there is no words to describe how much i love this scene

This week I had a lovely conversation with an older dyke who reminded me how much a lot of people have always hated TERFs and SWERFs. 

She was talking about the time in the 1970s and 1980s when she was a young radical dyke and how many of the awesome dykes in the radical scene were trans women. So I asked her if there was ever any problem with TERFs and SWERFs. She didn’t know those words so I described them. Her reply was (paraphrasing a longer conversation):

“Oh, you mean the political lesbians? That’s what we called them at the time, no one really considered them radical. They hated everyone. They hated bisexual women who dated men. They hated us leather dykes and kinky dykes because they thought we were ‘copying the patriarchy’, they hated trans women. None of us in the radical scene liked them. A lot of them later left and admitted that they were straight but were presured to identify as lesbians in that group because being a feminist to them meant cutting all ties with men. They were like a cult. They often lived together and if you didn’t walk the political line you were dead to them. Intense stuff. ”

And like, I know her memories don’t have global relevance and there have also been places where TERFs had a much more prominent impact on the local radical women’s community, but still, to hear how despised these TERFs have always been by these truly radical dykes cheered me up a lot. 

I’ve wanted to talk for So Long about the portrayal of anxiety in YOI but I’ve been having so much trouble putting together what I want to say in the most effective manner. I kept trying to come at this in a more analytical fashion, but considering that this is such a personally important topic to me, I’m going to try a more emotional approach. Something I don’t normally do.

So really, to start off, I wanna say that I’m so damn thankful for the way Yuuri is written. Really, seriously. I don’t think I’ve ever had the ability to relate more to character; Yuuri is close to a mirror of my own experiences with anxiety and it’s so fantastic to have a model of development and growth for me and people like me. I found the portrayal to be frighteningly accurate, from types of thoughts, behaviors, mannerisms… I think the episode that stood out to me the most in terms of Yuuri’s anxiety was ep7, aka Yuuri’s on-screen panic attack episode. 

The first thing I noticed was this: 

I can’t tell you how many times I’ve found myself in that exact position. I bounce my legs when I panic, just like Yuuri is doing here. Head in his hands, breathing heavily, bouncing and jostling limbs. This isn’t the Mary-Sue cutesy portrayal of anxiety–this is a real anxiety disorder. It’s not pretty. It’s not easy. It can’t be fixed with a single word or a touch or a person. Quite frankly, it’s ugly and you lose control of your body. 

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The Element EVERYTHING in Your Story Needs

To all the writers who have ever felt lost, alone, and completely confused during the labyrinthine journey that is writing anything, and felt like screaming this at your story …

There’s hope.

There’s a light at the end of that darn tunnel. First, let me describe how I used to fight my way out of these periods of confusion and hopelessness. 

Usually, I would try to force myself to get back into the groove of the story. I would reread it, and be yelling at myself in my head, “Remember why you love it! LOVE your book again! Keep reading and FALL IN LOVE, damn it!” I’d go over descriptions, bits of dialogue, banter between the characters. I’d go over settings and imagery, and try to make myself remember how much they’d once excited me. I’d read things that had made me laugh when I typed them, sentences that I was particularly proud of, paragraphs that made me feel particularly clever. But the thing was, it didn’t work. 

I didn’t care.  

What was the problem? The problem was some of those descriptions, settings, images, and witty episodes of bantering had no Story Reason to be there. They were just there because they amused me. Just because I found the imagery beautiful. Just because I found a sentence or joke really clever and wanted to share my wit with the world. But the world didn’t care about my wit. Because the world (the people reading my book) knew subconsciously that there was no story to give that so-called witty sentence substance and meaning. I could create the most breath-taking images, I could make the most well-rounded living and breathing character, I could make a setting that you wanted to run away from home and live inside … and it didn’t matter. If the thing didn’t have a purpose for being there within the narrative, nobody cared. And I didn’t either. 

So what is a Story Reason? 

Everything in a story exists to support one of three things. 

1. The A-story: The surface plot, the quest of the main character to achieve a specific tangible goal. What the story is about on the surface. 

2. The B-Story: The love story, or relationship of the thing. Usually this relationship is instrumental in causing the third element, which is …  

3. The Character Arc. The theme of the story, the purpose, the piece of truth the story seeks to prove to the main character and the audience. 

If something in a story doesn’t contribute to the progress of these three, there’s no reason we should care about it. It has no point. Because in the end, all we care about is the story!

When it comes to scenes, story reason means continuity. It means the way the story unfolds logically. If every scene is there for a darn good reason, the scenes after and before will make total sense, they’ll connect seamlessly, a steady progression of events. Every scene’s turn triggers the next scene. 

And to do this, every scene must be able to be linked with three words: Because of that.

Because of the turn of one scene … 

The next scene happens. 

And because of the turn of that scene the next scene happens.

To illustrate how this works, let’s look at a small movie you might have heard about called Zootopia. (Thanks to @inked-withlove for the movie suggestion!)

So let’s start at this point, the turn of the scene with Clawhauser and Judy searching the file on Emmitt Otterton. 

Turn: “I have a lead." 

Because of that …

Judy has to get Nick to tell her what he knows about Otterton.

Turn: It all goes poorly, and now Nick and Judy are stuck together by an incriminating adorable carrot recorder. (The B Story, the relationship, has intertwined with the A Story.)


Because of that …

Nick takes Judy to the place he saw Otterton go, a place he thinks will cause her to give up. 

Turn: She doesn’t quit, she marches right in. (B Story: Nick sounds surprised, and a little impressed, that she didn’t back down.)

Because of that … 

She has to question a rude yoga-performing elephant. 

Turn: Though the elephant is absolutely no help, the seemingly addled yak is more than helpful – he even remembers the license plate number of the car Emmitt left in. 

Because of that …

Nick thinks his part in this endeavor is complete. But Judy remembers that she’s not in the system yet, and thus can’t run a plate. Nick, however, can. And he’s going to, or else. 

Turn: It just so happens that he has a pal at the DMV. 

Because of that …

Sloths. He takes her to a DMV run by sloths and wastes as much of her precious dwindling time as he can.

Turn: “It’s night?!”

Because of that …

Legitimate Enterprise Car Service (at least that’s what it’s called in the screenplay) is closed. Judy doesn’t have a warrant and Nick is enjoying her suffering tremendously. After a spat, she tosses the carrot over the fence instead of handing it to him.

Turn: Because she has now seen a shifty low-life climbing the fence, she has probable cause, and doesn’t need a warrant. She can go in. (B Story: Nick is looking at her with more respect.)

Because of that …

They find the car and begin investigating. The car is a crime scene; claw marks everywhere, the missing otter’s wallet … and a cocktail glass etched with a "B”.

Turn: And it all adds up for Nick. This car belongs to Mr Big, a notorious crime boss. And his polar bear henchman are right outside. They grab Judy and Nick and yank them off screen. 

Because of that  …

Judy and Nick are wedged between the bear henchman, on their way to face Mr Big. 

Turn: Nick sold him a very expensive rug that happened to be made from the fur of a skunk’s butt. Or in other words, Mr Big really doesn’t like Nick.

Because of that …

They wait fearfully for Mr Big to appear, and even when he’s revealed to be a tiny shrew, Nick still launches into obsequious and panicked mode. He tries talking his way out of it, but Mr Big really REALLY doesn’t like him. And when Judy shouts at him that she’s a cop and she has evidence on him –

Turn: “Ice ‘em.”

Because of that …

“No icing anyone at my wedding!” Fru Fru Shrew is not a happy camper. Father and daughter bicker about his promise of no murder on her wedding day, and the fact that “I have to, baby. Daddy has to.” Until – 

Turn: “She’s the bunny who saved my life yesterday. From that giant doughnut!” Well, Judy is now in Mr Big’s good books. He’s going to pay her kindness forward. Nick is floored. 

I’m gonna stop there.

SO! After going through that analysis of how the scenes are linked together, let’s abandon the “everything needs a story reason to be in there” rule, and see what happens. 

After the scene where Judy and Nick reluctantly join forces, we could add a scene where Nick is trying to remember the name of the place, and where it is. Then we could have them asking around, searching the city, refusing to ask for directions, lots of banter. THEN we can finally get to The Mystic Springs Oasis.

And after they get the plate number, maybe Nick grabs the carrot pen and makes a run for it. Then we can have a chase scene, but he gets away. Then we can have Judy trying to run the plate on her own, before realizing she isn’t in the system, and failing. Then we can have a scene where she has to track down Nick again. Then a scene where she figures out how to blackmail him into it. THEN they finally get to the DMV. 

And you know what would have happened then?

Zootopia would have made everyone bored. 

All of these inserted scenes are unnecessary. Sure, they might add conflict, add complications to Judy’s quest, but they’re ultimately just filler. They’re just there for the sake of bulking out the story. This is why that tip I hear so often in writing circles always perplexes me: “Figure out the worst possible thing that can happen to your character, then do that.” If people went with this rule, they’d just keep throwing terrible things at the characters for no apparent reason, one after another, and the reader or audience would be expected to be entertained by it (but wouldn’t be). It would be like cartoons before Mickey Mouse came along and applied story to animation: before, cartoons were just gag after gag, slapstick situations mashed together like a funny video compilation. Except with books and movies, it would just be conflict-heavy situations strung together, taking an inordinate amount of time to make any actual progress.  

Once you make sure everything has a purpose within the narrative, things get so much better.  And I find, when I reread my work I don’t have to scream at myself to “love your book or else” if everything has a reason for being there. And instead of feeling like yelling at my story like an angry overworked crab, I feel a lot more like this gif.

I hope it works for you too.

Barn Mates - One Year On

Barn Mates was first aired exactly a year ago today… and what a monumental episode it was for both Lapis and Peridot!

For those of us who were already shipping Lapidot, it was a dream come true – and for some of those who weren’t, it opened their eyes to a whole new (and now completely canonically viable) ship.

I’ve written about this episode a few times in the past, but it feels fitting to look back on it again today; for day one of Lapidot Anniversary Week!

So, without further ado…

The episode opens with Peridot wistfully speaking into her tape recorder about sharing her new home with Lapis.  Only a couple of episodes prior to this point, Peridot had made the decision to stay at the barn by herself whilst the other Crystal Gems returned to the temple. The fact that she now so enthusiastically wants to share her home with Lapis (as opposed to going back with the other Gems or staying by herself in the barn) just shows that she already has some level of admiration for Lapis.

Peridot says:

“Why don’t we watch the sun come up and figure out what we’re going to do with all this time, eh Lazuli?”

Watching the sun rise with someone is an old romantic tradition/cliché, so the fact that Peridot specifically mentions wanting to do this with Lapis certainly speaks some volumes.   And it also transpires…

…that this line was foreshadowing a scene that came later in the show – in Room For Ruby, not only are they watching the sun rise together (just as Peridot wanted to do), they’ve actually been sat together all night stargazing prior to this point, which is another activity that has obvious romantic connotations.

After Peridot has finished speaking into the tape recorder in Barn Mates, Lapis expresses her desire to live in the barn all on her own. Steven suggests that the barn be split down the middle, with each of the two Gems having their own “side”, which leads to a very interesting shot of the pair of them:

Notice how they’re effectively framing a picture that’s behind them.   This picture is of the barn’s previous owners – Greg’s aunt and uncle, who Greg described back in Space Race as follows:

“My aunt and uncle had a great love for aviation, and each other.  They cherished the years they spent together, and they held on to every belonging they ever owned.”

It’s interesting, then, that a picture of a happy couple has been placed directly in-between Lapis and Peridot in this shot.  This becomes something of a trend as the show progresses, with the picture being placed in-shot with Peridot and Lapis on occasion in a fair few other episodes, such as these:

This could well be foreshadowing a romantic relationship between Lapis and Peridot.  The fact that Greg mentions “aviation” is also something interesting to think about, considering that Lapis can fly and Peridot was the pilot of the Hand Ship back in Jailbreak.

Lapis isn’t keen on the idea of splitting the barn, telling Steven that Peridot is the problem:

“I can’t stand the thought of looking at her everyday!”

This statement is now somewhat ironic because, in the episodes since Barn Mates, Lapis almost always has her eyes on Peridot – and gives her some extremely suggestive looks, too!

Peridot and Steven both try to assure Lapis that Peridot has changed, but she doesn’t want to hear it. Steven thinks it’s “sweet” that Peridot wants Lapis to see how much she’s changed since their last encounter, and he helps her to make an apology card which has a very interesting picture drawn on the front of it:

Steven may well have the intent of getting Peridot and Lapis to be friends, but he’s drawn them looking like an actual couple here; they’re even holding hands.

Eventually, after some persuasion from Steven, Lapis joins them – and a beaming Peridot hands over the card.  This still fails to win-over an unimpressed Lapis, much to Peridot’s disdain.

“It took me over an hour to compose [the message in the card], and I was the most sincere as per Steven’s instructions!”

The fact that Peridot put so much time into her apology message gives us an indication of how highly Peridot thinks of Lapis – and how much she wants to make her feel better. She then spends some time deliberating what she could give to Lapis as a gift (upon Steven’s suggestion), and they come up with an idea…

“H-2-Oh my GOSH!” … “It’s a gift for you!  You know, ‘cause water’s your thing.”

Peridot’s mannerisms and tone of voice here are very flirtatious.  However, given Lapis’ previous traumatic experience of being trapped on the bottom of the ocean, this is another idea that falls completely flat.

And what does Peridot do?

“A pool?!  What a cloddy idea!  Of course she wouldn’t like that!”

She actually blames herself for the mistake.  This is very uncharacteristic of Peridot, who normally has a very lofty opinion of herself and her intellectual capacity – which, again, shows how highly she must think of Lapis.  She even uses the word “cloddy” to describe her own idea; with “clod” being an insult that she usually only ever levels at other people when she’s at her most angry.

She then decides to make a very grand gesture…

…and offers her most prized possession – the tape recorder – to Lapis as a gift.

She’s very flirtatious in doing so here, as well.  With a wink and a smile, she tells Lapis:

“See, the ribbon is even blue.  I got yo’ number!”

Peridot has offended all of the other Gems at some point in the past, but she’s never been seen to perform as grand a gesture as this one in order to win them over. 

Peridot is, in a lot of ways, incredibly materialistic - she has been shown on more than one occasion to hold her very few possessions really closely to her.  By Peridot’s standards, handing the tape recorder over is essentially the biggest thing she could do for someone, which is a very clear indication of her feelings towards Lapis.

This gesture is completely lost on Lapis, however, who proceeds to crush the tape recorder in her hand.

Usually in these situations, Peridot would be distraught that one of her possessions had been destroyed (see, for example, Peridot on her knees begging Amethyst not to throw away her beloved tablet in Too Short To Ride).  However, this time, she actually seems to be upset by the fact that she’s managed to upset Lapis once again, exclaiming:

“What, were you trapped in a tape recorder too?!”

Peridot is exasperated by this point, and gives a very heartfelt speech which, I believe, really gets to the root of one of the key reasons why a relationship between Lapis and Peridot just makes perfect sense:

“Look, I get it, you know?  You’re confused!  You can never go back to Homeworld.  This place doesn’t exactly feel like home yet.  You’re alone, no one could possibly know what that feels like!  Oh wait, I do!  We’re the same, except…  you don’t have to be alone.”

She and Lapis are going through the exact same thing at basically the same time; namely, being stranded on earth with no way of returning to Homeworld.  There’s literally no-one else who they could bond with over this, except for each other – it’s a common ground that they share with each other and only each other.  It’s logical and sensible storytelling, therefore, to have these two characters stick together and share the experience with each other.  It puts them on equal ground, gives them both an acute understanding of each other, and enables them to both support one another as they adjust to life on earth.

At this point in Barn Mates, however, Lapis still isn’t having any of it.  Peridot, clearly at her wits end, asks what Lapis wants from her.  Lapis angrily tells Peridot that she wants her to leave… and that’s exactly what Peridot does.  She wants Lapis to be happy so much that she’s even willing to give up her home so that Lapis can live there instead.

As she walks away, Steven reprimands Lapis for treating Peridot so badly.  As he’s talking, Lapis folds her arms and shifts on the spot, her gaze meeting the crushed tape recorder on the floor.  Everything about her body language in this scene exudes guilt.  

Peridot comes screaming back towards them moments later, however – being pursued by a Roaming Eye that she’s convinced is after her.    

The trio flee from the ship, but eventually come face-to-face with it, which causes Peridot to cower behind Steven in fear.

However…

…Lapis steps forward, and glances back at a wide-eyed Peridot.

This scene is very important because it’s the first time we ever get to see that Lapis does actually care about Peridot, despite the pair of them getting off to a very turbulent start.  She steps up to defend the helpless Peridot from the Roaming Eye, and makes sure to specifically ask Peridot if she’s ok after the threat has been neutralised – proving that she didn’t only have Steven’s interests at heart when she took out the Roaming Eye.

What happens next needs no introduction…

Originally posted by geekylaugifs

Peridot has still, to this day, never looked at anyone else with such love.  The way that her hands are clasped to her chest makes it the typical “cartoon character looking at their love interest” pose.  That smile on her face is literally the biggest one that she’s ever given.  And Lapis’ deep blush, that she actually turns her head away from Peridot in an attempt to hide, is also a reaction from her that’s unique to this scene – and very much implies that the apparent feeling of attraction is mutual.  There appears to be some symbolism behind the sun coming out as Peridot smiles, too.  This could well be an indication that Lapis is warming up to Peridot and seeing her in a new light.  It also has a somewhat poetic quality to it, with the storm clouds (both literal and metaphorical) dissipating at this very moment.  

Originally posted by giffing-amethyst

Steven picks up on what’s going on, giggling to himself as he looks at Lapis.  It’s also very interesting that Peridot’s loving look is still lingering even after the camera angle has changed – this is no fleeting “micro expression”, it’s a very prolonged and deliberate look…

…which was the first of very, very many that the pair of them have since gone on to give each other (the above images being a small handful of examples).

All in all, Barn Mates was the start of a very beautiful relationship between these two Gems, which has well and truly endured throughout the past twelve months – and has gotten ever stronger with each episode that they’ve appeared in together.

'BTS Dishes About Their US Tour, Songwriting Process, & Onstage Style'

TWIST: What are you most excited about for your return to the US?

BTS: The size of the tour got much bigger than last time we were in the US back in 2015. It’s almost 10-fold this time. 5 arena shows in 3 cities sold out in less than 5 minutes! We’re amazed by the fact fans in the USA are passionate and supportive and we’re super excited to come back to meet them all.

TWIST: What is the most exciting part of touring around the world, and what has been the most challenging so far?

BTS: The most exciting part of touring around the world is that you get the unique opportunity to meet different people from various background. Regardless of their differences, they sing BTS songs in unison and cheer for us, and it is very special experience for all of the band. On the other hand, the most challenging part has been the life on the road, being far away from our family and friends for weeks.

TWIST: Which of your songs are you most looking forward to performing on this part of the tour?

Rap Monster: “Spring Day.” I wrote the main melody for the lead single for the first time and also wrote lyrics.

SUGA: “Spring Day.” I wrote main lyrics based on my personal experience with old friends. It is about my sad memories with him and it makes me sentimental whenever I listen to the song.

Jungkook: “Not Today.” It has the coolest beat of all songs in the album and I personally like the choreography for the song.

J-Hope: “FIRE.” It has always been my favorite and the song has all the essence of BTS can show to the audience on stage.

TWIST: What’s the best piece of advice you’ve gotten in your career?

Rap Monster: “If you’re tied up with not gaining approval from others, you’ll never be able to move forward.”

TWIST: How would you say you and your sound have evolved over the years since first forming the group?

BTS: BTS sound has evolved since our debut in 2013 but has rooted its music in western pop music and hip-hop. We try to adapt all the hottest trends in pop music scene and that’s why fans around the world like it despite the cultural differences. All members listen to different genres of music all the time, from EDM, hip-hop, R&B to hip-house… and we believe BTS is kind of creating a new category of music genre beyond K-Pop.

TWIST: Do you remember the first song you ever wrote, what it was about, and what inspired you to write it?

Rap Monster: I don’t remember the name of the song, but there was an online community of amateur rappers who gathered together. I downloaded a beat from another amateur beat maker and I wrote a song based off of that. The song didn’t really make much sense, I just wrote it using every hard word I possibly knew. I actually found the song 2 years ago on my computer and listened to it thinking “What is this?” It was a mess.

TWIST: Have you ever written a song in a strange or unusual place? Or been inspired by something totally random?

Rap Monster: So many, I think I wrote a song while I was at the Grand Canyon in 2009. I had a trip to Vegas/Grand Canyon and I think I wrote a song there because I was shocked by the scenery. I definitely don’t remember what it was about though.

TWIST: Who are some artists that you would love to collaborate with?

BTS: There are so many artists we would love to collaborate with, such as Drake, J Cole, Justin Bieber… The list goes on and on.

TWIST: Which other artists/songs are on your personal playlists?

BTS: Drake “Fake Love”, The 1975, Kehlani, Lorde.

TWIST: How would you describe your personal fashion senses?

BTS: It’s mix of gothic and Japanese street wear. My recent favorite brands are WTAPS, Neighborhood and Yoji Yamamoto.

TWIST: And how does your personal style differ from the costumes you wear onstage?

BTS: Onstage clothing for BTS is custom-made to maximize our performance while being matched with the concept of each song.

TWIST: What is it like when fans recognize you on the street/ask for photos? Is it crazy? Surreal? Overwhelming?

Rap Monster: It’s a really nice experience to have somebody who knows me, but sometimes I like to be alone and hang around the city. I think it depends on the situation. There are some situations that I want to not be noticed by others, but people easily notice me. I’ve been told that I’m too unique (my walk and my clothes) and I’m easy to recognize, and I think that’s really nice. If I’m an artist or an idol and nobody knows me that would be sad.

TWIST: Can you share a fun fact about one of your other band members that you don’t think even the most dedicated fans will know?

Rap Monster: Many people think that SUGA is like the Grandfather of the group, but he acts more like a little kid. Jimin is the opposite, he looks like a baby but inside he’s mature and like a Grandfather.

***VOLUME/OBNOXIOUS YELLING WARNING***
UGHHH i am so sorry. JUST… i’m speechless. words can’t describe how much i love this scene

{PART 26} I Won’t Stop You // Jeon Jungkook, Vampire!AU

Originally posted by jengkook

Pairing: Jungkook x Reader

Genre: Vampire!AU, Fantasy, Angst, Smut

Summary; Jungkook attempts to do the impossible; keep Yoongi under control for as long as he can in his own Manor. But, after an unsuspecting escalation - everything ends in tears…and blood.

“How sobering it is, to love something that evil can corrupt”

  • || Warning: This chapter contains violence and some scenes that readers may find upsetting ||

I update this series every Tuesday evening, 9pm-10pm (UK Time) 

{Part 1} // {Part 25} {Part 26} {Part 27}

Keep reading

OK guys hear me out on this but- I think that the entire TAZ world, or at least the seven red-robes are running on a constant majoras mask/refuge year long loop that resets with the earth being devoured by The Hunger, and that there is a second voidfish that (up until now) kept this a secret

There will be a tl;dr at the end

Keep reading

2

for real though…words cannot describe how much I love this scene.

  • like they panned??? specifically??? to shiro??? it could have been anyone but they chose shiro. I understand it’s because he’s the black paladin but dammit I will reach.
  • SHIRO??? SCREAMING??? ALLURA’S NAME??? INSTEAD OF PRINCESS??? FUCKING KILL ME???
  • the emotional impact im crying in the club
100 Things I Love About Jikook

1. The way they look at each other so softly, smiles so bright.

2. The way they go back to Busan together on holidays.

3. The way Jimin strokes Jungkook’s hair with such a fond smile.

4. The way Jimin lets Jungkook tease him without any more than playful protest. 

5. The way Jungkook goes to Jimin for comfort and cites him as the one he goes to most often when he’s feeling sad. 

6. The way Jimin holds Jungkook by the waist or throws and arm around his shoulder. 

7. The way Jungkook bends down a bit so Jimin can feel a little taller. 

8. The way Jimin laughs at everything Jungkook does. 

9. The way they whisper to each other like they’re in their own little world. 

10. The way Jimin protects and guides Jungkook any time he can.

11. The way Jungkook does dorky things to make Jimin laugh. 

12. The way Jimin praises Jungkook and lists out all the good things about him. 

13. The way Jimin still calls Jungkook cute and “his baby.”

14. The way Jungkook uses Jimin’s mangaetteok nickname. 

15. The way Jungkook sits in Jimin’s lap without complaint. 

16. The way Jimin wraps his arms so firmly around Jungkook’s waist when he’s sitting in his lap. 

17. The way they tease each other when they’re allowed to sit together at fan signs. 

18. The way Jimin leans on Jungkook.

19. The way Jungkook clings to Jimin.

20. The way Jimin always finds the chance to include Jungkook in his twitter videos. 

Keep reading

{PART 21} I Won’t Stop You // Jeon Jungkook, Vampire!AU

Originally posted by jengkook

Pairing: Jungkook x Reader

Genre: Vampire!AU, Fantasy, Angst, Smut

Summary; Just when you thought your night couldn’t possibly become any more heartbreaking; the man you thought you knew turns out to be something you had only ever considered to exist within the realms of nightmares and folklore.

“Perhaps, he didn’t want to be understood, so much as he wanted to be loved. His truth would set her free, but the question remained; would she stay?”

I update this series every Tuesday evening, 9pm-10pm (UK Time)

{Part 1} // {Part 20} {Part 21} {Part 22}

Keep reading

two rotten apples [m]

credit: x.

❛❛we’re next-door neighbors and have hated each other since middle school but now we’re going to the same university how can we avoid the other person like the plague so there isn’t a crime scene— what do you mean you promised my mom you would keep an eye on me???? you fucking planned this❜❜ AU

COUNT → 16.053

GENRE → smut | eventual angst

PAIRING → jungkook | reader

WARNINGS → dom and sub tones | spanking | hair pulling | praising | explicit language | female masturbation | graphic oral sex | penetration

LINKS → 1 | 2COMING SOON


There was always that one person at parties—that one person who hid in a bathtub somewhere so they didn’t have to contribute to society’s norms of choking on their own vomit and passing out cuddling a pink garden gnome.

Or maybe that was just you.

Then again, it wasn’t just any party you were hiding in a bathtub at—it wasn’t some rager that had frat boys downstairs chugging so much alcohol that their livers probably looked like fucking dried out asparagus—it was your high school graduation party. And maybe you’d attended only the lamest graduation parties in your eighteen years of life, but there was no alcohol here—only fruit punch. Yet, there you were, still hiding in a bathtub for some fucking reason with a piece of chocolate cake balanced in your lap.

You should probably reiterate that it was your party, which makes things worse since normally you don’t hide in a bathtub when you’re the guest of honor.

Normally—but this was not a normal circumstance.

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What Is The Shape Of Your Monster? – Get Out and Thought-out Horror

Get out.

No, I’m dead serious. If you haven’t already seen Jordan Peele’s Get Out yet, I need you to do me a massive favor. I need you to bookmark this page, close this page, and absolutely do not read this page— or any other essay or article on Get Out— until you’ve finished watching it.

I’m not just saying this because this essay will contain major spoilers for a movie that is best enjoyed going in knowing as little as possible— I mean, yes, it will— but most of all I just want as many people to see this movie as possible. It is by far the most socially relevant American movie to come out this year, at time of writing, if not one of the most socially relevant pieces of American art of the past decade.

It’s also just a very good movie.

(SPOILERS START NOW)

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Fanfiction

Summary: Bucky asks to borrow your laptop and finds the smutty fanfiction that you’ve been writing on your anonymous Tumblr account.

Warnings: smut, secondhand embarrassment, fingering, metal arm kink

A/N: Thank you guys for being so nice to me today and sending me asks because I really like getting asks and they helped me feel better. I finished writing this at three in the morning because my anxiety is really bad because I’m waiting for my advisor to email me back about whether or not I can withdrawal my Physics class and I’m going really crazy waiting because I have a Physics test Thursday and welp. Anyway, that’s why you have this fic; I couldn’t sleep so I wrote this. Feedback is welcome and encouraged. If you want to be added to the tag list you have to send me an ask.


“Hey, (Y/N), can I borrow your laptop?” Bucky peered into your room, making sure you weren’t indecent first.

“Yeah, that’s fine.” You unplugged the MacBook from it’s charger and handed it to Bucky. “I’ll be down in the gym if you have any questions.”

“Thanks, doll.” His fingers brushed against yours as he took the metal computer from you. The mixture of his pet name and the tingling from his touch sent a need between your legs. “Mind if I just sit in here and use it?” 

“Not at all.” You headed out of your room and to the gym, ready to work out.

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Yuuri, Victor, and the Importance of Good Communication

Victuuri Week 2017 – Day 4 – Free for All

So for today’s free for all I’d like to talk about something I haven’t heard too much about in the context I’m hoping to present it. My topic is specifically about how Victor and Yuuri are both very independent individuals and how that, combined with both of them having zero experience with serious emotional relationships, works to create miscommunications between the two of them.

To start off, I’d like to clarify what I mean when I say they’re independent. Obviously they’re both able to take care of themselves when it comes to stuff such as physical needs (like feeding themselves, etc). I’m talking more about how they’re emotionally independent. They’re both the kind of people who keep their problems to themselves and try to solve them all without relying on the help of others. They both actually tell us this directly.

We see this come up a bunch during the series even though both are aware that they do this. You can see it happen as early as episode 2 when Victor is hurt that Yuuri is rejecting him after the connection he felt they had at the banquet but never brings it up with him. Instead he sits on and stews in it. And likewise for Yuuri, he’s very confused as to why Victor is there at all and is being so forward with him but never asks him why. He just comes to his own conclusions and treats them as the truth until proven otherwise.

On top of them both being used to handling their problems on their own and internalizing their worries, they both also have no experience with deep emotional love relationships. I use the adjectives deep, emotional, and love to describe the relationship because you can have any other combination of those and have it not really touch the depth and type of relationship these two have with each other. They may have had other relationships but none that came close to this level.

(More under the cut, you’re not done yet!)

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6

have you heard the rumours about my rapping?
i have, actually!
come at me with a beat.
okay, yeah.

Awarded*

Pairing: Chris Evans x Reader
Rating: Explicit
Summary: Chris and Reader attend the Academy Awards together as a couple. At the Oscars after party, Chris surprisingly wants to leave sooner because he wants to have some quality time alone with his girlfriend. - Worst summary ever written, sorry!
Words Count: 2.9k
Genre: NSFW/SMUT - 18+
Warnings: Smutty gifs, dirty talking, slight Dom!Chris, lots of hickeys or love bites, oral sex (both receiving - 69), fingering, hair pulling, slight spanking, multiple orgasms and rough unprotected sex. [It wouldn’t be a shock if you wrapped your cock!]
Author’s Note: It can be read as a continuation of Halftime Show*.  Also, the “baby girl” pet name is mentioned, but it’s not linked to a Daddy kink in this fic.

Gifs used below aren’t mine, credit to the rightful owners.

Originally posted by kamala-khan

The Oscars, the greatest, most prestigious and most glamorous ceremony of all, gathered actors, directors, producers, costume designers and every hidden worker in the cinematographic industry for a moment of celebration of their art. Like every year since the ceremony that had awarded Cate Blanchett or Daniel Day Lewis, you stood by Chris’ sides and attended the shows with him for a moment of joy, creating happy memories.

This year’s ceremony - which weren’t such a catastrophe - nothing changed between the dozens of photographers yelling out your boyfriend’s name, to the many laughs thanks to the host and the dinner held by the Academy, it was a blast and there you were enjoying the after party with Chris and some of his friends.

Even if you weren’t working in this environment quite tough, you were always enchanted to meet more people working behind the scenes of a movie that worked so well. The Vanity Fair Oscar parties represented moments of different encounters, sometimes either awkward or very interesting, but what you enjoyed most was having Chris next to you and telling you how much you looked gorgeous, wanting to introduce you to everyone he knew there.

Standing next to the bar with him in your sophisticated gown, your red lipstick outrageously showed off as you carried a flute of champagne close to your mouth and you noticed the way his beautiful blue eyes lingered on your lips and how his eyebrow raised so lustfully each time, your body would brush past him. The late evening consisted of quite sexy exchanged glances, stealing kisses and soft skin contacts that drove him crazy the whole time.

As you shared a conversation with him through the unbearably erotic and debauched jazz music playing in the background, the sexual tension and frustration between you could be seen as thick smoke from miles around. His body language told how much he only wanted to take you, pinning you down and make you forget your name until you would quiver and scream your bliss beneath him.

“Honey, are you even listening to me?” You chuckled; laying a hand on Chris’ arm and his eyes followed every detail of your skin, the way your white teeth brightened even more with your red lipstick as a smile graced your lips. “You know, it’s rude to stare at people… even when you love them.”

“Sorry, what did you say? I was too busy mentally undressing you,” your boyfriend winked slowly, a hand finding his pocket and you gulped, as you secured a lock of your hair behind your ear and he smirked, swallowing some more of his pale ale alcohol liquid.

“You might want to see what happens to be under this gown. Trust me.” Voice deep and sensual, you played along his seductive game and held the flute of champagne inches away from your lips. Chris arched an eyebrow, his palm reaching for the small of your back and his lips fanned to your ear, making you swoon already.

“Maybe I’ll find out sooner than you think,” he murmured a promise so huskily, offering his special smug smile he only used behind closed doors and your decision was made as his lips grazed behind your earlobe discreetly.

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bad | 01

 he was the cliché bad boy. he was the guy you couldn’t stand. he was the handsome, hot kid who made girls go weak in the knees. he was a brat. you had never liked him one bit, but you had also never gotten involved with anything concerning him. until one day, when you were in the wrong place, at the wrong time.

Originally posted by thesoshisone


TITLE: bad | 01

MEMBER: jeon jungkook x reader

GENRE: romance, smutish, fluff

WORDS: 2 506

WARNINGS: badboy!jungkook, cussing, mature

01 | 02 | 03 | 04 | 05 | 06 | 07coming soon

A/N: if people like this, I’ll make another part. it won’t be a long series, though. this will probably be cliché af. but please, pretty pretty pretty please tell me what you think. THANKS.

masterlist

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Sweet Tooth- A Remus Lupin Imagine

A/N: Another two posts in one night! This is a little tribute to the fact that I already have reached over 100 followers on here, which is baffling?? Thank you all so much for supporting me so much in the very short time I have been on here. I’m so very glad that I have done this and I hope to be getting to some requests that I have received recently, as well! I digress. I hope you enjoy this Remus smut in celebration. This is my very first attempt at writing anything of the sort so sorry if it is no good! Enjoy~

Warning: SMUT 

Originally posted by perfectfeelings

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anonymous asked:

I know it's fashionable to hate shakespeare for being a white cis male shitlord but calling his work trashy just displays your ignorance. there are reasons he still gets studied in school hundreds of years later. the man basically invented the english language as we speak it today.

I don’t hate Shakespeare. 

I love Shakespeare. 

In my opinion, the greatest disservice anyone can do to his work is to elevate it to some kind of highbrow high art literary thing. The reason he’s studied today is that his plays endured (plus or minus some changes in fashion over the centuries), and the reason his plays endured is because they were popular, and the reason his plays were popular is because he crammed them full of stuff that people wanted; i.e., lots of jokes focusing on the less refined features of the human anatomy and the things they get up to.

Perhaps you’ve had it explained to you that Hamlet’s talk of “country matters” was an uncouth pun, and his reply in the same conversation of “nothing” was a similar reference. Did you think that was a one-off thing? 

If you’re aware that “nothing” was a euphemism for the vulva in Shakespeare’s England, have you ever stopped to marvel at the sheer audacity, the sheer brass somethings that a man would have to have to name a play Much Ado About Nothing?

Translate that into modern-modern English, and you’d get something like Everybody’s Up In Arms About Pussy. Though you’d lose the pun on “nothing/noting” in doing so… yes, that’s how far from highbrow Shakespeare is. He made the title of his play a triple pun.

And yes, Much Ado is not one of the Bard’s more serious works to begin with… but then, what is? We divide Shakespeare’s plays up into tragedies and comedies based on the dramatic convention of which ones have a happy ending versus a sad one, but they are all comedies in the modern sense of “things you go to expecting to laugh”. The country/nothing lines come from Hamlet. Heck, Hamlet is hilarious throughout. Any scene with Polonius in it is guaranteed to be comedy gold. 

Of course, the people who want to call Shakespeare highbrow are probably the people who quote him in all blustering sincerity when he says “to thine own self be true”… or funnier still, when they paraphrase him as saying that “brevity is the soul of wit”.

Of course, hands down, my favorite bit in Hamlet is when he’s giving instructions to the players that basically amount to William Shakespeare pre-emptively bringing up every stereotype of Serious Shakespearean Acting we have today and saying, “This. This thing. Do not do this thing.”

Anyway, let’s talk about the idea that he “invented the English language”; e.g., he created so many hundreds of new words. Okay, well, first of all, we don’t know how many he invented. We just know there are words and usages of words for which the texts of his plays are the earliest surviving example. The thing is, all those words evidently made sense to his audience.

There’s a post that goes around Tumblr listing some of the words credited to Shakespeare, and one of them is “elbow”. The commentary attached to this post basically boggles over the idea that nobody in the English world had a name for “the bendy part of an arm” until an actor gets up on stage and says “elbow”, and everybody’s like, “Oh, yeah, that’s what it is.”

Except it didn’t happen like that. The noun elbow isn’t what is attributed to Shakespeare; the verb to elbow (as in “elbowing someone aside”) is. His character took a noun and used it to describe an action. That’s not a highbrow creation of language as some sort of received wisdom handed down from authority. That’s naturalistic language use. 

Even if he was the first person to describe the act of “elbowing someone”, it caught on because it worked, because it made sense to vernacular speakers of English. 

So many of his words fit this model: they are butchered foreign words, they are slangy applications of English words, they are colorful metaphors or synecdoches. In short, he was writing in what we call “Buffyspeak”. If he had an unusual talent for doing it memorably, it still ultimately worked because it reflected the language of the time.