this actually helped me a lot to distract myself from certain things

Over Planning = Procrastination

I am making this post based on a request by an anonymous user, but as soon as I heard the idea it really resonated with me. When you are a perfectionist, like I am, procrastination comes very easily. As soon as I have a single doubt about what I am doing, I stop and turn to something else, which leads to a lot of unfinished assignments and unnecessary stress. So in this post, I’m going to give you my best advice on how to avoid this very thing and get back to work! 

Methods of Planning

You  need to start by addressing how you are organizing you time and if it needs to change. 

  1. Daily study schedule: This is my least favourite, and in my opinion leads to the worst kind of overplanning. This is when you schedule out your time hour by hour, down to what time you will study, eat, workout, etc. I understand that this works for some people and if you find yourself to be very disorganized, it can work for you. However, I personally find (and I think many would agree) that it ends up giving me anxiety and guilt when I don’t do something exactly at the right time. 
  2. Weekly or monthly schedule: This is ideal for people who like to plan ahead a lot, but don’t want to be too constricted to an hourly schedule. This method involves writing down what you need to study each day, but not declaring a specific time that you need to have it done by. I really like to use this for exam periods or before a big test, so I know that all the topics are covered by a certain point. 
  3. Daily to-do list schedule: This works for a ton of people I know, including myself. It is low-key, but also allows you to know what you have to do and actually get it done. This is what most people use in a bullet journal, which is obviously a very successful technique! It blends together the planning of the daily schedule with the fluidity and low-stress of the monthly schedule. I highly recommend this if you tend to overplan! 

Overall: You might need to re-evaluate the way that you organize your time and find something that is more productive. My personal favourite is the daily to-do list, but if you need more structure in your life, feel free to look at others. 

Dividing Tasks

One big thing that leads to procrastination is not being able to focus on the most important tasks that need to get done. If you put too much stuff on your to-do list or into your hourly schedule, it might actually end up taking away from more important tasks. 

Learn to prioritize. List tasks in order of their importance when you are creating a to-do list or other type of schedule. You can use a numbering system, or colour code them if you need more help:

  1. Red = Extremely important: Things that are due in the next day or two, studying for upcoming tests, steps in a process that needs to get done by the end of the week, bills that need to be paid, chores that have to get done before your home becomes a wreck. 
  2. Yellow = Pretty important: Things that are important to your schedule, but it wouldn’t be tragic if they got pushed off one more day. Re-writing or typing notes, writing out flashcards for a test a week away, working on an application or deadline that is still a while away, chores that aren’t going to affect you if they aren’t finished tonight. 
  3. Green = Filler stuff: Things that would be nice to get done, but aren’t urgent. Cleaning, organizing your desk, finishing a book or movie for pleasure, etc. 

Avoid Procrastination

After you have organized yourself and prioritized tasks, you need to be able to focus on actually getting them done. 

  1. Set firm deadlines. A lot of times, this is easy because teachers or bosses set them for you. But if they don’t, learn to set your own deadlines and stick to them. Write them in your calendar and make note of them in the days leading up to it. 
  2. Make mini to-do lists for an assignment. If you have trouble following deadlines, or value to-do lists as much as me, breaking down assignments and large tasks into small pieces can be super beneficial. For example, if you have an essay due, create a checklist with the intro, body paragraphs, conclusion, editing, typing, and final draft all as separate tasks. 
  3. Find ideal study setting. A lot of people have trouble focusing on tasks when they get distracted easily. I find it really helpful if I’m in an environment that gets me in a studying mood! Going to the library or a quiet coffee shop really motivates me. Finding somewhere with few distractions, limitations on how much noise you can make, and being able to see other people being productive is the ideal way to focus yourself. 
  4. Avoid social media and TV. This goes hand in hand with #3… Being in front of the TV or the computer (when you aren’t actually using it) is super distracting! Go somewhere that doesn’t have these distractions. 
  5. Start with small tasks. Sometimes, tackling your to-do list is easier if you start by completing a few small tasks. When I’m not in the mood to study, I try to do some household chores and update my bullet journal to get the ball rolling.  
  6. Use the Pomodoro technique, or something similar. Use a Pomodoro timer or another type of scheduling to stay focused when studying and take breaks when needed. If you find that breaking it down minute by minute is too stressful, try setting goals like “as soon as I am done studying this chapter, I will get up and make a snack,” and stick to them! 

so i made this post because even the laziest people in existence still have to study ha ha these are just some things i’ve been doing for my revision!

1. you don’t need to rewrite notes to memorise them

i know tons of people say that rewriting notes is a form of memory retention but honestly!!! i don’t have the energy/patience for that ha! for me, the best method to memorise things (especially content-heavy chapters/subjects) would be to record yourself talking. i don’t think this is especially catered to auditory learners, because i know for a fact that i’m not an auditory learner but this still works especially well for me so!!

 i usually open up the voice recorder app and talk as if i’m teaching someone! i’d recommend you use a guidebook as reference and not the actual textbooks. guidebooks are more vague, so when you’re speaking about a particular point, you can sort of expand on the point given in the guidebook from your knowledge of the subject! this really helps for revision because you’re basically forced to remember things. you don’t necessarily need to replay your recordings. to me, the “recording” bit of this method is psychological, it makes me feel like i’m actually memorising and not just talking to myself haha.

this recording method is honestly one of the most helpful things i’ve ever started doing and i can do a more in-depth post on it if anyone asks haha

2. use different highlighters for different sections

i know literally everyone has been told this tip in their lifetime but honestly!!! it’s EXTREMELY helpful, especially if you want to do timelines for history! use different colours for things like dates, people, treaties, etc! 
okay but one thing about this tip that’s sort of different from others is that when you highlight dates, highlight the entire event and not just the date! so for example, instead of highlighting “28 June 1919″, highlight “The Treaty of Versailles was signed on 28 June 1919.” that way, you know the WHOLE event and the date and you’ll be more likely to remember both! 

i learnt this the hard way - i used to highlight dates by themselves (maybe i was just totally dumb) and i could NEVER remember what happened on the dates lmao 

3. the internet is there for you

it’s a bad habit of mine, but being a very last-minute person, i ALWAYS have doubts even the night before exams. since it’s too late to actually contact anyone, i usually have to rely on the internet. the internet has a myriad of wonderful wonderful resources that are so incredibly useful! 

some youtube channels that have helped me are khanacademy (literally anything), mathbff (math), keith hughes (history), j brierly (literature) 

i also recommend watching documentaries (for history/social studies) because even though it’s a more in-depth version of what you have to learn, it’ll help you understand everything better + make your essay stand out :) 

4. find a suitable study space

a good study space is probably the first thing you should ensure if you want to get anything done at all. i usually never study at home, simply because i’m always distracted by trivial things such as “i’m hungry, i’m gonna get food” or “i’m so tired i’m going to sleep for five minutes”. 

when i started studying outside (usually at starbucks/the library), my productivity level increased so much it blew my mind a little. even though it’s a bit troublesome because you may not be completely sure what materials to bring, you’ll still get a lot done trust me on this lmao

5. always, always plan what you want to do

i find it really taxing to plan out my entire day down to the hour, so i usually just set a certain number of things i want to complete for that day, and just let things naturally flow from there.

for example, i write the things i want to do on my calendar (finish a set of math papers, read a chapter of lit, etc.) and then i just get everything done on that day w/o planning the exact time i’m going to do it! it makes things less stressful in my opinion :)

i’ve tried planning things by hour but it usually never works out so i just stopped doing it and honestly it’s not necessary! what’s important about planning is just knowing what you need to do and then getting it done. 

6. handwrite your notes whenever you can

writing your notes by hand triggers your memory more effectively than typing them out. even though i’m tempted to type out notes since i’m the laziest person in existence, i still try (most of the time) to write notes because at the end of the day, you’ll be more proud of your handwritten notes than your boring typed out ones :)

7. study with people who usually do well

this is a rather…shady….method of learning but honestly!!! when you know how the top students function, you can learn from them as well! 

i’ve discovered that top students usually perform so well because they review their content regularly, unlike people like me who wait three days before the exam to start cramming everything into my brain.

keep some pictures of your notes or some flashcards with you, so that when you have pockets of time (eg. waiting for a friend, waiting for the bus, etc), you can whip them out and start reviewing :) 

these people also act as tutors, so you can clarify your doubts with them and it’ll be less awkward as compared to asking an actual teacher. i know i prefer asking classmates than teachers hahaha.

OKAY i hope this helped :-) please also reblog/like this if you’re a studyblr, i’m new to the community and i wanna follow more people!! 

anonymous asked:

Saiii-chan... What do you think if Kacchan and Todoroki have a relationship(romance or friendship)? And how do you describe it??? :3 Love u, mom of 1-A class!

(okay so i must apologize b/c this is more a meta about Bakugou and Todoroki’s relationship overall instead of what you asked, even tho you said you were fine with that earlier. sorry about that!!!)

i can’t see it as a romantic relationship, personally

i think Bakugou is still angry at Todoroki for giving up during their fight at the sports festival. at the very least, he still holds a bit of a grudge over it. Bakugou doesn’t take anyone implying that he’s weak lightly, and Todoroki refusing to use his fire powers during their fight, after he used them against IZUKU, implies a lot for Bakugou:

1. that Bakugou is less impressive than Izuku. this is a very big sore spot for Bakugou, beccause he has a lot of personal issues that stem from his fear of Izuku actually having the potential to surpass him, and it’s the reason he began bullying Izuku in the first place.


2. That Todoroki doesn’t see Bakugou as worthy to use his flames against. which, again, is a sore spot. this implies that Bakugou isn’t strong enough or is too weak to have the honor to fight against Todoroki’s fire.

“Am I not strong enough for ya?”

3. Todoroki wasn’t even trying in their fight because he didn’t see Bakugou as worth fighting.

of course, the reason why Todoroki didn’t use his fire was because he was going through a lot of emotional issues, and Bakugou was at least somewhat aware of this. 

he did overhear Izuku and Todoroki’s discussion about Endeavor and what he did to Todoroki and his mom.

the bottom panels show up immediately after Todoroki’s.

how long Bakugou was listening in and how much he actually heard is up for debate, but we do know that he did overhear about Todorki’s home life and his declaration against Endeavor and his resolve not to use his flames.

however, Bakugou has a massive inferiority complex, particularly in reference to Izuku, and the fact that Todoroki was able to use his fire against Izuku is what really bothers Bakugou. Todoroki isn’t even trying to win during their fight. 

he isn’t even bothering.

look at how upset Bakugou is here. he looks like he’s about to break down in tears.

that’s how important this was to Bakugou. he’s literally about to cry because of this. and one of the reasons this fight was so important for Bakugou comes from early on in the series.

(the second image is a pic i took from my phone of the official translation)


immediately after Bakugou lost to Izuku during the Heroes vs. Villains exam, after Momo explained exactly how Bakugou fucked up for the entire class to hear, Todoroki comes and finishes the exam within minutes.

he barely had to do anything and he fucking won without breaking a sweat. in other words: he completely showed up Bakugou after Bakugou lost control, got angry and totally fucked up.

it was the first time Bakugou realized that there are people out there that are stronger than him. that there are people that he might not be able to beat. it was the first time Bakugou realized that he might not be the best, and he was faced with the fact that he might not be able to hold a candle to Todoroki.

so for Bakugou, their fight at the sports festival was very, very personal for him. 


hell, even for a moment, Bakugou actually agreed with Izuku when he cheered Todoroki on to fight his all against Bakugou.

but Todoroki was distracted; with his home life, with Endeavor, and worse (in Bakugou’s point of view), with Izuku.

it’s just moments before their fight, and Todoroki doesn’t even acknowledge Bakugou when he accidentally barges into the wrong room. 

no, instead of acknowledging Bakugou, Todoroki immediately starts talking about Izuku.

Izuku, Izuku, Izuku, Izuku.

of course this pisses Bakugou off. this is HIS FIGHT and Deku is already fucking with it and he’s NOT EVEN THERE

i do think that Bakugou was trying to help Todoroki in his own way. he was trying to get Todoroki to understand that his fire is just a biological function of his body. it’s his own power, no one else’s.

there’s a reason why Horikoshi specifically had Bakugou say these lines, especially during Izuku and Todoroki’s fight.

however, i think the reason why Bakugou did this was mostly to get Todoroki to overcome his hesitance because he wanted to fight Todoroki at his full power. think of it as Bakugou saying “Get the fuck over yourself and fight me at your full potential so I can prove myself.” 

(tho a bit of it may be because Bakugou does care, just a bit. the stricken expression he has after Todoroki explains his personal history is very telling, and it tells the audience that it did affect Bakugou somewhat. 

“And since I don’t give a shit, feel free to use that fucking flame side on me…!”

he very specifically denies caring about Todoroki’s personal history, tho he may have just done so to rile Todoroki up to get him in the mood for a fight. but also because he really just wants to fight against Todoroki’s flames)

he knows why Todoroki doesn’t use his fire. but he still used his fire against Izuku. and Bakugou wants part of that, he wants to fight Todoroki on equal ground and prove that he’s the best.

Bakugou wants so badly to test himself against Todoroki because of what happened during and after the Heroes vs. Villains exam. he wants to prove himself against Todoroki, to prove that he can beat this kid that he once thought he couldn’t. he wants to have a fair fight against Todoroki and fucking WIN without any of Deku’s bullshit getting in the way, and yet it’s already interfering before the fight even starts.

that’s why Bakugou was so angry that Todoroki wasn’t taking this fight seriously. that’s why he was about to fucking cry at the end of it, when he won. because he didn’t win due to his own strength, he didn’t prove himself in any way, he only won because his opponent refused to go all out against him, and that’s a huge slap in the face for Bakugou.

there isn’t any point in winning a fight where your opponent doesn’t even try to fight against you. and Bakugou hates being underestimated and taken lightly.

and again, this was a huge personal insult against Bakugou in particular. he wanted to prove something to himself but Todoroki just wasn’t in the right headspace to fight back at full power. 

of course, none of this is Todoroki’s fault. he had a lot on his mind.

but for Bakugou, this is all extremely difficult for him. he continues to hold this grudge against Todoroki prior to the second exam, where he threatens/challenges both Izuku and Todoroki.

hell, he even says Todoroki’s name here, which shows how serious he is. Bakugou never says anyone’s name, unless he respects them or they got his attention. i’m fairly certain that, during this moment, it’s not out of respect; Todoroki just royally pissed Bakugou off and part of that manifested as Bakugou using Todoroki’s name to show just how angry and determined he was at this moment

tho Bakugou does seem to calm down a bit after the second exam, after he was forced to work with Izuku.

even afterwards tho, where they’re paired up during the trial of courage, Bakugou is trying to get a different partner, any other partner besides Todoroki, because he’s still pissed about what happened.

(lmao i’m fairly certain Ojirou doesn’t wanna pair with Todoroki because he got his ass royally kicked by him in the first exam)

i think that Todoroki is trying to make up for what he did to Bakugou in his own way, but doesn’t really know how. he realized that he did Bakugou a disservice during their fight, and feels bad about it. 

i believe this is why he tried so hard to rescue Bakugou when he was kidnapped by the League of Villains/AFO.

out of all the kids, he was one of the few who was 100% set on rescuing Bakugou from the start. absolutely nothing would stop him from going and rescuing Bakugou. 

now, the reason why he was so dead set on this is up for speculation. 

personally, i think part of it was Todoroki trying to make up for what he did to Bakugou during the Sports Festival by helping to rescue him. 

part of it may be because Bakugou was kidnapped from right in front of him and he couldn’t do a thing to stop it, and he feels responsible for it.

another part may be because it’s part of his ideal of what a hero should be, which is rescuing people when you know you have the ability to, regardless of the consequences (which may be a call back to the Stain incident with Iida. if he and Izuku hadn’t shown up, Iida very well could’ve died)

anyway, the point i’m trying to make here is that Todoroki holds no ill will towards Bakugou. rather, he feels bad for letting Bakugou down, and tried his damnedest to rescue him, even after Bakugou made it clear that he doesn’t like Todoroki. 

in fact, they seem to have a fairly….. amiable relationship, at least for Bakugou’s standards.

it’s mostly just…. Bakugou getting angry and shouting, and Todoroki just not really reacting to him. i’m sure Bakugou is still fairly angry about everything in regards to Todoroki, but it doesn’t seem quiet as….volitile or personal as before.

and again, Todoroki holds no ill will towards Bakugou. there are only two moments where Todoroki seems truly angry or frustrated at Bakugou, and one of them is when Bakugou brings up his home life (which. yeah), and the second is just because he’s frustrated that Bakugou wants to use his explosions in the forest in order to fight the villain, which would only cause them more problems.

i think Bakugou is slowly letting go of his grudge. very, very slowly. it was a very personal issue for him and it’s hard for him to just let that go. but after seeing All Might retire and feeling like the cause of it, and feeling all that guilt… not to mention, he now knows the story behind Izuku, All Might, and One for All, and is actually supporting Izuku (someone he hated for so long). 

his feelings are becoming somewhat healthier now that most of those issues have been discussed. not quite resolved, because stuff like that doesn’t happen over night, but it’s getting there.

now tho, he might be more willing to try and let some of those angry feelings towards Todoroki go. i doubt it’ll be anytime soon, however. Bakugou is someone who holds long grudges about this kind of stuff. but i think he is slowly letting them go.

it helps that Todoroki doesn’t really react to Bakugou’s anger at all, haha.

related meta:

Inheritance | Pt.4

Pairing: Yoongi x reader
hybrid!au, fluff (is it even there? who knows), smut (later later),
none?? a surprising lack of tears in this one
We get to know a bit more about dear sweet Yoongi in this next sad installment. What a time to be alive. I forgot to mention when I first posted this that this is for those anons that requested a hybrid!Yoongi !!! Here you go babies 💖

After your grandmother passed she left everything to you. Her house, her fortune, and apparently… her cat? The grumpy male hybrid you encounter at her house is anything but the tame housecat you’d expected to find. Fulfilling your grandmother’s last request to look after him becomes a lot harder when he seems to be avoiding you, and your dissatisfied relatives start stirring up trouble.

Originally posted by nevermindmyg

Masterlist || Prev. | Next

Keep reading


Reader x Klaus Mikaelson



Imagine: You are Rebekah Mikaelson’s best friend and, ah, a mermaid. She brough you home in a gesture act. What she did not expect was that her brother, Klaus, would fall for you and, whilst doing so, he win your heart over.

Warnings: swearing, kissing, some violent descriptions (not that big of a deal), mentions of sex, fluff

Word Count: 4250 (i think i broke my record with this one)

Patiently waiting for Rebekah Mikaelson, who happened to be your best friend for quite some time now, at a bar, you thought of how much your life had changed in the past year. All because you were forced to abandon your mermaid nature after one reckless night you spend at a forbidden cave; sure, your mother had warned you what would happen if you went there during a full moon, but you always thought she was just being an overprotective mum. Ultimately, she was not, for the next morning you woke up entirely naked. Oh, and with freaking legs instead of your blueish tail as well.

A gentle chuckle left your lips when you remembered the stunned looks the humans gave you once you managed to get out of the cave. Nudity can get them incredibly nervous.

“I presume you’re waiting for my sister, love.” A masculine voice, soaked in a marvellous British accent, said. “May I keep you company?”

“Suit yourself, Niklaus.” Your reply was short, straight to the point. “But I warn you she’ll be mad if she finds you here.”

“I know how to deal with Rebekah.” He smirked, sitting on one of the chairs and facing you with those deep blue eyes. “You know that.”

Keep reading

anonymous asked:

This sounds weird but could you give some advice to other fanfiction writers? You're really good. 💕

oh my goooooooood where are all you lovely people coming from tonight?? 

alrighty, let’s give this a go!

Fanfic Tips:

Character Motivation

This is my biggest thing. You should always, at any given moment, know what every character in a scene wants. What they want is going to dictate how they act and react to things. Without characters wanting things, nobody ever does anything, and your fic doesn’t exist. 

When characters have different motivations and have to come together, magic happens. And as characters develop, their motivations change. 

Great example?

what Luke wants (general motivation: freedom -> The Right Thing): to get off his uncle’s farm and get to go be with his friends at the academy -> to be a Jedi and fight for the rebellion -> to learn more but also keep his friends safe -> to redeem his father.

what Leia wants (general motivation: fight Empire): to get the Death Star plans to the rebel base and find Obi-Wan Kenobi -> to not be in the Empire’s clutches -> to blow up the Death star -> to not be in the Empire’s clutches -> to save Han -> to blow up the other Death Star 

what Han wants (general motivation: self-preservation -> protect friends): to get his hands on some money so that he doesn’t get killed by a mob boss -> to escape the empire -> to help the rebellion/keep his friends safe

(Obi-Wan, meanwhile, pretty much just wants to keep Luke safe, and help the rebellion if he can.)

All different, all interweaving, most of them changing as the characters are influenced by others, and learn and grow. 

So yeah. You gotta know this shit about your characters - it’s crucial. 

Tip? If you’re unsure about whether you know what they want, try making a list of all the important characters in your fic (and then potentially do this with most scenes, briefly) and work out what their main motivation/what they want is. Just…in general. In life. And then, once you’re in a scene, see how this plays into what they want in this exact moment, and how they’re going to go about trying to get it. 

Know Your Source Material

You don’t have to be an expert in your fandom to write fanfic, but the more you know, the easier it is to move through the world and build a story, because you know where you’re going and how things work. Wikis are your friend, especially when working in big universes like DW or SW. (Like, hell, I might know a lot about DW, and feel very comfortable in that universe, but I still find myself on the TARDIS Index File all the time, checking little random things. It’s a damn godsend, and every fandom has a wiki.)

Your Characters Are Just People

Make sure you let your characters fuck up once in a while. They’re fallible beings, they’re going to make rash decisions that backfire, they’re going to try something and fail, they’re going to say the wrong thing and piss somebody off. They’re going to maybe mean well but fuck up majorly, and that’s okay, that’s good. Let them apologise, let them learn from the consequences, let the healing of a wound in a relationship bring the people closer together. 

And yes, this still goes for characters that almost never do anything wrong, or are all ‘holier than thou’. They are still gonna go about some things the wrong way. 

Planning Is Good, But Be Flexible 

In my experience, while some people lean heavily towards one or the other, appropriate use of planning or gardening can depend heavily on what kind of story you’re writing. 

When writing more action based storylines, I’ve found it’s very easy to get stuck in the middle of them - you get the characters into a mess and get stuck for a month not knowing how to get them out. This is where planning tends to be handy. A good way of not getting stuck is to plan it all out in little increments, so there’s not too much room to get stuck. Also, plotting from the back. Start at the end. Works really well a lot of the time. 

If planning works for you, plan as much as you want. But, always, always, be ready to change something, if you try a bit of gardening and end up somewhere different to where you expected to be. Always follow what feels right over sticking with a plan. 

Gardening aka Let The Characters Take The Lead

…this is fanfic. Let’s be honest, we know that most of it is juicy interpersonal stuff. So while planning is all well and good, I think gardening works a lot better. When writing the maths teacher fic, I went in pretty much blind. I had a couple of vague ideas of what I wanted to achieve, but I also wanted the relationship I was developing to be as absolutely genuine/believable as possible (which, according to the general consensus, it is). 

The way to do that?

Don’t try and force things between the characters. Sometimes you might start a scene with a particular moment in mind, and that’s all good, but for me personally, I’ve found that you tend to get results that are more organic by simply going into a scene blind and seeing what the characters do. You should still, hopefully, have an idea of what you want to happen, but the characters and their ways of reacting to things should always come first. 

Seriously, if you’ve got the characterisation down, they’ll do the hard work for you. 

Maybe they’ll get to where you wanted, maybe they won’t. But it’s actually a really fun ride, doing it this way. When are they going to kiss? When are they going to fuck? Who knows? Not me! How could I know, when I haven’t yet seen/created the unique and particular path of events that gets them to that point? 

Like, I went into a chapter once, intending for a child character to kill a guy. But when it came to writing the scene, I just wasn’t quite sure if she would actually do it, even with her evil psychopathic mother egging her on. So I gave the kid the reins/gun, and sat back to see what happened. She ended up shooting him non-fatally, only for him to be killed by the vaguely disappointed mother instead. I was like “oh, okay, cool, that works”. 

Garden. Have fun letting the characters surprise you!


Dialogue is the make or break of a story, really. And the trick to dialogue is to make it authentic, and give the characters their own unique voices. 

First one is simple. Make sure the dialogue sounds like how people actually talk. Anyone who has read any of my fics knows that I use “-” and “…” and “um” and “uh” liberally. That’s because humans, modern day ones at least, aren’t always the most eloquent of creatures. We mumble and say the wrong thing, or get distracted halfway through, or forget what we were going to say, and hesitate when we’re unsure (even posh, eloquent characters, they just do it less and use bigger words in between). Let the characters do this. 

Saying the dialogue out loud will help a lot. Also, you could also try verbally paraphrasing a conversation from the fic to a friend, and you’ll likely find some of the dialogue coming out a lot more casually/authentically. 

As for giving the characters their own unique voices, that’s just down to knowing your canon and being in tune with the characters, which is a crucial thing but unfortunately not something I can really give advice on, you’ve gotta get those in your head on your own. 

Details Matter

Different details matter in different stories. And getting them wrong can really break the immersion.

If you’re writing characters that come from a different place to you, make sure you know how people from that place talk! Americans, don’t you fucking dare have a British character call somebody ‘Mom’, it breaks the immersion completely and makes me want to punch something. It’s ‘Mum’, for anyone from UK/Aus/NZ. And same with Brits writing American characters, but the other way around. This goes for any UK/US/Aus/NZ/Canada language difference. Find out what your character calls things.

Working details out can seem unnecessary, or going over the top, but honestly, half the time you realise that you’ve gone and got something wrong, and next thing you know the entire plot has a gaping hole in it, or a character doesn’t know something they got told three months back, but you forgot about it. 

Like, okay, I have a day by day plan of the timeline of the maths teacher fic (and, going forward, its general universe), because I was trying to weave in all this original material through the show canon (and now, write several stories/oneshot set at the same time within that verse, focused on different characters/things), and if I hadn’t done that, I would have royally fucked myself over multiple times. 

I’m not saying everyone has to make a timeline that detailed, because for a lot of stories it wouldn’t be remotely necessary, but it was for this particular one. 

But just details in general. Do your research, check that thing on the wiki, get specific with details about a character, even if they’re just a minor one (though maybe stick to just one or two details, in this case). 

This kind of goes along with show, don’t tell. Like you could tell the readers blatantly that a character loves a thing, or you could talk about how they wearing clothing printed with the thing and have them jabbering on about it excitedly, you know? 

Don’t be afraid to ask for help if you need information!

Seek out people who are experts in something you need to know about. This might be kink (bless the friends I’ve made through fic in the last six months or so, who have helped me in this area), or something specific to their country’s society/culture/choice of words for a certain thing. 

Also, if you’re trying to add diversity in your fics, and you hopefully should be, ask friends or people on Tumblr from within the group you’re trying to include to get information! Want to write a trans guy? Go find a trans guy to talk to about it! (I did this with a demigirl character recently, and got about four or five really helpful people more than happy to give me the info I was looking for, they were really excited about the prospect of demigirl characters existing at all.) It’s really easy to add in background diversity regardless of what fandom you’re writing for, and it can make a lot of difference to any readers who find themselves unexpectedly represented, even if only in a minor or one time character. 

In Conclusion:

Know your characters, and what they want, and how they talk. Let them lead the story, because they’re why you’re here, and doing all this. Give them real and imperfect voices and qualities, and let them make mistakes and apologise.

And do your research, so you get the details right.

I hope this helped! Now, go forth and write!

(And have fun! That’s the other big rule. Do it out of love, make yourself laugh, just have fun with it!) 

Night Moves (Part 4)

Originally posted by out-in-the-open

Summary: The reader hooks up with a guy she meets at a bar one night after she gets to the town where her childhood friend Jess is getting married in a few days time, leading to some unintended consequences…

Part 1 Part 2 Part 3

Pairing: au!Dean x reader

Word Count: 2,900ish

Warnings: language, implied smut

A/N: This one was a fast write but tons of fun to come up with!…

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anonymous asked:

I really want to get into astrology and know about it as much as you do(you really inspire me) but I don't know where to start. and after the basics, where do I learn the more complex stuff? thanks

Aaaaaahh your kindness inspires me!!! And I’m so glad you’re so interested in astrology!

I am going to assume that by “the basics” you mean the definitions of the planets, signs, and houses, and probably also what a planet in a house means and a planet in a sign and so on. So I’ll assume that by “more complex stuff” you mean aspects and/or major aspect patterns, interceptions, duplications, asteroid stuff, progressions, transits, draconic charts, etc etc.

OK, so. I’ll be honest.
I learned mostly from Google.
In the early stages of my learning, I was looking to bloggers to answer my questions, but I couldn’t find anyone who knew a lot of the complex stuff and would give me the in-depth answers I wanted, to I just googled the cheese out of it. I’m talking clicking every article for 10+ pages on one topic.
Now, I admit one can learn an awful lot that way, but it is not exactly efficient, and I certainly want to give you more direction than I got.

So, here is a brief set of references that can help you learn astrology more efficiently than I did.

1. Astrology books. The internet has a lot of stuff on it, but I have never found more information than when I have paid for it. There are a lot of astrology books on amazon, but I honestly found the most books in a sort of hippie-shop in a city near me called the Dancing Moon. If you have a hippie-shop near you, definitely check it out. Also, used book stores sometimes have interesting collections of astro books.
A few books that I have and enjoy:

  • Astrology of the Moon by Amy Herring–talks about moon signs and houses as well as progressed moon signs and houses, really helped me out concerning progressions
  • Astrology, Karma, and Transformation by Stephen Arroyo–really in-depth look at the outer planets, karma and reincarnation in the birth chart
  • The Book of Pluto by Steven Forrest–REALLY in-depth look at Pluto

I don’t have many astrology books because books are expensive and astrology books are not easy for me to find, but I adore the books I do have, and they make it a lot easier for me to learn (as I get distracted easily on the computer)

2. Websites made for learning astrology. To be honest, I don’t use these much, so I don’t really know if they go as in-depth as I assume, but you may find them helpful.

3. Websites and articles. There are particular websites I return to frequently, because I find them so helpful. I bookmark a LOT of things, and I keep those bookmarks organized for easy reference.
Here are a few sites that help me:

  • –this is GREAT for studying aspects because it uses short phrases to explain how a planets energy works with another planets energy. There is also a series of posts on Nodes and rulers of houses in houses which is really great. Hover over the “Explore” button to navigate to these.
  • –this blog no longer updates, but it has a lot of really interesting posts discussing things well beyond planet in house/sign.
  • –Scroll down to “Articles” and “Blog” and you will see a list of complex and often spiritual astro topics, many of which regard transits.
  • like this one less, but it does have some interesting articles. More transit stuff, among other things.
  • –These articles are short, but so specific and interesting, I love them.
  • –another that talks a lot about transits (there are a lot of sites about these) but if you dig into her blog you can find some other stuff, too, specifically about how to calculate your dominant planet (without using and a discussion of stelliums and alpha planets.
  • –so this is a little more basic but it is great because it offers advice. Like, legitimate advice that I have found very helpful, not just “You’re an Aries (sun), so try to keep your cool” but very spiritual and meaningful advice. the links on the side labelled 2nd house, 12th house, moon signs, and sun through the houses are most relevant.
  • –more interesting articles on astrology, some of which regard current events and transits. I originally found this because I was looking for more info on yods, and it gave a different perspective than most other sites (most sites say “yods are great, they speak of untold power!” and one blogger on this site write something along the lines of “yeah, yods can be great, but they are so awkward to work with because in order to make those aspects the planets have to be in signs that don’t work well together”
  • –this has a bit of numerology riddled in, but a decent amount of neat astro articles
  • –a few articles from a tumblr blogger I follow. I really enjoyed the draconic astrology one and the “Discovering the themes in your chart” one.
  • –ok so I linked you to a very specific and possibly “basic” article about Pluto here, but I love it so much I had to include it.  I honestly have no idea how to navigate the main site, Scribd, and sometimes when I click on stuff it says I have to be a member to view the whole document and sometimes it doesn’t, but this article and many of the “suggested” articles to the side and at the bottom are unrestricted and quite fun to read.
  • – this is a midpoint calculator. Midpoints are something I am only just getting into, so I can’t say much, but it tells you all your midpoints and has short descriptions of them. A good place to begin, I guess.
  • –has descriptions of all the transit and natal aspects. Handy reference.
  • for spotting major aspect patterns in a chart, as the computer does it for you. However, makes more accurate charts, and astro-charts isn’t perfect when it comes to spotting aspect patterns–for example, I have a stellium, five planets in a house, and it didn’t catch it. So this is helpful, but make sure to do some work yourself as well to be certain.

4. Bloggers and forums. There are lots of places where you can talk to other people about astrology. I have never used any forums myself, but I do read some forum posts for reference. I do talk to plenty of tumblr bloggers, though.

Here are a few blogs that usually go beyond planets in signs/houses–unfortunately I haven’t found many.

5. Google will always be your friend. As will I! Asking either of us questions is always a pretty decent way to find stuff out.

Aaaannd that wasn’t as brief as I thought it would be. Oh well. Probably a good thing.

I hope this helps!

Always Late

Originally posted by 5sospicturesque

A/N:This is so long but I had a lot of fun writing it. I’m thinking of doing a part 2, I’m not sure, I’ve got a few ideas. I’ve recently gotten back into Tom Odell, and his music has a recurring cameo lol, I also love Fake Plastic Trees, it’s one of my favourite songs.


Summary: (Y/N) is a music fanatic, she’s grown up with music all around her, mainly because of her dad being a music producer. When her dad forgets some things, (Y/N) has to drop them off at the studio, where she meets the 5SOS boys. As her dad and the boys work together more, they are invited over for dinner and a certain guitarist takes interest in (Y/N)

My fingers move at a rapid pace, causing one of my favourite sounds in the whole world. I’m about to get to the best part when all of a sudden I’m cut off and my guitar makes a pathetic sound.

I look up and find my mum standing by my amp. “Dude, why’d you cut me off?” I ask.

“As much as it sounded great, dad forgot his phone and his notebook, so could you drive down to the studio and give him his phone?” She requests. 

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chemistry, part 2

Originally posted by stilesstilinski37

pairings: teacher!dylan o'brien x student!reader.

warnings: besides cursing? none.

a/n: look finally decided to realease chapter number two? hahaha :)
plus, I’d like to announce that I will be uploading every Saturday. well, the ones I can because university is a bitch. nonetheless, proceed to your reading.

word count: 2,6k+

part one

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iidiiotiiciintelliigence  asked:

Oh my gosh. Dragon Stiles is fantastic oh my god. But I've only found a few fics of it, which sucks. So: "Peter had been losing shirts lately. Well. Not so much as loosing as having them stolen out from under his nose." AKA. Dragon Stiles steals Peter ' s clothes and stuff because he likes his scent.

Yes, I am quite the sucker for any Creature!Stiles fics, but Dragon!Stiles does hold a special place in my heart. I may have went a little overboard with this one, but I hope you like it! 

Note: This one is just over 4,000 words.


“Stiles? Could you come here for a minute?”

“Coming!” Stiles stood from his desk, cracking his back after sitting for so long before heading downstairs to where his dad was working at the kitchen table. “Yeah, pops?”

“Have a seat.”

Stiles did, wondering if he’d done something recently that could’ve gotten him in trouble and if he should admit now or wait to see what his dad knew. John gave him a curious look.

“You’re not in trouble, but that look says that you probably should be. I’m not sure I want to know, though.”

Stiles grinned, relaxing in the chair. “Nonsense, daddio. I’m an angel.”

John laughed, shaking his head before looking down at the book in his head.

“Look. Your eighteenth is coming up in a few weeks and your mom…” John paused, taking a deep breath before pushing through. “Your mom made me promise to give you this before then. She started writing it as soon as we figured out about…the sickness.”

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Don’t You Dare

Prompt: “ Don’t you dare say you love me!”

AN: This is a very angsty prompt, and I hope I did it justice.

Words: 1065

Fandom: DC

It’s the sight of him that makes you scream. It’s not a squeal, or a surprised scream, it’s one of horror, because he’s supposed to be dead. He catches you as you fall, and you resist. You resist his arms wrapping around you, his body heat warming you, and each word that pierces your, because he’s supposed to be dead.

          At the same time, you can’t bring yourself to break away. You’ve dreamed about this moment, him coming back; back to life, and back to you. You were never crazy enough to actually entertain the thought though. Which means, you can’t help but question your sanity. Are you pushing an image onto someone else? Are you seeing and feeling someone who isn’t there? Then he’s kissing you, and as you fall into that familiar warmth, you know he’s real, and that gives you the power to tear away.

          You retreat further into your apartment as he closes the door. You cross your arms against your chest, and when he starts to move towards you, you hold up a hand to stop him, and he does.

          You stare at him, taking in every detail. He’s taller now, and more broad, but he’s skinny. You want to pinch him, he’s never been good about eating, always one to get distracted, or pulled away from his food. Apparently some things don’t change.

          Leaning against the wall you ask, “Why are you here Jason?”

          He tries to catch your gaze but you don’t let him. “You know why,” he says softly.

          You shake your head. “I really don’t.”

          He sighs. “Are you going to act like it didn’t happen?”

          “Are you?” You snap. You’re both referring to two completely different event. Apples and oranges, really. He frowns a bit. “It’s not like I chose to die.”

          “You didn’t choose to come back either.” You snap.

          “What do you think I’m doing here?”

          You let out a bitter laugh, as your nails dig into your palms. “I can’t believe I refused to believe them. I was so damn sure that you wouldn’t do that to me.” He moves towards you, and you do your best to put some more distance between you.

          “It’s not like I wanted to leave …”

          You let out a scoff at that. “How in the world am I supposed to believe that Jason? We have sex for the first time after two years of dating, and you sneak out of bed while I’m still asleep to track down a birth mother who wanted nothing to do with you, and then you die. How the hell is that not you wanting to leave?”

          “She said she was in trouble.”

          “She was playing you!”

          “Well I know that now!”

          You stomp your foot, anxious to get some of this pent up energy out. “Why didn’t you tell me, Jason? I could have helped!”

          “It wasn’t your fight!”

          “You were my partner in the field, and in life. We swore to never leave the other behind Jason. Remember? We’d both been left behind to many times before. We knew how it felt, and we swore that we’d never put the other through that again. But you broke that promise, not only did you leave right after sex, but you died. I mourned you Jason! I cried for you, and I don’t cry for anybody. I swore that to myself after my father left, I’d never cry over another person again!”

          He takes a deep breath. “You’re right, and I’m sorry.”

          “Sorry doesn’t fix this Jason. Because even worse than leaving right after sex, and dying, you find a way back, and you didn’t come back to me. You messed around Gotham, messed around with Bruce’s head, instead of coming home.”

          He doesn’t meet your eyes. “I was broken.”

          You scream, “You were always broken Jason, so was I, and that’s why we worked. Our jagged edges meshed, two broken people became one whole. And you know what’s the worst part, is that they told me you were alive and I refused to believe it, because I was so certain that you wouldn’t do that to me, because you said you loved me, and I actually said it back.”

          “I do love you!”

          “Don’t you dare say you love me!” You take a deep breath. “You don’t leave the people you love.”


          You shake your head. “No, I’m done listening Jason. You may have come back broken, but you left me shattered.” You stare at the floor. “You need to leave … now.”

          You don’t watch him go. You just listen to the sound of his boots against your floor, and the door closing behind him. You listen to his steps go down the hallway, and as you let the tears fall you run to the door. You crack it open to find him there, hands braced on either side of the door, his head bowed. You open the door a bit further, and he lifts his head to stare at you. “It wasn’t just sex.”

          You nod. “I know.”

          “I didn’t know how to come back.”

          “I know that too.”

          “Let me fix what I broke.”

          “It’s too late for that Jason, I did that myself. I shelled out a lot of money for that therapist, to talk things out, to work through my problems. I found out that no matter how strong of a person I am, sometimes I need help. I’m not a hundred percent yet, but I’m working on it.” You pause. “You need help too, Jason. You need help healing yourself. Because as good as we are as two halves of a whole, as two individual wholes, I think we’d be pretty freaking amazing.”

          “The yelling?”

          “She said I needed to let my feelings out, I did that. Now I’m ready to move on, I’m ready to forgive, and I’m willing to try again, if you agree to seek that help. I can’t be your entire support system Jason, not when I can’t support myself a hundred percent.”

          He nods and says, “I’ll do whatever it takes.”

          You nod, and finally, finally wrap your arms around him, and as he buries his face in your neck, you allow yourself to accept that he’s alive, and that it’s going to be a journey of one day at a time.

anonymous asked:

How do I start a War in D&D? I'm planning on playing a Rogue Character in order to get better at Deception, Persuasion and Manipulation. And taking the Noble Background to get closer to Political and Royal Powers. Basically acting as a Manipulative Double-Agent. And my DM is TOTALLY OK with this! He even encourages me because he has this big "War Story Arc" he wants to do. What do you recommend I do first to start this War???

Thanks for the ask, I was very excited to see this question when I woke up!

The first two things I would do is decide: Which factions are going to fight? AND What do you gain from this? I’d say the latter being more important.

Ask your DM what factions or kingdoms in the campaign might be interesting to watch duke it out, maybe there’s already a couple they have in mind. Next, what does your character gain from this war, and why is this the best option? From a player standpoint, I think starting a war creates fun and interesting drama that could be really cool to play! But from a character’s point of view, I find myself not as certain as to why they would be interested in starting a war. These are the ideas I could come up with: Financial Gain, Vengeance, Glory/Fame, Political Power, a Large Scale Distraction, Wiping out Enemy Factions, Taking Down a Corrupt Ruler, or simply a Change in the Political Landscape. I’m sure you maybe already have an idea in mind, so simply pick which one makes the most sense for you. Because starting a war for no reason could feel a little odd or out of place.

Now, HOW do you want to start the war?

Personally, I think the Manipulative Double-Agent idea is perfect so let’s go with that. In a war there is typically a lot of tension between two or more groups being built up over time before an inciting event. After that, someone declares an act of war and the rest is history. But if the two groups don’t have building tension (or need more tension), it’s best to use your nobility to earn some trust and respect from one group and learn all about what’s important to their faction: 1. What they have, 2. What they want, and 3. What they’re willing to sacrifice for it. Once you learn that, you can take advantage of any of these by changing them or actually “helping” them achieve one of their goals. Sometimes, the groups will have more than one in each category.

(For instance, there’s a powerful kingdom with a king and queen. What they have: Power and land. What they want: To sustain that power. What they’re willing to sacrifice: Money and soldiers. This is pretty straightforward and simple. All you would need to do, is trick this kingdom into thinking that another equally powerful kingdom is around and is threatening to impede on their iron rule over the land.)

(Or another example, a village may be poor and suffering from an illness that cannot be cured except through magical means. But they don’t have access to that cure. What they have: An illness that cannot be cured. What they want: A cure or money to get the cure. What they’re willing to sacrifice for this: Possibly everything. And with that desperation, they would be willing to work with anyone who could help. Now this village wouldn’t be able to stand up to the big powerful kingdom, but hopefully these examples should explain my thinking.)

Once you find out how to manipulate the factions, you can start to pit the two against each other over a period of a few months to even just a few days (a group of bloodthirsty Orcs could make starting a war pretty quick). My idea sets up the opportunity for war between factions based on simply on things they want, such as land, money, or power. But another approach to starting a war between two groups is to do something bigger or more immediate. This would be an inciting event.

Inciting events can be pretty straightforward and simple. The assassination of a ruler, the kidnapping of royalty, a sudden attack (ambushing a group, a location, or possibly a significant location such as holy land), stealing an artifact, or even an uprising. Inciting events can (and most likely WILL) happen in addition to manipulating two different groups. The key to starting a war, is to help get this inciting event into play. Whether you’re hiring someone to do the job, doing the job yourself, or simply letting the cards fall where they may. The choice is all up to you, and what you are capable of doing. My advice for you, is try to avoid getting caught and wear some disguises when trying to start a war or things could get a little more interesting.

If you have any more questions send me another ask and I’d love to answer more. Or if any of my followers have any other ideas, feel free to reply or reblog this and add ideas of your own!

In summary:

-Which factions are going to fight?

-What do you gain from this?

-Know your enemy!

1. What they have

2. What they want

3. What they’re willing to sacrifice for it

-The inciting event is important, but could occur naturally

-Don’t get caught!

Professor Evans (5/?)

Summary: Chris and Y/N text each other and they spend time together at a field playing catch with Dodger. And Y/N feels sad at the end

Pairings: Professor!Chris Evans x Student!Reader 

Word Count: 1,686

Warnings: Chris wearing grey sweatpants, yea that needs a warning 

A/N: I haven’t uploaded a part in so long, forgive me darlings. I give this part with Chris being flirty and wearing grey sweatpants as a peace offering :) 

Part 1 - Part 2 - Part 3 - Part 4 -

Their car ride was normal, well as normal as a car ride can be. Chris was somewhat of a good driver, he did got honked at a couple of times and Y/N couldn’t help but laugh at him. When they arrived at her apartment, they traded phone numbers and from that day, they couldn’t stop talking to each other. They would talk day and night about the most random things, but each time they both found whatever they were talking about interesting. Truth be told it was only because they were talking to each other and that made their relationship become stronger, day by day. Y/N’s friends knew something was up since she always smiled crazily when his name was displayed on her phone or how she would choose to ditch them to do other things with Chris. But Y/N never told them she would go to Chris’s office or that she had his phone number, knowing they would make it a big deal. So she kept it a mystery and her friends were enjoying the thrill too.

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MS4′s study guide

Hey! I’ve received a few messages from you, guys, asking how do I study for internal medicine, what are my ways of memorizing & learning about new conditions, etc. So here is my answer! I decided to write a small guide, or rather a quick description of my usual study process when it comes to internal medicine, but not only. :)

1. Organize your day.

First thing I always do is a plan for an upcoming day. I try to think of everything I need to do before and after studying in order to rate how much time I’ll have for my study session. I try to find out which part of day will be the most comfortable for me to focus and study.

Secondly I check how much material I need to go through & how much time do I have for every portion. It helps me choose the most efficient way of studying - sometimes I need to be quick and can’t let myself focus on every detail and sometimes I have enough of time to be solid, take some good notes and memorize everything I need to.

2. Organize your study space, desk, materials.

Usually I study at home so I take care of everything before I finally sit down to actual work. It reduces the amount of potential distractions.

3. How do I study?

I start with reading the chosen part of material. I usually use a highlighter and mark or color code the most important info. It helps me focus on the text and understand it better. Usually it’s enough for me but sometimes I feel a need to take notes. I just do it quick, I want my notes to be condensed and useful for all those last minute revisions.

When I don’t use a book or paper materials and need to work with a computer, I naturally have to skip the highlighting part and gotta deal with my lack of focus in some other way. To help myself in such situation I take notes. I don’t care about making them pretty or colorful but rather as functional as possible. I usually use a notebook with blank pages (I just like it this way, it makes my notetaking quicker) and a pen. Such a small and simple set up reduces the time I tend to waste on creating aesthetic and goodlooking notes.

(If I could give everyone just one practical tip it would probably be this one: Note taking is just a tool that needs to help you learn! Not waste your time and energy. Keep your notes condensed, clear and actually useful.)

After I’m done with my notes and still have some time I repeat everything once or few times again.

4. What about internal medicine?

As some of you know it includes a lot of studying, many conditions, cases, more cases, even more details and so on. How do I deal with it?

Well, I usually start with reading the whole topic. For example a part about conditions of the liver. It helps me create a basic vision of what I’ll be studying about, notice a pattern, similarities and differences. Then I go back to every condition and read about it again. At this point I already try to memorize as much as I can. Then I move to comparisons - do some of those conditions have any similiar symptoms? Do they have any similarities in pathogenesis? How do they progress? Is the treatment the same or different? Noticing how do some condtitions differ from eachothers is really helpful! Not only in making the diagnosis certain but also in the process of learning itself - the more details and differences you’ll notice the more you’ll learn.

Creating such basis is crucial before working on cases, in my opinion. Without any information it will be sensless to try to figure out what’s the matter with the involved patient. But if you’ll be able to use theoretical informations, working on cases will be really valuable. It will surely point your lacks out.

So that’s it! This is how I deal with clinical subjects that are basically my everyday reality on 4th year of a medical university. Naturally I sometimes need to change this scheme a bit, but this is what works for me the best, I guess.

Hope I answered your questions & that I could help! Let me know if you have any more requests. :)

anonymous asked:

How do I keep myself motivated when writing? I am the type of person who gets really into writing a story and suddenly gets a new idea, so I cease the previous one. What do I do about that? So far I just either watch the exact same think that inspired me or just force myself to write. It becomes sloppy after that though.

There are a few ways to try and combat this. Just figure out which one works best for you. Also, keep in mind that like with anything else in writing, there is no magical cure-all remedy. A lot of it is really going to come down to discipline and learning to follow through. Never an easy task, of course, but often necessary.

1. Deadlines/word counts: Set yourself goals. This can be anything from “write 200 words a day” to “finish three chapters by this date.” The good thing about this method is that it gets words onto the page and altogether, keeps you writing. The worst thing that can happen when you’re already having trouble writing is stagnating and not doing anything at all, because the longer you go without, the harder it is to get back into it.

As you noticed, however, forcing yourself to write comes out kinda sloppy sometimes. That’s okay, because there are a few things to remember about that:

- You can’t edit what doesn’t exist. Words that you write but don’t like is still a better place to be than nothing at all. Even if you end up with sloppy content that you cut most of later, it’s important to keep the project going until you can “get back into it”.

- Even when you are writing aimlessly or just to reach a word goal, you can still accidentally stumble upon a great idea or inspiration that gets the story moving on its own again just by messing around for a while. 

2. Warm-ups: You don’t have to focus on the one story for all of your designated writing time, however. It’s good to have a WIP that you make priority, but sometimes you actually need a little break before you can get back into it. One such way to get that lil break is to do warm ups. Warm ups can be writing from prompts or AUs, writing poetry, doing exercises, writing a different scene out of context, writing from a different perspective just for funsies, etc. Anything to get the creativity flowing again before jumping right back in- sometimes, we get caught up in the monotonous mindset of endlessly making progress, and doing warm ups and drabbles can bring a little more excitement back into your writing life.

3. Do something related: Another way you can still get something done but also take that little break at the same time is to work on a different part of the story, something that isn’t just word count or scenes. Do some character development, do some worldbuilding, whatever tickles your fancy. Make a chart depicting the eye colors of every character. Make aesthetic boards. Any fun or creative activity that keeps your mind on the story, but breaks that task-minded monotony again. 

4. Have an alternating system: When you come up with new ideas, don’t push them to the side entirely, but don’t jump ship right onto the new idea, either. Wait until you have hit writer’s block on the first story, and then go write on the second idea for a bit. As you may have heard in a more psychological context, we often solve problems when we are not even consciously thinking about them, and it can work the same way for writing. Dwelling on your stuck-ness isn’t going to help anything, so move on for a while until you are ready to come back with a fresh perspective.

Again, this takes a certain amount of discipline. You can’t distract yourself forever. At some point you do have to go back to your original story. You can generally start to get a sense for knowing when it’s time to go back as you practice it. 

5. Get re-inspired- remix: As you mentioned in your original ask, you already tried going back to your original inspirations, which is normally something I’d recommend. 

( Re-Connecting With Your Story

Therefore, I would in this case I would watch something other than the thing that inspired you to watch in the first place. Watch a really good scene or episode or show or read a really good or well written scene or chapter from something that is completely unrelated to your story. No ties at all, maybe not even the same genre. The reason for this is that changing up your influences can bring in entirely new inspirations and ideas that you never would have gotten otherwise.

A couple of final tips before I wrap up:

-When you get a new idea, definitely write it down, in full detail. You never want to lose that stroke of inspiration when you have it. Some writers will tell you that if it’s truly important, you’ll remember it for good, but let’s be real here, not everyone’s memories just work like that. I can barely remember my own age sometimes, and that’s kind of an important thing, too.

- Think of your attachment to your primary WIP as a long term relationship. After a while, the shine may seem to rub off a little. Then, new ideas become very seductive and pretty. When you hit that point, it’s important to reconnect, and bring a little excitement back into your original idea to revitalize the relationship. Also, keep in mind that the seductive new idea isn’t necessarily better than your old one- it’s just shinier and newer. Eventually, you’ll hit the same point with that one, too, and then get caught in an endless cycle.

And lastly, remember once again that sometimes it just takes some real self-discipline! Commit yourself! Stick to it! You’ve got this!


Giant: Ch. 11

You could still be,
what you want to,
What you said you were,
when I met you.

A bit of normalcy came after the shooting. As normal as either could hope to ever have once everyone knew of their relationship and a group of highly trained, well-funded operatives lingering on the fringes of their minds as an apparent constant threat.

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shana-bobana-deactivated2017071  asked:

I see these posts of notes that are so pretty and organized. Do you have any tips on note taking?


Hey, there!

Sorry for the delayed response. I do have tips for note taking but I will just say that note taking is very much individual. What works for me may not work for you at all! I shall give you mine, nonetheless.

Okay, so, I take two different kinds of notes: revision notes and class notes. I will start with class notes and then go into revision notes.

Before taking notes:

  1. I suggest you purchase a set of coloured pens, black writing pens, a ruler, post-it-notes, margined and lined paper, a HB pencil and a decent quality A3 paper pad (over 100gsm).
  2. Here are the links to those items which I use myself and would recommend. Those in bold are the ones I recommend unreservedly:

     - Sharpie Fine Pens;
     - Stabilo Fineliner Pens
     - Post-it Notes: Bubbles;
     - Post-it Notes: Arrows;
     - Post-it Notes: Index Box (for annotating literature);
     - Index Stickers;
     - Stabilo Neon Highlighters;
     - Ryman Lined Refill Pad;
     - A3 Paper Pad (180gsm);
     - Xerox A4 Paper (100gsm);
     - Pentel Energel Ink Writing Pens;
     - Staedtler HB Pencils;
     - Helix Ruler.

Class Notes:

  1. My class notes are often very rough, not necessarily neat, and brief. However, I rectify them at some point a little later on. This is because we cover so much content in any one class and that makes neat note-taking somewhat impossible. I’d rather I paid attention than spent tonnes of time making cute, neat, notes in class time.
  2. You will get much more from the revision end of this answer because my college provides us with note packs on each lesson or rather, each topic. The only one of my subjects where this is not largely the case, is English Literature. However, for the others, we spend much more time listening and annotating than copying things down and writing our own notes. 

English Literature Class Notes:

Each of us has a clean copy of the texts studied and we spend much of our class time either planning essays, reading and annotating the copy of the text, or listening to our teacher’s explanations of various things and discussing said things with each other and the teacher. You get a lot of hand-outs for English because it’s more about taking in the vast amount of information you need for the exam and getting to know the texts as opposed to actually wasting time making pretty notes… if you catch my drift? 

Annotating the copy is where you can be colourful, neat and creative. I use index tabs and the post-it notes index box to make my annotations, using coloured pens and colour coding various literary techniques, writing general notes in black ink. For example: I may circle metaphors in a certain chapter, in one colour - say green - and will not, therefore, use green at all for anything else in the rest of that chapter. That way, your mind gets used to seeing these and helps the content to stick. Moreover, I use bubble/arrow post-it notes to summarise the chapter on the final page of each, making concise bullet-points pertaining to the key parts of the chapter. 

Here is an example taken from my copy of Fitzgerald’s, ‘The Great Gatsby’:

History Class Notes: 

In History, our teacher provides us with a note-pack each lesson. These consist of a comprehensive page or so of narrative-like notes on the titled topic. Then, there are power-point slides and note-lines for the next few pages and following this, is a glossary of terms, events, and a list of key names. Then finally, we have a few documents which are often very useful for putting things in context and for precise detail you can use as evidence in essays. 

Each class, we are dictated notes and we write these down in the lined note spaces on the powerpoint presentation pages. They look like this (for Vietnam - AQA HIS2Q):

Religious Studies: Philosophy and Ethics Class Notes:

We are given lesson packs for each topic, consisting of academic/narrative-like prose on the topic content. We then go through the topic, engaging in in-depth discussions about the content of the notes and then I go on to make my own, condensing the detail into need-to-know ‘stuff’. Here is an example of both the pack and my own work:

Revision Notes:

  1. My revision notes are made through multiple things. I ask for computerised copies of all note packs, editing them through the Preview software on Apple Mac’s; I make flash-cards; I write key information on A4 paper and blutac them to the wall; I write essays over and over again; I make mind-maps on A3 paper; I highlight my note-packs; I read my texts and note packs and use audio books to accompany my re-reads of the texts for English; I watch the movie versions of the books; I use The Student Room and Tumblr to bounce off of others; I use past papers.
  2. I don’t actually like writing vibrant revision notes, I find it distracting and blurring rather than helpful. I prefer the notes to be more black and whie with the odd bit of colour from Sharpie Pens. 

English Literature Revision Notes:

For English, essays are the best thing you can do aside from really getting to know the texts well, perhaps re-reading them. Even if the exam is open-book, you really should know the text as well as you should if the exam was closed-book. I also used mind-maps to help with English as I feel it’s information you need to keep refreshing and reviewing until it sticks as English is one of those subjects you have to grow with and develop as you go along.

Here’s an example of a rough mind-map/poster and an essay I got an A on:

History Revision Notes:

For History, I highlight key information I believe will be of use to me in an essay, specifying which kind in annotations made to each highlighted section. I then condense these into key information on flash cards. I also make some small mind-maps on flash cards for the more general information, like facts and figures, and put some key information on A4 sheets and blutac them to the wall in my bedroom. History was the subject I felt the most prepared for and worked months in advance and was lucky in doing so as A-Level History had an incredibly tough year this year. 

Also, it goes without saying that I wrote a lot of essays for history! So, here are photographs of each individual thing - flash cards, an essay, a poster, annotations in my textbook and my note packs:

Religious Studies: Philosophy and Ethics Revision Notes:

For RS, I annotate electronic copies of my notes, condense these down into flash cards, and make A4 mind-maps. I also, as you can guess, write essays and then get them marked. Take a look at these:

To Summarise:

My general advice is to experiment with what works for you; use note-taking as a means of revisiting information from class, focusing on listening in class rather than writing; and make very brief, rough notes in class. Understand the topic because if you don’t - your notes are useless anyway which is why I always say, spend class listening. Finally, keep your notes clear, concise, and organised. 

I hope this helps, 


things i’ve learned after seven months of not eating ramen

(alt: How To Break A Bad Habit And Replace It With A Slightly Better Habit, Neurodivergent Style)

1 : figure out what you like about the thing. what are the short term benefits to making that choice over others? in what contexts do you engage in that behavior?

ie. one of the biggest draws for me with regards to ramen is that (1) it’s easy to make and can be made in a microwave (2) it’s satisfying and tastes good

2 : figure out other alternatives that provide similar benefits or results that require about the same level of energy and are at a similar level of difficulty

ie. there are frozen noodles from costco called yakisoba that are equally satisfying and equally easy to make, but also have the added benefits of (1) not being ramen (2) being a lot easier to add veggies and proteins to

3: figure out how to make that specific habit less appealing and harder to do. 

key phrase: “why would i do that when i can just as (if not more) easily do this other thing?”

ie. my uncle and i made a bet. if i can make it through 2017 without eating ramen or any instant noodles, he’ll pay me some money. if i fail, i’ll pay him some money. the cost (both the actual and the opportunity cost) of eating ramen is enough to deter me from doing so when i have similarly satisfying alternatives (from step #2)

4: when you get cravings, it helps to: remove yourself from the situation (if you can), remind yourself the reasons you’re avoiding the bad habit, think of short term consequences that come with engaging in this habit, and if all that doesn’t work, distract yourself and do something similarly satisfying in a different way

ie. i’ll leave the kitchen if someone else is having ramen, i’ll remind myself that i’m trying to avoid ramen because it makes me feel weird and kinda bloated after eating it and i’m trying to eat slightly better, i’ll think about the money i’ll lose if i eat ramen and lose the bet, and if that doesn’t work, i’ll have a savory snack or something

5: commit to a certain time period so that quitting said habit doesn’t seem nebulous and infinite and overwhelming. by the time you get to that end point, it’s a lot easier to continue avoiding said bad habit.

ie. i don’t know that a full year is a very reasonable starting point for most other habit quits but having the promise of “i can have ramen again when the year is over if i still want to” was helpful. and now that i’m more than seven months in, i don’t really feel like i want ramen all that often anymore.

anyways, that’s everything i’ve learned from the past seven months while avoiding ramen. i hope this is helpful to some of you !! feel free to reblog and add your own tips !! oh, and keep your eyes peeled, i’ll be posting strategies on getting into better habits in the future !! hope you all have a nice day !! 💕💕

Save Me. (Yoongi x Reader) Bonus: The Letter

“It swallowed me, this lunatic. Please save me tonight. Within this childish madness, you will save me tonight.” - [“Save Me” - BTS]


Summary: It was an unprecedented love that bloomed within the halls of your high school, until secret words were overheard, and shattered the budding romance. It changed your life forever, leading you down a path you had never thought you would be on– training to become a secret agent. You chose it to escape Yoongi and the results of how things ended between you two, but as fate would have it, that very same choice ended up leading you right back to him. Will you be able to save your clients and solve mysteries together despite your history? Will you be able to save each other? Will you able to save yourself…from yourself?    

Yoongi x Reader (ft. Jin & all the other BTS members)

Secret Agent AU

Mystery, Action, Angst, & Fluff (contains some violence, mentions of murder, death, harassment, and bullying)

PARTS: Prologue | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 (Finale) | Bonus: The Letter

A/N: For all you curious calico cats :) <3 Thank you for everyone’s love and support for this series! 

Originally posted by ofallingstar

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