they are the only fun thing in this movie

summer depression things
  • sleeping in way too late
  • “oh no it’s 4 am and i’m still awake”
  • mindlessly refreshing the same apps over and over
  • picking up a book only to put it down because the words aren’t processing in your brain
  • listening to the same three albums repeatedly
  • either eating every snack you own within an hour or forgetting to eat for like half the day
  • “if i don’t do my summer homework it doesn’t exist”
  • wearing the same sundress three days in a row
  • watching your friends hang out with each other as you stay at home and stare at the wall
  • consistently forgetting to respond to people who text you
  • reminiscing over past summers and how much fun you had then
  • wanting the school year to start but also feeling Crushing Anxiety when you think of how soon it is
  • drinking like a gallon of water every hour or not having any water all day and dehydrating
  • unbrushed hair
  • lying down on the floor
  • “what day is it today”
  • mosquitoes make you feel downright murderous
  • watching movies only to get distracted
  • even sitting around at home makes you tired
  • this is not fun
100 questions
  1. Is a kiss considered cheating?
  2. Have you ever faked orgasm?
  3. If you could have one superpower, what would it be?
  4. Do you think you are going to be rich in 7-8-9 years?
  5. Tell us some funny drunk story.
  6. Why are you no longer together with your ex?
  7. If you had to choose one way to die, what would it be?
  8. What are your current goals?
  9. Do you like someone?
  10. Who was the last person to disappoint you?
  11. Do you like your body?
  12. Can you keep a diet?
  13. If the whole world listened to you right now, what would you say?
  14. Do you work?
  15. If you could choose only one food to eat to the rest of your life, what would it be?
  16. Would you get a tattoo?
  17. Something you don’t mind spending all your money on?
  18. Can you drive?
  19. When was the last time someone told you you were beautiful?
  20. What was the last thing you cried for?
  21. Do you keep a journal?
  22. Is life fun?
  23. Is farting in front of people irrelevant?
  24. What’s your dream car?
  25. Are grades in school important?
  26. Describe your crush.
  27. What was the last book/movie that really impressed you?
  28. What was your last lie?
  29. Dumbest lie you ever told?
  30. Is crying in front of people embarrassing?
  31. Something you did and you are proud of?
  32. What’s your favourite cocktail?
  33. Something you are good at?
  34. Do you like small kids?
  35. How are you feeling right now?
  36. What would you name your daughter/son?
  37. What do you need to be happy?
  38. Is there some you want to punch in the face right now?
  39. What was the last gift you received?
  40. What was the last gift you gave?
  41. What was the last concert you went to?
  42. Favourite place to shop at?
  43. Who inspires you?
  44. How old were you when you first got drunk?
  45. How old were you when you first got high?
  46. How old were you when you first had sex?
  47. When was your first kiss?
  48. Something you want to do until the end of this year?
  49. Is there something in the past you wish you hadn’t done?
  50. Post a selfie.
  51. Who are you most comfortable around?
  52. Name one thing that terrifies you.
  53. What kind of books do you read?
  54. What would you tell your 12 year old self?
  55. What is your favourite flower?
  56. Any bad habits you have?
  57. What kind of people are you attracted to?
  58. What was the last thing you cried for?
  59. Is there something you don’t eat? Some food that truly disgust you?
  60. Are you in love?
  61. Something you find romantic?
  62. How long was your longest relationship?
  63. What are 3 things that irritate you about the same sex?
  64. What are 3 things that irritate you about the opposite sex?
  65. What are you saving money for?
  66. How would you describe your bad side?
  67. Are you actually a good person? Why?
  68. What are you living for?
  69. Have you ever done anything illegal?
  70. Do you like your body?
  71. Have you ever made someone feel bad about themselves intentionally?
  72. Ever sent nudes?
  73. Have you ever cheated on someone?
  74. Favourite candy?
  75. Is there a blog you visit every day, or almost every day? Tag it!
  76. Do you play any computer games? What is your favourite game?
  77. Favourite TV series?
  78. Are you religious? Does God exist?
  79. What was the last book you read? Did it impress you and why?
  80. What do you think about vegetarianism/veganism?
  81. How long have you been on Tumblr?
  82. Do you like Chineese food?
  83. McDonalds or Subway?
  84. Vodka or whiskey?
  85. Alcohol or drugs?
  86. Ever been out of your province/state/country?
  87. Meaning behind your blog name?
  88. What are you scared of?
  89. Last time you were insulted?
  90. Most traumatic experience ?
  91. Perfect date idea?
  92. Favourite app on your phone?
  93. What colour are the walls in your room?
  94. Do you watch Youtube? Who is your favourite youtuber?
  95. Share your favourite quote.
  96. What is the meaning of life?
  97. Do you like horror movies?
  98. Have you ever made your mum cry? What happened?
  99. Do you feel lucky or special in a way?
  100. Can you keep a secret?
weird forgotten tumblr things

- don’t hug me i’m scared fandom with the humanoid notebook and clock
- fluffy chicken day
- those blue pictures that said ‘reblog if you’re in the ______ fandom!’
- all the tumblr island, tumblr university, etc. plans that eventually led to the planning of a tumblr convention which is what gave us the beautiful shitshow that was dashcon. the dashcon ballpit was overall tumblr’s best meme in my time on here imo, second only to sonic for real justice
- tumblr trick or treating on halloween¿?
- TUMBLR PROM
- everyone remembers mishapocalypse but remember the all-out war that went down a year later when people couldn’t decide if there should be another one?? that was honestly almost as scary as the actual mishapocalypse
- speaking of misha collins, when he posted his phone number online and this entire website collectively lost its shit. everyone had to post their text convos w/ misha
- FRANCIEUM VS FORFUTUREFERENCEONLY
- “the only adult supervision we have on tumblr is john green” (yikes)
- the time everyone was gonna purposely not post anything the sunday after the guy who played uncle vernon in the harry potter movies died because of the quote “no post on sundays” but then everyone like……forgot and posted stuff anyway
- the tumblr version of some nights by fun
- moreos guy
- when the 50th anniversary of doctor who fell on the same day as some one direction thing and everyone got really offended at this facebook post someone had screenshotted that said like “1d will be around way longer than ur shitty alien tv show” lmao
- “swiggity swag, what’s in the bag”
- when yahoo was buying tumblr and everyone was flipping shit and making posts saying shit like “yahoo better not go ToO fAR!!! they have an army, but we have a hulk!!!” honestly if i was yahoo and considering buying a website for more than a million dollars and then saw that that was what the userbase was like i would have backed the fuck out of that business deal
- those “men of tumblr” posts, you know the ones i mean
- when everyone hated miranda cosgrove?? was there a reason behind that or,,
- back in 2013 everyone was planning to do this “tumblr day” on march 5th where you were supposed to write a big t on your hand and then if you saw anyone else with it you were supposed to “hug and exchange urls” lmao. im pretty sure no one actually did this but if that doesn’t describe the general social climate of tumblr back then idk what does

Quick reminder that you’re totally allowed to like things without diving completely into knowing everything about them

you like 2 or 3 songs by a band and never listened to more? that’s perfectly okay

you like the Marvel movies but have no interest in reading 50 years of comic books? totally fine

you only play one or two videos games, mostly on your cell phone? they’re fun!

you read and enjoyed the Harry Potter books but don’t care about looking into crazy theories and clues planted in the stories? It’s not for everyone!

You don’t need to meet a requirement to enjoy something and anyone who claims you do is an elitist and an asshole

if your ships are not “relationships goals” you’re doing something wrong

  • <p> <b><p></b> <b>Hufflepuff:</b> Do you want to see the new Beauty and the Beast movie?<p/><b>Ravenclaw:</b> *playing "Evermore" loudly*<p/><b>Ravenclaw:</b> I've seen it twice already.<p/><b>Hufflepuff:</b> So is that a no?<p/><b>Ravenclaw:</b> Are you crazy, when's the next showing?<p/></p><p/></p>
I’m gonna go on a quick rant on feminism/femininity and Disney here.

Originally posted by disneylandwheredreamscometrue

It just riles me up when people seem to get the idea that femininity means a lack of feminism. When people take a look at the girl in the pants and the girl in the ballgown and says the one in pants is more feminist and empowering than the one in the dress. The whole point of one of the many aspects of feminism is that as women we have the right to choose to be and wear whatever we want. A woman in a dress is just as feminist as a woman in a burqa, and they’re both just as feminist as a woman in a suit or a woman in a bikini. And beyond clothing, a woman who’s married and in love is just as feminist as a woman who’s single. Here’s where Disney comes in, no one princess is a better more feminist role model than another. It’s important to have more than one type of role model yes, but just because one girl likes to fight and another girl likes to sew, it doesn’t mean that one is a better role model. All the princesses and other Disney ladies have good values to teach us and our kids in different ways and I’m gonna go through them with you.

Originally posted by badxbaby

Snow White:

For one thing this girl is 14. She is a child and her outlook on the world and her dreams in life shouldn’t be measured up to an adult’s. She’s kind, caring, and yes, she does dream of true love’s kiss. But she’s 14. When I was 14 I was dreaming of the same damn thing. But what we can learn from her is that when you care for everyone, even strangers, you’ll see that kindness returned. When she’s lost in the woods and scared for her life, she still finds the strength to be kind to the animals. In return they show her to the Dwarves’ cottage. She’s sweet and decides to clean up the place and take care of the dwarves out of the kindness of her heart and they return the kindness by giving her a home when she had none. At the end she’s rewarded with the true love’s kiss she wanted. We can even learn from the Evil Queen that vanity is a terrible thing. 

Originally posted by snowwhitecinderellaaurora-blog

Aurora:

The main thing to remember about Aurora is that for one thing, she met Phillip when she was a baby. The other thing is that while the good fairies did love her and take care of her, she grew up isolated and alone. She’s always had these dreams of meeting someone (anyone) else to break that isolation. But in that isolation she’s still strong, kind, and trusting. She loves her adoptive aunts, and for a side character(might make a post about that later) I would still count her as a good role model because of that kindness. 

Originally posted by goldensilverdisney

Cinderella:

Her, I’m definitely going to expand on in another post. But, she’s one of my favorite princess. Ironically, not one of my favorite movies, but she’s an amazing character and I love her. She’s a survivor of child abuse. That’s the very first thing that you need to understand about her. She doesn’t stay happy and content with a grin and bare it attitude, she got mad. She was snarky, and she only found happiness in the little free time she had and in her pets/friends. All she wanted that night was to go to the ball. All she wanted was one night to have fun and get out of the house. She wanted one night where she wouldn’t be berated and yelled at and ordered around. And when she met the prince, she didn’t even know who he was. She didn’t even mind that she would probably never see him again. And at the end she more or less saved herself. She didn’t wait around and sing a song from her tower to get rescued, she asked her friends to get the key and help her out. She was smart enough to pull out the other slipper. There’s nothing wrong with getting help from those around you and there’s no shame in asking for it. There’s nothing un-feminist about getting help, especially when you’re an abuse survivor. And that’s what Cinderella is about. Her fairy godmother coming to help her. Women helping women. 

Originally posted by disneymoviesanywhere

Ariel:

The one big thing that made the Disney renaissance so great is they decided to follow the rules of Broadway musicals. One of the trademarks of this is the “I want” song. That’s the motivation for the main character and it’s the driving force for the plot. 

Ariel wants to live in the human world. That’s her dream. She desperately wants to be a human. Eric was just the straw that broke the camel’s back. Ariel is strong willed and curious. She’s the undersea equivalent of an anthropologist. She’s 16, so of course she’s going to make stupid mistakes, but she gets to live out her dream in the end and become a human. The main point and what makes her a wonderful feminist role model is that she uses that drive and curiosity to pursue her passion. 

Originally posted by mkgaud

Belle:

I’m not sure I have to go into too much detail about her although I will mention, she is not a victim of Stockholm Syndrome. And to be honest how would being an abuse victim make her any less feminist? Anyway, of course she’s smart and loves reading. She loves adventure books and that’s what her “I want” song is about. She wants adventure and she wants someone who understands her and doesn’t think she’s weird for her interest. She’s a good role model not only for her love of reading but also of course for her kindness and seeing the good in people despite their appearance. 

Originally posted by moviewhorexo

Jasmine:

She. Is. Not. A. Prize. To. Be. Won. Moving on,

Kidding. But anyway she’s great because what she values is freedom and love. I feel like a lot of people forget is the line, “when I marry, I want it to be for love”. She wants to make her own choices in all aspects of her life and she decides to leave her life of privilege to pursue that freedom. You can hear and see it sprinkled in all around the movie (and the stage show). She sees herself as a bird in a cage and she’s happiest when she’s free and litteraly flying. And at the end she chooses Aladin. It’s all about her choice. 

Pocahontas:

Originally posted by anightmarefantasmic

So unintentional racism, stereotypes, white savior trope, erasing history, and pairing her with the horrible monster aside for a moment…

Let’s talk about 18 year old Disney Pocahontas as her own character. The main thing that comes to mind when I think of her is strength and bravery. She knows herself and she knows what she loves, and she’ll do anything to protect it. She also cares about the earth and environment. All of those are wonderful traits to have as a role model. 

Originally posted by magical-rasputin

Mulan:

Again, I don’t think I have to go into much detail about why she’s a great feminist role model. She’s usually who everyone thinks of when it comes to great feminist characters.

But what I will say is one thing not a lot of people mention in her great feminist role model-ness is that she doesn’t mind being feminine. She knows the ”perfect porcelain doll” isn’t her, but she doesn’t mind dressing up when she can make it her own. Another thing that I’m surprised get’s as ignored as it does especially since it’s scattered through the whole movie including her very first scene, she’s smart. She’s not a fighter, she’s a strategist. She makes her chores easier for herself. She wins the game of Go on her way to meet the match maker. She figures out how she can protect her dad. She uses the weights to her advantage. She does trigonometry in her head on the fly. She comes up with the distraction and using the fireworks. And the epitome of it all, she uses the symbol of femininity in the movie, her fan, to outsmart Shan Yu and take his sword. 

Originally posted by definite-disnerd

Tiana:

Can you believe I’ve heard people say Tiana isn’t feminist enough? Most people know how hardworking and practical she is, but she also learns a very important lesson that you’ll never be truly happy if you don’t let loose and have fun in reasonable amounts. She’s an amazing role model just as wonderful as everyone else in the line up and her morale is one of my favorites to try and live by. “Fairytales can come true, but you’ve gotta make them happen. It all depends on you.”


Rapunzel, Merida, Anna, Elsa, and Moana:

Honestly I feel like I don’t have to do much defending for these four. Everyone on this site has already pointed out what great feminist role models they are and many people regard them plus Tiana and Mulan as the “best” most feminist princesses. I love them all too, and of course they’re all great feminist role models, I just don’t think there’s much I could add. 

Anyway, I think a /lot/ of other Disney ladies are also wonderful feminist role models but this was supposed to be just the princess lineup. and I might make separate posts for them. But if you’ll notice I didn’t take relationship status, style choices, hobby choices, sexuality headcannons, or appearance into account when talking about what great role models they are because you shouldn’t. Of course women and girls deserve more than just one type of girl to look up to, but one type of girl isn’t any better or worse than another. You can be hyper feminine like Cinderella, Not feminine at all like Merida, or a little bit of both like Mulan. You can be smart like Belle, or naive yet kind like Snow White. All of them are wonderful. 

I’ll go ahead and leave you my favorite Disney feminist hero.

(she’s amazing. google her real quick)

some nice romance free keith and shiro headcanons

  • shiro was an avid couponer pre-kerberos and used to just give keith sandwich bags full of coupons to use “it’s a 7 boxes for three dollars special on hamburger helper” “shiro i hate hamburger helper”
  • keith is constantly constantly turning the light off when he leaves a room even though shiro is still in there
  • keith and shiro have lots of inside jokes because they knew each other pre-voltron 
  • they have a secret handshake but it’s really embarrassing and keith hates doing it - “you were stranded on an alien ship for a year how do you even remember this”
  • the only person allowed to touch keith’s hair is shiro when he does his patented dad hair ruffle™ 
  • shiro frequently and very loudly expresses his disapproval of keith living in a desert shack alone for a year- “you know because if you live in the desert by yourself like someone i know you might get stung by a scorpion and die like an asshole ” “just say my name shiro everyone knows you’re talking about me”
  • alien: insults shiro - keith: say that again you fucking punk i’ll rip your intestines out so what if you’re 9 feet tall and have laser eyes  - shiro: carrying keith away while keith continues to talk shit
  • shiro feels really shitty a lot of the time but he’s always trying to keep it together, keith knows better so he reminds shiro to get some rest and to eat and stuff 
  • shiro: i didn’t raise you to be this petty keith: actually you did
  • keith is constantly making jokes about not having a family and being an orphan because he Doesn’t Care but he lives for shiro’s scandalized expression
  • when shiro is really mad he calls keith by his first and last name and it instills fear into keith’s very bones
  • keith: roasts someone out of the blue shiro: i apologize on behalf of my son
  • keith is naturally a loner so the other paladins have fun a lot without him and shiro is always trying to get him to join them because he’s a really nice kid and he wants to see him be happy with friends
  • shiro is the only person who 100% knows about keith being autistic and he checks in with him to make sure he’s not overstimulated or on the verge of a meltdown/shutdown
  • shiro has blackmail on keith for embarrassing things he’s done 
  • one of the embarrassing things is crying at the lorax movie 
  • this is his secret weapon but keith never gives him a reason to use it
  • shiro goes out and yells at the others if they’re being too loud and he notices keith getting agitated 
  • shiro tried to do that thing with keith where you put cucumbers on your eyes to decrease puffiness but keith just. ate the cucumber slices.
  • *a really stressful day on the ship* keith: in a bad mood shiro: hands keith a snickers shiro: you’re not you when you’re hungry
  • sometimes when shiro is having a really bad day keith will hug him and he’s really bad at it it’s like having a suitcase placed on your back and it cheers shiro up because he knows keith doesn’t like hugging people or being Soft but he’s trying to make him feel better and shiro appreciates that
  • shiro: hey i saw you smile at lance earlier and-  keith: not. another. word.
  • sometimes keith falls asleep on the couch and shiro picks him up and brings him to his bed and tucks him in
  • shiro keeps trying to teach keith japanese and keith is like “for the last time no i have enough trouble with english” bonus: keith eventually picks up on a few phrases and says them without warning and it makes shiro So Happy
  • when someone says something ridiculous they give each other the Are You Fucking Serious stare
  • “you’re not my dad!” *dramatic gasp* “why did you all do that he’s literally not my dad.”
  • they play checkers a lot
  • keith: shiro i know bigfoot is real i know it shiro: i know buddy
  • shiro, putting a hand on each of keith’s shoulders: calm  
  • shiro: tells a joke keith: haha oh shiro you’re so funny someone else: tells the same joke keith: that was the worst joke i’ve ever heard
  • shiro tries to tell the group jokes and keith always ruins it because he calls out the punchline before anyone else has a chance because he’s heard him tell those jokes so many times
  • keith is constantly revealing minorly embarrassing things about shiro to the others - ”did you guys know shiro loves the song “never gonna give you up” - ”one time shiro bought ten pairs of crocs” - ”one time shiro literally slipped on a banana peel” - ”shiro knows every word of the hannah montana pilot” 
  • keith loves cats and back at the garrison shiro finds keith with like. 9 cats one day bc apparently they’re all his Children and he feeds them secretly and keith is like :0 bc he’s petting like all of the cats at once and shiro has Discovered him and they’re named things like mocha and tetris
  • every time keith backtalks shiro shiro goes “i can’t believe you’re doing this to the guy who brought you to see three days grace four times”
  • keith: kicks an alien’s ass  shiro internally: they grow up so fast
  • they argue a lot because shiro was raised to not wear shoes in the house and keith just. sleeps with his shoes on like a barbarian
  • shiro firmly believes hotdogs are sandwiches and it makes keith so mad one time shiro said that and he just got in his lion and left

anonymous asked:

Do you know what the first big movie novelisation was? Were they ever a big cultural force or just something that existed but no one really cared about?

Before I go into the history of the novelization (and its cousin, the comic adaptation), let me give a couple of recommendations of a few that are better than the movie itself or are just worth reading: Peter David’s novelization of Return of Swamp Thing turned a just-okay so-so movie I forgot the instant I left the theater into something very beautiful, poignant, charming and wonderful. It was all little tweaks, tiny little nudges that made individual moments that fell flat turn into something that worked. It’s amazing how few changes he made to make this story the best possible version of itself, though there were some things the novelization had that made it brilliant and surreal and even experimental, like for instance, Peter David made Alan Moore, Swamp Thing writer, an actual character in the story itself, a clerk at a motel who makes creepy and cryptic foreshadowing comments all through the story.

The novelization of the “meh” Jaws rip-off Orca by Arthur Herzog is a great book because it a tight thriller that gets us right into the head of the orca whale who wants to kill the whaler who murdered his family. Scenes that were maudlin are very moving in prose, with a whale mourning her dead baby and mate, and the hunter is even more tragic when we get into his head and see his remorse. It was like the whale started to represent his guilt. By contrast, the only part of the movie I remember is when the killer whale sets fire to an entire town. 

The novelization of the Flash Gordon movie is extraordinary because it contains explicit sex scenes. The talk is that it was based on an extremely horny early script for the film where it was a European scifi sexploitation romp like Barbarella or Lexx. Hahahaha, can you just imagine being some eleven year old who bought Flash Gordon because he liked the cool space movie only to find a chapter with a blowjob scene in a seraglio?

The whole idea behind Buckaroo Banzai: Across the Eighth Dimension is that it’s actually part 7 of a long running movie series that doesn’t exist, so there are lots of “hey, look, it’s him!” cameos to people we never saw before and tons of lore that just sat in the background. Buckaroo Banzai is a test I use to see if someone’s sense of humor is compatible with mine. So it stands to reason that the novelization, which is more information rich, is a delight for fans of the series. It’s like the only expanded universe product for something that never got an expanded universe. It has details like the fact that Pecos (briefly mentioned as being in Tibet in the film) is actually one of the few Hong Kong Cavaliers to be a woman, and she was in Tibet searching for Buckaroo’s archenemy Hanoi Xan. 

While I wouldn’t say that the novelization of Star Trek: the Motion Picture is better than the movie, exactly, it was written by Gene Roddenberry himself, and had one especially weird fourth wall breaking passage that seemed to be a shout out to the slash-writers, where Captain Kirk says “hey, I don’t know where this idea comes from, but I am super-straight, you guys, seriously. I am only attracted to women.” The novelization also was interesting in that we learned a bit more about Lieutenant Ilea’s empathic powers, which are fundamentally non-visual and we only got a vague sense of in the film. She received emotional signals very much like Deanna Troi later would, and she was not only a receiving empath but a projecting one: we learned that Mr. Sulu, from a less sexually evolved race than Deltans, couldn’t stop picture her naked. 

Finally, getting back to Peter David again, who is like the Phillip K. Dick or Michelangelo of this medium, his novelization of Spider-Man 3 is better than the movie. Moments that fail in the book work there. 

As for the history of the novelization, you have to try to imagine a world where you can’t see a movie whenever you want to. You can only see it when it’s in theaters for a few weeks or when it comes on TV years later. Therefore, novelizations and comic adaptations are designed to replicate the experience of going to the theater. In that sense, they’re almost a relic, technologically speaking, of a time before video and on demand. Fun fact: in the late 1970s, Marvel Comics had a ton of cash problems, and the only thing keeping the lights on was the money made by movie adaptations of things like Logan’s Run.  

Novelizations are extremely old: they go back to the 1920s, and one interesting example is the 1925 Tod Browning film London After Midnight, a horror film that no copies of exist at all and is a “lost film,” but because of the novelization (and a ton of still images during production), we nonetheless know what the plot of the movie is pretty well, to the point that the London After Midnight vampire is almost as iconic as other monsters, despite the fact no one has seen the actual film in decades.

To directly answer your question, the first big book novelization was actually for King Kong in 1933 by Delos Lovelace, which came out the year the movie did. The public went mad for King Kong and the book sold in the millions. It cemented the idea that the novelization is a pretty standard tie-in for a film release, and it’s the most important tie in novel ever written.

anonymous asked:

I think the most important question of all time is if Derek prefers belly rubs, or is he the kind of 'clingy when cuddling' boyfriend so he just lays on top of Stiles and lets him rub his back (and sometimes his butt) ? My personal headcanon is that werewolves can get sort of stoned from their mate's scent and Derek once a month likes to climb into Stiles' lap and melt into his arms surrounded by his boyfriend's scent. Bonus pie points if Derek steals Stiles' shirts to wear when he's napping

You have no idea how much I just screamed over this ask. This is being filed under “favourites”, for sure. 

I think Derek is the type of guy who really, really likes cuddles and anything that involves getting to touch Stiles, but pretends he’s completely indifferent to it/does it only to “shut Stiles up”. Which, you know, is complete lies. The first time Stiles sleeps next to Derek in a bed, it’s painfully obvious Derek wants to cuddle but he just doesn’t know how to go about asking. Poor, awkward lamb. Stiles nearly makes a joke at Derek’s expense about how obvious it is because, well, but he refrains at the last minute upon seeing Derek’s face - Derek doesn’t just look nervous, he looks scared, like he might be rejected - and shaking his head (because this adorable asshole) Stiles shifts closer and hastily mumbles something about not having his pillow, “so you’ll have to do, big guy”.

Before they get together, it takes a while for Derek to get used to being tactile with Stiles. Derek is fine touching other people - he has the control that way - but he’s still not good with people touching him. Unfortunately, that’s not a great combination when you are a touch starved werewolf with trust issues, because it pretty much means the only kind of physical contact Derek ever receives is either in life or death situations or during (not so fun and friendly) pack training sessions. Not ideal. Of course, after a while, Stiles clocks this. 

Stiles has known about Derek’s touch issues since he first met him, but it’s better now (he thinks). So he tries small things: sitting next to Derek during pack movie nights and pressing his leg against his; letting himself fall asleep on Derek’s shoulder (desperately trying not to read too much into it when Derek doesn’t move away); and, a few times, hugging Derek goodbye and lingering longer than he should each time he does it. 

After a while, Derek starts touching Stiles back. One day, he just crawls through Stiles’ window and sits by Stiles’ bed until Stiles - very tired and not thinking things through too much - puts a hand on Derek’s shoulder and tells him in no uncertain terms “ to get up here for some Stilinski spooning time”. Derek grumbles at that but he’s in Stiles’ bed exactly twenty seconds later, which gives Stiles major pause for thought. 

Major.

And listen, this is how it goes on. They aren’t even together but Derek touching Stiles and being touched by him soon becomes A Thing. For both of them. A very important thing. The life of Derek Hale suddenly becomes about three things: the pack, Cora, and Stiles. 

Sometimes, Stiles sleeps over at the loft. Not for any reason other than the fact Stiles does a lot of late night research there, but after a while it kind of becomes apparent Stiles is there for “research times” and what he has come to call “Derek’s personal pillow times”. Derek’s person pillow times often involve Derek shyly (but somehow still grumpily) crawling into Stiles’ lap and (not so subtly) scenting him. Stiles asked about the scenting thing once and Derek stopped for three weeks, entirely embarrassed - Derek had looked so upset and torn about the whole thing (aka, he looked like a hurt five year old) that eventually Stiles had just marched into the loft, stuck Batman on, and told Derek to get his “fluffy butt in here. I mean it Derek, my neck is lonely now. Don’t leave a bro in need like this, it’s accustomed to your snout!” Stiles expected Derek to either throw him out or snark at him for that but instead, Derek shuffled - actually shuffled - into the room (still appearing out of nowhere, the creepy show off), holding himself rather tight, before crawling into Stiles’ lap and staying there for exactly 2.5 Batman movies, face buried in Stiles’ neck. (Stiles does not grin manically when he feels Derek’s whole body sag against him, like he hasn’t been able to settle without him.) 

During Stiles’ second year of college, they have their first kiss. Well, if a first kiss can be called a first kiss when the dude you are hard core crushing on puts a finger to your lips half way through your perfectly valid rant about why Princess Leia is The Best, stares into your eyes for a solid three minutes (and somehow makes it both awkward and the best fucking thing you have ever experienced when looking at someone), before placing a very soft and intimate kiss to your neck. Stiles has no idea what it even means until he eventually plucks up the courage to ask Cora who instantly threatens him with bodily harm if Stiles hurts her brother. (”So, uh, the neck thing was…..?” “My brother’s traditional, dorky way of telling you he loves you. Duh. Jesus Stiles, and you call yourself our Emissary?”)

From then on out, Derek’s attachment to touching Stiles just becomes more intense. In front of people and the pack he’ll settle for holding hands or being next to Stiles, but in private he becomes like a lazy cat. He gets very pouty when he wakes up and finds Stiles not in bed for morning cuddles; he loves being able to wash Stiles’ hair; back rubs and head rubs are his favourite, especially when he’s reading or they are watching movies (Derek’s introducing all the classics to Stiles, like Rebecca and The Breakfast Club; “no, Spider-man doesn’t count as a classic, Stiles” “says who?” “says me if you still want a blow job later” ). Mostly though, he just loves being in his old position of sitting in Stiles’ lap and burying his face in Stiles’ neck. 

Sometimes Stiles will talk about his day while Derek does this and it works for both of them because Derek is surrounded by Stiles’ scent, his voice, his whole being; and that calms him, settles him in a way he hasn’t been since before the fire. And in turn, having someone to listen to him - really, truly listen - while he’s talking, brings Stiles a kind of happiness he’s never experienced before. Sure, people hear him. They talk to him and hold conversations. But sooner or later Stiles always sees their eyes wander, sees the start of a yawn or is outright told to shut up. 

Stiles knows his attention isn’t anything to write home about but there is a difference between being unable to hold someone’s attention and someone just not wanting to hold your attention, specifically. Of course, Derek still tells Stiles to shut up, that’s never a thing that stopped between them, but now it usually ends in heated make out sessions or sex, so, Stiles really has no complaints. But in moments like these, with Derek in his lap, Derek just listens. He can sit for hours and never tires of Stiles. If Stiles is happy, he smiles into his neck, makes these little happy sounds; if he’s sad, he’ll kiss his neck, and murmur quiet things; angry, he’ll hold him tighter and let him vent, for as long as he likes. 

Some couples have hobbies, have things, but this is their ritual. Just this. Every other day, just having this quiet moment of peace and happiness. A bubble no one can penetrate. It’s a visible anchor, the place they always come back to. It’s a place they both need; the place Stiles needs when he’s feeling insecure and the place Derek needs when he’s feeling lonely. Nothing can touch them in it, no high is better. Especially to Derek who really can feel a little drunk off of Stiles’ scent, sometimes. It’s a kind of closeness both of them have always craved but never really gotten. It’s Derek’s way of saying I love you when he finds it difficult to say it. It’s Stiles’ way of knowing I’m needed when he doubts it. 

It’s just them, and even though it sometimes freaks Stiles out - the stillness, the fact he can be this still, for hours - it serves as a precious reminder that after all the chaos, after all the loss and heart break, that they found this: they found a small and quiet, beautiful thing. And they found it in each other, which is both the most baffling and the least surprising thing of all. 

summary of britain :

-elaine the pain
-dave just saved money on his car insurance and now he feels epic
-carpet right
-woolies
-dfs sales
-raven
-the “I like old movies,” match.com couple
-sick one m8
-wanker
-losing ur nandos virginity
-bogies!!!
-such fun
-vicky pollard
-greggs amirite??????
-top notch banter
-there ain’t no party like an sclub party
-feeling out of place wearing trackies in waitrose
-lad points
-should’ve gone to specsavers
-jezza kyle (ledge)
-webuyanycar.com
-the isle of fernandos
-d of fucking e

Cassian Andor: A Character Analysis

Before I begin, I would like to make 2 things perfectly clear:
1.  I am not a therapist or anything like that. I am just stating my opinions/observations/assumptions. None of which need be taken seriously. 
2.  Here there be spoilers.
Now, let’s get started, shall we?

Who he is:

Originally posted by enalgunlugar

Cassian Jeron Andor is a loner; he has maybe one friend at the start of the movie. He is quiet; he rarely says more than needs to be said at any given moment. Both of these traits stem from one: practicality. Cassian is an unbelievably practical man. He doesn’t bother with friends because he doesn’t see the point. He doesn’t get very emotional (even though he does have emotions) because what would that accomplish? He’s a no-nonsense, get-in, get-out, focus-on-the-mission kind of guy. This is likely a result of his childhood (or lack thereof), but it is also not a bad thing. It’s simply the way he operates.

What he is:

Originally posted by fuckyeahrebelcaptain

Loyal. To a fault. Once he decides on a path (or a person), he will not leave it. A long time ago, he chose to align with the Rebellion. And so a rebel he is, and a rebel he will stay. Even when being such requires him to do things he doesn’t want to do. Which brings us to…

How he feels (at the beginning of Rogue One):

Originally posted by krasnaya-ledi

When we first meet Cassian, he is burnt out. He is still a good spy, soldier, captain, ect., but he lacks conviction. He doesn’t fight because he wants to, but because he thinks he has to. To put it bluntly, he’s in a dysfunctional relationship with the Rebellion. (Odd way to describe it, yes, but I’ve been in a relationship like this before. Please bear with me while I explain.) He gives everything to the rebel cause: his time, his skills, his opinions, and, most importantly, his morals. He lies, steals, kills, and/or lets die, if the mission requires it. All the while, he tells himself that it’s not really wrong, because he’s not doing it for himself. He’s doing it for something he cares about- the Rebellion. This does not make his actions right, of course- murder is murder, no matter the reasons behind it. And Cassian feels this, even if he doesn’t admit it. Saying anything he does is wrong is the same as saying the Rebellion is wrong, and that completely contradicts his “Rebellion = Good” mindset, so he pushes his guilt away. He stuffs his opinions, and, at times, gets angry at himself for having them at all. As Chirrut puts it, he is in a prison of his own making. But fortunately for him (and all of us RebelCaptain shippers), he meets Jyn.

What Jyn means (to Cassian):

At first, Cassian thinks Jyn Erso is nothing but trouble. She is reckless, unpredictable, and selfish. In other words, she does what she wants, when she wants. And that is a very big problem to Cassian, who never does what he really wants to do, deep down inside. But as he soon learns on Jedha, what Jyn wants to do is pretty… great. He witnesses firsthand her kindness, bravery, and selflessness as she risks her life for random kids, risks her safety for his own, and risks getting shot for his only friend, a snarky droid. And she didn’t do any of it because she was told to, or because of the mission. She did it only because she wanted to. This awakens something in Cassian. Call it jealously, if you like. He wants what she has- the freedom to do the right thing, even if it means disobeying orders, even if he doesn’t have permission, even if it’s not practical. He wants to be free to choose. In his mind, Jyn quickly changes from a troublemaker to the embodiment of his trapped morality. And that’s when the real fun begins.  

What he’s going through:

Originally posted by tfa

So, as stated above, Cassian is devoted to the Rebel cause. But as the movie progresses, he starts to feel a kind of loyalty to the cause that is Jyn. Unfortunately, these two causes don’t mix well. The Rebellion doesn’t need Jyn after Jedha, and Jyn doesn’t want any part in the Rebellion. And then there’s that whole issue of him being on a mission to assassinate Jyn’s father, who may or may not be a rebel in his own right. Cassian is a good soldier; he follows orders without question. Right now his orders are to kill Galen Erso. But his instincts (and Jyn, and Bodhi, and Chirrut) tell him that his orders are wrong. His interests are divided, his thoughts conflicted, and thus he becomes more and more frustrated. On Edu, he lashes out at everyone around him. But he’s not mad at them- he’s mad at himself for questioning the Rebellion, and he’s mad at the Rebellion for asking so much of him. 

What he does about it:

Originally posted by diegolunadaily

He doesn’t take the shot, obviously. And it’s easy to say, “He didn’t kill Galen because he cares about Jyn” or “He couldn’t pull the trigger because it didn’t feel right”. Both statements would be true. But there’s so much more to it than that. By choosing not to shoot Galen, Cassian finally admits that the Rebellion doesn’t necessarily dictate right and wrong in the Galaxy. He finally allows himself to see the flaws in his “the Rebel cause is always good and perfect” ideology. Finally, for the first time, he goes against direct orders and does what he wants, because he knows it’s the right thing to do. That’s why he looks so distressed on that ridge: he’s just busted through a huge barrier in his subconscious. And you know what? It feels like crap.

What changes:

Originally posted by forcewakens

At first, it seems like nothing is different. Even without his help, the mission is completed. Galen still ends up dead. Jyn still ends up angry with him. And when they fight, he defends himself, although every one of Jyn’s accusations are true. Even (dare I say especially) her Stormtrooper comment. In this one line, she has him pegged. Cassian refuses to admit it right away, but he is very much aware and ashamed of this fact. He is also aware that the Rebellion will never green-light a mission to Scarif with the evidence they currently possess. Thus, he finds himself at a fork in his road: Does he continue submitting to the Alliance, to his commanding officers, to his cause, even if their next decision will be the wrong one? Or does he follow Jyn into what he knows, in his heart, will be the best hope for the Galaxy? Thank the writers, he chose the latter.

What comes next:

Originally posted by rebelcaptained

I see a lot of posts talking about the times Cassian came back to Jyn. But what a lot of people (including myself) fail to notice right away is the most important time- the time he stands in front of her and so many others and says, “I believe you.” All the other times are vital (life-saving, in fact), but this time, it’s different. He isn’t acting on instinct; he isn’t rescuing her; he isn’t making excuses. He is making a conscious, life-altering choice to break free from the Rebellion, from the only life he’s ever known, and take up her cause. Finally, he frees himself from his prison and does what he wants. And the irony is that siding with Jyn is not just the right choice, but the practical and loyal one, as well.

How he feels (at the end of Rogue One):

Originally posted by swr-girl

Content. Yes, yes, I know there’s more going on than that. There’s also sorrow and regret and fear and pain and longing. But Cassian Jeron Andor, the Good Soldier, the Selfless Spy, the Rebel Captain, must’ve imagined he’d die at the hands of the Empire. And he likely begged the Universe more than once to let his death be quick, and let it mean something. Well, folks, now, on the beach of Scarif, it’s his time to go. He knows these are his last moments. He knows, too, that he’s done more for the Rebellion on this day than he had in the 20 years previous. He knows he’s completed his mission; he knows he’s given Jyn what she needed; he knows he’s made the right choice, and that it was his choice alone. He knows he’s dying for the cause he lived for. And above all that, he knows he isn’t dying alone. 

It’s probably not the end he’d asked for; it’s more. 

r u KIDDIN me with that deleted scene like look they are such an old married couple, chirrut saying “yes yes” and waving his hand in the general direction of where he knows baze to be and meanwhile of course baze is actively doing shit that will Get Them Out Of There and could chirrut be helping? of course he could. is it more fun to stand there and troll his husband about his staunch atheism? absolutely.

and baze physically dragging chirrut out of the cell, he is not gentle but only bc he knows he doesn’t need to be?? they know e/o so well i’m? no one else around them may as well even exist the rest of the world is just static you can tell they’re each easily the most interesting thing to each other for miles around in every direction

and they’re both grinning as they escape because explosions? rogue pilots? this is the most fun they’ve had in years and also because they both know the other one thinks they’re full of shit and they’re both totally fine w/ it and it’s hilarious to them god they’re so in love ok this whole movie was basically Baze and Chirrut’s Second Honeymoon (With Probably Only Slightly More Revolution Than the First Honeymoon)

anonymous asked:

any good actor au's?!

I AM SO GLAD YOU BOTH ASKED FOR THIS! I have read many amazing fics from this AU! IT’S SO GOOD! The only thing I don’t like about it is that there aren’t enough fics! Enjoy!

Originally posted by shiromahou


Actor AU


all the world’s a stage by braveten, Explicit, 112k
AU where Victor is the the most famous actor in Hollywood and Yuuri is a silver medalist at this year’s GPF… and also has a huge crush on Victor. Yuuri auditions to become his skating coach for a movie with the help of Pitchit and cuteness ensues. Fun, great writing, lots of fluff, some angst, and a little bit of smut! This fic made all my AU dreams come true….

Oops, baby I love you by Inkspill, Teen, 48k (WIP)
Viktor Nikiforov won another Oscars this 2016 and Yuri’s a budding fashion designer. As much as they do love each other, their work and the almost non-existent time they have for each other led for them to break up. Everything was okay, or so they thought . Awesome actor AU!

Ptichye Moloko by lilithduvare, Melody_thysoulandthylove, Teen, 14k (WIP)
Viktor is a two time Academy Award winner actor who, while shooting a movie in Japan accidentally found a small cake shop Agape & Eros and instantly fell in love with the stunning desserts on display. He, however, did not expect to fall in love with the gorgeous but shy man who ran the shop. Love!

Cherry Blossoms by HEClementine8, Teen, 3.4k
Viktor knew he could be exceedingly dramatic at even the best of times, Yuri would testify a thousand times to that, but for once Viktor felt his thoughts had fallen pathetically short of truth. I love this fic! Bonus dancer!Yuuri <3

Cup Ramen and Orange Soda by misato, Explicit, 9.3k (WIP)
When he reaches his apartment, he unpacks the groceries and finds something written on the back of the receipt in neat, perfect handwriting. It’s a phone number and a note underneath, reading: ‘Text me! - Viktor Nikiforov’ THIS SO GOOD OMG

Putting On A Show by starshine_smile, Teen, 7.8k (WIP)
Viktor Nikiforov is a famous Russian actor, and it seems that he has all a man could want. Which is why no-one expects him to pack up and move to Detroit. Thumbs up!

here’s to the fools by MissSpock, Teen, 3.9k
The Victor Nikiforov slid his sunglasses down his nose, and Yuuri was suddenly confronted with sparkling eyes so blue he could die. Maybe he did. Maybe he’s dead and his soul had ascended to heaven. He really couldn’t tell anymore. I’m obsessed with this and I love how it’s inspired by La La Land!

Yuuri in Love by Katraa, Mature, 1.7k (WIP)
As fate would have it, today was also the day he ran into a lost dog. And as fate would have it, Yuuri returned that dog to the address on the tag, which just so happened to be the lead actor of the Play House, Viktor Nikiforov. Can’t wait for more to come!

starstruck by shizuoh, Teen, 49k (WIP)
In which yuuri is a simple barista, viktor is a famous movie star, and yuri is an 8 year old kid stuck in the middle of it. Love!

Spider-Man was fucking DOPE!

Man, I haven’t seen a Spider-Man movie so good for a very long time. I disliked Garfield’s version and I wasn’t really expecting much from Tom Holland, but after Civil War, my hope actually did skyrocket. And Spider-Man: Homecoming has not disappointed me. Though, it had one small minus.

Spoilers ahead, obviously.

Here’s my list of things I totally loved:

  • Bear papa Tony Stark. Seriously. A++++ character development. Tony is nothing but a sweet angel, I promise. He doesn’t steal the show either.
  • HAPPY HOGAN HONESTLY I WAS SO HAPPY TO SEE YOU!!!!!
  • They chose not to follow the boring-to-death Mary Jane/Gwen Stacy bullshit, instead they chose a NORMAL high school-like hardcore crushing/relationship. Not the big, eternal love at the age of 15. Yes, Peter was clearly having strong feelings for Liz, but it wasn’t all unnecessarily too much. They kept it totally natural and realistic. I will love them forever for that.
  • Biracial relationship, biracial marriage. Nice.
  • Many POC characters.
  • Ned is basically me the entire movie, honestly
  • Did I mention they kept it all REAL? Peter cried more than once, because he was in danger, because he was confused, because he is still a kid. Yes, he is tough, he is smart, he is strong and brave, but he is also only 15 and he is allowed to be weak and to learn out of that. I think it was really, really awesome.
  • Zero plot holes. Like, literally, none. They packed it all up nicely, addressed issues from CA:CW and Avengers both 1 and 2. I wish all the other movies and TV-show makers would do the same with their stories.
  • Karen, the suit lady and her instant-kill mode. Yup.
  • The Bank of Queen’s scene, with criminals wearing Avengers’ masks, so a casual viewier would get the “they’re seen as cirminals now” vibe. Small thing, done mostly for fun, but I like it anyways.
  • PAPA BEAR TONY STARK SERIOUSLY I WILL NOT SHUT UP ABOUT IT
  • Also, Happy mentioned the plain contained “materials for Cap’s new shield”. I think I had an orgasm just by hearing that.
  • Oh and about Cap: I can’t even imagine the amount of fun Chris Evans had by jumping into his old Captain America costume just to film those lame educational movie clips
  • Also, the amount of trolling in the post-credit scene is strong. Very strong.
  • Assholes. Seriously. And Chris Evans’ shit-eating grin when Cap said “patience” was the worst. Fuck you, sir.


Things I did not like:

- Peppers Potts. What the even fuck. Like why? Where did she pop out from? Seriously? Just ????????


EDIT:

Ok guys, I feel like I need to clarify what I meant with Pepper.

It’s not that I don’t like Pepperony, or Pepper Potts herself. I freaking love Pepper Potts (as an individual character and not a part of Pepperony ship) and if Tony can’t be with Steve, then Pepper is honestly the best choice for him. (reason I’m saying Steve would be better is because Steve is much more understanding and delicate when it comes to Tony and that’s something Tony desperately needs)(but Stony can happen only if Stucky cannot tho. Stucky #1, always).

Anyway, all I’m saying is just that she popped out of the blue and it looked like nothing happened? Judging by Tony’s face in CA:CW when he said Pepper “needed a break”, it looked like she dumped him permanently, because she disliked his lifestyle and/or was too stressed herself (and that’s totally understandable, tho). It was probably the big drama effect that was meant to contribute to Tony’s general stress, frustration, and the feeling of not being in control of his life (again). I get it now after watching Spider-Man, it actually makes sense.

I just don’t like the way they put Pepper back in the story. Like nothing happened, like Tony was never heartbroken, and they’ve been happily together since 2008. Even though I love to see Tony happy and and head over heels in love, I wish they would save it to the Avengers movie and explain what actually happened between them and how did they resolve the conflict.

Pepper Potts is a strong and smart woman, she’s definitely the Stark Industry boss material, and of course she is a human being that’s constantly put into stressful situations thanks to Tony and his identity as Iron Man. I am not saying that she should block her own feelings just to make Tony happier, but if his lifestyle is too stressful for her and she cannot accept it, maybe it would be better if they weren’t together. Not because they’re not in love, but because Tony needs someone who will stay with him no matter what. He needs this psychological and emotional stability, and I don’t think it does him any good if Pepper constantly changes her mind whether to be or not to be with him. Either she stays and accepts him, and Tony of course does everything to soothe her stress, or they split. I just don’t like the emotional roller coaster Tony is constantly put through: he deserves cuddles, soft kisses and patience. Pepper deserves psychological stability, too.

That’s why I disliked the way they put them back together: I simply cannot know how they resolved the conflict. I miss it, because I wanted to see if they’re actually doing it properly this time. If they did, then I’m totally happy for Pepper’s return too.

Lin-Manuel Miranda on His Lifelong Oscars Obsession and Why the Show Still Matters (Guest Column)

The Hollywood Reporter
February 20, 2017

During college, Lin-Manuel Miranda and a friend used to improvise interpretative dance tributes to best picture nominees at their annual Oscar party. “It was a lot of breathing and rolling around,” recalls the creator of the Broadway smash Hamilton. “We had a great Seabiscuit dance one year.”

For the New York-born son of Puerto Rican parents — his father a political consultant, his mother a psychologist — it was just another phase of a lifelong fascination with the Oscars that began when he was growing up in the Inwood section of Manhattan, playing and replaying the telecasts that his family recorded on their VCR. At 37, Miranda is about to cross the threshold from superfan to participant: “How Far I’ll Go,” which he wrote for the Disney film Moana, is nominated for original song, and on Feb. 26, Miranda (with his mother) will attend his first Academy Awards.

It’s an auspicious step in a career that will see him star with Emily Blunt and Colin Firth in Disney’s 2018 Mary Poppins Returns and collaborate with composer Alan Menken on the studio’s live-action The Little Mermaid, one of Miranda’s favorite films and, he reveals here, the gateway to his Oscars obsession.

My brain is a compendium of Oscar moments: Tom Hanks’ beautiful acceptance speech when he won best actor for Philadelphia in 1994. Roberto Benigni climbing over chairs and wanting to make love to everybody in the world when Life Is Beautiful won best foreign-language film in 1999. Kim Basinger presenting in 1990 and telling the audience that one of the best films of the year, Do the Right Thing, was not nominated. For her to take a stand, 25 years before #OscarsSoWhite, was incredible — and impressive because time has shown the prescience of that film.

I expect we’ll see more of that this year. It’s a political time, so I imagine the Oscars will look exactly like your Twitter or Facebook feed. Why should we ignore for three hours what we’re talking about 24 hours a day?

The Oscars were always a family affair when I was a kid. One sort of unintentional tradition we had every year was during the “In Memoriam” part of the show. My family called it the “She died?” section because my dad, who is pop culture-oblivious, would always go, “She died? He died? She died?!” the whole time. So, it was very sad and yet also very funny watching my dad catch up.

When I was a kid, the Oscars felt like this impossibly larger-than-life thing. The first time I felt like I had a horse in the race was in 1990. I was 10, and The Little Mermaid was up for best song and best score. They did that crazy “Under the Sea” number with the late, great Geoffrey Holder and dudes in scuba outfits tap-dancing with flippers. We had a tradition of recording the show on our VHS, and I must have watched it a million and a half times.

There was also an amazing Chuck Workman montage at the beginning of the show that depicted 100 years of filmmaking with classic scores. I was already in love with movies, but this was the most beautiful thing I’d ever seen in my life.

That was the period when Billy Crystal was hosting, and I would memorize his musical spoofs of the year’s top films. He did them with Marc Shaiman, whom I’m working with right now on Mary Poppins Returns… I was a huge fan of those moments and musical numbers — they showed a genuine love of movies while still poking fun at them. I may also be the only person in America who laughed his ass off to “Uma, Oprah. Oprah, Uma.” David Letterman’s commitment to that bit was enough to put it over the top for me. He didn’t care if no one got it. In his head, it was funny.


Hosting the Oscars is not a thing I would ever want to do… You always have to do this dance as a host: You’re playing to a billion people at home, and you’re playing to anxious contestants in a room, and that’s an insanely hard thing to divide. It’s the most thankless task in the world. I have a pretty healthy ego, but it does not extend in that direction. I’d much rather be the guy writing the opening tune than having to deliver it.


Another Oscar moment that really stuck with me was when Whoopi won her best supporting actress for Ghost. I’ll never forget, at the top of her acceptance speech she said, “Ever since I was a little kid, I wanted this,” which is so rare. Then she said, “As a little kid, I lived in the projects, and you’re the people I watched. You’re the people who made me want to be an actor.” For me, it was like she was saying, “If you want this, you can get it, too. I’m proof that you can.”

I had been seeing myself in this world since I was old enough to do anything, and it was as if she reached through the screen to talk to me. I was that kid. Even my mother used to say, “Remember what Whoopi said.”

That speech was the inspiration for the opening song I co-wrote for Neil Patrick Harris, “Bigger,” for the 2013 Tony Awards:

There’s a kid in the middle of nowhere sitting there, living for Tony performances singin’ and flippin’ along with the Pippins and Wickeds and Kinkys, Matildas and Mormonses / So we might reassure that kid and do something to spur that kid  / ‘Cause I promise you all of us up here tonight, We were that kid and now we’re bigger


Another of my favorite moments was in 2005, when they had Antonio Banderas sing “Al Otro Lado Del Rio” from The Motorcycle Diaries, which was nominated for best song. And then when Jorge Drexler, who composed it, won, he went onstage and sang it, like, “This is how it really goes.” It was so funny and ballsy and great. I’m happy whenever Latinos win anything, so I was thrilled by both performances.

I can’t tell you what it feels like in that room because this will be my first time at the Oscars, but I can tell you why the Oscars matter. It’s a night when the arts and artists are formally honored, and this recognition is seen by millions of people across the country and around the world. The show inspires people to keep pursuing their craft, or to seek out the nominated films or the overall body of work of the nominees, and through that exposure, people gain a greater appreciation of what the art of filmmaking brings to our culture.

Best Friends (Jungkook one shot smut)

Originally posted by grape-joon

A/N: The link kept spazzing so I had to repost, sorry xx

Summary: You slept with your best friend, Jungkook. A mistake, a drunken adventure destined to gnaw at your mind. But what’s worse? You have feelings for him. 

Genre: Smut, Angst (oh boy), fluff

Pairing: You x Jungkook

Word count: 5k

Warnings: Smut, mentions of drinking

You’ve had so many dirty dreams about Jungkook already. So many dreams that felt so real. That’s why when you reached over and touched his arm, you almost fell off of the bed.

You jumped up, dragging the sheet with you to wrap around your very naked body. It was as if he was a complete stranger you woke up next to by the way you backed up and away from the bed. It was worse than that.

It was your best friend.

Keep reading

I see your anime club and raise you, Comic book club

Vriska: President of the club. Has a whole closet full of spiderman shirts but only because venom and carnage shirts are harder to find. WILL fight you if you try to argue over her opinions on comics. Likes Venom, Carnage, Punisher, and Deadpool like a damn fool. Also reads Johnny the Homicidal Maniac because its the only thing she and Rose can agree on

John: Brings in all the superhero movies. All of them. Gets made fun of for not just pirating them but he insists that having a physical collection is more impressive. Likes the basics, Deadpool, Avengers (Favorite is probably like, Cap), Spiderman, Batman.

Rose: Reads Sandman repeatedly. Is very gay for Death. Also reads a lot of indie shit and JtHM and no one is entirely sure if its a ruse or if she really is that Hot Topic. Read V for Vendetta and is very bitter that the person behind the mask was not the lesbian from the letter.

Dave: Also reads JtHM and Invader Zim but thinks its fucking hilarious how much Rose and Vriska can talk about it seriously. Makes SBaHJ on the chaperone’s computer and gives it a virus everytime he goes to upload the new page to his own website.

Jade: Spends more time in anime club, but likes indie comics because they tend to be more colorful and less jarring style. Reads SU and Adventure Time comics and stuff like that. Supports at least five different furry comics on Patreon.

Dirk: Is in a constant ongoing feud with Vriska’s club even though theres like a 90% overlap between who goes to what club. Anytime there’s a school event with the clubs they will inevitably try to turn it into an anime vs. comics war. Says Batman is “alright” tho.

Jake: Terrible. Canonically likes Spider woman, Hulk, and the Punisher. Also probably is the one who reads Star Wars comics for the alien girls. Vriska is consistently ready to fight him any time he offers his opinion. This finally settled itself when they had Secret Santa and he bought her the Bishoujo Spider Woman figure and she threw his backpack out the 2nd story window.

Jane: The only one in the club who likes Superman and is constantly defending him. Thinks Christopher Reeve was handsome and likes to watch those Superman movies with her dad.

Roxy: Also more into anime, shows up at both clubs in order to convince her friends to join her Retro Gaming Club. She brings snacks. Likes Spidergwen, Gwenpool, Supergirl, Wonderwoman, and all of the Robins.

Aradia: hardly shows up at meetings but is also gay for Death.

Tavros: is team Anime Club, mostly because Vriska won’t let him in the club room anymore after he said something about not thinking Punisher is cool. Likes to watch whatever superhero movies come out but is casual about it.

Sollux: Is just trying to use the charger in the back of the classroom while he waits for his dads to pick him up. His brother is into comics so sometimes he’ll correct someones lore.

Karkat: Is in a constant death battle debate over which superheroes would beat each other. Never wins because it always inevitably leads to a teacher breaking up Karkat and Vriska because they’re screaming so loud that you can hear it from across the school. Just watches the movies but joined the club because he got kicked out of debate club under similar circumstances.

Nepeta: Is also team Anime Club but comes over to hang out with Jade or eat the cookies Roxy brought in. Likes cat animes, would appreciate Catwoman more if she were cuter instead of sexy.

Kanaya: Supports her girlfriend. Has read a single Wonder Woman comic in her life. Owns the Twilight graphic novels and tried to bring them in once but was to embarrassed to show them to anyone.

Terezi: Has The Hookup because Latula works at a comics store. Brings everyones subscriptions in in a huge box on Wednesday. Most of her wardrobe is free shirts Latula’s brought home from work. Likes Daredevil, Two-face, Punisher, and She-Hulk. Was conflicted when it it was decided that She-Hulk is a better lawyer than Daredevil.

Equius: Is banned from both clubs.

Eridan: Gets put on monthly suspensions because Vriska knows if she bans him entirely he’ll complain to the principal and might get the club disbanded. So instead she bans him for a month at a time in hopes that eventually he’ll just give up and go home. Likes the grizzlier Aquaman with a hook for a hand and a beard, and constantly tries to argue that the girl characters should date the supervillians instead of ending up with the heroes. He’s very obviously projecting and it makes everyone uncomfortable.

Feferi: Doesnt interact much with either club because shes got a lot of other after school activities. Thinks Supergirl and Wonder Woman are neat tho!!!!

Why I’m Doing The Eddsworld Fan Movie

Hey, Eddheads. Marc here.

A common question that I get a lot is “The fanbase is so cringe-worthy now, so why are you still making the Eddsworld Fan Movie? Don’t you have to put up with a lot of those people?” And although there’s been a number of fans pestering us about which characters they want to see and when the movie is coming out, I never really thought that much about it.

For those of you reading this on someone else’s blog who has no idea what the Eddsworld Fan Movie is, it’s basically a passion project of mine that I started when I was a sophomore in high school four years ago. I was a big Eddsworld fan (and still am to this day), the fans who were still around back then were so nice and so generous, and I wanted to give something back to everyone who watched it and worked on it. Of course, the best love letter to the Eddsworld community I can think of was a full-length fan movie.

That’s why I started doing it. Because I loved the show, I loved the fans, and I wanted to express my love in the biggest possible way. Now, four years later, almost all those people that were fans of the show when I started working on the movie have moved on, and the fanbase currently consists of much younger people who might’ve been introduced to the series through later Legacy episodes like Saloonatics or The End.

While not all of the newer fans are bad (in fact, I’ve even made friends with a good chunk of them), some of these people have displayed certain types of behavior that Edd would not approve of. They haven’t personally affected me at all, but I know that there’s a number of people out there who just want to complain about everything we do and just want to see the movie come out.

So going back to an important detail I mentioned before, when I started working on the movie, the Eddsworld fandom was in a much different place. Now most people outside of Eddsworld only recognize it for strange AUs and shipping characters that never even liked each other in the actual show, and if a fandom that you’ve been a part of for so long starts to get made fun of for that even if not every single person in said fandom is guilty of those things, it becomes a lot less fun to be a part of.

But Eddsworld itself has left such a positive impact on me. If I didn’t start watching it, I wouldn’t have been as creatively motivated as I am today. If I didn’t start drawing comics, I wouldn’t have been able to replicate Edd’s style and help keep it alive. If I didn’t start working on the movie, I wouldn’t have gotten to actually work on the show and make comics for them officially (I did comics 191, 192, 199, and 200; and my fellow Fan Movie co-producer Billy and I animated scenes for The End).

I owe a lot of myself to Edd Gould. He made cartoons from his bedroom that people loved, and he worked so hard to make them as enjoyable as possible because he knew that people loved them, even when he was going through his second round of cancer. Edd found happiness and success from just making videos with his friends, and they were funny, and clever, and charming, and timeless, and hugely inspirational.

I’m extremely grateful to Tom Ridgewell and Eddie Bowley for allowing us to contribute to the show, and I’m humbled that they chose us to represent Edd’s work in The End, but it was because of Edd that I decided to get into a creative medium like this. It was because of Edd that I’m now coming up with my own original ideas for shows and movies and games and plays and all that stuff. It was because of Edd that I wanted to make a movie based on his work. And I made so many great friends because of it, all of them loving the show just as much as me.

We all have the same passion and drive to get this movie done, as much as Edd did when it came to his videos. And despite all the drama and cringeworthy stuff that people make fun of Eddheads for now, that is why I’m still working on the Eddsworld Fan Movie. Because of all the exciting opportunities that have opened up for me, all the clever and talented people I’ve been fortunate enough to work with over the years, all the love and support that have come our way, and how I owe a lot of it to the man whose world I’ve been tickled to visit.

Although he’s sadly no longer with us, we’ve all worked so hard to keep his spirit alive and well through his animation, his writing style, and his perserverence. We’ve been overwhelmed by the anticipation and the excitement that’s been target to us concerning the Fan Movie. And while I’m grateful for all the essays and paragraphs that fans write telling us how we’ve inspired them, working on the Eddsworld Fan Movie is really worth it just to be told four simple but impactful little words:

“Edd would be proud.”

“I wonder what ‘happiness’ is.
It is the bright sunbeams of May.
It is a warm family.
It is sunny-side up eggs for breakfast.
But Heaven has none of those things.”

– Concept Movie


I’ll probs be a grandpa by the time the concept movie is out oHHH GOOOODDDDDDDDD *continuously loops the trailer video anyways*

Fun fact: THAT HOMUCIFER IS ONLY ONE LAYER. I PAINTED ON ONE LAYER. AHHAHAHAHAHAHAHA



Puella Magi Madoka Magica © SHAFT