the young captain

1) Young And Menace
2) Captain Goes Down
3) Mania/Purple
4) Give In (Interlude)
5) Space Child
6) Cold Hands
7) With Open Arms
8) Ice Cream Princess
9) Violent
10) Tree Boy

“Humans are weird” idea

It seems to always be the case that aliens have names that are “unpronounceable by the human tongue.”  But, y’know, humans are actually really good mimics.  We can do impressions of anything, and some of us are really good at it.  What if that was a special skill of ours that was constantly surprising the aliens?

Alien talks about human like s/he’s not there, only to be shocked when its own language comes out of that strange little mouth.

Alien can’t figure out WHAT that noise onboard is, only to find human crewmate pranking it.  (“As soon as he leaves, I’m gonna do the sound of a failing hover engine, okay?  Just see where he looks first!”)

Alien hears a different noise and a thud, then “Sorry, I tripped.”  (”But you squeaked.”  “Yeah, didn’t mean to.  Sounded kinda dumb.”)

Alien is alarmed to hear the sound of two Dangerous Animals coming from the containment room.  Thinks the one has multiplied.  Runs in, find human yowling back at it.  (“It seemed lonely, so I was talking to it.  Reminds me of a cat I had once.”)

The away team is threatened by a Large Animal protecting its young.  Alien Captain knows what to do.  Shoves the human up front and points.  “Make the noises that the little ones are making.  This is your time to shine.”

2

“Okay ladies, now let’s get in formation”

It’s the one year anniversary of Beyoncé’s song “Formation”, and issue #2 of Marvel’s America comic (due in April 2017) has a cover by Joe Quinones of Miss America Chavez, paying homage to the classic Bey track.

anonymous asked:

Which Austen book/movie do you think had the most sexual tension?

Persuasion, hands down.

Think about it: every other novel depends wholly upon the uncertainty of the heroine being unaware of the hero’s romantic interest for some portion of the novel, with misunderstandings and difficulties largely brought on by the structure of Proper Courtship where it was generally considered inappropriate for either party to display too much obvious inclination until a proposal was actually made. (Marianne’s quick and clear affection for Willoughby makes a lot of people uncomfortable. Fanny Price is commended for her placid response to Henry Crawford’s flirtations. Elizabeth Bennet doesn’t even begin to remotely consider Darcy as a marital prospect until after he’s proposed and been rejected with some of the sickest burns ever committed to the page.)

But Persuasion. Ah, Persuasion. Anne has already previously accepted and then rejected Wentworth before the novel even starts. The whole book already exists at the level of tension we see reached when Lizzy runs into Darcy unexpectedly on her visit to Pemberley. That’s the whole book.

And it gets better.

Anne didn’t reject Wentworth because she couldn’t fuckin’ stand him, the way Elizabeth chewed off Darcy’s ear for being a dillhole to Jane and (she thinks) to Wickham. Anne loved Wentworth, and he loved her. They were devoted to each other. It’s the fact that she broke off the engagement despite this that rankles, for both of them. The attraction was there. It was acknowledged. It was allowed to burn wild and bright for that brief, delicious time before Lady Russell’s doubts and concerns seized hold of Anne and persuaded her to wreck his happiness, and her own. No, they were both fully aware of how much they wanted each other, and they were like “yeah, let’s get married, it’ll be great, I love you so much, oh God you’re so attractive, you’re amazing, I want to spend the rest of my life with you, you’re everything I could ever want.”

It was real and undeniable. They cannot unsay any of it. And then it was over.

[SAD TROMBONE]

And that’s just the backstory.

So despite Wentworth being hella difficult for Anne to read, and her own shattered expectations and self-esteem leading her to believe that of course he’s over her and totally into Louisa Musgrove, why wouldn’t he be, she’s young and cute and so many things Anne is not…we still get to watch Anne burn for this man after eight years apart and know that that’s a fire that’s never going to go out for the rest of her life, if time and distance and hopelessness and even the attentions of other charming young men in Captain Benwick and Mr. Elliott haven’t managed to put out those flames.

And on the re-read we can pick up on every look and cue from Wentworth which we then know to be signs of the fact that he is as helplessly lost to his desire for this person as he was nearly a decade earlier. He wants to believe otherwise and tries to act as if it is–and in a classic case of over-compensation gives rise to hopes and expectations from Louisa Musgrove which then very nearly lock him into an attachment which would surely divide him from Anne forever. And even when he feels himself safe from that, he confronts the possibility of Anne being taken by a rival in Mr. Elliott, and can only watch, rather than give a clear sign of his intent. After all the time that has passed, he is now in the position Anne was in at the beginning of the book, and must painfully struggle to weigh his own doubts against his desires. The no-liking-each-other-too-much-until-you-pop-the-question courtship rules still apply, and an open and happy flirtation at this point is not in their natures as individuals–they’re older than most other heroes and all other heroines. They know the risks. They’ve seen happiness slip away, before, and wonder if it is lost forever. Their emotional stakes are higher. He cannot bear to ask again, face to face.

The misery. The agony. The helpless and resentful eyefucking. That LETTER.

I͚̞̖ ̗̮͈̰̬͇͙c̺̗̮a̗̗̤̜ṉ̯ ̦͔̞̫̟l̯͎͇i̮̱͓̹̭̝͍̥s͓̣̱͎͉̙̻̱̩t͖̠e̼͍̻̣̼n̪̜̮̟̖ ̼̣̼̱̩n̬̳o̩̱̪̟͚̟̲ ̪̺̺l̗̦o͉̝̺̳̤̺̬̻ͅn̗̤̦̥̥͔g̗̰e̜r͎̙̲͚̥̫͇̰ ̜̻͎͈i̘̻̲̫͖̘̫n̩̳̻̮̳̪ ̖̳̳̬̭s̩i̹̩̗̻̘l̹͚e͈̮͖͚͈̫n͔̣̰̯̝̠̤̝c͚͍̙͈̱͉̗͇e̤̭̯̳̹̳.̘̖̫̩̭̻̤͖̱ ̳̞I͓̞̣ ̦̗̼͙͙͎̗͚m͚͙͖̜̜u͈̱̦̩s͓̰͚͎t̼͕̬͈̗̫ ̝͉͕̯̣͈ͅs͖̼͓̤͎͚̮p̲͇̮͓̩e͍̦̹͉͕̠͎̠a̻͎̝̭̜k͉̫̭̣ ̫̣̲̜͙͉̳t̺͚͔̜̗o̫͓̩̝ ̯̻̙̱y͕̳̘̺͎̞o͍̮u̲̭̙̦ ̺̦͎̬̦̣̤

b̩̹͖y̦̝͙̣̮̦̫ ̼̪s̜̜̼͓̝̣͉̺ṵ̼̦̪c͕̝̝h̝̞͈̻̺̩̼̬̩ ͕̺̟͓ͅm͖͈̣̰͍̫̦e̫͕͇̗̳̩̣̠a̬͕̭͕ͅn̖ͅs̲͕͉̙̥͉̠͙ͅ ̤̳̞̖̼̥̰a̗̗̹̰̳̟̙s̭̭͍̦͎͙ͅ ͇̭̰a̱̩͈r͍̦̟̣͚͙̱e̠̟̬̮ ̘w͔̩͈̩̠̮̭̘i̳̻̯͙̦̼t͇̖̹̙̩h͎̣͎̖̩̬̥̪̦i̙n͚̫͈̗̘ ̱̺m̯̜̬͈y̹̟̝̱̼̝̰̘ ̖̞̪̪̦̭r̮̝̙̻̣̯e̳̮̦͚̞̣a̱̞c̠̞̝͎̥̯͚͍ḥ͎̟̯.͎̪̬̟̻̥͉̦͙
̭̭͕̲̫̖̜
͙̰̬͓̪̹͈ͅY̰̯̟̜͎̼̳͖̱o̘̜̞̣̭̥u̩͎̰̣̤̻͚͙ ̫̲̻̲̜͈p̱̹̯i͎e͈̣̩̠̲̖r̳͉̺c̩͔͉̩̤̥͉̲e͎̗ ̞̠̮̲̝̠̤̜m̯̙̹̖̗̺y̤̺͙̼̮ ̮s͇͔͔̦̮̤o̯͖̥̭͓͍̤ͅu͔̥̩̯̻̖̙̲l̟͎.̤͕ ̰̼̘I̭̝̫ ͚̠̝̜a̮̮̘m̝̖͖̫͙͖̟ ͔̳̯̟̺h̗͖̩̬̟̱͓a̺̳͔̲͈l̙̺̙͓̞f͍̠ ̠̞̘̮̩a̲̝̬̟g̪͖̲͙o̩͚n̩̞̹y̗̖͔̪̮͚̹̻,̖̩̬̗̣͇̺̹ ̥̙͇̜͓̙̠̰͎h͕̮̪͕ạ͙̰̠͓l͚͙͚̤͇̮f͉̰̝͈̳͍̖ ̭̘ḥ̞o̗̲͎̩̜̙p̭e͖̮̼̱ͅ.̻̳ ̙̣͍͍̦̩̼͓̯

T̻̣̖̼͍͉̝e̳̮̯̘̜͖l̪̰l͕͕ ̼͈͉̻̙̗̰̬m̟̬̙̫ͅḙ̬̰̲̦̮̜ ̣̲̘n̺̰̦̟͍͔̫o͙̬͓̗̫̻̻̱t̻̘̰̜̖̦̜͈ ͖͇̜͚̣͍t̳̞̼h̗̹͓̮̖̲̟͕a̫̞̖̣̳̩ͅt͈͚̩ ̝̤̗̲̭̫̭I̪͙͙ͅ ̝̜̭͚̙̞a͉̹͖̫͔̪̮m̯̘͇̪ͅ ̳͍̩t̠͈̻͚̩͇͚o̩̭o̘̦̝̙ ̰̬̠͓̠͚̙̹̹l͚͕͍a̰͎t̖̭̥ẹ͈̝,̩̲͓̖̘͇͎ ̻̲̬̲ț͔͎̹̪͍h̘͔̙̝a͇t̫͎͙͖ ̬̩͇̫̮s͖͉̘̙u͔̹͚c͕̣̝͙͍h͖̤̲̱̟ͅ ̖̺͔̠̰̬p͈̤͔̖̯ṛe͚͙̯̖c̝͔͙͉i̻o̖͙̠u̜̬̦̹̻̫ͅș̝̪̹̝̦̩̼ͅ ̦̥͉̞͉͚̗f͇̪e̝̰̠̝ẹ̹͔͉̟̤l̻͖͔̜͇̝ͅi̟̘͎̦͈̞̱n̲̮̤̤͉͈̬g̱͓͖͕̣̯͚͙s̱ ̩̯̲̪͕̩a̪̠͓͈̩ͅr͓͚e͍͇͖ ̹g̳̖͎͙͉͇͎̯o͓n̘̜͈̫e̲̥̥̞͖̩ͅ ̭̺f͓̺̮͈͚̼̲o̼̝r͖̰̩̞̺̼̮̰̪ ̗̮e̼̬̹̳͕̼̤v̲̝e͙̤͎ṟ̙̘̱.͕̞̥͙̝
̘̭̪͙̙̥̲̗
̰̺̮̗̳̭̹I̺̼͎͕ ̳̖̘͇͚̦̳͉o̞̥̥̞̘̗̗f̜̱̞͔͕̹͙f̟̹̖̺e̲̬͉̥r̲͚̣̘̪͓̫̳̹ ̙͚͍̘͍̘̦m̪̫͔̼̙͔̯͕y͎̖̯͇s̞e̺̣͓̻̗͎̹͇̻l̙̣̮͈f͖̩̫̱̤͙̘ ̝̩̥͖̞̜͉̻͎t͇̳͈̳o̙̜̳͎̣ ͕̤̣y̱̞̦͈̳̥o͚u̦̭̥͔ ͈̹̗̮a̠̺͓͕͖g̤͇̟͍a͚̱͉̯̬͍̘i͚̣̣̻̥n̞͍̜̗̝͓ ̤̠̹̪̳͉̪͓w̼̭̠̭̝i͖̭t͎͕̮̭ẖ̟̱ ͉̩a̗͇̪ͅ ̩̥̺̱̱̦h̺̝͕͓̠e͈̜̮̪a͚̦̦͇͔̗͙̝͈r͖͔̜̠̰̥t̬̥̻̭͕̬ ̦͇̠͎̱͓͎e̥̙̠̥̼̩͎̘͍v̩͙e͎̭̺̫̥n͍͚̙̺̼ ̘̰̱m̗̲̯̞͇o̝͈͓̰͇r̹̤̞̙͕e͙͍̦̦̦ͅ ̱͔͇̩͓y̻̖͚̱̼ͅo̜̯̗u̦̲̦͎̙̬̭r̼̲̗̟̯̟̱͓ ̗͖o̜͍̤̩͓̲̬ͅw͈̳͎̩̪̤͓͍͎n͖͍͈͔̪͖͔ ͇̳͔̫̮͙̭͕

t̤͕h̲̲̩̱a̪͚͚̞͈͈͉ͅṇ̝̪̞̰̦͎ ͍̺̼̳̦̜w̝̹̖h͉̥̟̝e̮̞͇͕̩͉̰̮n̘͓̜͙ ̙ͅy͕̗͇͎͙͉̹̻o̖͈͈ͅu̺̱͈ ̮̥͍͍͓a̝̮̱l̥̩̤̹m͖̻o̻͚̯s͚͎̳̻͙t̟̹ ̱̹̤̝̞ͅb̰͍̺̜ͅr̤̙͍̹̯͎̻o̥͚͇̻k̹e̟͍̪͎͖ ̱̝̭̥̠i̠̝̬̙̲̤t͇͚̺̯̣̮̜͚ͅ,̙̣̭͓̭̮ͅ ̗̰̞̳͕͔e̦̱̹i̺̙̰͕̲͓̜ͅg̖̯͈͇͔̣h̻̻̺̼͉͍͇̞t̠̝̦̮̟͈ ̤̩̦̻̥y͕̼e̺͉͖a̭r͎̜̻̯͖s̺ ̰͔a͚̗̰̞̺̣n͕̳̜̲̰̱̮ͅd̮ ̲̳͉̙̲̙a͖̞͕͍̗ ̝̲͖̖h͈͈̮͉̯̱̪a̺̖̼̘̯̳͕̼̩ḻ͚̩̰̪̻̞͙f̺̫̻̬͓̩͇̜ ̖̮a͎̯̣͍̻̲̺g̞͖̹̭̻͓̻̥ͅo̺̲̯͔̪̹͖̭.̭͓̮̖
̞̞̜̩̮̖
͚͍̮̟D̹̺̺͚͎͈a̱̫͕͕̩̞r̭̟̖̤͍̘e̫̞̞͉̖̮̳̣ ̼̱̜ͅn͙o͇̮̰̫̠̺t͕̱̜͎ ̟͕̩̼̙s̹a͖͉y͓̣ ͕̩̠̗t̟͈͍͚h͕͕͖̣̟a̤̹̯̗̪͕t̮̳͓ ͎̳̰̳̙̹͙ṃ̟͕̟ͅa̪̩n̥̲͇̺̞̖̰̫ ̫̖̯̜̼͖͖̼f̟̮̪̖̞o̯͉̝͚r̺̭̞͕g͕̹̤̖̣̤e͖̦̜̘t̺̮s̳̯̳̻̘̟ͅ ̻̜̻̱͉s͍͙̟͇̜̦̬͍o̬̪͔̟o̖̠̺͙̺̯̘͙n̼̫̥̮̬̜̞͖e̤̹͇͇̼r̬̻̰̻̻̹ͅͅ ͇̠ṭ̪̰͈̪̥͙̫h̫͕̙̞̟͍͖̺a̬̭̼̲n̹͙̮̹͚̘̞ ̜̺̤̪w͇̦͖̦͕ͅo̫̪̦͎̜̭m̜͕̹a͉͚̮̫n̪̥̣͖,̠̣ͅ ̺̺̪̠̮̘̮ͅͅ

t̫̳͎͙͎̩̹͕h̙̬̦̟̣̝̜̹a̟̠̖͍̜t̘̣͉͍̤̦̮ ͔̲̹̤̤̝̮͔̠h͖̲̲̣i̜̲͈ͅs̝̠̪̭̝̭̳ ̪̤͓̗̣̩̺l͔̺̱̼͇͕̩o͖̠͖͖v͓̫̤̲̬̳̳͔e̟̮͖̩̲̯̻ ̹͕h̼͚̠̘̺̖a̯̰s͍̹̠͔̠ͅ ̟͈̞̩̳͉̮ͅa͔̺̹̟̼̲̝̦n̳̖͕ ̣̗͍͎͇e͓͉̦̺ͅa͔̰r̠̺͖̝̗̼̼̘l̻̘͕̤̯̩̟̙i͔͚͙̠͓̥ẹ̯͙̼͙ͅr̲͈͉ ̣ḏ̲̯̟̪͇e̳͓̫̲̻͚a̯t̲̭̬̻̯̥̼̭h̠̘.͍̰ ͚͍

Ị̱̻ ̙̭͇̗̟̠͓̠h̲̳͎a͍̠̤̗̠̰̝v̙̘̖̼͖e̞̻̟̹̣̣̭ ̠̱͍̯͈l̹͇̗̣̙͈͈̩̰o͎̭̝v͈͕e̠̳̗͓͍̺ḓ͍͔̯̖̹̼ ̹̼̳͙̗̘̬n̳͕̰̻̲̰̖͉o̬͉n͚̭ͅe͚̮̯ ̺̺b̥̬̩̼̣͈̻̺͖u̫͖͖̦̪̜̠̱t̲̤͓̩ͅ ̙̮̣̜y͚͎̘̭̤̼̞̞o͔̩̭u̖̩͍̫̤͖.̠̬̞̰͍

Originally posted by kickinyoass

5

A ship full of boys needs a precious gem to help find their lost mentor, but the Princess who owns it won’t give it up without a fight. The simple Search and Rescue mission soon becomes an adventure holding the fate of the entire Poseidon Ocean in the hands of a ship full of children.

Zack Underwood: Stand-in-Captain of the Chronological Voyager (Chrono for short). His real position is First Mate to the ship’s owner, Sir Ortin Mahlson, the greatest adventurer in the Seven Seas. Native from the Desecrated Island of Nila, he comes from humble roots, the son of the Royal Fitter and Seamstress. He holds resentment to anyone rich (Noblemen, besides the Royals). Zack was the first of many of Mahlson’s boy students, when the man decided to begin teaching boys how to sail and the wonders of the Seas in the Seven Kingoms. Zack has been his student since he was 4, and knows the most of all the young crew about Mahlson’s journals and studies, and has a vast knowledge of the seas. He is proud and secretive, and only the crew knows why he is so cautious around the newcomer. His pride is challenged when Princess Melissa refuses to give him the Gem he needs to find Mahlson, and he finds himself having to work with a stubborn yet pretty Royal.

Milo Murphy: Orphan found on the Island of Auria. While Zack is proud and strict, Milo is the optimism needed on their journey. And he is for good reason, being cursed since birth. Found with a stray puppy by Zack at the age of 4, Milo has been part of Mahlson’s students since the beginning, and has known nothing but the Chrono as his home. Milo is nimble, and his alertness has gotten the Chrono out of many a sticky situation. While liked by the entire crew, only Zack is brave enough to spend more than five minutes within twelve feet of Milo (that isn’t to say Zack isn’t aware of the Murphy Curse; he just sets it aside half the time because they’re best friends). When Melissa joins the crew, Milo immediately befriends her, much to Zack’s dismay.

Princess Melissa Chase: Princess and only daughter of the King of Soleah, the Island Ruled by the Daylight and the Seven Kingdoms’ Strongest Defense against outside foes. She longs for adventures beyond her Island. Her father has become anxious, and this keeps him busy and away from her. Her only companion is her handmaiden Amanda, and the High Princess, daughter of the High Rulers of the Seven Seas. That is, until she “kidnaps herself” aboard the Chrono, striking a deal with the young Captain for the Gem passed down from her father. Learning that the ship belongs to her Hero and Inspiration, Sir Mahlson, Melissa refuses to leave. She enjoys challenging Zack and competing with him, and thinks only of adventure, until she makes a discovery that threatens the friendship between Zack and Milo, and the safety of their ship.

*****

And yes, Diogee has 4 peglegs.

@spatziline​ and I will eventually give away more of this AU, which includes several adventures and two giant ones. Zack and Meli’s friendship is reversed in this au, where Zack has known Milo forever instead of Meli. Many more MML characters will show up. We also have music to go with everything, and a Map of the Seven Islands.

More BG info to come with more fun of course 8D

10

People saying nice things about Sebastian Stan -  7/?

Stuntmen James Young (The Winter Soldier/Bucky Barnes) and Aaron Toney (The Falcon/Sam Wilson) about Sebastian’s badass-ness.

“I worked with Sebastian a lot during prep, training him to do the fights. He never fought like this before on film! And he gave me a lot of confidence, as well - like: ok, sweet, I need to overlap this. I need to walk like him…”

I absolutely love this because it’s like Thorne is trying to use one of his old flirting tactics of picking up girls, but Cress doesn’t fall for it. She doesn’t even notice. And Thorne just laughs it off because he realizes it isn’t gonna work on her.

KIDS CAN BE GAY. KIDS CAN HAVE A CRUSH ON SOMEONE OF THE SAME GENDER. KIDS CAN BE BI. KIDS CAN BE TRANS. STOP TREATING LGBT FEELINGS LIKE AN ADULTS ONLY TOPIC.