This song is from the Home: Adventures With Tip & Oh episode Best Frenemies, which is one of my favourite episodes as I think it’s just hilarious, mainly due to this song. I just bought the season 1 album but it doesn’t have this song on it! Wtf!! It’s so funny in a sort of self-aware way, plus Smek is voiced by the voice acting legend Nolan North, which just makes it even better. Enjoy. (Just in case you’re confused, the song is in parts spread throughout the episode, so I had to edit them together haha)
uh, okay, so la la land was fine. i wasn’t blown away by anything, i enjoyed parts of it, but i kept checking how long was left because some of it got a bit tedious. the ending was cliche and the songs were ok but one thing bugged me the most
why did that film win best cinematography
like, i want every person in the academy who voted for it to write me a paragraph-long explanation. because yes, there were some beautiful shots in that film, but it wasn’t anything… new. it wasn’t innovative.
moonlight and arrival are hands down two of the most beautiful films i’ve ever seen. both of them have texture. the cinematography in both is groundbreaking, and stunning to the point where you often forget to breathe.
la la land had… a pretty sunset? some star dancing? shots of an observatory? i don’t… ???????
I was tagged by
@immortal-melancholy and I didn’t want to do it but then my human said I can’t so now I am doing it.
Rules: Using only song titles from one artist, cleverly answer these 10 questions. Tag people at the end!
GENDER: Smalltown Boy
DESCRIBE YOURSELF: The Monarch
HOW DO YOU FEEL: Shattered (I tried being nice to Negra today and she punched me and hissed at me and now my pride is hurt)
IF YOU COULD GO ANYWHERE, WHERE WOULD IT BE: On The Other Side (of the street. There is a school and I am sure the kids would love me.)
YOUR BEST FRIEND: Hands Of Gold (look, Sára is very good at rubbing the soft part behind my ears.)
FAVORITE TIME OF DAY: Turn The Lights Out
IF YOUR LIFE WAS A TV SHOW, WHAT WOULD IT BE CALLED: Generation Me
WHAT IS LIFE TO YOU: Milk and Honey :3
RELATIONSHIP STATUS: Go Away
YOUR FEAR: Start Swimming
I tag ALL of my followers!!!1!!!1! No pressure though
From Star vs. the Forces of Evil - Face the Music.
*** (NOTE - THE SONG LYRICS HAVE SPOILERS.) ***
I was fortunate enough to get involved really early in the process for this musical number, and I wrote the first pass of the song to the episode’s black-and-white storyboards. @arythusa and @amelia-lorenz, who boarded this two-parter and wrote all the lyrics to the songs, are endless fountains of creativity.
Lessons learned about Patrick Stump: 1) he is very, very funny; 2) he is a freaking pro in the studio. Before we recorded each chunk of the song, he would listen to my temp vocal and then slowly pace around the live room and work everything out in his head, make a few tweaks so that the melody would best suit his voice, run those changes by us, and then we’d be off.
This is more of a lesson for international fans, that don’t look any further into Kpop that their “oppas” faces.
I’m aware Kfans are just as bad, but I’m pretty sure they understand the platform, and just say this to piss off fandoms.
If you’re new to Kpop, maybe this will help you a bit.
No group has a useless member. None. Not one. I’ve seen time and time again that international fans will say things like “that member can’t sing so he’s worthless”, or “he sucks at dancing”, or “his rapping is awful” and I’m absolutely tired of it. So let me break it down for you.
In most groups, there’s a group leader. Typically the leader would be the eldest member of the group, but it’s not always the oldest. Suho, leader of EXO is currently the second to last oldest member. CL, was the second youngest of her group, 2NE1. Taeyeon, leader of SNSD, is the oldest. The leader is meant to be mature, and charismatic, and be able to handle focus and attention that’s on them. They’re meant to care for the other members, to motivate the group, and represent them(eg. speaking on stage). In short, they’re the parent of the group, responsible for their members.
By default, as this is Kpop, all members are dancers. But there are still roles for the groups. Again, same hierarchy;
The Main Dancer- Expected to have the best dancing skills, less focused on singing, often have fewer parts during songs, might even have only sub-vocal parts(as breathing needs to be reserved for their dancing), often have solo dance parts.
The Lead Dancer- As the whole group dances, the Lead Dancer will lead the group and often dance in the front, when the group is dancing all together.
Kpop emphasizes on beauty. There is even a position in most groups that, who ever is given the role, takes special care of their looks, because that’s an important feature for a group: looks. It’s not fan-appointed, it’s given by the company, as all roles are. It’s a real thing. The Visual is someone that is deemed most attractive, and is most likely seen endorsing products and be on commercials and ads.
Note: don’t confuse this with the ‘face’ of the group, aka the member most easily recognized. Some idols are the face and the visual(Hyuna, Taeyong) but the two are not the same.
Some positions you don’t get trained for, you’re born into them. The maknae is simply the youngest of the group. They don’t have a specific task to do, they’re just the baby of the family. But of course being the youngest is often associated with being cute, so some maknaes make a point of being the complete opposite of the Leader, the most charismatic and responsible member. They’re often ‘forced’ to do aegyo, and act cute when asked.
Considering the fact that idols aren’t just thrown out into the public, they’re put through anywhere from a year to 10 years of training, insane diets, learning choreography, songs, new languages, and often times while still juggling school, you can’t say they don’t deserve a spot in their group. Adding on to the fact a lot of times, idols actually have a hand in creating choreography, lyrics, and music, they pull their weight.
Members aren’t meant to be good at everything, that’s why there’s roles.
Some groups don’t have concrete roles, and that’s fine too.
So there you have it, your little Kpop introductory class.
Each group is carefully put together by companies. Every member has a point, if they didn’t, they’d be a waste of money and wouldn’t be in a group.
You can easily look up a groups’ roles, and see why a member is there. It’s not hard to not be ignorant about groups. Learn something from this, and keep your mouths shut.
😍 who is your bias?
😈 and your biaswrecker?
💿 hyyh or wings?
🎶 what’s your favourite song at the moment?
💙 hyung line or maknae line?
💃 who is your favourite dancer?
🔥 RM, 1VERSE or Agust D?
🌱 your favourite member in maknae line
🌳 and the hyung line
📆 how long have you been a fan?
👬 your otp
🎤 your favourite cover by the members
♋ do you share a zodiac sign with any of the members?
👀 your favourite part in cypher 4
💞 ot3 war: vminkook or yoonminseok
👽 describe taehyung with 3 emojis
🗣 what’s your favourite solo song?
👥 and the duet
🖊 who do you think is the best song writer?
💣 we are bulletproof 1 or 2
🤗 if you could spend the whole day with a member who would it be and what would you do?
🐰 describe jungkook with 3 emojis
👺 who do you think is the meme-iest one from the meme squad?
🗺 where are you from? had they ever been there?
🏝 which member would you take with you on a deserted island?
💰 do you have any merch?
🔪 your favourite part in cypher 3
🐕 choose the bts dog
🍑 describe jimin in 3 emojis
🗡 in hunger games who do you think would die first and who will survive to the end?
🍻 which member would you want to grab beer with?
👣 have you ever tried to learn any of their dances?
👓 describe namjoon in 3 emojis
🐻 ryan the bear or kumamon
👔 what’s your hogwarts house? where do you think each memeber belongs?
🏃 in scale from jungkook to namjoon how fast do you run?
📸 concerts or fansigns
😇 decsribe hoseok in 3 emojis
😸 are you shy and pure like jimin or freaky and naughty like taehyung?
💣 what’s your favourite bangtan bomb (video not lightstick)
🛩 bon voyage or american hustle life
📖 do you write fanfiction?
📣 which cypher do you like the most?
🐢 describe yoongi in 3 emojis
😪 what’s the best song to listen before falling asleep?
📚 share your favourite fanfic
🎬 if there was a movie made about any member what kind of movie would it be?
🙋 have you ever met them in person?
💁 describe jin in 3 emojis
😓 war of hormones or boy in luv
🌈 most to least Not Straight in your opinion
🖍 who’s drawings do you like the most: jungkook’s or jimin’s?
🤔 spring day or not today?
-The Beasts makeup in the beginning
-After Belle rejects Gaston’s dinner offer and he was like “oh, you’re busy?” and she just says “no.” SAVAGE.
- “Now let’s go to the East Wing or as I like to call it, the ONLY Wing…” .
-The entire “Gaston” song scene
- “I don’t have any tastebuds, but I can tell this is delicious”
- Belle throwing a snowball at the Beast and Beast responding by PELTING a huge snowball at her face
-That growl that the Beast did at the end after he had already transformed back 😳
- Lefou and that one thug getting to dance together at the end.
Summary: You and Yoongi shared a loving relationship with one another until you both agreed to end things and pursue your separate careers. But two years later, Yoongi is a member of the ever growing Bangtan Boys, and you are a new makeup artist for their upcoming tour. Pairing: Yoongi | Reader Genre: Fluff/Angst/Smut; Idol & Makeup Artist AU Word Count: 6,330
“Have you talked to Y/N recently?”
Jeon Jungkook flickers his gaze over to the speaker, having only caught the faint murmur of a voice through his headphones, before the maknae tugs the equipment off of his head. “Sorry, what did you say hyung?”
Yoongi sighs, shutting his laptop completely and silently beckoning the other boy to follow suit. He has been battling this internal question for the past few hours, in spite of its simplicity, but it’s the context behind the question that has Yoongi all worried about what the answer could lead to. He has always been told not to ask questions he did not wish to know the answer to, and yet here he was: asking something in which the response was likely to terrify him. Yet, still doing so anyways.
“Have you talked to Y/N recently?” He repeats, heart ramming out of his chest as he gauges the youngest for any shift in expression to indicate an answer. But Jungkook is no longer that shy 15 year old who couldn’t lie to anyone’s face, the boy hides his emotions well. “I know that you guys… are friends.”
Jungkook momentarily can’t meet Yoongi’s gaze—the youngest looks set on tracing the outline of the headphones that rest along his neck—before he finally looks up. “Are you trying to ask if I know about what happened between you and noona? Because I do.”
I would just like to take a moment to applaud Ariana fCKING Grande. This is a girl who’s at the top on her game in the music industry, and literally does her best with everything she puts out. She keeps getting slut shamed because of her songs, the way she dresses. She keeps being assumed to be a certain way and she taKES NONE OF IT. WHAT DOES SHE DO? PUTS OUT A FREAKING FIERCE ASS INTERLUDE VIDEO ON HER TOUR, “NOT ASKING FOR IT, LADYLIKE, FEMALE, HUMAN, SEXY, (was only part of the message)”. Not only does she clap BACK HONEY, but he does it in a way to INSPIRE. Not only that, I love how she doesn’t NEED PROPS ON HER TOUR. It’s so simple and good because of HER DAMN VOICE IS EVERYTHING YOU NEED AND NOTHING ELSE. Most artists need to rely on heavy props, flashy performances to cover up their lack of vocal skills so people focus on something else, BUT NOT ARIANA GRANDE, BITCH.
Hello! So first and foremost I wan to put out there how much I love Harry and his voice. Dear god it’s SO COOL and unique. I love how when he’s in good vocal health he has all these different textures to it- the gruffness of his chest voice, the purity of his falsetto, the power of his belt. When the studio version of SOTT came out I couldn’t sing his praises enough. His voice sounded SO HEALTHY. He was making such good choices!!! Everything was relaxed and well supported. He let the song build naturally. He MUST have gotten some solid vocal training over his break because that isn’t something that can just happen over night. I was very impressed and very proud. I was also a bit nervous to see if these changes would hold when he started performing live….and…..it looks like I had good reason to be nervous.
Here’s the thing. There are a few reasons I’m so hard on Harry in particular when it comes to poor technique. First, compared to the other guys, his technique is the only one that’s actually physically DAMAGING. Could the other guys benefit from proper training? Sure. Of course. Every singer can. Even those who have been singing for years still should train on a regular basis. But the other boys’ bad habits are just that- bad habits. They aren’t going to do long term damage, not the way Harry’s are. The second reason is BECAUSE I know he can do (AND HAS DONE!!!!!) so much better!! I know he’s CAPABLE of so much more and so yeah, I’m hard on him because of that. And finally, I know exactly what he’s doing physically and exactly what’s going through his mind because I have the same exact bad habits and I can see him using the same exact thought process as to why he slips into these again.
Harry is the Ultimate Performer. He wants nothing more than to put on a good show for everyone, even if that means sacrificing his own vocal health. Now, that’s isn’t a HUGE problem…until it KEEPS happening. Which is what happened with OTRA. And possibly might be happening now, although that remains to be seen. One performance of one song slips into an entire show of this slips into two shows of this slips into the entire tour and wham, you’ve got nodes. I think the biggest problem with Harry’s performance last night is he doesn’t trust the material or HIMSELF to sell it the way it is. He feels he needs to overcompensate and big Big and Bold right from the start and that song is not built to be sung that way. He started at a level that he couldn’t sustain throughout the entire thing and had nowhere to go. That’s when he ran into trouble.
As soon as he opened his mouth, I knew it wasn’t going to go well. Don’t get me wrong, he sounds fantastic in the beginning…but like I said, there was nothing for him to build upon because he already started it at too high a height. His voice sounded raspy to me too, raspier than usual. That can be caused by a few things- he could have been dehydrated (you can’t sing right if you don’t pee white!), he could have been tired (we know he’s a morning person and that show is pretty late for him), he could have strained his voice at the concert the night before, he could have over rehearsed, he could have smoked a bit. I don’t know what the cause was, but he didn’t start off the evening in the best vocal health, especially for a song that’s very difficult to sing. I also think he KNEW that so again, he tried to overcompensate for that by pushing.
There is so much tension throughout his whole body, particular his shoulders on up. I’m sure a lot of that is due to nerves. I’ve said it many times before and I’ll say it again: the SNL stage is one of the hardest venues for artists to play. There’s something particularly rough about it. He’s also always had problems tensing up his face when he sings, but it what was particularly striking to me was that he did it during the falsetto parts. That should have been EASY for him to sing. That’s something light and relaxed. Almost a break from the tension of the rest of the song…and yet he looks like he was in pain. Which makes me wonder if he WAS in pain. it’s hard to tell, but it almost seems like the second time he does it he pushes it more to a mix than a pure falsetto.
It’s notable to me how relaxed the second syllable of “bullets” around 2:44-2:48 is compared to the rest. THAT is what the whole thing should have sounded like. it’s relaxed and he’s got a great vibratto on it that comes straight from the diaphragm there- compare that to how tight “bullets” are the second time he sings it in that phrase at 2:58ish-3:04. Why did you change what you were doing, sir??? In fact, to me it seemed like he KNEW it sounded good the first time and did his cute li’l dance and then came back to it feeling like “yeah I got this…” and then tightened right back up again. because he didn’t trust himself.
Thennnnnn the bridge happens. And this is what i mean by he had nowhere to go. THIS should have been his first belt it out moment. but he pushed too hard too quickly and his voice just…wasn’t there. It was tired. The first scoop up to the first “we” was off key because of it and I think he knew it which made it even worse and MORE tense to the point where he just didn’t have the vocal agility to flip into his fasletto again for “learn”. And then we’ve got the “it’s just what we know” which was just a poor choice. I have a feeling he nailed that MULTIPLE times in rehearsals and mannnnn if he was in good vocal health how killer would that have sounded!??!!? But instead, we got what’s called harmonic distortion which is SUPER VERY YIKESY AND A BIG SIGN OF HOLYSHITYOU’REDOINGDAMAGE (i sincerely hope he has an appointment with an ENT this week and gets scoped to check that out). This was another instance of him trying to put on a great show and overcompensate for what he probably felt was lackluster vocals (which for the record WERE NOT THAT BAD. I’m picking it apart because…well, it’s what I do. and i don’t think I would have had too much of a problem if it weren’t for the super damaging choices he ended up making).
From there he’s thinking “Oh shit that was bad…I REALLY fucked up…better step up my game and make the end better!” and once again tries to overcompensate and push a voice that’s already been pushed to the brink. there just wasn’t more in there for it to give. He couldn’t sustain it. He had already given everything that there was go to give.
When it comes to ESNY, it was a much better performance. I think it’s partially due to the fact that it’s an easier song to sing and partially due to the fact that he was playing guitar so he wasn’t as much in his head (Side note: CAN YOU BELIEVE HE FINALLY BLESSED US WITH HIS GUITAR SKILLS?????). His belty part towards the end wasn’t as good as it could have been, but I think that’s just due to the fact that his voice was kinda shot and that’s the best it was going to be. It wasn’t TERRIBLE and obviously it could have been better, but I am curious to hear the studio version to see if there’s more belting that he just wasn’t comfortable with last night. I could have done without the facial affectations because it just adds more tension and tension is bad, kiddos But I think it’s a stylistic choice and I’m trying to pick my battles here. Additionally, as we’ve seen in gif form his li’l neck vein was popping out so yeah he was tensing up pretty good there…but again, it wasn’t as terrible as it could have been since the song itself isn’t as taxing vocally.
All in all, the performances were great, especially if you’re not as picky as I am. I know this was his first time singing live in well over a year and SNL is high stress and it’s his first time out there ALONE. I’m curious to see what happens on Graham Norton and if he improves his technique. I’m also really curious to see how he’ll be on tour as well. I do wonder if he’ll lower the key of SOTT so it’s not as taxing. No one would really notice and it would make things a little easier on him. It’s just frustrating because I know he has it in him to do it well. We’ve HEARD him do it well. But he just doesn’t trust himself enough to do that and that kind of breaks my heart a little. Thankfully, he’s young and has time to learn. He can still break these habits and make new, healthier ones and learn to trust himself more.
BUDDY. YOU GOT THIS. YOU HAVE AN AMAZING VOICE. YOU ARE A FANTASTIC SONGWRITER. YOU HAVE GREAT TECHNIQUE WHEN YOU PUT YOUR MIND TO IT. YOU ARE A KILLER SHOWMAN WITH A TON OF CHARISMA. PLEASE TRUST THESE THINGS AND STOP PUSHING YOURSELF BECAUSE I DON’T WANT TO SEE YOU DAMAGE ANYTHING.
More fanart for @kazliin‘s Until My Feet Bleed and My Heart Aches. Based on the events of chapter 11 as a whole, but these lines in particular:
“You only have to want me. You only have to ask.”
"But for the moment Yuuri stood on the podium with Viktor watching him and he couldn’t help the smile that broke out across his face, the smile that was directed at one man and one man alone. And the best part was that Viktor smiled back.“
Also got a bit inspired by the fabulous Wicked song, As Long As Your Mine. It’s also worth mentioning that when I got a touch of artist’s block with regard to the background, I remembered that laurels are symbolic of victory and victory=victuuri…
Jeff Bhasker: Best known for his award-winning work with alternative group fun. on their smash breakthrough Some Nights – which netted him the Grammy for Song of the Year for “We Are Young” – Bhasker is credited as the executive producer on Styles’ album.
The frequent Kanye West collaborator, who has more Academy hardware on his shelf thanks to his Best Rap Song wins for Ye’s “All of the Lights” and the Jay Z/Rihanna/West tune “Run This Town,” has also written and produced tracks and albums for Alicia Keys, Goapele, Robin Thicke, Beyoncé, Lana Del Rey, Taylor Swift Ed Sheeran and Mark Ronson. He took home yet more Grammy gold in 2016 as one of the producers on the Record of the Year winning Ronson smash “Uptown Funk.”
Bhasker also released Born on the Fourth of July, a bold, experimental solo concept album under the name Billy Kraven, in 2013.
Alex Salibian: Salibian is part of Bhasker’s production crew. He provided guitar, piano and backing vocals for Young the Giant’s 2016 album Home of the Strange, and (along with Bhasker) co-produced the record. He has also lent a production/engineering and musical hand on songs by Cam, Mikky Ekko and Elle King and is credited as a co-writer and co-producer on Styles’ “Sign of the Times.”
Tyler Johnson: Another frequent Bhasker associate, Johnson was also part of the team behind the 2012 Bhasker-produced Pink hit “Just Give Me a Reason” (he engineered it), as well as providing sampling advice on fun.’s Some Nights, and producing and engineering songs for All American Rejects, OneRepublic, Ed Sheeran and Mikky Ekko. He also lent songwriting expertise to songs by Miley Cyrus, SonReal and John Legend on the singer’s 2016 Darkness and Light album.Johnson has also dabbled in the country world, helping write Cam’s breakthrough single “Burning House” and its follow-up, “Mayday” (in addition to playing guitar, keyboards and programming the drums), as well as co-writing and co-producing Keith Urban’s “Gone Tomorrow (Here Today),” from the star’s Ripcord album.
Kid Harpoon: The English singer/songwriter born Thomas Hull released the critically acclaimed folk-punk single “The River, the Ocean, The Pearl” in 2006, followed by a pair of EPs and his full-length debut, Young Turks, in 2009. He’s since co-written songs for Florence + the Machine (“Shake it out,” “Never Let Me Go” and “Leave My Body” from Ceremonials), collaborated with Florence and Calvin Harris on Harris’ “Sweet Nothing” single, and co-wrote and co-produced a handful of songs for Jessie Ware’s 2012 debut, Devotion.
Hull also has production and writing credits on tracks by Mayer Hawthorne, Haim (“Days are Gone”), Shakira (“Can’t Remember to Forget You”), Christina Perri (“Burning Gold”), Shawn Mendes (“Roses”) and Skrillex (“Fire Away”). - Billboard
Tell us about the parrots and the zipline? That sounds like the worst thing to happen ever.
Oh boy ok brace yourself cause this entire debacle was just a mess. Imma tell the story of this entire day cause it was just absolute bs
So I’m in Mexico with my family, yknow, having a nice vacation. My dad doesn’t do heat, so it was just my grandparents, my mom, and me. Keep in mind, I was like, 16 at the time, so this was a few years ago now.
So, i fully admit, I’m a bit of an adrenaline junkie. Always have been, always will be. So when they said we could go to a massive park that was 90% underground, and the rest was like 300ft in the air, i jumped at the opprotunity.
so we get there and I immediatly beeline for the ziplines. Now, you can’t just do one of these suckers. Once you do one, there’s no going back until you’ve conquered all 12 (or something like that, there was a lot.) It took the better part of two exhausting hours to get through them all.
So before the parrot issue there was some other bs first. We brought my best friend with me that year, but because we were both too light, we had to go tandum for a lot of the lines, or else we wouldn’t make it across. We’d just get stuck in the middle of the line dangling like a pinata, and no body wants that.
so the first bs comes along. I’m singing the batman theme song to keep my friend calm, because she is not a fan of heights. Like, we are screaming NANANANANANANA BATMAAAAAN at the top of our lungs. And we look ahead and see this massive gap in the trees. Now, we’d gone over a couple cinotes already where we could see the people doing the under ground activities. We figued, hey, let’s laugh at the people doing the river swim that’ll make us feel better. SO we get up on it and my friend starts freak tf out. It wasn’t a cinote.
it was a snake pit.
A massive round, man made snake pit will with hundreds of writhing snakes. They were climbing the walls, even the trees that were like 3ft from our toes. So we’re freaking out like “I don’t wanna be indiana jones i’m too young!!” But we pass it with no problem. We keep going another few second or so, and we see another break in the trees. We’re bracing like cause we assume it was another snake pit. It wasn’t.
It was a crocodile pit.
cue freak out number two.
but we pass it and all is well. Then we come onto the landing strip. We were just starting out so this one was pretty low to the ground. And then i see a weird shape on the grass landing pad.
There was a crocodile on the lawn
we freaked OUT like you wouldn’t believe.
so we’re soaring at this thing and there’s no stopping. We’re waving at the guys who are supposed to catch us with a net like “yo guys u got a coc problem.” and they don’t seem bothered in the slightest. We pass over this thing and it doesn’t move, but i’m 99% sure i tried to kick it. Now we’re free we’re safe and we should be slowing down…why aren’t we slowing down.
we slam into the safety net full force and bounce back a couple feet. When we manage to unhook ourselves we find the two duded pissing themselves laughing.
it was a fake crocodile. i tried to kick a concrete lawn ornament.
onto the parrots.
for this next one my friend was freaking out, as we were over 300ft up. I wanted to go asap so i went attached to my mom instead. At this point, i am alrady 5′8″, and my mom is like 5′5″. so you have this massive beanpole of a child strapped to her tiny mother. So we take off and our combined weight has us absolutely flying down the line. It’s all idealyic and serene, and i’m enjoying my crocodile free cruise. I look down and through a break in the trees i spot the amphibian vehicles going in and out of the cave systems. All good. Right beside them is a pack of leopards sunning themselves on a rock, which is also directly below us. and im thinking “wow, this would a crappy time to fall” immediatly i hear
my legs hurt all of a sudden. I glance down and see blood dripping down my leg. Mom is screaming/laughing.
we hit a flock of parents mid flight
and they were pissed.
So im screaming and swatting at them, they’re screeching like little feathered demons and pecking t us, some were dangling off my shoe laces, shriekingly like hellions. I still have scars from those suckers. They eventually fly off starnig us down like “dont ever come to our terf again”
we finished the ziplines without incident after that.
but my day isnt over yet.
we have a wonderful lunch, i get my legs cleaned up, and we make the trek to the amphibian vehicles i saw earlier. We hop in and we’re going through the motions. Up and down, into caves and out. Super cool. Loved it.Then we come to where i saw the leopards.
all the cars in front of us pass without incident.
the second we roll up the leopards perk up and start running after us
cue freakout number 4654783
now, my grandpa is driving and i’m sitting there, with nothing but a mesh door between me and a pack of leopards
“grandpa go faster, we gotta goooo” and he just looks at me all calm like
“i know why they’re here.”
“THE HELL DO YOU MEAN YOU KNOW WHY THEY’RE HERE GO FASTER”
He just calmly, oh so casually, pulls out a hot dog from lunch.I just kinda stare at him like GRANDPA
Obviously i do the smart thing
i grab that stupid hot dog at chuck at the nearest leopard
i hit it in the face
they all fall on each other trying to get a taste of that mustardy goodness and we take that moment to make our escape
and that was my” wth is going on in mexico extravaganza”
and that day didn’t even include the sting ray incident
Interviewer: You’ve had a really busy couple of months with “Just Hold On” – it’s a HUGE SONG, your collaboration with Louis Tomlinson.What surprised you most about that? I mean you had such a great reaction from fans.
Steve: I think it’s the fans!
Interviewer: The Directioners!
Steve: Yeah! They adopted me, I’m part of their gang now!
Interviewer: You’re accepted!
Steve: I’m accepted! It means a lotbecause there’s a lot of them, andthey work together so well and really propping up songs, and being the best street team in the world. Nothing is stronger than all of them combined, and you know, pushing to get the songs charted. It’s just incredible!