this is how i know we were made for each other

C: i was watching my friends snapstory and it made me realize how truly shit i am at maintaining relationships. i’m the reason why they’re good friends now and the friend has unfollowed and unadded me on everything bc i suck at staying active. same thing happened with my ex best friends. ive called them my best friends on many occasions but little did i know they were having their own conversations and hanging out and now they work together and now they refer to each other as best friends. now we’re all acquaintances. it’s a shitty feeling and i beat myself up for it a lot. i’ve formed this box around me and it’s getting harder and harder for me to let people in. i’m surprised i still have friends, i mean i may seem outgoing, funny, and inviting but once they start getting close and start wanting to hang out outside of school, that’s when i freak out and start looking for excuses not to hang with them. it’s so hard to go with the flow when i start to get hit with a wave of “what-ifs”. at some points i want to get out and hang with friends but then i get these thoughts in my head that make me wanna stay home and watch netflix instead. i feel so helpless.

anonymous asked:

hello! is it possible for you to link to posts that explained the flipping of gifsets (the skam flippening, i think it was called?) in depth from that time period between s3 and s4? sorry if this is a confusing ask

hahahahaha OMG i can’t believe you heard about The Flippening.

i mean there’s not much to explain. we were all waiting for a trailer for s4, we had no idea when it would drop, we’d giffed the whole show at least 5 times already….so people started to make mirrored gifs: you know how some youtube channels flip the videos so they don’t get hit with copyright? that.

and then people were wondering why just flipping the pictures made the scenes look so different and i offered an explanation that got quite popular here (and here’s another one of my explanation)

after that, some people said something like: what’s next? flipping the pics upside down? exchanging the characters’ faces with each others? and of course some people obliged xD but i’m not sure i can find those posts. i can only find a crack post about it

anonymous asked:

To Amy: How would you feel if Sonic fell in love with a girl that is not you? Would you be happy for him?

“WHAAA??? That’s impossible!”

“I… I just know that wouldn’t happen! Sonic wouldn’t betray me like that… not after all we’ve been through…”

“Of course, I would want what’s best for him. If that’s what presently makes him happy.. then so be it… Er.. But I know that we were made to be destined for each other! So even…”

“Even then…”

“I’ll know…”

“That Sonic’s all mine..!”

shibolet3  asked:

Wait what con artist from 2014

I’d like to title this story “Swing And A Miss

Okay, so my high school had this program where seniors could leave school like a month and a half early and opt out of exams if they took on internships around the neighborhood, but not everyone wanted to/was eligible to do it. Back in like 2013, they had like 15 bored seniors stuck in the school, so the administration brought in this Professional Life Coach, left him in alone in a room with them for two hours to talk to them about like, self-esteem or some shit. All the kids were pulled out of their classes for this*, and later told the administration that they loved him, they really enjoyed the talk.

So, about a year later, we have a new principal. He’s supposed to set up an assembly for all the 11th and 12th graders, but he doesn’t know what to do. One of his coworkers mentions that there was a life coach that was a huge hit with the kids that didn’t do community study last year, so maybe he’d also be great for a larger audience. The principal basically thinks “okay, what the hell” and calls up and hires Jason C. Jean to come talk to the kids.

Now, it’s like, 10:30, maybe 11:00 in the morning, and two entire grades are getting shepherded to the main gymnasium, and no one wants to God damn be there. We ain’t got time for self esteem talks. We want to sleep. And this guy, watching us all drag our feet in and collapse into the bleachers was just like…offensively peppy. There’s a couple faculty members sitting behind him, the woman who suggested he be hired for this, the vice principals for the grades- but the principal himself kept getting calls so he was in and out the whole time.

Now, Mr. Jean was like…the chill “Just call me by my first name dude” history professor at college times 30. He was trying so fucking hard. I’m referring to him as ‘Mr. Jean’ in this story just to be disrespectful. So anyway, we all get in there, and he tells us right off the bat “You guys are totally allowed to be on your phones and laptops during this! I get it! It’s no problem, like really, I insist!” so while the faculty members are exchanging smiles that read ‘how do we kill that while respecting him’, all the kids are immediately pulling out their electronics and he’s starts his speech.

Now, again, I really wanna reiterate that he told us we could be on our phones- because when the news articles started coming out about this, I remember all these angry, annoying comments from old people like “Why the hell were the students on their phones in the first place! So disrespectful! These damn millennials and their social media!” like, they were completely ignoring the entire story and just focusing in on kids using the internet, and it Really Super Pissed Me Off, so. Again, we had permission for this (which also ended up being Mr. Jean’s fatal mistake).

So, he starts off this speech fairly normally, like ‘hi, I’m Jason, I’m a professional life coach and I wanna teach you kids about how to be The Best You!’ and like people were tuning him out and listening to varying degrees. Some kids (like myself) were kinda dozing off, and everyone was on twitter or facebook.

His approach to a self esteem speech seemed to be ‘let me tell you my entire life story for hours’ and like, at first I was like “I’m not really hearing this, I’m half dreaming right now” but the more I started making myself pay attention the more…bizarre and rambling his story got.

So like, for instance, he told us he drank a lot in high school. Like, a lot. But he didn’t use that as a ‘don’t drink or party too hard’ lesson, instead he was like “I was fourteen so I always called my parents to pick me up, and they weren’t mad because they knew it meant I could trust them. So remember, always tell your parents when you’re drinking!” and then it kinda got to a point where it sounded like he was encouraging partying and drinking and the like to the group of underage kids.

And then, he told us how he used to play baseball all the time when he was a kid, and at 16 reached a crossroads in his life where the Phillies wanted to draft him or he could go play football for Penn State. And he said he went with Penn State but later lost the scholarship for some reason and we’re like…really.

There was absolutely nothing coherent about anything he was saying- nothing that tied anything together, made a point, seemed like it had anything to do with an assembly on self esteem. He told us at one point he was making upwards of 7 million a year. He told us one time before college he was homeless. He told us he used to own a construction company and built his own branch of nightclubs himself, that he and his friend then ran. He told us he fought a shark and came out with no scars. He told us that he had less money now, because after surviving a work related accident- direct quote- “I fell almost 30 feet and I broke in half” - he decided to leave that industry and spend more time with his family.

So, yeah, I was pretty positive this was bullshit, but there were clearly kids in the room that were falling for it. But then he said something like…he and his friend got bored one day and started jarring up their own pasta sauce, and made a deal with wegmans or some store like that to start selling it, and now he has a pasta sauce empire. Like he spent 15 fucking minutes on this. The way he kept saying ‘pasta sauce’ was so annoying I was about to claw my ears out. But anyway, two girls in my grade wanted to find out what brand he was talking about, so they googled his name.

And then quietly gasped.

And then furiously started typing into their phones.

And remember- everyone, even though they were paying attention- was on twitter and facebook. All the sudden I see heads flying up and wide eyes and people whispering to each other. Mr. Jean doesn’t seem to notice the change and keeps rambling on, but I know something happened so I google him too and-

Okay so basically he’s 1) been arrested, 2) filed for bankruptcy like three times and 3) has been hailed as a ‘Swinger Guru’ by playboy.

EVERYONES SILENTLY FLIPPING OUT.

So by now, this is a fucking game- he still doesn’t notice anything wrong amongst the kids, so we’re all silently texting each other to fill each other in. Pulling up receipts. But still playing the part of politely intrigued audience members. The school faculty have no fucking idea what’s going on, until one of the students texts her mom, who happens to be the woman that convinced the principal to hire this guy. We see her check her phone, go wide-eyed, and she runs out of the fucking room presumably to either find the principal or hide in terror.

So Mr. Jean had been talking to random people intermittently throughout this speech, but we reach the ‘questions’ part of it. Everyone seems to silently agree that instead of just asking him anything outright, we should just see how good of a liar he was. So they’d be asking him stuff like ‘how much money did you make with ____ company’ and he’d give a ridiculously high number as people were sending each other reports of him filing for bankruptcy during that time. Or they asked him about his construction business which he said was great, and while he was talking about how great it was we were all reading his arrest report, from when a woman hired him to build her house, and he took her money and then like…just didn’t build anything. Wild. Someone asked him about his family and he’s extolling Christian virtues while we’re all on the website for his annual Swing Fest. People would ask him how he got certain jobs and he was making promises to hook kids up in interviews and shit. Everyone was loosing their God damn minds online and just barely holding it together in person. This man was so beyond full of shit- like, he was a God awful life coach but his dedication to lying was inspirational.

We eventually get to leave and everyone is yelling and cracking up and freaking out, all running to our classes to tell the teachers and the underclassmen everything, and the teachers are freaking out, alternating between horrified confusion and laughing hysterically. Before the school day even ended, someone had called a bunch of news stations. The principal was freaking out and denying he had anything to do with it, before calling some students to his office to see what exactly the kids had searched up on the guy…Because apparently teenagers can perform better background checks than school officials. It was all anyone could talk about for weeks.

A couple months after this, for my theater class’ showcase, I wrote and directed a skit called ‘Mason B. Mean’. It was a huge hit. The principal was in the audience. I’ve never seen a grown man look so dead inside. I made sure I was out of the room before he came up to congratulate the cast and everything. The next day, my theater teacher told me his only comment about the skit was a quiet, long-suffering “Why.” 😂😂

Annnnnnnnd that’s the time a Swinger Entrepreneur rambled on about pasta sauce and money in front of teenagers who knew how to use google for almost two hours.  

http://www.philly.com/philly/news/breaking/Montco_principal_apologizes_for_having_swinger_entrepreneur_speak_to_kids.html

anonymous asked:

Hey, you're awesome, thanks for existing, basically ^_^ Anyway, I wanted to know if you have any tips on how to write different personalities? My characters (all of them) always end up with the same default personality that I fall back on. Thanks!

Thanks for your question, darling!  I think most of us have struggled with this – after all, we’re conditioned to one way of thinking, feeling, and acting for as long as we live.  That doesn’t necessarily mean we write characters like ourselves, though.  In fact, many of us have a “default character” that’s sassier than we are, sweeter than we are, or in some way different enough from us that we still feel like we’re writing a character.

The problem, then, isn’t that we can’t visualize a different personality than ours.  On the whole, we can.  What we’re missing are the small details that make it feel whole – otherwise, it’s like painting the same room six different colors and trying to pass it off as six different rooms.  Different dominant traits can’t hide the fact that you’re working with one template!

So the question we’re left with: what are the traits we’re missing?  And how can we change them to create a unique and whole personality?


Three Types of Character Traits

There are, as the title suggests, three major categories of personality traits as I see it: fundamental traits, acquired traits, and detrimental traits.  A well-rounded character needs some of each to be three-dimensional and realistic.

Fundamental Traits

The fundamental traits of a person’s character are not as simple as interests and preferences; they are the very base of all decisions and desires.  They are either learned in early life or developed over a long period of time, rooting deeply into the personality.  A few examples of fundamental personality traits include:

  • Upbringing – The word choice here is conscious, as upbringing encompasses many different aspects of a person’s development.  Consider who raised them, and with what morals and practices they were raised to adulthood.  Consider their influences, both familial, social, and in media; consider the relationships that were normalized during their development, as well as the living conditions (financially, emotionally, environmentally, etc.).  The people, places, emotions, and conflicts made common during a person’s developmental period are essential to their personality in adulthood.  This is why psychologists often draw present-day problems back to a person’s childhood memories – because those formative years can subconsciously dictate so much of a person’s future!
  • Values – These may not coincide with the values a person is raised to hold, but upbringing certainly has an influence on this. A person’s values will direct the course of their life through every decision, large and small.  You don’t need to outline everything your character believes is important – every moral and every law they agree/disagree with. But those values which stand above others will give your character purpose.  A few of my favorite examples are: Jane from Jane the Virgin (whose initial storyline is heavily based on her religion and desire for a beautiful love story, as well as her childhood influences who inspired these values) and Han Solo from Star Wars (whose character development rested upon his values shifting from money and gratification to more honorable things).
  • Beliefs – Different from values, beliefs are a more general set of guidelines for how a person believes things are supposed to be.  Beliefs can also be a source of great conflict, as a character tries to stay aligned with their beliefs despite other values or desires.  These beliefs can be established systems, like religion or politics; they can also include more personal belief systems, like nihilism or veganism.  A characters beliefs, like their values, can change over the course of the story – but even if a character is questioning one system of belief, like religion or pacifism, they should have other belief systems in place to govern some of their activity.
  • Reputation – A lot of human activity, whether consciously or not, is dictated by how others perceive them (or how they believe others perceive them).  There are two types of reputation: personal and passing.  For instance, a woman named Sally who gains a personal reputation of sleeping around will behave in reaction to this reputation – either sleeping around because everyone already expects it of her, or specifically not hooking up because she wants to shake this reputation, or developing a thicker skin to deal with the rumors until it passes.  A man named Billy who, because of his tattoos, bears a passing reputation as an intimidating man will either try to soften his demeanor with strangers, own up to the image, or at least learn to expect judgment from strangers as a consequence.
  • Self-Image – Also relevant to a person’s behavior is the way they perceive themselves, which can often have little to do with their reputation.  A lot of self-image is based on definitive moments or phases in the past.  For instance: for several years after I started wearing contacts and cutting my hair, I still saw myself, in dreams at night, with long hair and glasses.  One of my friends, similarly, could not seem to notice when boys would flirt with her during sophomore year – because she still saw herself as an awkward middle schooler with braces, and not as the charming cheerleader with the great smile.
    Inversely, self-image can be inflated, causing character to behave as though they are funnier, smarter, or more prepared than they truly are (see: the rest of my sophomore acquaintances).  This can be an overlooked character flaw opportunity – or flawportunity…

Originally posted by alliefallie


Acquired Traits

Now we move on to the acquired traits of personality, which are the ones you’re more likely to find on a character sheet or a list of “10 Questions for Character Development”, alongside a million other things like their zodiac sign and their spirit animal.  But the traits I’m about to outline are a little more relevant to a character’s behavior, and more importantly, how to make this behavior unique from other characters’ behavior.  The following traits will be learned by your characters throughout their life (and their story), and are more likely to shift and grow with time:

  • Interests – I know, I had to reach deep down into my soul to think of this one.  But it’s true!  Interests, both in childhood/adolescence and in adulthood, are an important part of a character’s personality and lifestyle.  Childhood interests both reveal something about the character (for instance: my nephew loves trains, Legos, and building, suggesting a future interest in construction or engineering) and create values that can last for a lifetime.  Current interests affect career choice, social circles, and daily activity for everyone.  Forgotten or rejected interests can be the source of pet peeves, fears, or bad memories. There’s a reason I’ll never play with Polly Pockets again, and it 100% has to do with bloody fingertips and a purse that wouldn’t open.
  • Sense of Humor – This can be a little hard to define, understandably.  If you were to ask me what my sense of humor is, I’d probably start with a few stupid memes, pass by Drake & Josh on the way, and somehow wind up telling you bad puns or quoting Chelsea Peretti’s standup comedy. A person’s sense of humor can be complex and contradictory!  Sometimes we just laugh at stuff because someone said it in a funny way.  But anyway, to help you boil this down to something useful: take a look at a few kinds of comedy and relate it to your character’s maturity level.  Do they laugh when someone lets out a toot?  Are they the kind of person to mutter, “That’s what she said,” or simply try not to laugh when something sounds dirty?  Can puns make them crack a smile?  Do they like political humor?  Do cat videos kill them?  Is their humor particularly dark?  Can the mere sound of someone else laughing make them laugh?  Figure out where your character’s sense of humor is, and you’ll feel closer to them already.
  • Pet Peeves – For every interest a person may have, and everything that makes them laugh, there’s something else that can piss them off, large- or small-scale.  Are they finnicky about their living space and neatness? Do they require a lot of privacy? Do certain sounds or behaviors drive them crazy?  What qualities are intolerable in a romantic interest for them? What kind of comments or beliefs make them roll their eyes?  If you need help, just try imagining their worst enemy – someone whose every word or action elicits the best eye-rolls and sarcastic remarks and even a middle finger or two – and ask yourself, what about this person makes them that mortal enemy?  What behaviors or standards make them despicable to your character?  That’s all it takes.
  • Skills – Everybody has them, and they’re not just something we’re born with.  Skills can be natural talent, sure, but they’re also cultivated from time, values, and interests.  What is your character okay at?  What are they good at?  What are they fantastic at?  Maybe they can cook.  Maybe they have a beautiful eye for colors.  Maybe they have an inherent sense of right and wrong that others admire. Maybe they’re super-athletic or incredibly patient or sharp as a tack or sweet as a cupcake.  Maybe they know how to juggle, or maybe they’re secretly the most likely of all their friends to survive a zombie apocalypse.  Where do they shine?  What would make someone look at them and think, “Wow, I wish I were them right now”?
  • Desires – A good way to “separate” one character from the next is to define what it is they want, and then use every other detail to dictate how they pursue that goal.  Every real person has a desire, whether they’ve defined it or not – whether it’s something huge, like fame or a family of five with triplet girls and a beach house on an island, or something small, like good grades for the semester.  These desires can cause a person to revise their values or forsake their morals; and these desires can conflict with other people’s desires, influencing how people interact with each other.  Remember that every character is living their own story, even if it’s not the story you’re telling.
  • Communication Style – A majorly overlooked character trait in pop fiction is unique communication styles.  Having every character feel comfortable arguing, or bursting out with the words, “I love you,” is unrealistic.  Having every character feel paralyzed at the idea of confronting a bully or being honest to their spouse is also unrealistic.  There should be a healthy mix of communicators in a group of characters. Some people are too softspoken to mouth off at their racist lab partner.  Some people wouldn’t see their girlfriend kissing another guy and just walk away without saying something.  Some people just don’t react to conflict by raising their voice; some people enjoy sharing their opinions or giving the correct answer in class.  Boldness, social skills, and emotional health all have a part to play in how people communicate their thoughts – so keep this in mind to create a more realistic, consistent character.
  • Emotional Expression – Along the same lines but not the same, emotional expression is more focal on feelings than thoughts.  If you’ve ever heard of the fight-or-flight response, the different types of anger, the stages of grief, or the five love languages, then you’re aware of different “classifications” of emotional expression and management.  Read up on some of those things, and think about how your character handles emotions like happiness, sadness, fear, anger, loneliness, paranoia, and so forth.

Detrimental Traits

While acquired traits are certainly more enjoyable to brainstorm during the creation process, detrimental traits are as important – or even more important – to the character’s wholeness as well as their role in the story.  Not only do these negative or limiting traits make your character realistic, relatable, and conflicted – they create a need for other characters and their strengths to move the plot forward.  A few examples of detrimental traits include:

  • Flaws – Character flaws are probably the first thing that came to your mind while reading this, but they’re the essence of the category.  Flaws in a character’s personality, morality, or behavior can be a source of character development; they set an individual on their own path and provide a unique motivation for them.  Having Character A struggle with sobriety while Character B learns to be a more patient mother can do a lot to separate their stories and personalities from each other.  Even if certain flaws don’t reach a point of growth, they create a third aspect to personality and force us, as writers, to be more creative with how our characters get from Point A to Point B, and what they screw up along the way.
  • Fears – Everyone has fears, whether we’re conscious of them or not – and I’m not talking about phobias or “things that give you shivers”.  Just like everyone has a primary motivation throughout life (romance, family, success, meaning, peace of mind, etc.), everyone has a fear behind that motivation (loneliness, failure, emptiness, anxiety).  We all have something we don’t want to happen places we never want to be and things we never want to do.  We’ve all been in situations that mildly bothered others but wildly affected us at the same time.  For me, it’s a lack of autonomy, or in any way being forced to do something or be somewhere against my will.
    What does this mean for me?  It means that when other people have nightmares about being chased by an axe murderer, I have nightmares about being kidnapped and locked up.  It means that I’m continually aware of my “escape plan” if something goes wrong in my living situation, and I’m hypersensitive to someone telling me, “You have to do this.”  It means I struggle to follow rules and usually don’t get along with authority figures because I have to assert my independence to them.  It’s irrational and continual and doesn’t just affect me in one situation; it subconsciously directs my steps if I let it.  That’s how real, guttural fears work. Phobias are only skin deep, and they don’t make you feel any closer to the character.

Originally posted by giantmonster

  • Secrets – Even goody two-shoes Amber from the swim team, with her blonde blonde hair and her good good grades, has a secret.  Everybody does, even if it’s not a purposeful, “I have a deep, dark secret,” sort of secret. We have things we don’t tell people, just because they’re embarrassing, or painful, or too deep to get into, or they don’t paint us in a good light.  While the secrets themselves tell a lot about a person, so do the reasons a person keeps a secret.  Hiding something out of shame suggests a person is prideful, or critical of themselves, or holds themselves to a higher standard than they hold others.  Hiding something painful suggests that the person struggles to handle sadness or regret, or that they feel uncomfortable showing raw emotion in front of loved ones. And so on and so forth.
  • Conflict – Whether internal, interpersonal, legal, moral, societal, or what have you, conflict will limit your character’s actions at every turn.  A story is nothing without conflict driving the plot in different directions and causing your character to rethink both their plans and their lifestyle.  Without Katniss’s moral conflict over killing other tributes, The Hunger Games would be the story of a girl who entered an arena, killed a lot of people, and lived the rest of her life rich and comfortable.  If Luke Skywalker didn’t have interpersonal conflict with Darth Vader, Star Wars would be the war-story of a guy who joined a rebellion and then… yeah.
  • Health – Physical, mental, and emotional health is a huge limiting factor for characters that often goes untouched, but it’s valuable nonetheless.  Not everyone has a clean bill of health and can jump off trains without pulling a muscle, go through a traumatic life experience without any hint of depression or anxiety, or watch a loved one die in gunfire and shove right on without emotional repercussions. Consider creating a character who’s not perfect – who isn’t perfectly in-shape or abled, or neurotypical or stable day-to-day, or completely clean and clear of residual heartache, unhealthy relationships, or bad emotional habits.  Don’t define them by these traits, of course – but don’t feel that you can’t write a character with health issues without writing a “sick character.”

So this post got ridiculously long, but I hope it works as a reference for you when creating unique characters.  Remember that you don’t need to outline all of this information to create an individual, realistic character.  These are just some relevant ideas to get you started!  It’s up to you, as the writer, to decide what’s necessary and what’s excessive for your creative process.

Still, I hope a majority of this is helpful to you!  If you have any more questions, be sure to send them in and we’ll get back to you :)  Good luck!

- Mod Joanna ♥️


If you need advice on general writing or fanfiction, you should maybe ask us!

She picked something from her table and walked towards her bed. She smiled lightly and sat down slowly. “I will never meet a lot of people. I will never be able to know and understand why people act the way they do. Even if I still can’t understand them perfectly, I knew that I can relate to what they were going through. Some things will never happen, some lessons will not be learned. And some of the greatest people I met will be forever strangers to me. Yes , I will never be able to tell you the wonderful memories—if that one thing never happened to me. If it occurred differently. I will not be talking about the stars if I haven’t experience the darkest of nights. I will not be mesmerized by how the sun rises if I wasn’t awake until it comes. I will not be in love with the sunset if I wasn’t waiting for the day to end. I will not be talking about heartbreak if it doesn’t happen to me. I will not be moved by sad movies if I never felt pain. I will not be talking about deep meanings behind things if I only used my eyes for trying to realize something. I will not be here if I made a different decision. If I chose a different option.”. She looked up and gave him the thing she’s been holding. A thing he thought she will never have. A piece of paper where a date was written. The day when they met each other. The day when he had seen her alone, reading one of her favorite books. The day when he was silently listening to his favorite music. “I was starting to move forward when you saw me. And I never expected that there’s still someone who would want to be with me when I started to stand and walk. I am moving on, and so are you—from two different reasons—but it feels more precious when we decided to do it together.”
—  ma.c.a // I Remember You

[ROA]

Hi there! You’re about to witness a whole lot of word dump up ahead so fasten your seat belt, hold on tight, enjoy the ride!

Note: This is an extremely long post 

101 reasons why Jikook/Kookmin is my ultimate OTP
or 101 times Jikook made my heart flutter

1) When Jungkook tries to find reasonable excuses to hold Jimin’s hands (in which he usually succeeds). Example: A decent round of arm wrestling or a hand massage.

2) It’s nice to know Jungkook isn’t the only one who enjoys the occasion; Jimin does too, even comes up with the most absurd idea (like who arm wrestles while sitting 5ft apart? and knowing he will definitely lose?) urm 128 rounds, 128 losses…

3) The way Jimin ruffles Jungkook’s hair, as if to say “You did well, baby. I’m proud of you” or the way Jungkook leans into Jimin’s touch when he pats his hair.

4) When Jimin asked for kisses from Jungkook, but he panicked and jokingly pushed Jimin away, all the while grinning like the shy boy he used to be.

5) The moment Jimin asked for a peck on the cheek on Jungkook’s birthday but Jungkook just smiled at the camera.

6) When Jungkook softly answered “no” when asked by Jimin if he likes his hyung that much. He just couldn’t resist teasing hyung because of how adorable he would look afterward.

(Time frame: 3:45-4:10)

7) The numerous times Jungkook would wait for Jimin even though he keeps on complaining about Jimin’s sloth-like pace.

8) When they strut around the airport or basically anywhere, side by side. Even when others are way ahead they would take their own sweet time.

Backstage…

After fansign…

and of course, at the airport….

9) Jungkook probably feels that it’s a part of his responsibility to make Jimin happy, so more often than not he would try to joke around and comfort the older, even if it means turning himself into a dork.

10) The glistening look in Jungkook’s eyes whenever Jimin talks in interviews. 

11) When Jungkook made Jimin wear a tiara at a fansign and called him princess.

12) The uniformity of Jimin’s Twitter hashtags when Jungkook is there with him. It’s always #JIMIN and #꾹, making it easier for trash like me to find what I’m looking for haha.

13) Jimin and Jungkook being domestic and sharing soggy cereal in one bowl, using one spoon. Also the many times they share drinks and food.

14) “I will sleep here with Jimin” while pointing at the top bunk of the caravan in Bon Voyage , which, for me, strengthens the possibility of them sleeping together in the dorm. Reminds me of this too: “Everyone, Jungkookie cuddles me to sleep”.

15) When Jungkook suddenly stepped in front of Jimin while he’s talking to apply lip balm on his lips. The hyungs’ reactions were gold. They were stuck to one another like glue the whole broadcast and It hit me hard.

16) The times Jimin said “I Love You” to the camera and Jungkook stared at him like he’s the one being confessed. 👣

17) Jungkook knows his limit when he makes fun of Jimin, always being there for his hyung when insecurity gets the better part of him and I think that’s very, very beautiful. 👣

18) It’s OBLIGATORY for me to include We Don’t Talk Anymore cover by JM and JK here. No explanation needed because I’m sure you feel the same way as I do.

19) When Jungkook waited for Jimin to complete the formation during his part in The Rise of Bangtan in Nanjing, then turned to Jimin and serenaded him.

Serenades Jimin…

Turns to fans…

20) Jungkook knows Jimin, remembers every single thing Jimin does better than the man himself. He’s quick to answer things pertaining to Jimin.

21) When Jimin fell down at Taipei airport, Jungkook wasn’t there because he was filming Flower Crew. He joined them a little while later for their Epilogue On Stage. However, on their way back to Korea, Jungkook made sure to stick close to Jimin and walked by his side until they checked in. The fact that Jungkook was there with him made me cry a little./okay lie/

22) When Jimin took a blanket and a soft, fluffy pillow and tucked Jungkook in, and made sure he’s comfortable enough. Also the fact that Jungkook didn’t even bother waking up and sleeping in the room.

23) The amount of times Jungkook and Jimin hang around with each other, usually accompanied by another member.

  • A date
  • Big Bang Concert with Hoseok
  • At the waterpark with Jin

  • Eating Ramen at Hangang with Namjoon

24) “오~갖고 싶다” (Oh, I want you) That iconic moment in Now3 need I say more.

25) When Jimin hung around behind the camera while Jungkook was getting interviewed. 👣

26) When Jungkook squished behind Jimin when Jimin got his photo taken even though he could’ve gone away and NOT be in the camera.(Fancafe content)

27) When Jimin picked up a slice of cake and fed Jungkook in Bon voyage.

28) Jungkook’s way of carrying Jimin up bridal-style during Limbo game still has me feeling some kind of way, and I will not get tired of seeing it, not anytime soon i bet. (Every time it appears on my feed I’ll stare at it for hours)

29) How Jungkook’s ears perk up whenever Jimin says something. He’s extra attentive when it comes to Jimin. I don’t know if Jimin’s melodic voice gets him or what, cause if it is, boy I feel you. Example: Run! BTS in the US, when Jimin screamed “엄마ㅏㅏㅏㅏㅏ~~~~” (mommy~~) because he’s scared of the roller coaster and Jungkook was like “왜?” (why?)

30) When Jimin laughs an octave higher whenever Jungkook does something funny.

31) The way Jimin sat on Jungkook’s lap and how tight Jungkook pressed him against his chest in Summer Package Dubai.

32) Jungkook didn’t bother about the fans’ parents who sat across him because he needed to make his hyung look good and that was all that mattered.

33) After Jungkook hurt his back at Mama, Jimin took care of him at the airport, gently keeping his hand on Jungkook’s back the whole time they were walking.

34) The fact that Jungkook and Jimin monitor each others’ scenes when they’re filming, waiting around and constantly giving support.

35) When Jungkook and Jimin held hands on stage.

36) The No More Dream lift that has changed over the last couple of years.

37) That moment Jimin made siren sound when Hoseok told everyone that his sister liked Jungkook. I find it cute. (Sukira)

38) When Jimin and Jungkook being lovey-dovey at Manila Airport. 👣

39) Jungkook and Jimin still had their own photoshoot even though they’re both paired up with someone else. Also the iconic “Jeomsoon-ah, please be my baby’s mom” by Park Jimin.

40) Jungkook randomly barging in and interrupting Jimin’s vlive and just….the immense amount of flirting and eye-fucking throughout the whole video…caught me off guard. 👣

41) No matter how many times Jungkook messed around with him, Jimin didn’t have the heart to say stop. He couldn’t say no to Jungkook; that’s how soft he is for the maknae. But yea, speaking quite frankly, Jungkook didn’t even try. There are million other ways to piss someone off but what he did? nope, that’s not how you do it,boy haha. (Run BTS spy episode)

42) And it took 0.000001 sec for Jimin to say thank you to Jungkook. Although Jungkook kept telling him he’s handsome, something he rarely does, Jimin still couldn’t catch on;Still became flustered and shy afterward. It made me asdfjkl. (Undercover mission in Japan)

43) I love Jungkook’s determination. Jk’s inner monologue: I have to make Jimin hyung wear this goddamn headband *gets on his back and forces him to wear it*

44) When Jungkook pinched Jimin’s nipple the instant Jimin went in for a hug lol. (Fancafe content)

45) Jungkook and Jimin have no chills when they’re seated together at fansigning events. They pay attention to each other more than they do to their fans. (don’t get me wrong they still love their fans)

46) When Jimin pretended to be mad at Jungkook for not sitting beside him at a fansign, and how Jungkook played along,claiming his current seat was his original seat when it’s not lol.

47) When Jungkook snatched the snack from Hoseok’s hand for himself, but stopped and gave it to Jimin instead when Jimin asked to be fed.

48) The various times Jimin snakes his slightly smaller hands around Jungkook’s waist and shoulder, and sometimes when it seems that Jimin has difficulty standing after putting his hand on Jungkook’s arm, Jungkook would bend to better accommodate him.

look at him tiptoeing…

49) When Jimin back-hugged Jungkook (and kissed his shoulder from what i saw).

50) The cutest nicknames they gave for one another. 👣

Ooops…

Okay pause. I’m afraid I’ll have to break it down into two parts, as seeing how freaking long this has gotten ahaha. Part 2 will be posted really really soon~~~

I believe Spencer’s twin is coming.

In this post I want to give a list of reasons why Twincer is my prime suspect as AD. I know a lot of these ‘clues’ come from interviews, but they’re still really convincing for me at least. I’ve definitely missed some of the clues from within the show because they’re not as easy to spot - we need to know for sure if Twincer is happening, then we can dig further. (The fun won’t instantly stop once the finale airs.) But for now, enjoy these, and at the end, I give my theory as to the motive.

Please note: none of this is overly new. This is just the summation of everything we’ve been talking about on my blog for the past couple months. I wanted to put all the ideas into one post, rather than 31529 mini posts scattered here and there. I will be updating this as we find more. 

  1. The famous airport scene from 715.
    We all already think it’s weird that "Spencer" asked Ezra to not tell anyone he saw her there with Wren. What’s weirder, is the fact that Wren and “Spencer” were arguing. Amongst muffle, I heard Spencer say "stop calling me that" (let me know if you heard differently). Did Wren have a slip-of-the-tongue moment and call her Spencer rather than the twin’s real name?
  2. Dr. Cochran’s story is very telling.
    We all already know the ambiguous implication that Mary had more than two babies, because Dr. Cochran said he dealt with “two of Mary’s babies”. What’s more interesting is the second baby he dealt with. The first baby (Charlotte) he gave to Jessica. He said that the second baby that he delivered was placed in family county services. This could not have been Spencer, since Spencer was delivered to Veronica within 5 minutes of birth. So, who was that second baby that was placed in family services? I believe it was Spencer’s twin. Why? Dr Cochran referred to that second baby as “underweight but tenacious” - lo and behold, the next episode, Toby calls Spencer tenacious. This was the writers foreshadowing the similarities between this second baby, and Spencer. Twins. 
  3. We all know Hanna’s ‘dream’ in 701.
    It makes no sense that Hanna was able to dream ‘Spencer’ saying the name A.D. since Hanna was kidnapped before these initials were even revealed. Perhaps Hanna was visited by Twincer; the one holding her captive.
  4. A.D. needs to stand for something. 
    Spencer’s twin could literally have the initials A.D., since we know she would be Mary Drake’s child. Her first name would start with A and the D would stand for Drake. 
  5. Brendan and Ian both confessed to being confused by the identity of A.D.
    They needed the backstory to understand it. Is that because they had no idea who has the name “Alex Drake” (for example) ?
  6. Tyler said before 7B aired that “you’ve never met AD. You kind of have. You’ll know what I mean”.
    This can be interpreted in two ways: you’ve never met Twincer but since you know Spencer, you kind of know who AD is. Or. You’ve seen Twincer over the years, but thought it was Spencer. Either way, Tyler’s comment screams twin-theory to me. This could apply to any twin theory, but in this context, I’m using it for Spencer.
  7. Ian said (0:57) that “fans will be satisfied to a point. Right when it seems it’s gonna be really great, it might do a little [downwards hand motion]”….
    That cheeky smile on Ian’s face when he said “it seems it’s gonna be really great”… what could be greater than a liar being AD? Ian could be referring to the fact that they initially show us Troian under the hoodie, making us think Spencer is AD. Then, after commercial break, they will reveal it’s just her twin, hence the “it might do a little [downwards hand motion]”. We will be satisfied to a point, he said. It’ll start off amazing by thinking it’s Spencer, oh wait, it’s another twin.
  8. Ashley said (0:14) that she didn’t even know the A.D. reveal is possible.
    Because she did not expect a second pair of twins to come along?
  9. “It’s like there are two of you living in this house. You, and you’re evil twin, and we’re not sure who’s coming down to breakfast". 
    said Veronica to Spencer in 423. Foreshadowing at it’s finest.
  10. Spencer doesn’t remember this flashback.
    Was it her twin? And oh how coincidental, that the writers tell us a time Spencer doesn’t remember, in the same scene Veronica makes the above comment about Spencer’s “evil twin”.
  11. “Where are they?”
    said Mary as she entered the Hastings house (flashback from 717). Who is they? The twins? She proceeded to say that Spencer is the only good thing she’s ever made. Maybe Mary knows Spencer’s twin is evil, and is neglecting her. 
  12. “You look very much like your sister. Almost like twins”.
    said Mary to Spencer in 701. The writers wanted us to think that Mary was talking about Spencer and Melissa, since Mary was holding a picture of the half-sisters. But, were the writers, and therefore Mary, hinting towards Twincer? Is Mary being blackmailed/forced (by Peter?) to keep quiet on Twincer, and she had a slip-of-the-tongue moment here?
  13. Marlene is very aware of the Twincer theories.
    Back in 2014 she said that Troian sent her an online fan theory regarding Spencer having a twin who is A. Marlene was blown away by it and she thought it was a very well thought out plan with detailed evidence across the series. Watch from 1:35. Whilst you may be saying “there’s NO WAY Marlene spoilt her own show’s ending in an interview!!” - I feel like she had no idea the show would go on for 7 seasons, and once they got renewed, she panicked. “Shit, we need a new Uber A. Let’s go with that brilliant fan theory Troian sent me”. She probably regrets making this interview now. You can tell her passion for Twincer in this interview. She talks so damn highly of it.
  14. Marlene has said that the person who plays A.D. had known for a while.
    We know that Marlene told Troian the entire ending of the show years in advance. “Just like I had story time with Marlene, you all now get story time with Pretty Little Liars” said Troian.
  15. The girl in the coffin in the opening has the exact same black puffy shirt as Spencer.
  16. Why does it seem that A.D. is always going after the Hastings?
    Why shoot Spencer, out of all the liars? Why demand Aria to plant the audio device in the Hastings? Why not ruin the Marin household? The jealous twin wants her ungrateful sister dead, hence the shooting, and the jealous daughter is angry she never got adopted. Too much of the story is Hastings-oriented. 
  17. “They’re all some pretty. Good. Theories.”
    Was Janel’s response to being asked about the Spencer-twin theories. (22:20)
  18. And, I’ll just leave this here. Good one @prettylittlesessions​ !
  19. “Spencer’s” weird comments in 718.
    In 718 “Spencer” says to Toby “you know what its like to be the outsider. Removed from friends and family”. What made her say this? Nothing was said or done in 718 to prompt our Spencer to say this. 
  20. Keegan said there are no more Spoby kisses in 7B.
    “I can honestly say that there is not another Spoby kiss.” Yet - there was one in 718. Either Keegan lied, or that was Spencer’s twin. (10:15)
  21. “It’s somebody you have seen.”
    says Marlene in regards to who AD is. Was she talking about the Spoby kiss in 710, which Twincer referred to in 718 when she kissed Toby again? Marlene was very careful to avoid saying “it’s someone you KNOW”. We don't “know” Twincer. But, we have seen her.
  22. “That’s not the Spencer I know”
    said Toby in 718. Writers are foreshadowing.

Setting all this aside, I want to add my theory on the backstory and motive:

  • Twincer, who’s name is A_____ Drake, was born in Radley, as Dr. Cochran told us in 7A. 
  • Twincer was raised in Radley - not because she needed to be at a psychological hospital, but as a form of daycare, because Mary was deemed an unfit mother, and also she kept Twincer a secret from Peter… he already hated her (to the point of planning her murder, later on) enough for having one baby together, imagine Peter’s reaction to having twins.
  • There, Twincer met and bonded with her sister Charlotte. Charlotte became Twincer’s only friend. (Twincer might even be Bethany, since we already know of this bond between Bethany and Charlotte, and how Bethany was drawing Charles being taken away by a monster. But for this theory, let’s just forget Bethany for a second.)
  • When Mona came to Radley and started telling Charlotte about everything she did to her sister, Charlotte and Twincer wanted to play. They wanted a turn at harassing Spencer and her friends.
  • For Charlotte, as we know, it was the feeling of finally succeeding at something in life that made the game her drug. For Twincer, it was something far darker.
  • Harassing Aria, Hanna, Emily and Alison is all about driving a wedge between the girls. Twincer wants to break up the girls. Turn them against each other. Hopefully by throwing fire at the girls, they will break up, ultimately, to ruin Spencer’s life. Again, jealousy. Twincer’s plan is backfiring because it’s exactly A’s threats that makes Spencer say “we need each other more than ever” and “always stick together”. The writers keep making the point of SPENCER being the one to make the comments about “always” sticking together. Twincer cannot break Spencer and her bitches. This is fueling Twincer’s anger. Nothing is working.
  • That’s why AD/Twincer recently shot Spencer. “If I can’t break the girls up to ruin Spencer’s life, why not just become Spencer?” Twincer shot Spencer in an attempt to assume her identity and squeeze her way into the loving friendship group that she could never crack. “These girls are so loyal to each other… they don’t even break up after even my threats. Damn, I want to be a part of this. It’s my turn to live a happy life. You had your turn Spencer.”
  • Note: I do not believe that AD has been operating since season 1. Mona’s time as A is completely independent from Charlotte and Twincer’s story. Mona started the game, and now someone is ending it, and she wants to know who. Charlotte and Twincer are their own duo; their own A-team, which stemmed as a result of Mona coming to Radley. Charlotte revealed herself - next up in the A team is Twincer, who is carrying on the game she once played with her sister. 
It’s a [Tinder] Date! (Part 3/3)

Summary: Thinking he needs to find a date, Natasha signs Steve up to Tinder. In Queens, Peter Parker does the same to you. It’s a match!

Word Count: 3,405

Part 1 Part 2

A/N: Almost a month later, but this fic is officially done :D I hope you all enjoy this fluffiness. 

Originally posted by mackievanstan


Work managed to distract you enough to not keep looking at the clock every five minutes. Despite part of your brain telling you that there was no way you had a date with Captain America, there was another part that couldn’t help but to hope this was true. And so, you found yourself daydreaming of showing up to the restaurant and seeing him there. What would you even say to him? What kind of greeting would you use? Would you address him as Captain, or maybe Mr. Rogers, or just Steve?

By the time you got home, you had a few outfit options in mind and made a beeline to the bathroom, taking a shower before you got started on getting ready.

Peter came around as you were choosing between four different outfits you had draped on your bed. He helped you picked the one that was form-fitting, waggling his eyebrows playfully.

“We gotta tease him,” he said.

Keep reading

All the reasons I loved this latest Chris and Eva clip:

Brace yourselves, cause this is going to be a looong list. I’m sorry but I’m too far gone for my OTP to care about much else today.

* The way he touches her face in the beginning of the clip.

*Chris’ wide grin plus Eva’s sleepy smile. Honestly, the chemistry between those two is unreal, even in small moments like this.

*“Did you sleep well?” “Mhm.” The whole Jonas and Eva vs Eva and Chris parallel here. Jonas pretty much said that he had a nightmare in which Eva was a whore and CHRIS TOLD EVA THAT HE HAD A DREAM WHERE EVA WAS HIS GIRLFRIEND. Ugh.

*Also, the whole dream was totally made up and I have a feeling that Eva knew it. And she knows how whipped she has him and just…Eva is goals as usual.

* Wow, damn. Another one of Chris Schistad’s reaction gifs is born.

* I honestly feel like Chris is trying to remember his lines when he is talking about his “dream”. And Eva is so amused CAUSE SHE KNOWS.

* He is such a certified nerd while telling that stupid story.

* Chris’ reaction when Eva told him that his dream wasn’t real tho. He was all: “say what now?”

* Eva: “we’re never going to be together” Eva: *smiles* Chris: *tries not to look like somebody just stabbed him and fails*

* “Why not?” I can see that you’re internally crying, Chris. God, the dialogue is gold.

* The way Chris repeats Eva’s words back to her. Such a small thing but mad cute.

*Also, I have such huuuge respect for Eva. She still acknowledges that Chris was a fuckboy in the past and she smiles again when saying it, and it’s so playful, and Eva knows that Chris is in love with her but she’s still protecting her heart and is being reasonable about it all and just…where can I find an Eva?

*Also, telling a guy whose currently naked in your bed that he’s a cheating fuckboy, is NEXT LEVEL.

* The way Eva almost immediately stops kissing Chris, because someone’s calling her. She. Always. Puts. Her. Friends. First.

* When Eva answers Vilde’s call and we can actually see how hurt Chris is over the fact that Eva doesn’t want to be his girlfriend.

* Also, the way he runs his hand over his face is like saying: “damn I messed up with that fake dream I told her about oops”

* When Eva tells Vilde that she is doing nothing special, and Chris looks like he’s about to cry. That boy is so in love, I can’t put it into words.

* All the longing looks towards Eva while she’s talking on the phone!!!

* Eva: “But maybe I can call you later or something.” Queue Chris’ whole face lighting up.

* Chris: “We were talking about getting together.” Lol, smooth.

* That boy has lost all his game and just wants to be together with Eva. Who’s crying? Certainly not me.

* THE PLAYFULNESS.

* The fact that Chris isn’t pressuring her into anything but just wants them to be together but he isn’t pushy about it. I honestly don’t know where the Noorhell shippers get their ideas, when they compare Mohnstad and Noorhell.

* ANOTHER JONAS AND EVA vs CHRIS AND EVA PARALLEL.

* When Eva tried to push Chris off her bed and he didn’t budge an inch, that was a sign.

* I just love how Chris is still his old self on some level, so self-confident and just doesn’t understand why he has to hide.

* Eva being determined not to introduce Chris, so the boy gets up, wraps a sheet over himself, and is just like: “Hi. I’m Chris.”

* Your name is also Chris? ANOTHER ONE, WE HAVE ANOTHER ONE.

* I just noticed that Eva rolls her eyes when Chris is talking to her mum, oh wow. I love this girl.

* When Eva’s mum says that she wasn’t aware that Eva had a boyfriend and Chris looks like he is finally sure Eva will confirm their relationship now but she DOES NOT.

* Also, Chris was totally happy to meet her mum, you can’t tell me otherwise.

* “We’re not together.” “Not yet”

* Eva’s mum’s “you’ll figure it out” is basically the whole fandom’s reaction to this clip.

* Also, all the smiles and the banter in the end of this clip, what can I say, Mohnstad just naturally gravitate towards each other.

* Chris: “Love me.” Honestly, what kind of desperation.

In conclusion: this was the clip of dreams that I never thought I’d see.

A Lesson in Love (The Reunion)

Summary: (College!AU) In which you’re assigned to write a story about romance, a subject you know nothing about, and Bucky, a hopeless romantic, offers you his assistance.

Pairing: Bucky x Reader

Word Count: 3,837

A/N: This is the second to last part in the series, babes. We’re almost done with this journey. 

“A Lesson in Love” Masterlist + Soundtrack

@avengerstories - you truly are the best of the best when it comes to editing (and everything else too)

Originally posted by captaincentenarian

You’ve walked the length of this hallway more than a dozen times before. Hundreds, if you count the amount of times you’ve strolled through the hallway in your apartment, one that is a spitting image of the one you’re standing in now. Your familiarity with the small space should make the journey from where you’re standing to where you need to be easy.

Should.

Every time you’ve made this walk, it was never with the knowledge that what’s waiting for you at your final destination had the potential to change everything.

Keep reading

The Data Theory

This theory was originally developed by derekscorner and revised last night. I delve into the theory a little bit myself and came up with something pretty incredible. Again, most of this theory is in credit to derekscorner. All I’ve done is branch it out a little more. You can read the original post along with what I came up with here.


Kingdom Hearts is never entirely clear on how it’s universe works. The only trustworthy information you can get is spoken by characters in cut scenes, usually rather vague and said with symbolism, or it’s hidden somewhere in the “Reports” you recover throughout all of the games.

Because of this, the game can constantly flex it’s rules to bring about more scenarios and fix discrepancies it might have had in the past. But assuming, with the release 1.5+2.5 for the PS4, all of those discrepancies were fixed and the game is official, theories about this game will now become all the more relevant. And sensible.

Most things in Kingdom Hearts can be explained away in a rather convoluted essay. However, there are still select few scenarios that fans can’t seem to tackle because it wouldn’t make sense for how the game’s universe operates. One of these leading scenarios is the issue of bringing the lost Nobodies back into existence. I’m talking about Roxas, Naminé, and Xion.

Keep reading

my thoughts on OITNB s5
  • That video of Alex getting her arm broken went viral. Kubra thinks that she’s dead. Could he end up seeing that video and sending someone else after her? Or maybe he’ll just try to get her arrested for Aydin’s murder.
  • Even though Daya shot Humps, it was the stroke caused by the oxygen blown into his IV by Maureen that killed him. Will an autopsy be done to determine his cause of death and prove that Daya didn’t kill him. If an autopsy is done and the police question Maureen I’m guessing that she’ll lie. The only person that can discredit her is Suzanne and she’s not exactly a reliable witness.
  • I’m not sad that Piscatella died but I would’ve liked to see him live a little longer. I wanna know if Red showing him mercy would’ve changed his perception of prisoners.
  • VAUSEMAN GOT ENGAGED
  • Last we saw Piper’s mom she was not a fan of Piper being with Alex. Will we get an explanation as to what changed her mind? Or are we to believe that she’s done caring about what other people think and just wants her daughter to be happy?
  • I know it’s not likely but I hope Maria tells the governor’s assistant that Gloria also helped with the guards’ escape. And will she get anything for breaking out the guards?
  • I’m thrilled Nicky stayed sober this season but it was only 3 days.
  • Will we ever learn how much time Alex has left?
  • If you guys haven’t seen Dreamgirls, you need to. There is a movie that came out in 2006 with a phenomenal cast. There will be no White Effies.
  • VAUSEMAN GOT ENGAGED
  • The Blanca/Red friendship is something I never could’ve imagined happening in season 1. I love seeing characters that don’t normally interact come together.
  • What will Flaca and Maritza do without each other?!
  • I was loving Taystee all season until she turned down Fig’s offer. She let down all the woman, they ended up with nothing, and because negotiations fell through, CERT went in there and abused the inmates. Never mind the fact that someone might die.
  • Alex and Piper playing house all season was so cute and adorable and perfect. This is probably their best season. AND THEY GOT ENGAGED. They both better live because I need a Vauseman wedding.
  • Speaking of Vauseman, Alex saying Vauseman gave me life.
  • I hate Leanne and Angie as much as the next person, but them burning the files may end up being helpful to the inmates. It seems like common sense for Litchfield to have electronic copies of the files but a lot of things in Litchfield don’t make sense. I wouldn’t be surprised if there were no digital copies (it’s a long shot). And the inmates don’t have their IDs. That might cause a problem when they try to check who they have.
  • With the inmates presumably being sent off to separate prisons, will the show keep them separated and take place between multiple prisons, will the show get everyone back together, or will it just take place in one of the prisons and leave the inmates not in that prison behind?
  • I really wanna know what the point of Pennsatucky and Donut’s relationship is. It’s hard to watch her fall for her rapist. What is Jenji Kohan trying to accomplish here?
  • That Poussey scene was a spot of light in what ended up being a pretty dark season.
  • VAUSEMAN GOT ENGAGED
  • Michael J. Harney was credited as a series regular this season but Healy wasn’t in a single episode. What’s up with that? (not that I missed him)
  • Mystery solved! The weeping woman is always crying because her dog got blown up by her husband.
  • Kinda curious as to why Piscatella didn’t try to capture Lorna as well, kinda don’t care. I figure it’s because she was in too public a space.
  • I always thought Leanne and Angie were just stupid, annoying meth heads. Now we now that they’re rapists. Can oitnb find someone else to be their “comedic relief”?
  • And why does this show treat rape like it’s no big deal? Angie made a comment in passing about how she’s raped guys. She and Leanne raped the strip dancer guard. Donuts raped Pennsatucky. I think the fat guard talked about how he raped someone last season. What’s wrong with this show?
  • VAUSEMAN GOT ENGAGED (I’m just really happy that they got engaged, okay? I’m trash)

Alex asks the million dollar question at the end: was the riot worth it? The characters and the audience may not be able to answer that question now since we’re still waiting to see the full aftermath, but knowing what we know do you guys think it was worth it? They set out to change the conditions in the prison and got nothing. They set out to get justice for Poussey and got nothing. But they did humanize themselves to the public. Aleida giving interviews, Flaritza’s videos, and Alex’s viral video of her arm getting broken have put faces and names to people that the public never really thinks about. Maybe Piper’s right and change will happen one person at a time and those people will work to change the system. Maybe the public can elect officials that want to reform prisons. Maybe the public will refuse to purchase products made by prisoners.

Maybe the riot was worth it because the women of Litchfield forced the world to look at them and see them as people and not as commodities or unredeemable felons. Maybe it’s worth it in the long run but it doesn’t seem like there will be much take away in the short term.

Dear Ex-Best Friend,
So I’m writing this currently and there’s so much I could say but I don’t know how to say any of it. Are you hurting, are you affected by this at all? I’m not trying to come off as an ass but I genuinely want to know are you hurting. I mean when the final decision was made I cried on and off for 2 hours. And currently, I’m still not fully over it. I don’t think I ever will be. I know they’ll be days when I see you at school or on the bus and my heart will just hurt because it’ll make me think of what we used to have and it’ll want that again. I hate the fact that I lost you, my best friend. The memories we shared are ones I’m never going to forget. They’ll always be in the back of my mind and every now and then they’ll come back and show me the amazing life I had with you. You were there for me through pretty much everything whether the problem is big or small. You made me feel like I wasn’t alone and that I didn’t have to feel weird about things. You were also my support and backbone through everything, whether the situation is stupid or serious. You were always there and now not having you here a piece of me is missing. When you left I literally felt my heart just break and then I felt empty, but now I don’t know what I feel. I just feel nothing I guess. I wanted you to be the friend that when my kids asked “Mom who is your best friend?”, I could say you. I wanted us to be the 2 old crazy ladies in the nursing home dancing to One Direction. I wanted you to be the one to help me plan my wedding and my baby shower(s). I wished and wished that we could be those friends that their bond lasts forever, but it was only just a wish. Eventually, I’ll move on but I’ll never forget you, and I hope you’ll never forget me. I still look at your page and from an outside point of view it looks like you don’t care, but I don’t really know that. I hope I don’t look stupid for crying all that time and just wishing it was a dream that I could wake up from. I hope that I’m not the only one who now has a piece of their heart missing that’ll never be found. I hope one day along the road possibly we can bump into each other and automatically connect like nothing ever bad happened. I’m probably hoping for something that’s never going to happen but hey, a girl can only hope. I guess this is goodbye. I don’t want it to be but it has to. Well, bye I guess and I hope you have a good life.

Sincerely,
Your ex best friend

Bygones of the Sun | 03 (M)

Originally posted by hobismole

Genre: Angst/fluff/(future)smut || dance captain!hoseok, bad boy!au, uni!au

Pairing: Reader x Hoseok

Length: 7.8k

Summary: Jung Hoseok was once the sweetheart of the school, the dance captain whom every girl, including you, can’t help but fall head over heels for. But like the force of the ever-glowing sun, everything that rises must also set. A year of inactivity later and he’s now the school’s resident bad boy. You’re a firm believer of allowing the past be the past, and yet you can’t help but wonder where the risen sun has gone into hiding—because perhaps its shadows have out-shined its own radiance.

01 | 02 | 03

Keep reading

Inexorable (1)

So I thought, why not combine that shit and make it a mini-series or something? I really hope you two anons enjoy it! No idea how many parts there will be. We shall see. Gif isn’t mine, cred goes to the owners! 1,560 Words

Pairing: Jeon Jungkook x Reader 

Genre: Fluff, a little crack, (Eventual) Smut, Mafia au!

Part 1 | Part 2

Everyone’s heard of blind dates – never of blind marriages, not even in the mafia world. Yet, here you were, walking down the aisle, your hand latched onto your father’s arm, towards a young man you had never seen before. 

You hadn’t even gotten the chance to speak to him, let alone this being the first time you actually got to see his face. There was so much rage bubbling inside you at the moment, but it was all hidden behind a small smile.

Combining two mafia organizations together was a huge deal; something bosses usually agreed on with the exchange of girls, but considering Red Python was one of the most powerful organizations in the country, they wouldn’t want just any girl. They wanted a suitable bride for the heir of said organization.

And your father, being the great, generous man he was, suggested you.

Keep reading

anonymous asked:

So I got a question about the sparing and padding post that you recently made. I like to read Assassin's Creed fanfictions that shows Altair (the main character) in his early years, which often includes his training to be an assassin. In most of these fics they focus more on the sword and knife fighting but some does include the hand to hand fighting too (without protection). So realistically what kind of injuries would someone training without any kind of protection should expect?

Death.

I’m only sort of kidding, because I know the kinds of fanfics you’re talking about and like every writer trying to be edgy, they have them spar without protections and with live weapons. There’s a reason why we use practice weapons during training and in sparring matches, where rules are in play. 

Now, the Assassin’s Creed variant of the Hashashin live for that super edgy, very stupid state of supposed badass where one must constantly prove their worth so I totally believe they’d do it. I’d also believe this would lead to an incredibly high turnover with their recruits, which is not sustainable in the real world.

I’m going to point out here that the “Asassins” or Hashashin were real. That’s the etymology for the word. The suicide jumping is also real and, instead of landing on bales of hay, they jumped to their deaths. There are a couple of stories about that piece of the order. The real Assassins were religious fanatics. These stories are not so much a testament to the quality of their training so much as their fanaticism.

For what it’s worth, the Knights Templar were also real and a prominent militant order up until they were excommunicated by the Pope.

The history of both groups is actually far more interesting than the Assassin’s Creed franchise. This is a persistent problem with the games, they invariably include historical figures who are far, far, far more interesting, competent, and badass than we’re presented with. If you encounter a historical personage in an Assassin’s Creed game, remind yourself of this simple fact: the real one is about 200x more awesome. It’s this weird inverse where the reality consistently surpasses the fiction. (Black Flag, I have my eye on you. Honestly, how do you mess up Stede Bonnet, The Gentleman Pirate? And that’s the least of your sins!)

The more serious answer is that unless you’re training with weapons or making an active effort to hit each other, in the real world we don’t train using pads on the regular. The pads are so you can essentially go full out against another person under controlled circumstances and then come back for training tomorrow. If your students are constantly getting injured that hampers their ability to train, then they fall behind and you turn out fewer fighters. Injuries on the training floor should not be a common occurrence.

Barring accidents and mishaps, if you’re simply practicing your techniques on your own or against a wooden dummy then all you should expect afterwards is standard muscle pain (maybe some bruising). The same should be true for practice with human opponents (which is not sparring) and sparring itself.

Anything else is a waste of time, energy, and resources.

Remember, injuries take time to heal and if you’re prepping someone to go out and murder that’s time you don’t have.

In the land of “edgy training”, try to remember that you want evil as opposed to incompetence.

The vast majority of training, like the kinds you listed, are edgy incompetence. They don’t serve a purpose other than sadism and your students don’t learn anything. Unfortunately, cruelty on its own doesn’t teach much (the Spartans were abusive jerks, but their methods worked). The beat up, abuse them, cruelty methodology simply doesn’t work unless you understand the kinds that work and, from a storytelling perspective, it also isn’t interesting.

The kind of “edgy training” you see in most stories is a round of Kinder’s First. People mimicking what Hollywood has taught them or what they’ve seen in fiction elsewhere. The assumption in this line of thinking is that the more brutal the training then the more dangerous the fighter. This isn’t true. More importantly, there are much better ways to sadistically mess with your students’ (and audience’s) heads.

1) Depending on your teaching style, you may murder a student on occasion to motivate the others. However, the control over who lives or dies remains with the instructor because the instructor is god. If a student gets a bright idea to kill another student without your approval, kill them.

2) Live weapons should never be used by students on each other except as a graduation gift. The graduation gift being only one of them will be accepted into the Order, so prove your worth. (In the real world, you’ll probably need them both but in fantasy land… why not?)

3) Use the threat of death to keep your students from getting comfortable, make good on this promise every so often. Bring in an established warrior to kill off your best student in demonstration to the others. (Why? It reminds them at no point are they safe.)

4) Encourage your students to break the rules, punish them severely if caught. (Playing favorites? Punish them more, push them harder.)

5) Limit their resources. Make them fight each other for their food. Survival isn’t a given. It’s earned.

6) In the early days, force them into physical exhaustion. Keep them up late. Wake them early. Limit their sleep to the minimum of hours they need to stay functional. Tired minds are easier to manipulate.

7) Force them into direct conflict with each other. There’s never a solid baseline they can achieve, and they’re always watching over their shoulder. Furthermore they never become loyal to each other. They are only loyal to you. Appeasing their teacher is their only means of survival.

8) Got a problem child who won’t play along? Don’t make an example of them. No, no, make them your new favorite. That’ll turn the others on them, and they’ll solve the problem for you.

9) Change the goalposts regularly, so they never know what to expect.

10) You’ve got someone who doesn’t want to participate? Say okay. When others move to join them, punish those students viciously instead. Do it in front of the class and for everyone to see. (This is called: creating heroes and wrecking them.)

11) Have your students inform on each other.

If this is starting to sound like abuse, well.. you’re right. It is. It also very successful in terms of achieving its goal. The goal is attacking the student’s perceptions, beliefs, and their understanding of the world while reshaping them into who you want them to be.

Real cruelty is clever and inventive. It is also patient. Like a good interrogator, this teacher will leave their students so they’re never sure of exactly what the teacher wants or how to please them. They give them hope, then snatch it away. Someone who excels at social manipulation will use this position of power to maneuver their students feelings and their expectations, indirectly point them at certain targets by stoking negative feeling such as jealousy, paranoia, anger, or fear. In the other hand, those rare moments of kindness offered will ensure gratitude. When a good teacher wants their uncooperative students to band together, they make themselves the target the students need to fight against. The abusive teacher does the opposite. They ensure they are the only boat in the storm and turn their charges on each other. They make sure their students never know what to expect. This includes going hot and cold. They change up to batter expectations, handle some problems themselves and let the students handle others.

An experienced teacher will have seen plenty of student characters, all the versions you can imagine. A good one will break the problem kids to bridle without them ever realizing it happened, and they exit the experience more hardcore than the ones who invested themselves honestly. The purpose of “brutal training” isn’t to churn out a better warrior. It’s to break the individual down so you can reshape their mind and ensure the weapon you’ve created is loyal to you. That level of conditioning is very difficult to break. You’ve re-oriented their entire training into status positions they’ve fought for and earned. This training becomes a foundation for their identity, and you’re not going to get it out of them.

So, before invoking the trope, choose wisely and understand the purpose for what it is. Actively abusive training is done with the express intent to recondition and brainwash. More than that, in competent hands, it’ll snap the “rebellious teenage hero” contingent like twigs.

As a member of a fanatical cult, Altair is a direct example of this sort of training writ large.

-Michi

This blog is supported through Patreon. If you enjoy our content, please consider becoming a Patron. Every contribution helps keep us online, and writing. If you already are a Patron, thank you.

You Understand, Right?

Characters: Dean Winchester x Sister!Reader / Friend!Reader, Sam Winchester x Sister!Reader / Friend!Reader, Bobby, John

Length: 1663+ words

TW: Suicide. Depression. Abandonment. Dean being a jerk. 

A/N: Another word vomit that I did when I couldn’t sleep last week. I just had the idea in my head for the whole night, and I knew if I didn’t write it down, I wouldn’t be able to remember it the next morning. So, here it is! Feedback is encouraged!

MASTERLIST


The thing about the Winchester family was that they collect family like one would collect dolls. They have a lot of family around the State, any of them willing to do anything for the brothers. They always had a saying. 

Family doesn’t end in blood.

Except it does. They can say it as many times as they want, but there isn’t anything they wouldn’t do for the family. Their blood family. 

You were 4 when you were collected by John, and shipped off to Bobby’s. You were basically raised alongside the brothers from then on. Sam being a year older than you, and his brother, Dean, being 5 years older than you.

You were 5 when Dean ran out of breakfast. Bobby, and John were gone on a hunt, leaving 10 year-old Dean in charge. There was half a single granola bar left, and he looked uneasily between you and Sam, both of you had complained about being hungry. He gave you a strange look, and even though you were 5, you knew what it meant. Afterall, John gave you the same look when he told you why you can’t come home to your parents. It was also the same look that Bobby gave you when you asked about your parents. The look of guilt. You turned away, not being able to handle the fact that his decision had already been made when he was 4, and the responsibility of Sam’s livelihood was thrusted into his hands.

“Not hungry,” you mumbled, despite your roaring stomach. Sam’s eyes lit up with glee as he snatched the snack from his brother’s hand, and you can see Dean’s face visibly relax.

“Sammy’s my responsibility. You understand, right?” Dean asked, a hopeful smile on his face.

You gave him a nod, hopping off the chair, and went back to your bed, hoping you can sleep away the hunger. 

Keep reading

Why the Linda Cho Snub Stings

And here we go, folks: as promised, my first in a series of critical posts regarding Broadway, culture, and my opinion on the state of theatre today.

Let me preface this post with a clear disclaimer: I am a major fan of Anastasia and have been since the Don Bluth movie came out in 1997. I also understand why Santo Loquasto was selected by the American Theatre Wing as this year’s Tony winner for costume design; I congratulate him heartily, because he is a master of the craft.

But with that out of the way, I disagree with the American Theatre Wing on this award and truly believe that the award should have gone to Linda Cho for her work on Anastasia. I think this honestly was the most upsetting snub for me last night. In some ways, this gets to the heart of another post I made. From an aesthetic standpoint, Linda Cho’s costumes were more visually impressive, more memorable, and more original than those for Hello, Dolly! I’m not alleging any animus in the ATW’s decision, to be clear; it goes more to the somewhat staid, static vision of theatre possessed by the eligible voters.

Now, part of the reason I find the HD costumes uninspiring is because thanks to HD being a revival, there is a kind of need to look to the past productions for inspiration, since the director and producers were not trying to go for some kind of completely original setting (which is fine, for the record!). 

But to my mind, the Best Costume Design category is designed to reward originality and accomplishment, not just improvements on a theme. The costumes that Linda Cho designed for Anastasia manage to have a kind of timeless elegance that grabs the eye and forces you to notice not only the actors, but the costumes themselves. 

Anya’s (Christy Altomare) red and blue gowns from Act II have stuck in my head since the very first stills were released to Playbill ages and ages ago. For visual pops, you cannot beat these (all photos are either from Playbill or other publicly available sources, and are not my property):

Both of these gowns exude a classic elegance that is unrivaled on Broadway today, paying homage to the source material (the high society of the Roaring 20s in Paris, as well as the Russian designs included on the red gown) while still looking fresh. 

The lines on the blue gown in particular are exquisite, and give Christy Altomare (who is not a tall woman) the appearance of added height without it being obvious that is what it’s designed to do.

The costumes for the Romanovs are also elegant, sophisticated, and memorable (I lack a proper still for this that I can attribute to Playbill or Broadway World or Broadway Box and thus the still is drawn from Pinterest; if you are the original photographer, please message me and I will edit this post to credit you). 

For those familiar with the show, you know the ones I mean: the ghostly pearlescent white of Nicholas, Alexandra, and the others slain at the start of the musical. The costumes are graceful, and a good match to many images of the real Romanovs in the era in which the prologue is set. But as with Anya’s gowns…truly, there is a level beyond the simple. I called them “ghostly” for a reason: you can’t look at them without having a terrible sense that these people (innocent for the purposes of the musical) are about to be slain. Linda Cho made funeral shrouds out of ballgowns–and that is a metaphor that works on a huge number of levels.

But you know where Linda Cho really gets me? The costumes for Lily (Caroline O’Connor), Vlad (John Bolton), and Dimitry (Derek Klena). Let’s take each in turn, with just one example per.

This is a Playbill still from the Broadway performance of (I believe) either “Land of Yesterday” or “The Countess and the Common Man”. One of my fellow fanastasias ( @nikolaevna-romanova​ or @anyasdimitry​ perhaps?) can confirm which scene/number.

I’ll focus on Lily for the moment. That gold dress is clearly designed to pop. Lily is a fun, flirty, outrageous character, like her spiritual predecessor in the 1997 film as voiced by the divine Bernadette Peters. Caroline O’Connor brings a downright saucy quality to the character that this gown is designed to highlight. The character is a fallen aristocrat who acts as press secretary/majordomo to the Dowager Empress. She’s supposed to look wealthy–but a kind of shabby wealthy, like someone down on their luck. 

So let’s take a closer look at this Linda Cho masterpiece (via Broadway Box):

The pattern and the cut of the dress are simple–much simpler than would have been worn by the nouveaux-riches of post-war Paris, but still quite elegant and stylish, especially when accented with the lace gloves. But it’s a far cry from the style that Countess Malevsky-Malevitch would have been used to in her old life in imperial St. Petersburg. She’s had to make reductions–but damn if she’s not going to make them work. Linda Cho really captures that perfectly. This dress looks, in addition to being beautiful, like it might have come from a very high end store, but wasn’t custom-made as would have been expected of someone with massive resources. While presenting a memorable dress, Linda Cho stuck to the history: Lily is down on her old circumstances (as the Romanov family was post-Revolution) but she will still Look The Part.

Next, I look at how Linda Cho costumed Vlad Popov, the would-be Count and titular Common Man of the previous number. This still is courtesy of Getty.fr and numerous other news orgs, and is from the Broadway opening night:

It looks pretty fancy, right? It is! But if you look at it closely and in the context of the play, it’s in the same category as Lily’s gold dress. The fabrics are clearly fine, but it’s not a custom tailoring, even though this comes after he is restored to some measure of glory. Linda Cho replicates a rich French brocade for the vest and matches it to the morning coat perfectly (more technically, I believe it’s a stroller, though the term is anachronistic for the year the musical is set). But there’s a reminder to the common-man status in the design of the trousers: leaving them striped, subtly, the way Linda Cho did is a subtle signal that Vlad is not born to wealth–no aristocrat would have styled themselves that way. But he mixes the two styles in a subtle nod to what he is (a commoner) and what he pretends to be (a Count).

Finally, there’s the costuming for Dimitry. Playbill ran this still before opening night, and it’s a perfect one to showcase why Linda Cho was such a genius with her choices:

We know from the musical that Dima is a poor con artist, really not much more than a gutter rat as it were and his costuming matches. The fabrics he wears are rough-hewn and cheap-looking (by intention) because he would never have been able to afford anything else unless he aggressively bartered. As a good man in early Communist Russia, he wouldn’t have had the resources to style himself any better–we get the sense Vlad can only because he had the clothes beforehand. Dimitry is all commoner, all working class, all rough (the same with Anya’s Act I wardrobe).

Now, it’s easy to make a costume look cheap–but Linda Cho does more than that. She makes it look cared for. After all, Dimitry has no resources to replace a winter coat if it’s torn, and so we see that while worn, it’s clearly cared for. His shoulder bag, if a bit out of place in the era, is the same: the leather is time-worn and it’s clearly a possession he has had most of his life. That’s not an easy look to master, and to execute it so flawlessly requires real skill.

Here’s my bottom line. The costumes that Linda Cho designed were bold and innovative, and perfectly matched to the heart and soul of the characters who wore them. They took some risks in the way in which they used colors and fabrics, and they blended some modern sensibilities with the design elements and fabrics of the era the musical is set in. That is the kind of thinking that I feel the American Theatre Wing had a chance to reward with the Tony in 2017, and it’s why I feel disappointed by the snubbing of Linda Cho. Her costumes weren’t groundbreaking, but they were unique, they were original, and above all, they felt like they improved the overall quality of the show for their presence.

I doubt Linda Cho will ever read this, but if she does: you own the Tony in my mind, and I cannot wait to see what you come up with for the next show lucky enough to hire you to design their costumes.

New Old Captain

Read here on ao3 (x)

Lardo was hunched over her laptop working on a write up for her final art project and Ford was across the table from her, finalizing room assignments for the boys’ upcoming (and final) roadie, when the front door opened and a voice called out, “Hello?”

“Jack?” Lardo scrambled out of her chair and into the front hallway. Ford leaned over to save Lardo’s document, then slowly followed after her. She didn’t think she had met anyone on the team named Jack, but who else would be coming to the Haus? She ran through a mental roster of the team, but didn’t come up with anything.

She found Lardo wrapped up in what looked like the world’s comfiest hug with a man who had to be a foot taller than her, and if he wasn’t some sort of athlete, Ford would eat her rooming assignments. His arms, good lord.

“Who’s this, Ris?” He asked, catching sight of Ford.

“Ford, our new manager,” Lardo’s voice was muffled into his chest. “Ford, this is Jack. You should have told someone you were coming, Ransom and Holster made an extra practice today and everyone else is at the rink.”

Keep reading