this scene gave me my life

5 mile run new Boku No Hero thoughts are as follows:

  • this is my all-time favorite “previously on” section. it was highlighting Bakugou’s resolve to win by mashing together all the clips of him declaring his ambitions but because its Bakugou it was actually just a 2 minute montage of Bakugou fucking screaming
  • Todo acts naive but i doubt that more and more each day with the number of sick fucking burns he’s gotten in at people, case in point:
  • Bakugou: -storms on in to Todo’s room and starts yelling at him.-
    Todo: Hey Bakugou :))) you know what this reminds me of? :))) That guy you fucking hate. :))) Except he did this better. :)))) You really cant ever live up to him can you :)))))))
  • Bakugou calls Todoroki “IcyHot” in the dub and I watched the dub today specifically in hopes that he’d call him IcyHot again and he DID.
  • I’m not done with this scene because the PHRASING HAD ME IN STITCHES–Bakugou stormed in like “Hey IcyHot, is this how you fucking treat your opponents!?” while blowing up Todo’s table. And Todo responded with “That’s what Midoriya said too…” I dont think Deku said it quite like that, Todo. But too late now I can’t stop picturing:
  • Deku voice: “Hey you stupid piece of shit sore-muscle hot-and-cold sports pack you better fucking look at me while i stand here and break all my fingers and yell, because fuck you, you fucking icepack.”
  • Bakugou his table
  • His table Bakugou
  • This is the screamiest Bakugou’s been to date, I’m glad for him
  • ominous BOOM noises from inside the iceberg
  • dub!Sero called Bakugou a “moleman” and i want the world to know that Bakugou’s been canonically called a “moleman”. Moleman Bakugou.
  • Bakugou, grabbing Todo by the hair and piledriving him into the ground: “GIT FUCKING GUD, ICYHOT
  • Aizawa: -provides commentary on the strategy, strengths, and weaknesses of the children’s fighting techniques-
    Present Mic: -sees Todo surfing on an ice wave and says “Looks like fun!!!”-
  • Bakugou: “Use your full power IcyHot! I want the world to know you’re trying to destroy me!! THIS MEANS NOTHING IF I CAN’T SURPASS DEKU!!”
    Deku:
    (Regina George voice) Why are you so obsessed with me?
  • Bakugou, or better known by his full name, Katsuki “Fidget Spinner” Bakugou
  • Bakugou: -screams incoherently for 20 minutes trying to rile Todo up-
    Todo:
    Deku: -says one thing-
    Todo, heart racing, palms sweaty: holy fuck. holy shit. thats my fucking boyfriend.
  • Srs for a moment, I really adore and am moved by Todo’s character development here. The easy shonen answer would be for Todo to be “fixed” following his fight with Deku, but the poor kid’s sitting on like 10 years of trauma. He’s not fixed. He’s healing. And healing comes with pain and doubt sometimes.
  • Like I actually clutched my shirt while his fire unraveled.
  • Bakugou: -pulls of the coolest fucking spin projectile move in history-
    Bakugou: -lands like this-


  • IT’S HERE. THE GRANITE SLAB OF VICTORY
  • We are blessed with Dad Might in this house today
  • Todo: “My path forward isn’t as clear as I thought. There’s still someone I need to settle things with…”
    Todo: -steps off the podium, walks into the crowd, punches Endeavor in the face- “Fuck you Dad”
  • In the sub All Might calls Bakugou’s face “amazing” but in the dub he calls it “scary” and 4 years were added to my life when dub!All Might gave Bakugou the once over with the medal in his mouth and went “…still scary.”
  • dub!Bakugou is great here too with “I DON’T WANT THAT PIECE OF GARBAGE. KEEP YOUR TRASH AWAY FROM ME HHGNGNGHG”
  • I want to empahsize that several hours pass after that scene cut. It’s evening. The kids are changed back into their school uniforms AND back at the classroom. And Bakugou still has the fucking medal in his mouth. No one took it out. 
  • me: fuck…i hope iida will be okay
    also me, who’s read the manga: (hes not gonna be okay)
  • The hospital scene makes me kinda want to take back all the making fun of Todo I did because…god fucking this poor child…he deserved so much better
  • Protect Mama Midoriya she deserves the world

KATSUKI YOU CAN’T WAKE UP AT NOON AND START YELLING

My Future Wife, LeFou!

Originally posted by softtroublemaker

Originally posted by luuuuuke-evans

Title: My Future Wife, LeFou!
Words: 2,456 
Pairing: GastonxReader
Warnings: Little Bit of Swearing
A/N: Oh dear god I can’t find any Gaston stories I like so I guess I’ll just write my fucking own I guess that’s the only way I’ll ever be happy so enjoy my Luke Evans thirst

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Outlining your novel scene by scene (Part 1)

Did you ever feel bored midway writing a scene? Or lukewarm? Do you feel like readers will jump full chunks of text?

Well, I used to feel that all the time.

I disliked outline with a passion. I thought it stole the magic away from creation. I thought it would trap my story in a box. Whenever I tried, I had no idea where to start, so I blamed outlining all over again. I would just write the first scene and allow my story to unfold itself. Although it is fun to let your story take the lead, it’s also chaotic.

I realized the importance of outlining on my third book. After months and months of hard work, my story turned out just… boring. Weak characters. A plot full of holes. No defined theme. Useless scenes. And a story that started with a goal, but changed so many times along the pages and accomplished almost nothing. Slow. Tedious. I was frustrated. I had to delete more than half to make it work. Even after rewriting, I wasn’t happy. That project was a major fail.

Originally posted by failworldblog

And failing was good, because, on my next project, I outlined. 

I listed all arcs and, within the arcs, all scenes. I was mad. I wanted control. I wanted power. And I only sat down to write when I knew exactly what was going to happen from start to finish. I never wrote something that fast and effortlessly in my life. It didn’t take away the magic of writing, it simply gave me a sense of direction.

Outline is a map. And when you have a map, you have a journey to make.

Originally posted by artymissk

If, like me, you are a bit lost, here’s how you can create the map for your next novel, or how to outline your book scene by scene. I’ll share with you three techniques, but will divide them into three posts. This is the part one. Or the Map Technique.

I advice you to grab pen and paper, and move away from the computer. Find a comfortable spot, maybe a coffee shop, or by your window. And let’s work!

Originally posted by sashabloodsoup

Before outlining, write down your storyline in one phrase. I’ll be using an example to help you understand this technique. So, my storyline is:

Masked twins fight against a violent dictatorship.

Now, let’s start.

In every journey, we need a departure point and an arrival point. This is essential for a map. And, if it’s essential for a map, it’s essential for our outline. So, create the start (departure) and the end (arrival) of your story. With my example, it goes:

  • Twins have their lives destroyed by the government (departure)
  • They destroy the government (arrival)

Amazing!! Our map is taking form. 

What else a journey must have? Milestones. Without milestones, we don’t know how far we are from the arrival. They are essential as well. But how can we put milestones in an outline? Easy. Between departure and arrival, you will list every important arc (or event, or key scene, or plot point) that must happen in order to take the plot from start to end. More or less like this:

  • Twins have their lives destroyed by the government (departure)
    • Their family is destroyed
    • They are taken in by their uncle
    • Uncle and twins plan their revenge
    • Twins find their mask
    • Twins perform small acts of justice
    • They gain the respect of the citizens
    • Government sees them as threat
    • Government tries to erase them
    • Twins perform huge acts of justice
    • They are almost killed 
    • Uncle is killed
    • They perform one last act of justice by killing the dictator
    • Citizens claim for democracy
    • Democracy is installed
    • The twins destroy their masks 
  • They destroy the government (arrival)

All milestones are placed, nothing too fancy, just a description of what we’ll be seeing along the journey. Good. 

From milestone to milestone, we have roads, or sequences of roads. Between arcs, write down sequences of scenes that must happen to move the plot forward. For example: 

  • Twins have their lives destroyed by the government (departure)
    • Their family is destroyed
      • Twins live with their father (who is an important journalist)
      • Father is abducted by the government
      • Social worker takes them to lonely uncle
    • They are taken in by their uncle
      • Twins and uncle can’t adjust to new life
      • They are all filled with grief
      • Uncle comes up with revenge plan
    • Uncle and twins plan their revenge
      • Twins trains while uncle perfects his plan
      • Twins and uncle adjust to new life
      • They become a family
    • Twins find their mask
      • Getting ready for their first step
    • Twins perform small acts of justice
      • They destroy factory that uses slave force
      • They kill politician who closed hospitals
      • They kill a famous torturer for the government party
      • They find their father’s file
      • Discover that father was tortured and killed
    • They gain the respect of the citizens

We are almost there… 

Because, in every mile of the road, we have landscapes. Scenes are landscapes. And we need hundreds of different landscapes along the journey, beautiful ones, strange ones, unexpected ones… we need scenes. To every sequence, create as many scenes as you need:

  • Twins have their lives destroyed by the government (departure)
    • Their family is destroyed
      • Twins live with their father (who is an important journalist)
        • Father receives a journalism award
        • Twins enjoy the party
        • It’s time to go
        • Father drives them home
      • Father is abducted by the government
        • In isolated street, the car is stoped
        • Two man attacks them and abducts their father
        • One of the twins receive a scar on their face
        • Twins are left alone in deserted street
      • Social worker takes them to lonely uncle
        • Social worker takes them from the hospital
        • Drives them to poor area
        • Leaves them with unknown uncle
    • They are taken in by their uncle
      • Twins and uncle can’t adjust to new life
        • Twins can’t eat
        • Twins won’t leave the house
        • Uncle tries to get information on what happened to his brother, but fails
        • It’s believed that their father died
      • They are all filled with grief
        • Uncle and twins have a sincere talk about father, they tell past stories, they laugh, they cry
        • For the first time, they have dinner together
      • Uncle comes up with revenge plan

You can almost see the story playing inside your head like a movie. That’s the magic of a scene by scene outline. :D

This last step is optional. But it’s a great exercise to trim the rough edges. Under each scene, catalog which character(s) you’ll need, what place(s) will be used, what does the scene accomplishes and ways it can unfold. Example:

  • Father receives a journalism award
    • Characters: Father, twins, father’s coworkers, VIPs
    • Place: Banquet hall 
    • Accomplishment: To show that father is a famous journalist that gives no chills for what the dictator says
    • Possibilities: 
      • Father is announced as the award winner
      • Speech against the dictator
      • Ends speech by showing his love for his son/daughter(s)
      • Twins are proud (and kind of embarrassed as well)
      • Applause, applause
      • Nice food
      • Beautiful dresses
      • It’s the twins birthday
      • Or it’s Christmas
      • Open hall with garden
      • Fireworks
      • Rich people

Takes time, but, now, you have the most detailed map a traveller can possess. It’s easy to depart, just take a seat and enjoy the ride.

Originally posted by mr-nikolo

I hope it helps somehow. Next time I’ll show you a different technique. 

One more thing about Yondu Udonta in GotG2

What is his first scene in this movie? Well, he looks grimly out the window after seemingly having sex with a sexbot.

When I saw it my first thought was that he regrets some of his life choices. Then the focus is on Ravagers and one of them is happily walking around with his girlfriend. Then the focus is again on Yondu, who still looks somehow somber.

This gave me an idea that in that moment Yondu might regret that he didn’t find love and didn’t have a family of his own. No family = no warmth… but also no legacy in form of genes and knoweldge passed in next generation. It might have been that in that scene Yondu was feeling old and mortal.

Maybe the fact that he didn’t have a partner and child, is largely due to his past - since his own parents sold him, he had no idea how to truly love a spouse and a child. In fact, maybe because he had no idea about love (other than camraderie), the love he felt for Peter took him by surprise. And since he had no parenting model (at least one that we know of), he might have been scared of the fact that he had to raise a child himself.

Now let’s look at the speech he gives to Rocket. Before it ends on how they’re both hiding their feelings because people who made them didn’t care for them, he talks about men who act tough and push those closest them away, because of the void they feel inside. And we just know that he talks about himself there and that this attitude concerns Peter the most: Yondu keeps saying horrible things to him and only later reveals the true reason behind adopting the boy, because he doesn’t know how to handle emotions. He himself has barely any concept of parental love.

Also remember that he has to hide this parental love from his crewmembers. But in the end Kraglin finally snaps at him that he treats Quill differently; that Quill can betray them all he want and Yondu will never kill him or punish in any severe way. “Being soft” on Peter is what causes Yondu to ultimately lose his crew, because the Ravagers that didn’t turn on him, are killed. Yondu’s rough demeanor comes from fear and, unfortunely, this fear has reasonable basis.

And I also think that in this movie he thinks about how he will be remembered. At the beginning Stakar says that since Yondu broke the code, he will never be buried as a Ravager; and when he goes to save Quill and Rocket tries to stop him, Yondu says: “You gonna give me this. I never did anything good in my life.” So part of the reasons why he sacrifces himself is so he can save the only good thing he did: his adoptive son.

(This is more than one thing, but oh well…XD).

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because sometimes life is like a movie… just not the one you thought.

includes movie parallels, those gorgeous s4 scenes, and how even bech næsheim came into isak valtersen’s life when he needed it most. tell me this song wasn’t written by isak for even?

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This week’s TM highlights:

  • Opens with a Very Dramatic nerf fight
  • “We can show someone googling themselves on the internet, right?” “Well, safe search.”
  • “First question is for Matt.” “Oh, god. Hi.”
  • Matt had Raishan’s next few rounds planned before Keyleth cast the spell.
  • If VM hadn’t gotten to Raishan when they did, Matt considered having her leave and just be out in the world, maybe reappearing in the next campaign.
  • Matt on Grog’s version of beat poetry: “You just… literally beat a poet.”
  • Raishan was Matt’s favorite Conclave member to portray because of all the non-combat interactions
  • Travis grills Liam on the Superbowl after learning he spent it at a vegan Mexican restaurant drinking a spicy margarita. Liam eventually manages to pull out the word “Patriots”.
  • “I fucked it up, god damn you, Andrew from Crit Role Stats!”
  • Vax has found his family, and it’s not Syldor. He’s not looking to get closer to his dad; to him, it’s a done deal and he’s moved on.
  • Travis: “Hahaha, I find myself hilarious.”
  • Sam shows up half an hour late. “Sorry I’m late… but it’s kind of my thing.”
  • Liam calls out Sam for making jokes about wanting one of their characters to die… and then constantly moping in the text thread in the week after Scanlan died
  • Sam’s made it through the first hour of 84 so far. “I mean, I watched the part where they were saving my life and crying about me.” He did actually get choked up over Grog’s song while he was watching it at work.
  • Liam points out that Sam is “the worst kind of foodie” and once critiqued a picture of the pancakes Liam made for his kids.
  • Sam: “I think it would be fun for one of us to die. I just don’t want it to be me!”
  • They show an extended scene from the episode (Grog’s offering) and when they cut back Travis is chin-handsing and batting his eyelashes while everyone else pretends to be asleep
  • Travis gave a lot of thought to how Scanlan’s permadeath would’ve affected Grog. “Pike and Scanlan would be the two things that would just crumble him.” He spent the whole week thinking about Grog’s contribution to the ritual and practiced what he’d say whenever he had quiet moments.
  • If it had failed, Grog might’ve tried the deck.
  • Someone asks if Vax would’ve jumped in on the ritual if Kaylie hadn’t: Liam thinks Vex is closer to Scanlan than Vax is, so if Kaylie hadn’t stepped in, much as he cares about him, Vax still likely wouldn’t have stepped in because he didn’t think Scanlan would’ve answered his call.
  • Sam had no complicated list of demands to get Scanlan back, just how he thought it could or should go
  • Travis was prepared for the possibility of losing the knuckles and the belt. “He was my friend before that.”
  • “If the beard is unattuned–” “That is an amazing sentence.”
  • Scanlan will probably rethink his approach to combat, but Sam isn’t quite sure how that’s going to shake out yet
  • Talks Machina: It’s About Scientology
  • Matt re: the ashes: “Some things are just journeys in learning to trust occasionally…”
  • Matt suggests a post-mortem Talks Machina episode on the entire Conclave arc
  • Critical Role is going to WonderCon this year
  • Grog considers himself a talented magician and the cleverest tactician (Liam: “Sometimes that’s true.”)
  • If the group had gone through Scanlan’s stuff: “It would’ve mostly been weird smut.”
  • Everyone points out that they don’t know enough in-character to feel they should do more than just keep an eye on Scanlan for now
  • Travis on Groon v2: “I’M FUCKING STOKED! …I’m really excited.”
  • Sam doesn’t know how Scanlan was left at the end of the episode, and everyone tells him to not watch the rest of the episode so he can just find out live (”…something about pudding? I saw some strange fanart that I don’t know how to…” “Don’t worry about it.”)

After Dark: the site was down again (verrrrrry glad I’m on a free trial here, because that’s two weeks in a row), but @loquaciousquark recorded all but the first few minutes of it live and sent me the video file right after it was done, because she is magical that way.

  • The armor Matt wears in the opening is the armor he wore in Mythica
  • Sam wants to recreate Hot Pepper Gaming with Liam on their podcast. Travis wants to be the live studio audience.
  • Everyone discusses their various and sundry bizarre live-action turns. Expect to see people digging up clips on all social media in the next few weeks.
  • Sam jokes about a political arc following the Chroma Conclave. “Grog could be Speaker of the House.” Brian: “Grog has a higher intelligence than the real Speaker of the House.”
  • Liam’s son ran a little D&D game for him that ended with the reveal that he was making it all up as he went, which Liam figures is pretty much how D&D is supposed to go.
  • Grog was definitely taken aback by Vax’s sincerity—when playing Grog, Travis is constantly trying to find the joke in things, and Vax’s words were so genuine that Travis got emotional and kind of shut down and had nothing to reply with, which he figures is exactly how Grog would respond.
  • Kima and Allura probably would’ve survived, just because Allura had eight hours of water-breathing at her disposal, but it would’ve taken a long time before they managed to get back home (a Gilligan’s Island-type setup).
  • Brian goes around shaking everyone’s hands, but Travis grabs him and yanks him down with him, and then the crew starts firing nerf darts at them to end the episode.
Naturally (Jeff Atkins, 13 reasons)

“I’m fucking illiterate. There’s no point in doing any of this work, Y/N” Jeff sunk lower in his chair. He looked around the library, tapping his pencil at a fast rate.

He hadn’t gotten above a C in English since his freshman year, and he’d never wanted to. That was, until he’d met Y/N.

She made him want to be better, above anything else. And when she offered to tutor him in English, he dropped Clay as his tutor. At least for that subject.

“Jeff, come on. Plenty of people still get homophones mixed up. Hell, when I review my papers I have to go through two different spell check systems because I make mistakes. Okay?” He pinched the bridge of his nose, a habit he had made, it was something he did when he was frustrated.

“Okay, they’re staring.” He looked at the table next to them, a few freshman and sophomores stared at them.

“Who cares, focus on your paper.” Y/N looked back down at her notes, she’d been doing her own homework at the same time as tutoring him. Jeff put a hand on her knee.

“I get that the wifi’s out at my house. But why can’t we go to your place again?” He laid his head down on the table so he could make eye contact with his girlfriend.

“For this exact reason. My dad’s not your biggest fan after last week. They don’t even want us alone upstairs with the door open. So the library will do.” She removed his hand from her knee.

Jeff smirked, remembering the prior week’s events.

“Maybe Clay should go back to being your only tutor. Oh, don’t give me that look, Atkins. You know I wanna help.” Y/N ran her hands through her boyfriend’s hair. He formed his lips into a pouting expression.

“Face it. I’m a lost cause. My girlfriend can’t get anything through my head. The smartest kid in school can’t get me to retain any information. I’m stupid.” He threw his pencil down and slammed his textbook shut, breathing heavily.

He believed it. He said it all the time. A C average GPA didn’t make anyone feel great. But with all of his friends being athletes, he was surrounded by those who thrived and could juggle both school work and sports.

“I’m never gonna get into college.” He said quickly, shaking his head.

“Jeff that’s not-” he continued before letting her finish, not even acknowledging that she’d begun to speak.

“No matter if I hit a home run every single time I’m up to bat this season, I won’t get into any college. Grades matter, Y/N. Being smart matters.”

He grabbed his backpack and stuffed all of his notes and his textbook into his backpack. After he jammed everything into the bag, he tried to zip it. He roughly yanked the bag around, trying as hard as he could before giving up by shoving the full bag off of the table. His hands covered his face, he was crying.

“Let’s go to the car.” Y/N grabbed his backpack, gently working the zippers until they finally shut. She swung the bag over her shoulder, keeping her messenger bag on her other shoulder.

“Come on.” She said firmly.

He scooted his chair out, getting up and walking out of the library faster than she’d anticipated. Y/N caught up with him, soon walking beside him, neither said a word.

“Sorry- I’m sorry if I made a scene.” He mumbled as the two approached his car.

“We need to talk. Even if you don’t want to.” She sighed, opening the passenger door and sliding in.

“You wanna know why I think I’m stupid?You, My own girlfriend gave up on me. Is it possible to sink lower than that?” Y/N handed Jeff his backpack, knowing that would force him to look at her.

“Why the hell would you say that?” Her eyebrows furrowed.

“I’m an idiot. What’s gonna happen when I don’t get into college? And I’m here for the rest of my life, still managing the batting cages. And you’re off at some big city actually living your life.” He was being honest about how he felt, that she knew for sure now.

“Stop it. But how the hell do you think this means I want to give up on you? I’d never. You’re giving up on yourself.” Y/N slid over the middle seat of his pick up truck and leaned her head on his shoulder.

“You don’t wanna tutor me. You can’t tutor me. I’m a lost cause, aren’t I? Even Clay gets frustrated ‘cause I can’t learn.” Jeff snaked his arm around her shoulders.

She looked at him. He knew she’d get frustrated. He knew she’d say it was untrue. But it wasn’t untrue. It just wasn’t.

“Jeff, that’s not how I meant it. I just think it’s hard to mix business with pleasure. Do you know what I mean?” She smirked at him before soothing him by drawing small circles on his hand with her thumb.

“My stupidity is too distracting to get through any actual teaching.” He stared at the peddles of his vehicle.

“You know what I think your problem is?” She sat up, staring at him with her arms folded across her chest.

“What’s that?” He looked up, smiling weakly.

“Baseball comes really easily to you. You’re a natural. Maybe I’m not a natural at sports, but I’m a natural with school. Don’t you see? We all have strengths and weaknesses and sometimes we have to work harder to accomplish certain things.” She was proud of her explanation. He just stared at her for a little while.

“Jenson’s best to help me. You’re right.” He grabbed the tips of her hair and twirled them around his fingers.

“You know what else I’m right about?” She grinned at him. He arched an eyebrow, not totally sure as to what was going to be said next.

“What’s that?” He verbally acknowledged her.

“My parents won’t know if we study at the abandoned parking lot on Lincoln instead of at the library.” She grabbed his knee the way he had grabbed hers in the library.

His eyes widened, before a shit eating grin took over his face.

“Well alrighty.” He looked behind, backing out of the school lot quickly. This was something he thought they were both naturally just fine at.

Finding Closure (Part 3)

Summary: AU. Reader left behind a hometown full of misery to make a new home in Brooklyn. A death in the family forces her to briefly return to the place that has haunted her dreams and memories for three years. Will she finally be able to move on, or will a figure from the past change everything?

Pairing: Bucky Barnes x reader

Word Count: 3,809 (Jean-Ralphio voice: “I’m the wooooorst!”)

Warnings: angst, language, car trouble, mentions of alcoholism, mentions of bad home life, revisiting childhood home, tw: seizures (mention), medical emergency (mention)

Part:  1 - 2 - 3 - 4 -

Originally posted by multi-fandom-imagines13

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dreamingpink  asked:

can i talk about Pearl for a second? bc even tho i haven't watched su in a while, this bothers me sm whenever i think about it. ever since rose's scabbard, i was so shocked at pearl for 100% willing to let steven die, and not helping him when he barely keeps himself from falling. i was really, really hoping pearl would improve in her behavior and apologize for her actions, so i didn't dislike her too much at the time. i gave her the benefit of the doubt. she hasn't changed much at all has she?

the glare alone she gives him was chilling to me,

what this glare said to me was just “i hate you you ruined my perfect world with your existence”

but that’s just my onion someone could read it a different way too ig but the inexcusable part is the next scene,where only after he plummets down after missing the ledge does she show any concern for his life (or roses gem oops) luckily Steven was able to grab on to the roots and save himself from DYING, but them she just LOOKS at him from the top of the island for like 2 seconds and goes back to crying about rose. Steven could have fallen at any point when he was climbing and pearl just, didn’t care?? she was facing the opposite direction of him on the other side of the island the next time we see her???

like wtf  the worst part was when he climbs up to the top and shes just like

“hm, so anyway do you have any of roses memories? :/”

and bombards us with never before seen interaction with rose and pearl it kinda feels like they’re dangling keys in front of the viewers face to distract us from how shitty pearl has been the whole episode and manipulate us into sympathizing with her or something.

idk this whole scene in a mess in retrospect. And to answer ur question no she hasn’t changed much, if anything shes gotten worse

fukurodaniace-deactivated201705  asked:

I have to ask - top 5 Bokuto moments!! :D

top 5 bokuto moments bc hes my son and i love your account 💕💕

THE TIME HAS COME. I’m overwhelmed because doing a top 5 for my favorite character is possibly the most difficult thing ever. There are so many things, so many moments, everything he does it’s so important to me…but somehow I have to choose. In this case too, I decided to NOT use scenes from the manga that would spoil the non-readers…but we’ll have to update this as soon as Cats vs Owls airs! 

1. His speech to Tsukishima. Probably the most famous speech in the whole Haikyuu series, for sure it’s my favorite. This is the essence of who Bokuto is as a person, of how self aware he is, how hard he works, how he sees the world. Bokuto with this single speech changed EVERYTHING for Tsukishima, he gave away a life changing lesson, just for the sake of helping a kid who’s not even his kouhai. He just has the biggest heart of gold ever. 

2. When he taught Hinata the feint. Or the moment Bokuto chose Hinata to be his son disciple. This is another example of how Bokuto goes out of his way to make other people improve, no matter that this very person managed to turn this attack against his own team. When it comes to Hinata, Bokuto is always immensely proud, their relationship is honestly one of the purest thing ever happened in Haikyuu history 

3. When he recovered from the dejected mode. This spike is frankly breathtaking. This was such a delicate moment from Bokuto, and everything from the set up, to the support of all the Fukurodani members, to the ear-splitting sound it made, to Bokuto’s scream and his expression right after, to Akaashi’s petty smirk…is just…ICONIC. 

4. Every time he hits a cross spike my soul just leaves my body and ascends. He’s just so majestic. *cough* chapter 195 of the manga *cough* 

5. HEY HEY HEY™ (yes every single one of them)

Originally posted by randomyelly

- bonus: BOKUTO’S GLORIOUS BUM #BLESSED

Originally posted by bokutoisbae

There are so many things I want to say about him, but I’ll just state the obvious once more: BOKUTO KOUTAROU, I LOVE YOU TO THE MOON AND BACK 

Thank you for your message!

Ask me my top 5 things!

Evan Peters- Liar

Word Count: 2035

Warning: heart break, cussing, and my weird writing.

A/N: I don’t really watch Evan Peters interviews and such , so I’m sorry if this isn’t the way he’ll act.
——––——–—–—–—–
Flashback
Calm down Y/N. You’ll be okay. You are gonna live your dream! He’ll be happy. You’ll come back. At least you’re at home and no-

I snapped out of thought when Evan tapped my shoulder.

“Are you okay babe?” Evan said to me

I looked at him and gave a light smile.

“Of course I am!” I said

“You looked scared.” He said with a frown, “Are you sure?”

“A little bit. I’m just have to tell you something.” I said putting my head down.

He grabbed my hands, “You can tell me anything and you know that.”

“Okay…” I took a deep breath, “I got the job I wanted.”

I looked up to see him smiling.

“That’s great ne-” I cut Evan off.

“It’s in England.” I said looking down.

He tried to speak words, but nothing came out.

“I’m sorry Evan…” I said on the verge of tears.

“Hey…” he said quietly, “Don’t cry. We’ll see each other soon. I can visit.” He said lifting my face up with a finger. He kissed me lightly.

“It’ll be alright…”

END OF THE FUCKING FLASHBACK BITCHES

“It’ll be alright” was the only thing floating through my mind.

“Liar…” I said as I looked at the photo.

It was him and his co-worker, Emma, kissing.

“THAT FUCKING LIAR!” I screamed as I flung a paint brush across the room.

How could he. How could he do that to me. I thought he was the one! The one who wouldn’t hurt me.

I’m wrong.

I grabbed a canvas out of a box and painted my heart out.

All I could do was paint. All I could think of was the hurt and pain running through me.

I was crying as I painted. All the colors I used expressed my emotions. Each brush stroke expressed my pain. How they were shades of blue and maroon with rough and jagged strokes.
(A/N: I think that expresses sadness and anger.)

In the end it was an abstract painting of a girl  on her knees crying, ripping her chest open to reveal her broken heart. Her head was tilted back and her long hair was so jagged, but it flowed down.

I smiled weakly as I signed my name. I felt a bit better, but a hole was still in my chest. I felt nothing there. Where is used to feel a pulse. Now I feel nothing there. It hurt.

I checked the time.
3:00 am.
(A/N: I don’t know how to convert it.)

I just took off my clothes and slept. I was drained emotionally and physically.

-Le Next Day-

I woke up with a knock on my apartment, or flat is what they say here, door.

I got up an-

“I’m leaving today!” I said

FUCK! FUCK! FUCK! FUCK! FUCK! FUCK!!

I ran to a suitcase and grabbed a shirt and sweats. I got in the restroom and did stuff.

Someone was knocking.

“THE DOOR!” I yelled with my toothbrush in my mouth. I ran to it and opened it.

“Ms. Y/L/N your ride is ready to leave.” The man said in a very thick British accent, that sounded a bit like Matthew Lewis.

“I will be down in three minutes.” I said trying to smile with a toothbrush in my mouth.

“Will you need help?” The man said.

“Yes please, but not my green bag.” I said calmly.

“Yes ma'am.” He said with a smile.

I went back to the restroom and rinsed my mouth. I packed up my toiletries, and started to think.

Where am I going to stay? I’m not going back home. I need a plan.

Maybe Y/F/N will be able to let me stay at their place.

Or you can confront him!

No little voice. I will not confront that asshole.

Fine! Suit yourself.

I’m going crazy aren’t I?

Yes. You are talking to yourself.

Maybe that little voice is right. Maybe I should talk to him. Maybe it wasn’t what I thought of. Also that I need to get checked for any mental disorders.

“Ma'am. The car is ready and so are your luggage.” The man said.

I snapped my head to him.

“Thank you.” I smiled at him politely, “I will be out.”

He nodded and left.

Time to stop thinking and relax for an hours now.

-Time Skip brought by Jimmy Dean-

So that was a lie about not thinking. I thought a lot.

About life decisions and a lot about Evan.

Was he worth my tears?

I shook the thought of my head.

WAIT!

Who’s picking me up?

I got my carry on from the over head compartment, and exited the plane wearily. I went to baggage claim and got my bags. The others are going to be shipped to my house. Well our house.

I sighed I turned my phone on. Should of down that earlier. Whelp!

It took a couple minutes for it to turn on, but soon all the notifications came in.

Twitter.

Instagram.

Facebook.

One from MySpace.

19 missed phone calls and 20 messages from him.

I texted F/N to pick me up. Even if Evan came I won’t go with that asshat.

She said she’ll be there in 46 minutes because she lived close by and no traffic.

I went to sit and relaxed.

I went to my texts and said, “We are over. Don’t look for me. Don’t speak to me. We are over.”

My fingers hovered over the send button. I breathed in and hit send. It’s over. Time down the drain.
(A/N: Even my heart is hurting writing this.)

I stare at my phone noticing all these notifications. Mostly Twitter, so my curious mind decided to check.

So many people were bashing Evans and Emma. Whelp. Serves them right.

Some people say I deserved it and they saw it coming. Those soggy ass waffles.

I decided to respond.

“If I couldn’t see it coming then… How would you?” I tweeted.
(A/N: Cringe)

I turned off all notifications except my essentials. Messaging and phone calls. I just muted Evan. Simple.

Break down again! It’s healthy.

Not this again.

You made me up. This is you. I’m telling you what you tell your friends. You even say it’s good advice, so why not take it.

Because I don’t want to cry anymore!

I said to the little voice with an annoyed expression.

I got my earbuds out and decided to try and relax.

I put my Spotify songs on shuffle and let relaxation take over me.

I got troubled thoughts
And the self-esteem to match

Great.” I mumbled to myself taking a deep breath.

What a catch, what a catch
Whoa
You’ll never catch us
So just let me be
Said I’ll be fine
‘Till the hospital or American Embassy
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back
I got troubled thoughts
And the self-esteem to match
What a catch, what a catch
And all I can think of
Is the way I’m the one
Who charmed the one
Who gave up on you
Who gave up on you
They say the captain
Goes down with the ship
So, when the world ends
Will God go down with it?
Miss Flack said I still want you back
Yeah, Miss Flack said I still want you back
I got troubled thoughts
And the self-esteem to match
What a catch, what a catch
And all I can think of
Is the way I’m the one
Who charmed the one
Who gave up on you
Who gave up on you
What a catch
What a catch
What a catch
What a catch
I will never end up like him
Behind my back, I already am
Keep a calendar
This way you will always know
I got troubled thoughts
And the self-esteem to match
What a catch, what a catch
And all I can think of
Is the way I’m the one
Who charmed the one
Who gave up on you
Who gave up on you
Where is your boy tonight?
I hope he is a gentleman
Maybe he won’t find out what I know
You were the last good thing
We’re going down, down in an earlier round
And sugar, we’re goin’ down swinging
Dance, dance, we’re falling apart to halftime
Dance, dance, and these are the lives you’d love to lead
Dance, this is the way they’d love
If they knew how misery loved me
This ain’t a scene, it’s a goddamn arms race
This ain’t a scene, it’s a goddamn arms race
One night and one more time
Thanks for the memories
Even though they weren’t so great
He tastes like you, only sweeter
Growing up, growing up
I got troubled thoughts
And the self-esteem to match
What a catch, what a catch

I remained at the airport till my friend picked me up. I trusted them with my life, and sometimes I shouldn’t.

They took me in and they gave me everything I needed. They were great, but what lingered on my mind was.

Evan…

-Time Skip: A week-

I opened the door and saw him. Why is he here!? I was about to close it, but he put his foot in the way.

“Y/N. Hear me out.”  I heard her voice say softly.

I nodded slowly unsure of what to say because if I did this would be a shit show.

“The article isn’t true.” He said to me, “We were going out to lunch together after a shoot with the cast. I was whispering something in her ear because I didn’t want others to hear, of course. They photoshopped to make us look like we were kissing. I swear. I would never hurt you. You make me so happy! You make me the happiest man!” He used small hand gestures. I looked in her eyes to see if he was lying, but he wasn’t, “I love everything about you. From how your hair smells to how sweet you are! I would never ever hurt you like this. I promised you.” He said with his voice cracking in the end.

“You really didn’t do any of it?” I said quietly.

He lightly grabbed my face.

I hesitated, but I grabbed one of his hands lightly.

“I would never lie to you for something this huge. Without you I don’t feel whole. I don’t feel me without knowing I can’t protect you. It hurts knowing I hurt you. It even hurts going home because I know you aren’t there.” He said looking me in the eye.

He really wasn’t lying.

You miss him. Go to him.

At this moment I didn’t hate this voice. It was right.

“I love you.” I said hugging him.

He hugged back almost instantly.

I pulled back and dragged him into the house.

Then I started thinking as I locked the door.

I turned back to him.

“What did you say to her?” I said to him.

He blushed.

Now it was his turn. He hesitated.

“I told her that I-I wa-wanted to m-marry you.” He said very nervously.

My eyes widened, but I smiled.

“You want to marry me?” I said sheepishly with a blush evident on my face.

“I still do.” He said confidently.

“Is that offer still up?” I said rubbing my arm.

I just got him back and I’m asking him to basically marry me.

He smiled widely and got down on one knee.

“Will you Y/N Y/L/N become my partner-in-crime for life, even in the afterlife?” He said pulling a a black box out with a beautiful ring inside.
(A/N: Imagine the ring because I don’t know your style at all.)

“Yes!” I said jumping on him.

I smashed my lips on him and he smiled into it. This kiss was a kiss that made up all the lost time.

He was my world. He made me so happy. His personality made me smile, and his looks made me smirk.

He was mine and I love him.
———-
A/N:
The next part will involve some naughty things.

rosvolio literally gave me a twenty course meal plus desert. not only did we get the cape scene and forced cuddling to share body heat trope, we got the motel with one bed trope (or in their case an inn) we got rosaline cHECKING BENVOLIO OUT, and the QUOTES we got tonight y'all

“we trust each other”

“i feel responsible for you, and i’ve never been responsible for someone before”

“who knew my last friend would be a harpy capulet?”

“i won’t let them kill you. i’ll tell them that you’re innocent… and kind.”

i have never been fed so damn well in my life

Line 1 and 2 from ‘The Story of Tonight (Reprise)’ have the same implications – Hamilton is urging Burr to be more active in his relationship – but they express this sentiment very differently.

Line 1 includes both the first person subject ‘I’ and the object ‘you’ and so places Burr and Hamilton in the same sentence, showing solidarity. In contrast line 2, isolates Burr, ‘you’, and places the whole impetus of the line on him, and only him. Since ‘Wait for It’ follows this song, it could be pre-empting Burr’s solo which is inundated with the phrase ‘I am’, reflecting Burr’s lone wolf status and the fact he is always alone – physically, Theodosia Sr and Jr are never on the stage.

Line 1 is a declarative, but it’s power is qualified by the use of the verb ‘wish’, which softens the statement, and transforms it into a suggestion. ‘Wish’ also concords with past tense modality which is why we see ‘you had brought’. This gives the line a kind of passive, after-thought quality, which contrasts sharply with the imperative, present tense of ‘go get her!’

Similarly, by using the conditional ‘if’, Hamilton challenges the integrity of Burr’s emotions. The whole plot revolves around these kind of challenges (‘If you stand for nothing, Burr, what’ll you fall for?’, ‘I will lay down my life if it sets us free’, ‘if you really loved me, you would share him’, ‘If they apologize, no need for further action’), with characters constantly testing each other or their circumstances. The musical is a series of battles >>> Will probs expand on this point in another post since it’s such a major thing.

The deixis of ‘this’ before ‘girl’ and ‘woman’ is very referential and specific, and actually highlights a connection between Hamilton and Theodosia. The maturation from ‘this girl’ to ‘this woman’ mirrors the way the Rev Set see Hamilton in ‘My Shot’, ­­  where their view of him transforms from ‘this kid’ to ‘this guy’ (‘who is this kid, what’s he gonna do?’ and ‘let’s get this guy in front of a crowd’). Dare I say it, Hamilton and Theodosia are counterparts in Burr’s life – both mature under his wing (I mean, ‘Theodosia writes me a letter everyday’… sound like anyone else we know?).


(@lamsandjeffmadstrash this is dedicated to you since you gave me the line ‘oh shit’ and then I analysed that scene… or a very small portion of it anyway 😘)

The End Of The Line

Part one of two.

In this theory I’m going to try and unravel the notorious Mary Drake and her family. Since she has been a very big part of 7A and is likely to remain relative to our endgame, I wanted to try and dig deeper. 

Who is Mary Drake, who are her children, who is Bethany Young, and who is A.D.?



THE DRAKE FAMILY.

Originally posted by dilaurnts

Mary Drake had at least three or four children while she was in Radley and they were all adopted through closed adoptions conducted by Steven Kahn and Jessica DiLaurentis, Mary’s twin sister and POA. 

  1. Charles Drake
  2. Melissa Hastings 
  3. Bethany Young (?)
  4. Spencer Hastings

(In part two I will discuss further why I put these names on the list)

Since Dr. Cochran says, “I dealt with two of her babies” instead of “I delivered her two babies” I’m lead to believe that Mary had more than those two, possibly three or four in total if she had a set of twins. Especially since in the files that the Liars discovered they found the birth information of the second born child, and on that file it states “no complications due to prior birth”. But Dr. Cochran tells Spencer and Aria that the second child he delivered was a fighter, implying that the birth may have been difficult. This means that the second baby born and the second baby he delivered are two different babies.

Spencer is the youngest. 

7x08 vs. 7x07

The Drake family is the family from the Dollhouse. 

Mary Drake, unknown Mr. Drake (looks like Peter Hastings, no?), Charles, Melissa and baby-in-the-womb Spencer. (Notice the hand on the mothers stomach, like she is pregnant)


BETHANY YOUNG is “CECE DRAKE”. 

Bethany Young stole her childhood best friends story - Charles Drake / DiLaurentis. She didn’t want to get caught by the Liars so she created the perfect web of lies that would be nearly impossible to dissect.

Bethany suffered from Intermittent Explosive Disorder and with that she also created many different personalities, one of them being “Cece Drake”. Cece and Bethany Young had the same diagnosis, and that is mighty convenient, eh? Dr. Jekyll and Hyde?

Intermittent Explosive Disorder:  “A behavioral disorder characterized by explosive outbursts of anger and violence, often to the point of rage, that are disproportionate to the situation at hand.”

“The discovery of Bethany Young’s body brings up more questions than it answers. While details are scarce on Bethany Young, we know that she was a highly troubled teenager who likely suffered from severe behavioral episodes that may have been violent.”

Bethany Young = Cece Drake.

Bethany met Charles when they were kids in Radley Sanitarium and they became quick friends, allies. Together they wanted to create an escape from Radley and start new lives, all with the perfect plan and story.Charles was going to help Bethany fake her death using Alison’s body and together they were going to run away and start over. Be new people.  

This is where I believe they came up with the idea to switch places. To literally assume one another identities to confuse the doctors and everyone they know, as some type of game. 

(Like Bethany literally switched lives with Charles and became Cece Drake, which is why Charles was thought to have been transgender. And Charles switched with Bethany and became whom I would call ‘A.D’)

Bethany liked to “switch places” or adopt the personalities of multiple people, in fact. First Charles and then Alison. A pattern. 

Remember when Bethany as Cece Drake and Ali switched places, and she went back to Radley disguised as Alison DiLaurentis just to scare Jessica? We hear about this in 4x11 in a flashback.

Then Jessica tells Spencer and Hanna about Cece Drake pretending to be Alison at Radley once, where she met Dr. Palmer who was a psychiatrist there.

This makes a connection between Cece and Dr. Palmer. And Dr. Palmer told Toby Cavanaugh to be careful of the toxic blonde girl, which was declared as Bethany Young.  

- The 4x11 flashback -

(Notice how Mrs. DiLaurentis says that Cece Drake is not her daughter. Because Cece Drake is Bethany not Charles, and Bethany is not Jessica’s daughter, but more than likely her niece since “Auntie Jessie”) 

I feel as if Jessica would have said something different if Cece was the little girl she was buying yellow dresses for all along. Jessica saw Charles as her own child, and she even says this to her sister Mary Drake in a flashback scene in 7x07 that was set back in season four.

Jessica: “Come on Mary, pull yourself together.”

Mary: “How could you be so cruel? I just found out that my child is dead. I left him in your care.”

Jessica: “And I gave Charles the best life that I could, Mary. I loved him with all of my heart.”

Mary: “How did it happen? I need to know. I need answers. Please, tell me.”

Jessica: “It wasn’t my fault. I gave him everything that I could.” 

And then she says, “You are not the victim here. You gave birth, but he was my son. Don’t ever forget that.”



CHARLES DRAKE = A.D?

Charles Drake DiLaurentis is A.D. Whomever they are, they are without a doubt in my mind our big bad. The ultimate play-caller. In my opinion the identity of Charles remains a mystery and will more than likely be the final twist coming in 7B. Charles is a man - and is not Cece Drake. 

Troian Bellisario who plays Spencer is 5′7″ and Vanessa Ray who played Cece Drake is only 5′4″ so this cannot be her as Charles. 

(Julian Morris who plays Wren is 5′11″ and so is Ian Harding who plays Ezra.  I understand that this could be literally any actor or staff member in this costume acting as ‘A’ but… I felt the significance and the familiarity that Spencer did in this scene, too. This was Charles.)

Originally posted by kristinflanagan


Now, given what I said earlier about how it is possible that Bethany and Charles switched lives when they were children…. 

Did Bethany somehow weasel her way out of Radley by pretending to be Charles? According to the Radley files Charles was taken out of Radley when he was sixteen, but was that actually Bethany? Did she “transform” into Cece Drake and go back to High School?

Is that why Charles was seeking revenge? And is that why he kidnapped the Liars and threw the dungeon prom, which was recreating the prom he would have had? Was he somehow connected to the N.A.T videos or did he just watch them all of the time, leaving him to feel like he knew the Liars?  (Just like us? Just like EzrA?)


Could Ezra be Charles?

Originally posted by elisavonwilde

What do we really know about Ezra Fitz, other than the fact that he comes from a rich family named the Fitzgerald’s? 

Is it possible that he was at some point adopted again by them? Is he Charles? 


Hint #1 : The Painting 

3x18 vs.5x03

Lyle and Frances Springer - Alison and Charles’ grandparents? (Plot hole?)


Hint #2 : Mrs. Grumwald

This is right before we learn that Ezra was the “Board Shorts” Alison wrote about in her diary, and that he is the one who she was dating the summer. We know Ezra is Board Shorts because Ali describes him in her story and states that he is eating boysenberry pie and “Board Shorts Ale” beer. 

In 4x18 Spencer goes to the bar she thinks Alison is talking about in that same story which is called The Hart and the Huntsman. To her surprise, she finds Ezra sitting there eating a piece of boysenberry pie.

Was Ezra also the same boy Ali was afraid of, the one that would kill her if he knew she were possibly pregnant?


Hint #3 : Aria Montgomery

5x03 vs. 7x07

In the “A” closer we see A.D. save Aria’s file, and burn Noel’s….


I’m not saying Ezra is 100% Charles or A.D., I’m just saying that he is still a very strong candidate. 

The writers can go two directions in my eyes - EzrA or Doctor Wren and Melissa. One of them HAS to be A.D. or working for/with them. 


Originally posted by shayspieterse

There we have it. Part one of my last Pretty Little Liars theory ever. 

7 years and 4 “A” suspects later….. who is it going to be?

Stay tuned for part two! xx

Arie’s Author’s Corner Week 1/?

I’m going to try to get back to Fic Recs. I do love reading fanfiction and I reblog as often as I can. 

I will LARGELY recommend Jensen and Dean Fics/Series/One Shots/Drabbles/Blurbs However there will be the occasional Jared and Sam. 

With that being said, here are a list of fics that I have recently fallen in love with. 

Keep reading