this line was not scripted

the bmc script has so many iconic moments y’all...

I would’ve given my left kidney to see Eric William Morris act as a “sexy anime female”.

And then those moments when you suddenly get hit by Feels™️:

And the crown jewel of them all:

just… so many good moments. I adore this play.

anonymous asked:

I played Mrs.fleming and I had to say "stop kids!remember Jesus is your helmet"

Is that one of the lines from the cursed new script

sup

Hi all! 

Even if you aren’t in this fandom (ZODIAC by Romina Russell), you can participate or whatever XD

So I had an idea while being in a call with @ageknight10 the other day. The idea is to put together an animatic that would be drawn by artist(s) and have voice actors acting the lines out.

I already have the script typed out - I might add a scene or two, though. If not enough are interested, I’ll just post the script as a paste bin and let anyone print it out or whatever XD

However, I’m really hoping this becomes a thing or whatever and will go far.

If you are possibly interested, reblog this and state if you are interested in voice acting (or art) and your gender (I need to get a head count to balance the number of roles for each gender). :) Thanks!

anonymous asked:

Also I had to say "remember kids to spray the gay away."

IS THAT AN ACTUAL LINE IN THE OFFICIAL SCRIPT
I WANNA READ THIS UPDATED SCRIPT I KNOW IT WILL MAKE ME MAD

youtube

It’s been 10 years since we first started taking the Hobbits to Isengard. I mean, it’s been way longer - the Hobbits could have fucking walked there, back again, managed to get served several times at the downstairs bar in Doggett’s and got a Southeastern train service all the way to Charing Cross since Tolkien put pen to page. But (and believe me, this is deeply unusual for me) let’s put J R R aside in this.

Peter Jackson’s Lord of the Rings trilogy is kind of… well, both too faithful (total lack of critical interrogation of Tolkien’s absolutely awful concepts around race, gender, etc.) and not faithful enough in that it appeared to miss all the points your correspondent’s teenage self managed to find in the series. Specifically, where Lord of the Rings is an obsessively detailed but ultimately quite modest and traumatised epic, a huge amount of which is two small, starving creatures crawling around in mud having moral dilemmas. The Jackson films take themselves as seriously and grandly as the books came to be and as I suspect their author probably never did.

Taking the Hobbits to Isengard, on the other hand, is a pure and perfect work and I will hear no ill spoken of it else ye never receive a pint in a round bought by me again. 

It takes as its base the Hovis-theme-ripping-off music from The Shire - the small-worlded part of the films, before any grandeur is truly injected into the bloated beastie that is the trilogy. The Hobbiton theme is supposed to be homely, reassuring, quaint - like anything that succeeds at that, it sounds fucking amazing played on an airhorn.

The simplicity of the Shire’s theme is what allows it to so naturally accept the kitchen-sink style auditory ornamentation that is ‘a donk’. A classic staple of rave, it needs no introduction even in a world as apparently dislocated from two WKDs and a honk on some poppers as the miruvor-quaffing pipeweed fiends we see here.

As a lyrical piece, Taking The Hobbits is discursive - like many of the very best pieces of pop. One only has to consider the sweet, sweet tension of Fleetwood Mac’s The Chain or Brandy and Monica’s iconic The Boy Is Mine to recognise that dialogous pop is, when it works, a particularly sublime genre.

It doesn’t matter that the lines are, ostensibly, orphaned from their original place in the script - from the eponymous ejaculation to Gollum’s hissed What did u say??? they’re all perfectly addressing each other in the sort of gloriously confused cacophony usually reserved for a misunderstanding-based brawl outside a kebab shop at 3am. 

I remember the first time I heard Taking The Hobbits To Isengard. It was quite a momentous occasion because I still had dial up, so it took roughly the length of a decent pop song to load and it was very difficult to tell if it was deliberate or a bandwidth-related glitch remix for at least 30 torturously disrupted seconds. I’d imagined it would be a fairly quick joke - most internet video based things were, at the time, but no; a fully fledged song. That just kept going. 

The initial air horns! These are funny, yes because we remember them as the Shire theme, which isn’t even the music for this bit. The stuttering sample of the original line! Which sustains itself as Sheffield Dave-style shout out far better than it should, given it’s old seriousface Elf ears himself yelling off a horse. 

(In retrospect, should have equated that with Sheffield Dave earlier)

Then there’s …polka bit. Few pop songs manage to maintain a polka interlude - Bohemian Rhapsody springs to mind but Taking the Hobbits To Isengard manages to repeatedly insert it without losing coherency around its original rave premise. If you don’t think ‘Tell me where is Gandalf, for I much desire to speak with him’ delivered over a little eurodance handbag bit is not both extremely funny and excellent pop, I can’t help you. 

Taking The Hobbits To Isengard would score reasonably at Eurovision. Not because Eurovision is actually the home of comedy trash but because if France (and it would probably have to be France in order for the Elven analogues to take themselves seriously enough) scooted in on an artpop platform and wanged loads of fucking airhorns round the stadium it would be entirely in keeping with European sensibilities of solemnly considering the totally whimsical due to our inherent reservedness about experiencing joy.

(The slightly older and wiser part of me has to question the repeated use of Gollum’s ‘stupid, fat, Hobbits’ which makes sense in the context of what he is but isn’t inherently funny, unlike a context-dislocated, bass-intoned ‘A Balrog of Morgoth’)

The great thing about Taking The Hobbits To Isengard is it actually gets funnier the more it goes on. Like Star Trekkin it not only sets out to commit to a fairly one-note premise but to hammer that note until it falls out through the piano and becomes a transcendent free agent, cascading through the strings. 

It takes a premise; that the Lord of the Rings films, in their overblown format, are very, very silly and runs with it extremely, deadly seriously. This is the core of not all but a fairly substantial chunk of really good pop, as well as an excellent manual for life. All things are here - a manic sense of imminent implosion, troubling past associated with racist ideologies, handcarts, hell, what did u say???

Very seriously; Taking The Hobbits To Isengard is a superb piece of fan work and it has substantially enriched my life to listen to it on loop for the past 45 minutes whilst watching a parliamentary debate on mute. Creators of this piece: thank.

Dearest Jane Fans –

I want to begin this letter by telling you about the magic of Brett Dier.  He took a character – built from the beginning with secrets and moral lapses – and made him so likable, so funny, so sincere in all the right ways, that most of our writers’ room became #teammichael by the end of the first season.  And I honestly don’t think I’ll ever love a moment on our show as much as I loved Michael’s vows to Jane…  Which is to say, this was a devastating episode for us to write.

It was also a decision made very early on, when I thought about our story as a whole.  And even in season one, I knew it would be a hard thing to actually do, which is why there was a line (which many of you noticed) about how Michael would never stop loving Jane.  And the Narrator confirmed, “For as long as Michael lived, until he drew his very last breath, he never did.”  Honestly, I put that line into the script at the last minute to hold our feet to the fire, to make sure we went through with it.  Because even back then, the writers could all see the magic of Jane and Michael together.  Not to mention Rogelio and Michael!    

The other reason I put that line in the script was to prepare you… a little.  If the writers and actors loved Michael so much, then I knew it would be devastating for the fans.  So then, the only surprise we had left, was when…

And again – that goes back to the magic of Brett Dier.  Originally, I thought Michael would die earlier.  But Brett is such an incredible actor – he gave us such great comedy and drama and first-rate exposition delivery (!), often all in one scene.  And he and Gina… well, there’s that word again – magic.  So, we changed some things in the writers’ room.  Jane and Michael got married.  They had sex. They moved into their first home. And I’m so glad we did that and I’m so glad all those firsts for Jane were with Michael.  But this is a telenovela, as we so frequently remind you.  And we are only at our midpoint.

You’ll recall, back in the pilot, Jane was on a path.  Things were mapped out.  And then she was accidentally artificially inseminated and everything changed.  Well now, everything is changing again.  How does our romance-loving hero move on, how does she get back the light and the hope…?

Well, it’s certainly not quick.  And that’s why we’re now three years later in our story.  We’ll be flashing back to those three years and filling in gaps, but mining emotions realistically is something we work hard on and we knew the immediate pain of that loss would overwhelm our storytelling.  After talking to grief counselors, this felt like the right time to reenter Jane’s journey.  She’ll always feel Michael’s absence (and trust me, we will too), but it opens up our storytelling in new and exciting ways, while allowing for the light and bright Jane world that we love to write.  

Which brings me to something I feel really badly about.  The timing.  I’ve had so many tweets lately about how Jane is a bright spot these days. And I know you just watched a gut punch of an episode.  So, I just wanted to reassure you that Jane’s optimism will rise up.

Thank you guys so much for watching the show, for caring so passionately, and for going on our journey. And thank you so much to Brett. For his talent.  His passion.  His humor on set.  Michael will be missed in Jane’s world, just as Brett is already missed in ours.  

With love,

Jennie Urman

How I see kpop groups and their traits

Exo: referred to as gods by the future generation; they could release an album full of high pitched screaming and still would make the best selling kpop album; china line who?; we are 1 what?; korean members with chinese stage names; don’t let the satan near you; yehet, kkaebsong; give Sehun lines

Bts: from nowhere to everywhere; hyperactive kids making good music; kids with mental health issues doing vanalism; they look at you - you faint;  shit down, beach - bitch?, ikskjuz miii; zoo; give Jin lines

Ikon: B.I, Bobby and friends; favoritism by yg; “the next bigbang”, but yg seems to forget about them so does the crowd; being hyped up then ending up disappointed; capable of doing good music but refuses to; give chanwoo lines

Got7: no mvs in the future just videos of them dabbing; b side tracks always better than the titles; acrobatics until their neck breaks; not so creative fandom name; bamx2 is big; jaCSon, hard carry by Monsta x

Winner: searching for them - error404: nowhere to be found; somewhere in the yg building; Taehyun had enough shit, wants his own band, searching for members through tumblr; capable of being unique, yg aint letting them; let them break out   

Day6: now 5live, nope, day8, members: sungjin, wonpil, dowoon, youngk, jae, chicken little, brian, younghyun; the one who has a stage name but seems like everyone is forgetting about it; dancing king; hashtag king; let dowoon sing

Astro: too much sugar in my eyes i can’t see; too pure for you; won’t ever do other than cute concepts;  michael jackson; giant maknae; voice cracks for life; new generation of flower boys

Seventeen: too many; pledis has a thing for girly boys; pledis’ only income; leg breaking choreos; adore u remakes as title tracks; no dark concepts in the future; sebeuntin; carrots, mounteen; slipping here and there; dino nugu aegi; thughao, 10:10; divaboo; noone looks like suga; jeongcheol, meanie; give china line lines

Vixx: concept kings but kinda ran out of concepts; oldschool kpop feel; from vixx ravi to solo ravi - full upgrade; one of the prettiest fandom names; endless leader bullying; serial killer; let the maknae line sing

Shinee: going strong since 2008; people seem to pay less attention to them; taemin upgraded; weird fashion taste - key; cola cola; don’t sleep on them

Infinite: dope intros - give you chills; old kpop sound, unique sound; scorpion dance, live singing + synchronized choreos; dinosaur who’s laugh can be heard without a mic; endless leader and maknae bullying; saved woollim; give sungyeol and sungjong lines

Monsta x: future strippers; stuck between hiphop and sexy concepts; wtf is going on here mvs, gay mvs; cringiest fandom name; weird noises by the rapper; damn daniel; how to learn hungarian by changkyun; abs, memes; ten years later: waiting for their first win; mosta x, moista x, monster x;  give hyungwon lines; 

Bigbang: legends; noone can dance, too lazy to dance; fashionistas; min hyorin; yg = bigbang

B.a.p: started to rise - shit happened - nobody cares about them anymore; getting killed or killing others in mvs; unappreciated dancers and rappers; high notes for life; actual meaningful lyrics

Block b: zico and the boys; biggest weirdos of them all; no friendship just business; give jaehyo lines

Nct: taeyong and the boys; pouring salt at the wounds; mess of a noise music; rotating as much that i can already see the tornado; dozens of units; horrible fashion; unnecessary ps; damn hoverboard skills; great vocals being hidden; johnny somehow managed to get out; let hansol free; give lines to everyone

Pentagon: putting them through an unnecessary scripted survival show to make people foget about some disbanded groups (4minute); sm and yg let some gems slip out from their hands, at least they are not in the dungeon; giants and dwarfs; ugly crying; lame jokes; ultrasound screams; nudity; wooyu; yutoda; give shinwon lines

Btob: being forgotten by cube; weird, extra; slowly turning into a ballad group; is minhyuk a rapper?; give peniel lines

Beast: what is happening with u cube? shit happened; new name - bea5t?;  lost their spirit after shit happned; great lives 

Suju: waiting for ot15; shit still happening; growing out of kpop; concepts don’t match their age; still waiting for kibum; don’t forget about zhoumi & henry; diaries of a married man; being succesful in the military

Nu’est: best debut song ever; had the most potential as a rookie group; pledis messed up; now they’re popular anywhere besides korea; getting worse and worse title songs; aesthetic mvs; creative fandom name; again pledis has a thing for girly boys

Ft Island: hongki and the others; awesome dope music (let’s not count puppy here); people don’t appreciate quality music anymore; this gem is lost in the ocean of cute, badass & hiphop concepts; pretty fandom name

Cnblue: another gem; better japanese releases; boring new songs because they have to fit into the kpop standard; yonghwa’s unique teeth; visuals; let the others sing

SF9: another group coming from a survival show; covering their seniors’ songs so they can’t even recognize them; thumbs up for the K.O choreography; don’t go with them to amusement parks; deep af voice maknae; park jimin 2.0; hwiyoung got them lines in roar

KNK: a bunch of idiots - literally; tall af; models af; old school kpop feels; if you hear someone laugh hysterically from afar it’s probably them; falling dramatically to the floor while doing so; choking sounds; don’t let them feed you; horlolololo; astro x knk; bullying sanha

2PM: definition of men; hella hot bodies; starting to be unknown; when was their latest first win?; manly concepts; awesome vocals; the rap is still meh; go crazy is a jam y’all; great actors

U-Kiss: so many member changes; lit songs, but not getting appreciation; don’t complain about your faves not getting 1st place like 2 months after debut - it took for them years; the first kpop fathers; they need a comeback soon

B1A4: great vocals again; don’t let them being forgotten; cnu just rocks the short hair admit it; baby i’m sorry is one of the best kpop songs; but great ballads as well

Teen top: they need to go back to their previous style; cap rocking them tattoos; hilariously funny group - watch their weekly idol; promoting as five now - anticipate their comeback

Everyone please note that i dont mean to offend neither the groups neither the fans. its just for fun and me being 100% sarcastic by these statements. i love and respect these groups with all my heart!
sorry, its a bit long.

Renamed MCU Movies
  • Iron Man: Robert Downey Jr. now has a goatee and it sort of works
  • The Incredible Hulk: remember that 2003 Hulk film with Jennifer Connelly? this isn't it
  • Iron Man 2: He's Back and Very Tired of This Shit
  • Thor: Tell your kid he's adopted and then hibernate to avoid your problems
  • Captain America The First Avenger: arguably, could one insert their dick....into the tesseract? asking for a friend
  • The Avengers: remember loki? ha that wild son of a gun sure loved trying to kill his adopted father. what's he been up to?
  • Iron Man 3: Tony Stark Collects Science Kids
  • Thor The Dark World: Why do Asgardians have such weird fucking names? Just have a normal name.
  • Captain America The Winter Soldier: Just give Natasha Romanoff her own movie already
  • Guardians of the Galaxy: Put This Film in the Library of Congress
  • Avengers Age of Ultron: Clint Barton has a line in the script!
  • Ant-Man: Paul Rudd is like the hot dad of your friend and it's really obvious but you don't want to say anything about it in case that friend stops inviting you to their house so you sit there at dinner and try not to stare at their hot dad but eventually you just have to say something and then you stop talking to that friend a month later for totally unrelated causes
  • Captain America Civil War: Bucky Barnes is not straight part 2
  • Doctor Strange: you could have literally cast anybody else in this role and you chose Bendydick Crackrock. other than that, great film
  • Guardians of the Galaxy 2: currently still sobbing over this
  • Spiderman Homecoming: Tony Stark Continues To Collect Science Kids
2

That line in the movie - that was never written in the script. That’s an improv line from Ben. So many of the best moments in movie history were captured, or just found, you know - were real, and were improvised… It blows my mind to think that the catchphrase of our movie was improvised by Ben Mendelsohn on set one day.

- Derek Cianfrance, The Place Beyond the Pines commentary

It’s a little weird that this line is in the final shooting script, because I’m pretty sure this was said to be improvisation by Martin. If you look closely at Ben during this scene you can see him turning away to hide his laughter. I can’t find the source anymore, but if somebody has it, please let me know. 

tagging some people who might be interested: @worriesconstantly @iriswallpaper @twocandles @istillbelieveinsherlockholmes @inevitably-johnlocked @love-in-mind-palace @warmth-and-constancy @ilooovegingernuts @ teapotsubtext

sorry not sorry but true, genuine friendship was missing from both of clarke’s serious romantic relationships in the past so forgive me if the ‘such a good friend’ line from the script not only doesn’t concern me but actually bolsters my belief that bellamy and clarke are truly meant for each other and have the best foundation for falling in love and being together forever