Breakfast is the most important meal of the day, but who knew it could bring people together? Check out Rajon Rondo and Kobe Bryant chowing down in Boston on Thursday, could they possibly be talking business? It’s no secret that Rondo has been linked to the Lakers, so is this just a friendly meeting or was The Mamba working his magic?
Mildred Joanne Smith, Actress in ‘No Way Out,’ Dies at 94
She portrayed Sidney Poitier’s wife in his film debut, the 1950 drama “No Way Out”, and then saw her career upended when she was severely injured in a plane crash, has died. She was 94. Smith, who after her lone movie appearance became a magazine editor and a popular English teacher for a junior high school, died July 19, 2015.
In the 1940s, Smith starred in such Broadway productions as “Men to the Sea”, “Mamba’s Daughters”, “Beggar’s Holiday” (as the love interest of Alfred Drake), “Forward the Heart” and “A Long Way From Home”. All were short-lived, but she received great reviews.
In writer-director Joseph L. Mankiewicz’s “No Way Out”, Smith appeared as stoic young wife Cora Brooks. She comforts her husband Luther (Poitier), a doctor just starting out who is confronted by a racist patient, robbery suspect Ray Biddle (Richard Widmark), who causes all kinds of trouble.
A native of Struthers, Ohio, Smith suffered injuries that included a broken back and ribs when the DC6 that was carrying her en route to Newark Airport crashed in Elizabeth, N.J., in February 1952, narrowly missing an orphanage. Twenty-five of the 59 passengers on board were killed.
Her story was told that month in “Jet” magazine, with cover lines that described her as “The Magnificent Failure: She Won Fame but Never Quite Could Attain Stardom.”
After recovering, Smith concentrated on a singing career and starred with Duke Ellington and Billy Strayhorn in a musical revue, “Cockles and Champagne,” created for the London stage.
American film director, screenwriter, cinematographer, producer, and actor Quentin Tarantino has a trademark of the ‘Victims Viewpoint’ in a number of his films. Most of these scenes are the viewpoint from the trunk of a car, giving them the collective name of the ‘trunk shot’.