the story of sam and jack


  • Written by MARK EVANIER • Art by SCOTT KOLINS • Backup story written by SAM HUMPHRIES • Backup story art by STEVE RUDE • Cover by CHRIS BURNHAM
  • Mark Evanier, longtime Kirby associate and biographer (Kirby: King of Comics), tells a tale starring one of Jack’s greatest villains. The latest daring escape from the orphanage of Granny Goodness leaves an infuriated Darkseid determined to capture and punish the escapees. The Lord of Apokolips puts his best hunter on the case, but one of Granny’s students is unlike anyone he’s encountered before. Plus, an untold tale of Omac by Humphries and Rude and a classic Kirby Fourth World tale!
  • ONE-SHOT • On sale AUGUST 30 • 48 pg, FC, $4.99 US • RATED T

I need more book suggestions. I saw beauty and the beast a few days ago and downloaded the sounds track the same day and I’m not ashamed

Headcanon time

I’ve got some headcanons about friendship between the Mango Cheese and the Peter Johnson gangs
This post will be long (?) so let’s start!

- Magnus, Alex, Sam and TJ sometimes go to CHB (bc they are demigods and they can)

- Magnus helps in the infirmary
- Actually the first time Will saw him thought that he was one of his brothers and basically ordered him to heal some injured demigod
- But Will help him to deal with Alex bc he knows everything about sassy and sad boy(girl)friends
-Mr D actually calls him Mango Cheese

- Alex being friend with Nico
- You know, the sassy-and-sad thing
- But also they like training together
- Alex shapeshifting-and-garrote and Nico underworld-stuff-and-sword
- They also like to creep the shit out of annoying people (bc they are little shits)
- And they are Nerds™
- Nico has been calling Alex Ant-man or Wasp since the time she became a bug during a fight (Wasp when she’s a girl, Ant-man when he’s a boy)
- Yes I’ve got a lot of feels for them

- Samirah and Annabeth usually talks about how silly are their friends (especially Magnus)
-Sam studying for her fly exams with Athena children bc they are smart and quiet
-Jason found out that she can fly like him
-He challenged her
-Sam won (and Percy will never let Jason forget it)

- TJ , as a son of Tyr, the god of courage, likes stories about bravery and battles
- He and Ares kids always talk during meals
- I think he’s friend with Leo.
- IDK why but I like him being friend with Hephaestus house

- Jack flirts shamelessly with Riptide
- Percy really doesn’t like this
- Neither Riptide does
- Jack and Leo are the Meme Lords™

- Sometimes they meet outside CHB and there are also Blitz and Hearth

- Aphrodite kids LOVE Blitzen style
-Blitz teaches Hephaestus and Aphrodite houses how to make protective and stylish clothes
- Lou Ellen knows ASL
- She “talks” a lot about magic with Hearth
-Hearth thinks she’s really funny
- Hearthstone teaches Travis and Connor Stoll ALS swear words

Feel free to add yours!

12x22: Dean Winchester is going to die

Well, when I was new, I wrote a whole post about this, about how early episodes but especially 12x11 foreshadowed that Performing!Dean was going to be deconstructed by the end of the season… Fans self.

The death of Performing!Dean in this episode was BEAUTIFUL. It was EXQUISITE. I couldn’t have asked for MORE! 

I literally grabbed and punched @amwritingmeta in the leg I don't know how many times as I paused it to point and shout.

1. The Grenade Launcher

So, the grenade launcher = performing!Dean metaphor. We had hoped and boy did they deliver! Did anyone else notice, while Dean was *ahem* knocking down the seemingly unpenetrable physical walls, that, maybe it was my weird link, but it seemed to me that the flashing ‘red’ lights in the MoL bunker were decidedly pinky-purpley in colour rather than standard alarm bells red and the flashlights glowed on the blue side of white… (the MoL HQ lights are also brightly pinky-purple to keep the theme going, I mean honestly what self respecting 1950s MoL guy chose this for the bunker instead of the usual red? Please!) Just saying. 

Originally posted by ohh-bloodyhell

“It wasn’t long ago I thought we had it made. We had Cas back, we had mom back. I mean it wasn’t perfect but still…”.  This is it. Dean’s facade has been coming down all season, but at this point now, he just doesn’t see the point in holding it up anymore.

And what does Sam do? HE OPENS UP TO DEAN. He tells Dean how he feels, the reasons why he followed the MoL - that it was “easier than leading”, that he made a mistake. This enables Dean to be truthful himself, in the end, now. Again, they have had many times to reflect on their own deaths but this is another time similar to 11x23 where he can really reflect on what he has lost, and now what is that? Cas and Mary.

Dean uses the grenade launcher, that he’s been dying to do since forever, blows down the impenetrable seeming wall, saves the day. How meta do we need to go? It’s BLATANT. The choice in the colour of the lights, the dialogue, his feelings… the walls are Dean’s facade and the grenade launcher is his way of breaking it down. YES. This has been building all season and much prior to this other meta writers have said that he grenade launcher is associated with Dean’s hidden side, his bisexuality, Destiel etc… this is meta gold, THIS is a meta aspect Dabb was talking about. Toni even then parallels the tearing down of Mary’s mental wall with Dean’s physical use of the grenade launcher, just moments after. It is so well put together :D

Also, I have long believed that the bunker had to go. It represents too much the MoL side of things and the whole ‘living below ground’ thing is way too underground / metaphorically bad. For me they need a real, healthy home which is in between Bobby’s hunter house and the MoL bunker. Hopefully they will find a nice modern MoL home with kit but that isn’t so hidden above ground somewhere next season to take over and make their own :D

2. Sam the MoL leader

“Real hunting isn’t just about killing, it’s about doing whats right… I want you to follow me”. We have wanted this for Sam all season, the MoL story fits his personal arc so well (so did Eileen, still bitter), this is Sam’s endgame. Sam said just moments earlier that he didn’t want to lead, but now he is, because it is necessary and because he is good at it. I believe he will now see that this is what he wants and will work towards this for his endgame.

This then leads to…

3. Dean and Sam - ending the brodependency and Dean as Sam’s parent

Dean lets Sam go, the dialogue is amazing. “You’re ready for this… you got this” paralleled with an actual mom/daughter conversation between Jody and Alex. 

Originally posted by bridget-malfoy-stilinski-hale

Dean literally talks to Sam like a parent letting their child go off to college and I had to pause this for a long long moment to process and scream “they’re actually going there!” not even knowing what was coming next… man…

Then comes the Mary / Dean scene.

4. Dean and Mary

This was always going to be what Mary led to for Dean’s arc. After Amara had started this addressing of Dean’s facade in season 11 and Mary is basically an extension of Amara this season re: Dean (in the same way that she still has to influence Sam’s arc re: Lucifer, that is for next season). I LOVED how BLATANT and textual they made this, the actual lack of subtext because it was all in the ACTUAL TEXT! 

Firstly, Dean considers letting Toni go, which I had expected, to show the difference between our boys (morality) and the MoL as monsters.

Then… “Dad was just a shell…I had to be a father and a mother to keep him safe, and that wasnt fair, and I couldnt do it, and you wanna know what that was like? They killed the girl that he loved, he got possessed by Lucifer, they tortured him in hell and he lost his soul…But I forgive you, for everything.” MY HEART!

Ok, yeah, they did the thing, they brought Jess up 30 mins before killing the guy that Dean loves after not mentioning her for…. A DECADE? And paralleling one of the few scenes we ever saw her in with Dean/Cas too? After we already had the parallel with Dean seeing Cas when driving along, same as Sam did? So, only the scene of Sam and Jess in the bar and the scene where Dean actually meets her haven’t been paralleled now with Dean/Cas? I’M LIVING!

But seriously. The rest is exactly what we, the audience needed to understand Dean and to show casual viewers Dean’s inner angst in order to understand the facade coming down, this is exactly what Dean needed. He has come full circle, this is the start of the culmination of the end of Performing!Dean (which Jensen has no said at Jibcon will be furthered in season 13!).

Dean actually TELLS Mary in his mind that he hates her, but that he loves her. That he had to be Sam’s mother and father, and that it wasn’t FAIR. This is so important, that he didnt just say that it happend and that it sucked, but that it wasn’t FAIR and that he did not DESERVE IT.

This is Dean addressing not just his mother but how HE feels about it, how he feels about HIMSELF, that he is saying that he DESERVES MORE and has SELF WORTH. 

These are all the words I have been using since 12x01 re: Dean . I’m so happy!

5. Ketch kills Toni, Mary kills Ketch after Dean beats him to a pulp, PERFECT, Jody kills Hess, again perfect.

This had to happen to keep our boys on the ‘don’t kill humans unless they HAVE to’ side, especially after Dean considered letting Toni go. Thank you.

6. Winchester family reunion 

Sam’s forgiveness of Mary, Dean’s reaction to the happy family hug (it’s great but someone is missing…). “Who we are… we kick ass. We save the world” 

Originally posted by fangirlingtodeath513

SAM AND DEAN ARE ACCEPTING THEMSELVES THIS SEASON. In 12x09 Sam said it, now Dean says it. After all the angst this episode and for Dean all season…

This whole episode was for me the culmination of the deconstruction of Performing!Dean this season, which has been the main theme carried through on the character - driven side of things, it was beautiful.

In many ways I view this as the character - led season finale and 12x23 as the plot - led season finale (which I will post my thoughts on right up next).

I cannot WAIT to see the result of this episode come across next season. 

We have not only now Performing!Dean pretty much dead or on his way out, the Dean Winchester is going to die metaphor was fully used and was fantastic, but coupled with Cas being brutally taken away from Dean, the parallels with 2 key canon romantic couples (Sam/Jess and Cain/Colette) in this within SECONDS of each other, plus the Jibcon revelations that we will see more of Dean’s reaction to this in season 13, apparently crying (and Jared not even hiding Destiel jokes now) make me pretty much 100% convinced Destiel is really endgame now.

Aside from this we now have Dean accepting himself, his internal self acceptance arc coming to a close, Sam’s MoL arc coming up and I will touch on the other aspects of the story for Sam in the next post as they are relevant to Lucifer / Jack, and Cas’s arc too…

Season 13 is already set up for exactly the endgame I am wishing for!

Tink’s Endgame Wishlist :

- Mol! Sam (and Eileen, Chuck I’m still bitter about that though, I really hoped her death would turn out to be a misdirection). Pretty much CHECK.

- Hunter / Mol collaboration with Sam and Dean as leaders. Pretty much CHECK.

- End of the brodependency, Dean acknowledging he was Sam’s parent and letting him go. CHECK.

- End of Performing!Dean. Pretty much CHECK.

- Human!Cas and self worth and belonging for his arc. TBA probably next season, what happened this season makes no sense if not to lead to this.

- Destiel. Pretty much CHECK. (And now after seeing Jibcon and the boys just joking about it all the time? Yeah, I don’t think they have an issue with this!).


the signs as my favorite parts of the sword of summer
  • aries: Loki liking the Red-Sox and Poptarts
  • taurus: Otis the Goat who loves depressing stories
  • gemini: Jack the Sword wanting to be called Magnus
  • cancer: Thor wanting to fight Jesus
  • leo: Sam hiding behind a potted ficus tree
  • virgo: Blitz's bulletproof necktie
  • libra: Hearth signing 'I love you' at the giant.
  • scorpio: A pen sword is the stupidest thing Jack's heard of
  • sagittarius: Taylor Swift being a low-key dwarf
  • capricorn: Hearth and Blitz being known as Magnus's mom and dad
  • aquarius: Magnus, rhymes with Swag-ness
  • pisces: X being Odin the whole time

Decline Your Hallucination

Summary: After Dean’s death you and Sam struggle to go on with life. Canon divergence, set between seasons three and four.

Pairings: Sam x Reader, Past Dean x Reader

Warnings: language, depression, prescription drug abuse, angst

Words: 2000

Beta: @just-another-busy-fangirl

Your name: submit What is this?

I respectfully decline the invitation to join your hallucination - Scott Adams


Sam drives with white knuckles and a far away stare. He doesn’t sleep, doesn’t eat, doesn’t stop unless you asks him to. His body sits rigid with two hands on the wheel and foot heavy on gas as if he has somewhere to be. There is no destination and you both know it. There is no reason left, motivation slid down the drain five states back, now it’s just movement. Forward motion to keep it going, can’t stop, won’t stop, Sam thinks he might die of he stops now ‘cause there’s an aching itch under his skin that won’t go away, no matter how hard he claws it.

“I hate this car.”

Sam’s glad you’re the one who said it so he didn’t have do. He hates it too, hates everything about the gritty engine rumble and the screeching hinge of the doors. He thinks about selling the Impala, weighs the thought of someone else driving it with the unnerving feeling of driving the fucker himself. No one else should be sitting behind the wheel - you suggest burning it. You want to buy a gallon of gasoline, drive out into the desert and watch the ancient hunk of metal go up in flames. You beg him, crying wildly and making a scene at the Amoco until he has to pick you and lock you both in the unisex bathroom. You just want to get rid of it, you warn him you’ll walk away, you’ll leave him because there’s too much of Dean wrapped up in the damn car.

Keep reading

anonymous asked:

My sisters been sending your (amazingly) written metas, but I'm still confused as to what "Performance!Dean" is. Could you explain? ❤❤❤❤❤❤

Hi! Thank you!

Performing!Dean is a tag that many of us use to explain the way that Dean portrays himself to the outside world, suppressing parts of himself that he doesn’t think should be outwardly shown.

It’s a form of SUBLIMATION (a psychological term meaning to repress emotions / a part of oneself), a term which he actually uses in 12x05.

It’s a great example. The writers KNOW that we associate Dean’s love of pie with women / being comfortable / the home and family feeling, and cake with the repressed side of him (it is repeatedly used in this context, Dean really wanting it but never allowing himself to have it or just nibbling at the edges). It’s quite a famously known concept.

So… when Sam asks Dean if he wants pie and Dean says no, which basically never happens, when Sam then looks so DONE and starts talking about how Mary is gone and… (the implication being he is about to mention Cas being gone too)… then Dean says nope nope I am FINE and Sam FINALLY calls Dean out on it, saying “Dean, it’s called SUBLIMATION”.

Originally posted by castielamigos

And Dean finally relents and says “Yeah, its kinda my thing”. (And then later in the diner he is seen to have eaten a whole slice of cake in front of Sam and no-one makes a big deal out of it….)


Because THIS is Dabb again taking what has been IN THE SCRIPT and in the show for 12 years and building on it, making it BLATANT. Because we are building to endgame now, SPN isn’t likely to last past season 13-14, so the character arcs that were set up in season 1 (and 4 for Cas) need to be tied up, so we, the audience NEED it to be made obvious when it has just been in the subtext. THAT IS WHY SO MUCH IS SO BLATANT THIS SEASON. Ie Performing!Dean, Destiel, Sam and the MoL story, Mary being the catalyst for Dean’s self acceptance arc and Sam’s self forgiveness arc around Lucifer (which I think will be much more blatant next season re: Jack as his mirror).

With Performing!Dean it started to be made a bit more obvious since Sam told Dean that he was ‘kind of butch’ and people probably thought he was ‘overcompensating’ in season 2 but it still stayed subtext, Dean checking out a few guys here and there, only really getting with women when he was having his ‘I’m going to go to Hell and need comfort’ or ‘Sam is dead, Cas left’ moments or since he met Cas, whenever Cas had left, making Dean feel crappy and rejected or had just DIED, using it as a coping mechanism, even blatantly role playing in season 9 after he feels so bad about kicking Cas out of the bunker etc to the point that in 12x18 it is so blatant that this is what it is about, they even have Dean saying outloud that he is settling for Sam’s omelette mere seconds after clearly having settled for the waitress because she wasn’t what he really wanted on top of all the other give aways…

Anyway, it’s not just about his sexuality or feelings for Cas, there are many other aspects too, and those are the ones that are cemented in seasons 1-3. Most of these seem all to stem from John and if you see snippets from John’s journal it makes sense.

John says he is proud of Dean when he kills monsters, womanises, drinks etc etc. So guess what a young impressionable Dean learned was the best way to act in life?

Now, over the years bits have come out here and there. Every time we see Dean with a sexual partner he has been the submissive one, he is clearly an extremely giving lover and very caring. He is not a dude bro womaniser at heart, he cares for all the women he sleeps with enough to be kind and gentle with them, even the waitress in 12x18 who really he doesn’t REALLY CARE about, she’s just a coping mechanism, but he is still extremely sweet with her.

He drinks for years of course, he is a functioning alcoholic for most of the show, but lately he has switched to coffee… unless something really bad is going down. Like when we saw the empty bottle in his room in 12x19…

He listens to old rock music because it reminds him of his mom and dad, not because he is a real metal head. Yeah absolutely he loves it too I’m sure, but really it’s the emotional pull. And we haven’t heard him do so since 12x07. Just saying. He also admits to liking Taylor Swift in season 10, after firstly saying HELL NO, same with the cucumber water in 12x07. It’s not the music or the water or whatever as such, that is absolutely NOT what we are saying is making us feel Dean is bisexual or has a hidden side to himself, its the fact that he HIDES it first then admits to it afterwards, that is the essence of Performing!Dean.

When Sam drinks the cucumber water, no-one batted an eyelid, that means nothing to us, because Sam is super comfortable with who he is in THIS respect, even though he carries guilt etc, but that is another subject. But because Dean made a huge deal about how uncool and basically unmanly it was, after all we know of him over the years, THEN went and drank it anyway, saying “shut up” when Sam is like “seriously?!” THAT is where the Performing!Dean meta comes from. And Sam is the same as us, he doesn’t care if Dean is bi, or if he likes Taylor Swift or cucumber water or WHATEVER, what he DOES care about is the fact that Dean feels the need to hide it from him.

There are so many small points along the series that point to a lot of Dean’s persona being fake or exaggerated and how sometimes Sam knows and sometimes he doesn’t, it would be funny if it wasn’t tragic.

Deep down Dean Winchester is a soft, kind and generous soul who just wants to be loved and to help people.


Originally posted by disneyandthefamilybusiness

So yeah, the fact of the matter is that Performing!Dean has been there all along, since the PILOT, over the years it has been showed to us that it exists then some of the walls have started coming down. If anyone dares to tell me that Performing!Dean isn’t a thing (which I was told earlier this season, lmao) then I will kindly point them towards 12x11 and 12x22.

Also, let us not forget that even though 12x11 was mostly an exposition for Performing!Dean when he lost his memories, again harking back to the HEART is the person, NOT their memories theme of the season, we also were given the golden snippet that DEAN RODE LARRY BEFORE HE GOT WACKED WITH MAGIC. This is to show us that Dean’s walls are coming down this season. When Sam called him up on it in a way that seemed to be taking the piss, Dean, rather than attempt to deny or tell him to shut up actually embraced it and gloated about how GOOD he was at it. ATTA BOY DEAN!

With the resurrection of Mary and Dean’s near - complete death experience it seems that Dean got to the point in season 12 where he just didn’t want to hide from himself anymore and so let these walls down further, there were small snippets of this in nearly EVERY episode. 

12x11 was the exposition for casual viewers to see this side of him more clearly (in the same way that 12x19 was for Dean and Cas’s clearly more than platonic relationship, which will not be built on with HUGE LEGO BRICKS since Cas died), and now with the grenade launcher as a metaphor, Dean literally blew down his walls in 12x22. The culmination of this story was his confrontation with Mary where he explains WHY he always had this facade, because he had a shitty childhood, had to be a parent to Sam and that it wasn’t FAIR and he didn’t cope with it well at all.

So. There we have it. Performing!Dean is REAL, it was there ALL ALONG, we were RIGHT in seeing it because it is confirmed in 12x11 and then addressed and to some extent dismantled in 12x22, and the meta idea that the grenade launcher is associated with Performing!Dean was ALSO used.

Just… wowzers.

Originally posted by itsokaysammy

I don’t expect Dean to suddenly act completely differently now, he won’t, there are just some aspects of him that will be slightly more obvious or he won’t hide certain parts of himself. He still isn’t completely done with this, as Jensen himself said that there will be more of this to come in season 13…

I expect him to perhaps once or twice order a slice of cake or an ice cream sundae, to listen to the radio and not turn it over if a pop song comes on, to be more open with his feelings towards his family (and yeah, Destiel is a part of this for sure), a nice turn around but also not jarring, because it’s just a PART of Dean, not his whole self, a lot of what we see is really fully him, so it’s not that he is going to completely radically change!

Anyway, its all very exciting as the metaphorical death of Performing!Dean is just a part of what most of us see as a positive endgame for TFW and it is all looking pretty good so far :D

manxgene  asked:

who is wes what did i miss

Ohhhhhhh boy howdy ok this is a longggg story but I’ll just give you an abridged version:

Basically in one episode of Danny Phantom (can’t remember the name of it unfortunately) Danny wants to ask Valerie to be his girlfriend and his dad said that he should do this by giving her a ring (very old fashioned but that’s Jack). But, jack thinks that Danny is gonna ask Sam to be his girlfriend (for obvious reasons) so he gets her name engraved on the ring. Danny has this ring on him when he’s about to go do something in ghost form and so he gives the ring to Sam to hold on to for safe keeping. When she looks at the engraving on the ring she thinks it says “Wes” because she’s looking at “sam” upside down, thus where the name Wes comes from.

So then during another episode (again don’t remember which), Danny gets into a ghost fight or something at school and the only person that seemed to acknowledge this happening was this red headed basketball player, who strangely looks very similar to Danny. So, the phandom decided to call him “Wes Weston” and there are literally hundreds of headcanons and stories and fan art, etc. about this dude and his life!

Just look up Wes Weston on here and you’ll get lots of results!

This was ok, but I really wish you had just written only the things that I wanted to read. Also, couldn’t you have focused more on the male characters?

Like, I just thought it could have been better if there weren’t so many girls.

Or maybe if there was just one girl but she had a boy name. Like, I don’t know, Sam maybe.
And she could be in the military. Only in space. With aliens or something. And she could have a super angsty relationship with some guy. Someone in her chain of command. Someone you could call ‘Jack.’

That would have made this Harry Potter story a lot better IMHO.


Anonymous comment left in my Harry Potter fic The Changeling

Oh my god, I’ve been laughing for days. I love you, Anonymous.

Episodes Review: ‘Elements’ (S08E16–13)
  • Airdate: April 24–27, 2017
  • Story by: Ashly Burch, Adam Muto, Kent Osborne, Jack Pendarvis
  • Storyboarded by: Sam Alden, Polly Guo, Seo Kim, Somvilay Xayaphone, Laura Knetzger, Steve Wolfhard, Graham Falk, Kent Osborne, Hanna K. Nyström, Aleks Sennwald
  • Directed by: Elizabeth Ito, Cole Sanchez (supervising), Sandra Lee (art)

As with Islands, instead of doing a recap of the entire miniseries, I’m going to jump right into what I have to say about the 8 episodes that aired this week.

Whereas Islands went for a more serious and philosophical stance, Elements went the opposite route, emphasizing humor throughout. There are a lot of great character moments, funny bits of dialogue, and goofy fare that you’d only find in an Adventure Time episode. The miniseries’ second episode, “Bespoken For” is perhaps the best example of this fun blend, allowing the Ice King to tell his side of a pretty wacky story. In fact, the Ice King is on grand display in this miniseries, and the show really lets his amiable goofball side shine.

Another strong part about Elements is the sheer number of characters that we revisit. Marceline. Lemongrab. Fern. Flame Princess. Cinnamon Bun. Elder Plops. Party Pat. They’re all in this miniseries, as are many more. And what is more, they all have decently sized parts. In the commentary for “It Came from the Nightosphere”, Adam Muto noted that the episode included many characters who had appeared throughout season one to really emphasize the scope of Hunson Abadeer’s doings. At the same time, that episode also made the audience see how truly huge Ooo actually is. Due to the sheer amount of characters in this miniseries, Elements does something similar, allowing us to tour the sprawling lands that a boy and his dog (and by extension, ourselves) have roamed through for almost eight seasons now.

On the production side of things, everything is pretty grand. The background artists conjured up some truly beautiful element-infested set pieces, and the character designers went all out, ensuring that those who befell the slime elemental are noticeably goopy, and those who were tainted by candy are sacchrine to the point of horrifying. In fact, the candyfized denizens of Ooo are some of my favorite designs that the show has ever produced. In regards to the storyboarders, everyone turns in consistently solid work. There are no duds, but at the same time there are no real standouts, with the exception of Graham Falk and Kent Osbornes work on “Cloudy” (discussed later). I’d argue this is a good thing, since a miniseries should be a consistent whole. In fact, Islands struggled a bit because it was sprinkled with some really, really good episodes, which were surrounded by episodes that either were not quite there, or detoured from the main plot.

So, as you can see, there was a lot to love about this miniseries. At the same time, there were a few elements of the miniseries that felt kind of deus ex machina-y. Finn magically have the Farmworld Enchiridion came out of nowhere, and while this plot development is not something that makes or breaks the reality of the series, it would have at least been nice for the show to have established that Finn snatched the book after the climax of “Crossover”. In a similar way, having LSP be the ‘anti-elemental’ was not unreasonable, but it was set up in the quickest, most out-of-left-field way. The show should’ve made why LSP was unaffected a central mystery to be solved.

The miniseries also struggled at times with how it characterized the main players, with perhaps the worst offender being Betty. The episodes featuring her that led up to this have suggested that she’s a bit off her rocker, but near the end of Elements, she was downright mean to Finn and outright hateful to Ice King. Her behavior left a rather sour taste in my mouth, and so when she was zapped to Mars, presumably to pay for her magical meddling, I really wasn’t that saddened. After all, she very nearly did destroy Ooo due to some selfish desire. I only wish that the show would have placed her in a more empathetic positions—after all, losing a loved one is really hard, but it doesn’t justify treating others like total jerks.

Patience St. Pim also suffered in terms of characterization. In season 7′s “Elemental”, she was defeated and understandably angry. Then, earlier this season, she seemed to be setting up some diabolical master plan. Both episodes suggest she is crazy-powerful and about to unleash something really bad upon Ooo. In Elements, however, we learn that her plan was simply to super-charge the other elemental gals with magic, but that this ultimately backfired. Wah wah. Patience makes an appearance in “Winter Light”, largely to mope about how her plan backfired, and then she pretty much disappears from the miniseries’ plot. Frankly, this is disappointing. To put it more bluntly, she’s a wasted villain, emasculated for seemingly no good reason. Why did not the show use her as the main problem to be overcome?

But ultimately, my biggest complaint, if you can really call it that, is that the Elements miniseries was not much different from Adventure Time’s usual fare. In fact, this miniseries was almost like they took a normal, 11-minute episode and stretched it until it was 8 times its original size. Stakes used that extra time to delve into Marceline’s backstory and explore the psyches of her adversaries, and Islands made us of this extra time to explore Finn’s backstory in detail. Elements, on the other hand, drags out a “collect the gems” plot for the last half of its run. This means that the excitement promised by the first few episodes is largely evaporated when Finn et al. set out to find yet another gem. In other words, I’m not quite sure why the crew felt it necessary to tell this story in a miniseries format.

What all of this means is that Elements isn’t bad—honestly, far from it—but that it rather isn’t that amazing, either. I’d consider it, in terms of tone and plot, to sit among other ‘standard’ Adventure Time episodes that succeed at telling a fun story, but are nonetheless not on the same level as “Simon & Marcy”, “Min & Marty”, or “Evergreen”.

But let’s talk about “Cloudy”.

I know that my above rantings might sound like I hated this miniseries, and I didn’t. In fact, I absolutely adored the fourth episode, “Cloudy”. Based on a scrapped first season plot, this episode places Finn and Jake on a cloud for 11 minutes and just lets them be. They give each other imaginary haircuts, talk about their feelings, and try to hold their bladder. It’s cute and relaxing, and it really affirms why I love these two characters. Ultimately, the episode doesn’t have much to do with the Elements miniseries, although it does serve as a sort of interlude, allowing the episodes to shift from the creepy-drama of the preceding three episodes, into the more find-the-jewels mode of the final three. It’s a respite and a pivot, and in that regard it works wonders.

It’s also a delightful episode on its own, even viewed outside of the miniseries. Were I to have never seen Elements, I’m pretty sure I could’ve still enjoyed “Cloudy”.

Mushroom War Evidence: Nothing.

Final Grade:

Elements was Adventure Time’s final foray into the art of the miniseries, and I think it was a decent note to end on. It could’ve been better (as my review makes clear), but it was ultimately a fun trip. In terms of how I’d rank this among the other miniseries, it goes:

Stakes > Islands > Elements

Ultimately, I liked all of the miniseries in their own ways, but I only felt that Stakes really knocked it out of the park consistently. But then again, I love Marceline more than most of the other characters, so what do I know?

12x23: Destiel and s13 set up

So… pretty much everyone is dead or removed into a different dimension other than Sam and Dean…

I’m not going to go into the whole alternate universes discussion as so many good points have already been made. For me its just a plot point to take Lucifer and Mary away at the same time as Cas, to lead to the s13 starting point of winning Mary and Cas back and eventually having Lucifer back on the board too, when Jack has done his ‘bad things’ and has been pointed towards the ‘righteous path’ by a certain couple of someones…

To keep it brief because I’m just very late to the board and I can see there has been so much meta and speculation already, here are my thoughts:


- Cas is dead. 

Originally posted by yourfavoritedirector

Yeah, this is exactly what I expected  *happy dance*

As you will all know if you have read my ‘break up theory’ meta which is just taking standard romantic story line structure and seeing where they fit, which they PERFECTLY fit into by the way, since season 4 til now now, at this ‘break up’ point which is where for example Ursula looks like she’s about to win Eric away from Ariel or the Beast has to let Belle go back to her father… it’s the last 20 minutes of the movie, basically. 

I had said that 12x19 was going to be an argument and chosen separation, which it was, 12x20-22 was going to focus on Dean’s inner self and self acceptance, which it did, and 12x23 was going to have a forced separation, which it did. What could be better than Cas’s death at this point?! Seriously? For Dean, who has JUST figured out that he doesn’t want to hide behind his facade anymore, to have to now deal with losing Cas RIGHT AT THIS POINT. I nearly want to say ‘you can’t write this shit!’ but…clearly you can, thank you Dabb & Season 13 writers!

I’d even speculated about the fact that Mary would also be taken away at the same time (in order to downplay the Pining!Dean of course), but I hadn’t factored in that they would be taken away in separate ways, which is an interesting way to do it, but essentially still boils down to the same thing character-reaction wise.

There were only 2 things that I didn’t like in the way that this was done:

1. We didn’t get a hugely emotional reaction from Dean after the initial shock, but man, the initial shock stuff was GREAT (the screaming, the parallel with Sam/Jess when he’s pulled away, then the parallel with Cain/Colette when he falls to his knees…) BUT now we know that they filmed what happens next already? Jensen hinted that Dean cries? Also that we will see more reaction about this death in 13x01.

2. That Cas’s death felt like it was very much geared towards being a tool for Dean’s man pain, without telling us one way or another if Cas was being manipulated by Jack, whether Cas was right or wrong in his choices. Not treating this death as something relevant to CAS but only to DEAN. That really annoyed me as a big time Cas fan (but still mainly a Dean girl). BUT again, we have been told at Jibcon that the important thing is how this death AFFECTS / TRANSFORMS Cas so this is again going to be relevant to season 13. 

So I’m totally forgiving them for not putting it in 12x23 if we are going to get it in the next episode and they told us at Jibcon so hellatus isn’t so hellish :)

Basically, it’s all on track for endgame Destiel, *yay*.

- Sam & Jack. Well…

Originally posted by randommagpie

I still do believe until proven otherwise that Jack still has a CHOICE to make about which way he takes his life and what he does.

I’ve said before that this season and now I’m even more convinced that season 12 was so Dean focused (and Cas) that season 13 should be very Sam focused, which it now looks like it definitely will be. I was thinking endgame Mol!Sam anyway but to have that kind of pushed forwards in 22 was… well honestly I found it slightly jarring in it’s speed, but hey. Now with Mol!Sam on track and Jack too, with Sam being the one to find him… yeah, season 13 is going to be VERY Sam focused.

The Nephilim story is a huge part of tieing up Sam’s self-forgiveness arc that centres around being Lucifer’s vessel, the bad choices he made to start with with Ruby, the demon blood, even then in s11 going back to the cage, but also the good choices he has made… the link between him and Jack is going to be key to his endgame arc.

I fully expect and hope to see Jack make some very bad decisions to start with but be led to being good in the long run by the boys, the Righteous Man and the Boy who rejected Lucifers plan for him, and probably eventually the Fallen Angel in love with Humanity, the direct mirror to his blood father … 

For me this is where I see the story going in the long run. 

I may be wrong but honestly I don’t see how it can be any other way, given the narrative over the last 12 years for the core characters: the overriding theme of free will, of choices and heart (love), of family being chosen, not just blood, all this creating who you choose to be as a person. If Jack ends up evil, fine, but it will have to be his CHOICE to be evil, and honestly, I don’t see that this is where they are going with this.

Cas is also linked to Jack in whatever way it is with the yellow grace, the fact that Jack chose Cas and Cas seems to have chosen Jack, whether it be against his will or not is yet to be seen and can only be speculated about, even though I have my own mind made up about this until proven otherwise…

But ALSO their stories are so similar - literally both stuck between Heaven and Earth.

Jack will be key to both SAM and CAS’s arcs next season, which makes total sense after s12 was all about Dean and deconstructing Performing!Dean, it was absolutely beautifully done.

- Other aspects: 

Crowley is Dead, but for me he went out in a really good way and tbh I would be a bit upset at this point if they brought him back after that excellent Death.

The important thing is how this relates to Dean - who just the episode before has basically let down the walls to Performing!Dean, the ‘dark side’ that is sometimes associated with Crowley. 

Then Crowley (who represents this dark side of Dean), dies after SAYING HE IS JUST DONE WITH IT ALL and kills HIMSELF.


Rowena’s death not so much but then again, she was always a villain until recently and, like Crowley, I understand that people like them both, but when you look at the awful things that they have done, to be honest, I’m not so hot on a redemption arc for them. Dying in a good way is what I would have wanted for both of them and Rowena’s death pisses me off as we were robbed of that (if she isn’t going to somehow come back).

AUs don’t excite me and IDGAF unless they give us some good plot points and character arcs that tie in. 

Lucifer & Mary. Will be back for plot reasons, honestly, I hope they keep well out of season 13 until it is time for Jack to help out and if they are literally in 2 episodes I will be happiest but I doubt that, they will drag them and the stupid AU out for much more than its worth but eh, ok, fine. Shrugs and sticks to caring about the character driven storylines that will take place around this.

Overall, this wasn’t the character - driven finale I was hoping for, there was way too much faffing around in the AU, which I really don’t find interesting, way too much Lucifer BUT the themes are carrying forwards into season 13 as I had hoped they would, Cas’s death seems to be going to serve exactly the purpose for both his arc and Destiel that I would hope and this episode coupled with 22 makes me even more confident in my endgame wishlist.

Tink’s Endgame Positive Wishlist :

Originally posted by dustydreamsanddirtyscars

- Mol! Sam (and Eileen, Chuck I’m still bitter about that though, I really hoped her death would turn out to be a misdirection). Pretty much CHECK.

- Hunter / Mol collaboration with Sam and Dean as leaders. Pretty much CHECK.

- End of the brodependency, Dean acknowledging he was Sam’s parent and letting him go. CHECK.

- End of Performing!Dean. Pretty much CHECK.

- Destiel. Pretty much CHECK.

- Human!Cas and self worth and belonging for his arc. TBA probably next season, what happened this season makes no sense if not to lead to this.

Dope Road-trip Playlist.

Side A

1. All Night Longer By Sammy Adams

2. Battle Scars By Lupe Fiasco Ft. Guy Sebastian

3. Beautiful By Eminem

4. Buzzin’ By Shwayze

5. College Humor by Mike Stud

6. Counting Stars by One Republic

7. Dark Blue by Jack’s Mannequin

8. Day N’ Nite By Kid Cudi

9. Demons by Imagine Dragons

10. Don’t You Worry Child by Swedish House Mafia (Cover Alex G and friends)

11. Everything Has Changed by Taylor Swift Ft. Ed Sheeran

12. Forever Unstoppable by Hot Chelle Rae

13. Give Me Love by Ed Sheeran

14. I Hate College by Sammy Adams

15. I Wish by Sammy Adams

16. If I lose Myself By One Republic

17. I’m Not Sorry by Mike Stud

18. Island In The Sun by Weezer

19. It’s Time by Imagine Dragons

20. Just A Dream by Sam Tsui and Christina Grimmie

21. You Could Be My Girl by Shwayze & Cisco

Side B

1. Kiss Me by Ed Sheeran

2. L.A. Story by Sammy Adams Ft. Mike Posner

3. Love Is Overrated by Shwayze

4. Man On The Moon by Kid Cudi

5. Mind Your Manners by Chiddy Bang

6. The Monster by Eminem Ft. Rihanna

7. No Faith In Brooklyn by Hoodie Allen

8. No Interruption By Hoodie Allen

9. Opposite of Adults by Chiddy Bang

10. Past Gone by Mike Stud

11. Pursuit of Happiness by Kid Cudi Ft. MGMT

12. Radioactive by Imagine Dragons

13. Rap God by Eminem

14. Sail AWOLNATION (Feed Me Remix)

15. Slide by Goo Goo Dolls

16. Soundtrack To My Life by Kid Cudi

17. Story Of My Life by One Direction

18. Up, Up, & Away by Kid Cudi

19. Young, Wild, & Free by Wiz Khalifa & Snoop Dogg

20. #1Nite By Cobra Starship

21. 22 by Taylor Swift

Yup. I think I’m ready to jam. [:

SG-1 fanfic in which Carter ends up in an alternate reality by mistake. she’s gotta figure out how to get back home, so attempts to discover if the SGC exists in this reality. She hasn’t experienced any Entropic cascade failure which leads her to the conclusion that she must either not exist or is dead in this reality. 

Upon finding that the SGC exists, it isn’t what it once was. Destroyed and no longer exists. Venturing inside, to her surprise finds Daniel. Whom, is shocked to see her alive. Daniel explains that in this reality, the symbiote Hathor implanted in Jack took hold. As a Goa’uld he became impossible to stop with having Jack’s knowledge. 

Upon becoming Goa’uld, he forced Teal’c to be his first prime, in exchange for his life and that of his friends which he lies about. At some point killing Sam. 

Goa’uld!Jack returns to the SGC, as he’s taken it over, and is more than shocked to see Sam, yet amused. Unable to fight alone, the Goa’uld!Jack is able to take her hostage. In a course of questioning (and torture lbr) to find out how she got there, actual Jack is able to break through the Goa’uld’s grasp. Pleading her to kill him, he’s already hurt so many people. Including her, he needs to be stopped. It’s the only way that will fix things. 

When the Goa’uld takes back over, Sam eventually sees no way out but to kill the Goa’uld, taking Jack with him. With Daniel and Teal’c’s help, she’s able to get back to her own reality. But then has to face her Jack. Alive and well but with the memory of killing him. And just dealin’ with that. 

May 21, 2017...

We made it back today. Sam wouldn’t let me just drive us straight through since it was a 25-hour drive on normal highways, but we’re back at the bunker. Don’t really know if that’s a good thing or not. The place is a mess.

He’s not pushing, but he filled me in on the kid that’s not a kid anymore. He never really was a kid, more like something straight out of alien. I’ll figure what Jack actually reminds me of later, but that’s a story I need to figure out how to tell and it’s not happenin’ tonight. Sam went to bed already, but I know he’ll be up for a while. He’s giving me space but he doesn’t know how much; never has. For the record, I don’t know either how long, but the last few days are getting harder and harder to let go the more I think about it.

So I’m not thinking about it right now. I got my pal Jack Daniels with me and we’re searching for a case online. There’s a few that look like our kinda weird, but too far away for us to drive without Sam asking me something I don’t wanna answer. I’ve sent them to Garth and Jody, though. They’ll know how to handle it and send it out to other hunters now that there’s somewhat of an all clear from the Brits’ side. That’s another story, but I’ll get to that one sooner probably.

So… what do you need to know, huh? I barely know what I need to know, but I know it’s something else that won’t bore you. Like I said yesterday, sorry but I’m still processing through everything. Maybe tomorrow, or maybe Wednesday. Yeah, Wednesday sounds good. It’ll be beer run day anyway and I’ll have to figure something out. That’s kinda how I am sometimes. Mom… never got to really see that, but I sure as hell know I got it from her. Cas would try to do what Sam’s doing, only he and space are about as similar as Tom and Jerry, so who knows how long it would’ve been before he tried to say something.

I’m trying here guys. Maybe that’s what you need to know. I’m trying.


Yesterday | Tomorrow

Sam: We're the good guys. We - we don't just kill children. (5x06)

Olivia’s story in Ask Jeeves brought up the difficult question: what to do with the children of the monsters that hunters kill? It’s a topic that Supernatural has touched on before, but which has rarely been resolved; and which fits neatly into this season’s themes of choice, consequences, and responsibility. (requested by sweetsamofmine)

A Friendship Caught Fire chapter 11

A huge apology to all followers of my story. I had a computer crash and lost all that I had written so far. It was really hard to find the motivation to get back to writing after this. The following chapter is my struggle back into the story and I hope you’ll enjoy it anyway. I’ll try to update regularly again!

Hell in the city of Angels

The next month is hell. Sam isn’t sure whether it is luck or tragedy, but they’re separated for most of the filming. Sam is filming the worst scenes of the whole series. Jamie gets tortured and raped by Black Jack Randall and although he is grateful for the challenge of his acting, the stress of it and the emotional drain is slowly wearing him down. He comes home exhausted and it is getting harder and harder to shake off the feeling of sickness and depression, especially since Cait is not there. They haven’t talked since they came home, at least not privately. Not once outside the few scenes they had to film with each other.

Sam feels her eyes resting on him when they part after each scene. More than once she comes after him, when he leaves the set, but he almost runs to his trailer, doesn’t look around and closes the door behind him before she can reach him. He hasn’t answered her phone calls or texts either.

He just can’t.

It’s not that he is pouting or that he wants to behave like a child, but he just can’t talk to her. He doesn’t know what to say and he’s afraid he will break down and beg her to come back to him or – even worse – cry. Because that’s how he feels. Utter despair has taken hold of him. He hasn’t been as heartbroken over a breakup ever and he is feeling guilty. She wanted them to take things lightly. She wanted them to not rush into a relationship, because she knew the danger behind it all and yet he managed to fall in love with her head over heels and so completely that it left him unguarded and unprotected. Now he he has to pick up the pieces of his heart somehow without her noticing. Without anyone noticing. He goes to the gym daily, sometimes even twice a day. It’s the only way to release part of the stress.

The wrap of the season comes and with it the wrap party. Sam is so relieved, that it is finally over, that he allows himself to get thoroughly drunk and so does Cait. And finally, with booze clouding his mind, they can chat and laugh with each other again. Their defences are down, everything is bathed in a warm light due to buzz and exhaustion. As the evening goes on, they inevitably get closer, drawn to each other like magnets. Not long and she cuddles into him, he has his arm around her, leans close to her, smells her perfume and breathes her in. He feels her hand on his thigh, her breast squashed into his chest and his own hand is resting at her waist, moving slowly down to her hip, spreading and pushing her closer to him. Ron takes a picture of them and many weeks later Sam will laugh about his expression and how utterly wasted he looks.

There’s no way any of them is going home alone tonight. Sam knows it and Cait knows it, too. Luckily Maril is so drunk herself, that she doesn’t notice anything around her any more, so when the two of them call it a night and say their goodbyes to everyone, no one seems to notice or care that they’re leaving the party together. It’s not the first time anyway after all. Davie drives them and that’s a good thing, because he’s more discrete than the other drivers and doesn’t comment when Sam tells him he doesn’t need to wait for him at Cait’s flat. He just drives off and they stumble up the stairs to her apartment. They start kissing and making out before they even reach her door and almost break Cait’s key in their drunken attempt to open her door while fumbling with their clothes.

Finally they get the door open and Sam closes it behind them with a bang that makes Cait giggle. They’re a mess, leaving a trail of clothes behind them on their way to the bedroom, stumbling and fumbling drunkenly and giggling hysterically while bumping into furniture and the walls.

When they fall onto her bed a few seconds later, they both sigh. Sam is feeling slightly delirious, his mind is clouded by drink, by sensation, lust and love. He’s kissing her sloppily, hungry, wet kisses on every part of skin he can reach. He can’t get enough. His lips travel lower, suck at the underside of her breasts and lower still over her belly, her navel to her hip.

He can’t remember later how it all ends, what he does, what she does, how they respond to each other, how they come together, how they join and then move with each other. But when it happens, it’s completion. It’s white light and explosion and starlight and it is the most powerful release he’s ever had. He doesn’t remember anything beyond that, just how they cling to each other and that he must have felt asleep like that. In a tight embrace, holding on for dear life.

The next morning he leaves before she wakes up. He leaves a message. It takes him ages to write it.

“Dear Cait” it says. “You want a break and I will respect that. I’m giving you space, if space it what you need. But I’m only a call away. I’ll be in LA the next months. Love, Sam”


LA is it’s usual self. Hot, dusty, huge. He’s visiting friends. Amy and Lauren, of course and Luke and his girlfriend also fly over. They’re having silly fun. He’s drinking too much, partying too much, having too much sun. But he’s also feeling more and more relaxed. Only now he is comprehending how much the long months of filming have worn him out and how much he has needed this break from Jamie. The fans go into a frenzy when he’s filmed with Amy, trying out the “Dirty Dancing” lift in a pool. Sometimes he just doesn’t get all the attention. What do they want from him? Amy is cool about it, thank God. She just shrugs it off, that all the sudden she is getting hate on social media and all because of him. “You’re a star now, Babes,” she says and laughs, but he is embarrassed and uncomfortable.

Cait hasn’t called, but she texts him from time to time. Friendly things, sometimes funny, sometimes just asking if he’s OK and having fun. It’s not deeply personal, but it’s better than nothing. Of course he can’t stop his heart to beat faster and jumping into his throat every time he sees a text from her. That much hasn’t changed. He’s waiting for her call, but less and less he is expecting it.

He snaps when he hears she is seen with a dark haired guy all the time. That’s when he agrees to go to a few events with some girl he barely knows. His PR agent has advised him that he needs to be seen with a woman. He has always laughed such stuff off, but this time he goes to a Halloween party with the girl. It bombs. He’s usually good with people and can talk to almost everyone, but he really has nothing to say to her nor has she to him. If it wasn’t so annoying, he would laugh about her bored face on all the pictures. Unfortunately he has agreed to do at least three events with her and so he does, but he’s convinced they both breathe a sigh of relief when they can go their separate ways again. He swears he won’t do fake Hollywood relationship buzz again.

It’s the moment he knows he has to go out of here. A few weeks in Los Angeles and he feels as if his identity is taken from him and the earth pulled from under his feet. It’s unreal, fake and all political. He’s longing for Scotland. For the nice bubble of filming and love, that he and Cait had for a while. Where has it disappeared to? What has he become?

So he flees for a bit. He drives to Big Sur, goes climbing. All alone and he finally can breathe again. He decides that the LA scene just isn’t for him.

When he comes back it’s time for the BAFTA tea. Sam is nervous and excited, because he knows he will see Cait again. He even can’t contain himself and tweets “Guess, who I am gonna see tonight? #Sassenach” on twitter. The fans are delighted and it warms his heart to read their enthusiasm.

She is classy as always. And so beautiful it takes his breath away. Just a look at her and he is all back where he was, enchanted, entranced, in love. They can’t really talk privately, but it is good to stand next to her, feel her smiling eyes on him, hear her laugh and smell her perfume. He wonders what goes on in her head. As usual she is better at hiding her feelings as he is. They have to be professionals and to answer questions and he later wonders what he said. His mind certainly wasn’t in it, it was all with her. How beautiful she looks and how much he wants to talk to her. Really talk to her.

But then the party is over and before he’s able to say something, she is hustled off by some people. Her friends are there, Karolyna, of course and Trouble, too. Also a dark haired guy, that Cait introduces to him off handedly as “Tony”. His heart feels like ice all the sudden. Is that him? Is that the guy he has heard about?

He bites the inside of his cheeks and musters a smile to all three of them. He knows he has a glass face when it comes to her. He won’t show his disappointment, he has some pride after all. So, when Cait hugs him, he leans in in what he think is a casual manner and also manages to suppress the urge to kiss her neck, that is so invitingly close to his lips. He closes his eyes for only a second, then he straightens and smiles at her. This is it. Friends. He has to accept it.

But then, right before she turns around to Karolyna, she touches his arm. “I call you tonight,” she says quietly. And just like that hope is back.

Angelina’s Masterlist

This is my full Masterlist. I hope you enjoy reading them as much as I enjoyed writing them.


The Dean & Annaleigh Trilogy (Dean x OFC Annaleigh)

The Convention Connection Series (Jensen x Nicole)

Leather and Sunglasses (Jensen x Reader)

Leather and Sunglasses - Part 2 (Jensen x Reader)

Hush Little Baby (Jensen x Reader)

Wherever You Are (Dean x Donna)

This Is My Story Series (Jensen x Reader)

A Christmas to Remember, Forever and Always  (Dean x Reader)

Christmas Traditions (Dean x Me)

A Wish Is A Dream Your Heart Makes Series (Dean x Reader collaboration)

My Safe Place (Dean x Reader)

Tastes Like Heaven (Dean x Reader)

Lighten The Load (Dean x Reader)

Home (Dean x Reader) 

Straight Shooter (Dean x Reader AU)

I Hurt Myself Today (Dean/Demon Dean x Reader) 

The Simple Things Aren’t Always So Simple (Jensen x Reader Masterlist)

On The Ropes (Dean x Reader AU)

On The Ropes Part 2 (Dean x Reader AU) 

Wave On Wave (Dean x OFC Isabella)

Fast Cars And Freedom (Dean x Reader) 

Faulty Handles (Dean x Reader) 

Everything is Easier With You (Dean x Donna)

Show Me Your Scars (Dean x OFC Meredith AU)

Mine Would Be You (Jensen x Reader) 


Beautiful Chaos (Jared x Reader AU)

Beautiful Chaos - Measuring Time (Jared x Reader AU)

Waking Up (Sam x Reader) 

Happy Beginnings - Waking Up part 2 (Sam x Reader)

Small World (Sam x Reader) 

I Heard Every Word (Sam x Reader)

This Changes Everything (Sam x Reader x OFC)

This Changes Everything - Part 2 (Sam x Reader x OFC)

Other/Multiple Characters:

Today Of All Days (Crowley x Roxy)

Birthright (Jack Winchester OMC - no pairing)

Group Therapy (Dean, Sam x Sister!Reader) 

Friendship Is Constant (Team Free Will, Mary Winchester)

Blood Bond (a Dean x OFC, Sam x OFC  series with @chelsea072498) 

The Story of Us Masterlist - Cas x Nini (written for @thegreatficmaster for Valentine’s Day) 

Godspeed Dean Winchester (SPN Buddy Writers Challenge collab)

Seize The Day (Dean, Sam, OC) 

Follower Celebrations:

Angelina’s Follower Celebration GIF Drabbles

Angelina’s 115 Celebration Masterlist

Angelina’s 1K Follower Graphics Requests 

Mama & Angelina’s Fabulous 300 Masterlist

Break The Zone

Challenge 1 

Challenge 2

UPDATED 5/21/2017

Was thinking about Reader-Insert fics yesterday. I generally avoid them; they just bug me, for some reason, though I’d never really explored that.

And then I got to thinking about the “Zombies, Run!” story/running app (oh, hey there, fandom I didn’t know was making creative content…), and it’s pretty much the definition of Reader-Insert. You ARE Runner 5; people are talking TO YOU. And I love it, so very much. But then, at least according to AO3, the biggest ship is you (Runner 5) and the radio handler Sam Yao, and while I freaking ADORE Sam…no. It still makes me squirm away.

Now I’m wondering if it’s just a stupid low self-esteem thing at the root of it. That would be typical for me. 🙁

(I’m gonna go read the Jack/Eugene fics, though, along with the Paula/Maxine. God, I don’t even really read much femslash, but I could start for those two.)