teasingly, but Jungkook doesn’t seem in the mood, his previous lighthearted spirit vanishing upon Jin’s insensitive comment.

Jungkook’s tone is excitingly stern, but not rude, “Yeah, I’ll show more respect when you show more respect to Y/N.”

You laugh, “Don’t worry about me, Jungkook. I don’t think I can take Jin very seriously, not when I highly doubt he’d even know how to make me or any other girl cum.”

The circle of friends in Taehyung and Jungkook’s apartment erupt into comical ‘oohs’ and ‘ahhs’.

“You got damn burned!” Jimin says, leaning over the bottles in the center of your various seated positions to high five you.

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