“I’ve lived through him, you know. Other people can have their
opinion objectively about where Loki should go, but I’ve lived through
every moment. And sometimes I’m the only person who knows how it feels…”
You are worthy even if you cannot work or hold a job
You are worthy even if you cannot support yourself.
You are worthy even if you cost your loved ones a lot of money because of your medical care
you are worthy even if you are homeless
How you are treated speaks to the people in power and their priorities, not your inherent worth as a human being. You are beautiful, special, and important & your life matters. I know you didn’t ask to be sick or disabled, and anything that happened bc of that is not your fault. I love you <3
about shiro not backing keith’s story in bom: i think there’s other factors that a lot of people overlook. namely, the fact that shiro’s response isn’t just him reacting to an isolated incident–its him finally putting together the pieces after a long time of dealing with constant doubt and concern. because he knows something’s up with keith. in season 2, he’s the only one that does. on two separate occasions, he takes keith aside and tries to talk to him, to ask him what’s wrong, to try and get him to open up. and every time keith shuts him out? you can see the fear on shiro’s face, can see that he feels like they’re slowly drifting apart and he’s losing keith
these two strike me as friends who probably used to tell each other everything. so the fact that keith is refusing to talk now, that he’s forcing this distance between them? shiro doesn’t know what to think. and when he sees keith has this alien knife and is maybe part galra? maybe isn’t even from earth at all? shiro is very quickly finding out that this person he’s very close to, someone who he thought he knew everything about, is quite literally becoming alien. his best friend is suddenly a stranger, and he’s questioning whether he ever even knew him at all
looking at shiro’s face here, he looks just as panicked as keith. despite how good he is at improvising and acting, he doesn’t even have it in him to scrape together an excuse or cover story. he’s genuinely shocked, and just blurts the words out without thinking. “I…I don’t know”–he hesitates, stumbles. he’s seeing the person he thought he was really close to in a whole new light, and he doesn’t know how to handle it
and keith? when he’s down on the ground, the first thing he says is “Shiro, you know me.” becuase he’s trying desperately to bridge that gap, to make shiro see–to prove that, even if keith’s going through some shit, even if he doesn’t know who he himself is, he hasn’t changed. the person shiro knew is still the same.
also, look at shiro’s face after that exchange. that doesn’t look like someone who just sold out or distrusts their friend. he takes the time to look at keith and kinda check in, to see how vulnerable and scared he looks (scared because he thinks shiro doesn’t trust him)
before he goes right back to glaring and confronting the bom
he then tells keith theyre leaving and starts walking away. he realizes there’s some kind of conflict here between keith and the bom, so he tries to separate them. if he really didnt trust his friend, he would’ve insisted he either 1 hand over the knife or 2 started asking a bunch of personally invasive questions–after all, this is the person that insisted on morally grey mind control interrogation to extract information from a galra.
instead, he sees how honestly hurt and confused keith looks, so he gives him some space and tries to quickly remove him from the situation
and when keith insists on staying? shiro’s worried look in the background there? even if he doesn’t understand what’s been going on with keith all this time, he’s clearly concerned, clearly cares. he backs off a bit and let’s keith say his piece, because he realizes just how much all this means to him. shiro doesn’t interfere again until after he hears keith’s life will be on the line, and immediately tries to get him out of there
he goes right up to keith’s side when he tries to reason with him, and we get a repeat of that shoulder touch thing these two do so much. shiro especially does this to keith a lot, and it honestly seems like a kind of grounding thing. he reaches out to keith, tries to tell him that whatever’s going on his life isn’t worth it, holds onto him to offer some kind of comfort. the way shiro tries to convince him here reminds me a lot of that thing joaquim said in an interview, about how “shiro is sort of the only thing that can really calm him down and keep him in check.” shiro very much tries to do that here, sees that keith is angry and upset and tries to keep him from making a reckless decision.
was shiro really taken aback and hurt initially? i think so, yes. but once he kinda has a bit of time to recover and think things through he’s still thinking of keith and trying to help him as best he can–this is also why he doesn’t try to stop him again until it’s absolutely necessary, because he respects keith’s volition and understands the importance of that autonomy. when push comes to shove, regardless of the situation, shiro still steps up to protect keith
“We both tried to grab at the last copy of that desired book at the same time and had a tug of war.” (from this post)
Sterek ficlet, T, ~1.6k words. Basically, I was going to just do a tiny little drabble as a warm-up for working on one of my WIPs, and then I was having too much fun with it to stop.
(Btw, if you couldn’t tell, I totally made up the book series in question. Any resemblance to any actual book is completely coincidental.)
It’s definitely some kind of torture that on the day the seventh and final Path of Wolves novel comes out, Stiles still has to go to school like it’s not the most important day of the year or anything.
And okay, so it’s not like anyone else in Beacon Hills has even heard of these books except Scott, and then only because Stiles can’t shut up about them, but still. Stiles spends the entire day practically vibrating out of his skin with the anticipation. He’s pretty sure he hasn’t taken in a word any of his teachers has said today. The only reason he doesn’t try to make a break for it during lunch is that he can’t afford another detention on his record, and even so, he’s still sorely, sorely tempted to risk it. In the end, he has to get Lydia to hide his car keys from him.
(He was going to ask Scott to do it, but Scott would have caved as soon as Stiles started begging, and Stiles is definitely not above begging, so Lydia it is.)
The instant the final bell rings, though, Stiles is out of there, flying across the parking lot and gunning the Jeep. The bookstore probably only ordered a few copies, and if Stiles isn’t holding one of them by the time he leaves, somebody’s about to get murdered.
Not that he actually expects any competition, but it’s better not to let these things go to chance. He already messed up once by procrastinating on pre-ordering until they were sold out; he didn’t think it was possible for a Path of Wolves novel to be sold out. He was wrong, and now he’s paying for it by having to physically go to the bookstore to get it.
Either Stiles vastly overestimated how many copies the store was going to order, or else he vastly underestimated how many people in Beacon Hills read these books, because when he skids to a stop in front of the New Releases shelf, there’s only one copy left. One beautiful, perfect hardcover copy.
Lucky for him, one copy is enough.
Except that when he grabs ahold of it, someone else does, too.
For a long second, Stiles can’t even believe what he’s seeing. Another hand, on his book. Another hand that’s not letting go, even though Stiles has already clearly and unambiguously grabbed it by the spine and isn’t letting go, either.
Stiles turns his head incredulously to get a look at this usurper, and it’s Derek Hale. As in, made-of-muscles, leather-wearing lacrosse captain Derek Hale.
Until this moment, Stiles wasn’t even sure Derek could read, and now he’s trying to steal Stiles’ obscure eight-hundred-page fantasy novel. What.