the stone of destiny

anonymous asked:

For the overshare, how about 52?

52. Have you ever stolen something?

THE STONE OF DESTINY.

The Stone of Scone (aka the Stone of Destiny) was once used in the coronation of the Kings/ Queens of Scotland (and later England).

In 1298 the stone was taken to Egland by king Edward the 1st as the spoils of war, where it remained until 1950.

On Christmas day of 1950, four Scottish students drove to Westminster Abbey to steal the stone, but it broke in half during the removal. They buried the larger half before returning to retrieve it later and taking it back to Scotland. The search for the Stone of Destiny proved unsuccessful for an entire year, kept safe in Abroath Abbey under the protection of the Church of Scotland until it was eventually discovered and sent back to Westminster Abbey in England.

However, due to the political unrest in 1996, the British Government decided that the stone would be kept in Scotland when not used in coronations, and has been kept in Edinburgh Castle alongside the Crown Jewels of Scotland since.

2

Throwin’ the Bones

Of the divinatory techniques with which I am familiar, bones are my personal favorite. Yes, they have that very witchy vibe – but it’s more than that; the bones are honest. They don’t sugar coat, and while they have to be interpreted, once you know how to read them – there’s little room for interpretation. They are very direct and are much better suited to answering yes or no questions than tarot. With a little imaginative methodology, there few questions the bones can’t answer. And even fewer they won’t answer (as tarot cards can be known to do). A few examples of things I think the bones are better at answering than tarot: questions involving time, questions regarding health, sickness and maledictions; they present a broader grasp to any given situation – incorporating things outside of the question presented and how these things relate to the question or the reading, showing the interconnectedness of life – and how these things all relate back.

Our countless cultures have countless methods for collecting and reading the Bones – and I can only rightly attest to my own methodology: one in which the Bones need not necessarily consist solely of bones, but a collection of gathered trinkets and curios, all with their own meaning, their own story and their own energy. My collection consists of: bones (bare and painted), coins, stones, shells, jewelry, twigs, buttons, animal teeth and other squabbles. The only rule I implement is that the item can be easily gathered and (safely) tossed without breakage or injury (save your razor-blades and glass shards for witches’ bottles!).

Collecting the Bones and Bobbles

Most any small bones will do, though its recommended that you use bones that haven’t been cooked, as cooked bones have a tendency to get very brittle – especially in the case of chicken, which is quite common. In my collection I have a number of different animal bones: most are chicken, but I also have some raccoon and possum bones, as well as teeth and claws. I built a “base” of bones, but am continuously adding or replacing as I see fit.

A short list of “Bones” I like to include – most of which serve as my “base” bones:

  • Self Bone – used for the reader
  • Other Bone – used to represent another person or the person you are reading
  • Magic Bone – represents the need for or use of magic
  • “Evil” Bone – malicious or hateful acts, disadvantageous behavior
  • Love Bone – represents romantic love
  • Male Bone – represents male fertility, masculinity, sexuality or a man
  • Female Bone – represents female fertility, femininity, sexuality or a woman
  • Health Bone – represents physical or mental health
  • Wealth Bone – represents financial standing or monetary issues
  • Family Bone – represents familial connections or a family member
  • Fate Bone – represents destiny and your lifepath (I use a shell for this: open side up means an event can be altered, destiny is not set in stone; open side down, this path must be walked – prepare in lieu of fighting)
  • “Key” Bone – (I actually use a small key) which represents the key to any given situation, the remedy or problem at hand and its cause

This list is by no means comprehensive and I have many more bones in my collection with more menial meanings. This is simply a small list of options to be added to and adapted by whosoever casts the bones.


Reading the Bones

There is no right or wrong way to read the bones, there is simply your way and their way. Below I will dictate how it is that I do a general reading – again, this is just an example of one way, take and adapt to fit your own unique style or tradition!

  1. Begin by collecting your bones into your hand. I keep mine in a leather pouch, but don’t like to toss them directly from the bag as it doesn’t allow for much control – i.e. the bones fall out either in a massive, unreadable pile or they fly out in such a scattered way nothing is close enough to read. Throwing them from the hand allows for a rather contained casting, and one that can be read easily. I do not include the Self or Other bone, instead, the Self Bone is placed before the caster and the Other Bones is placed either in front of the person you’re reading for or simply in the middle of the casting area. When reading for yourself, place the Self Bone in the center and discard the Other Bone.
  2. Throw the Bones. This can be done on a square of cloth on which a circle (or any number of complex shapes) has been drawn or simply upon a flat table. If throwing in a circle, discard all bones that fall outside of it. These bones are null for the reading, though they can also be read as “far from the person’s mind/current situation.”
  3. Interpret the Bones. This is done by noting the location and connection of the bones present. For instance, note the Love Bones proximity to the Other Bones and the Male Bone. This could be interpreted as being the male love of the querent – but if the “Evil” bones is introduced, this could symbol ulterior motives or a hostile or explosive relationship. Read based on both their proximity to the Other Bone – the closer, the higher priority the matter is – and their relation to one another. It’s very much like investigating a big puzzle, putting it together piece by piece to form a comprehensive understanding of their life or situation. Also not their relation based on the third dimension: x bone seems to be overlapping y bone – is the x issue eclipsing an underlying problem or truth represented by y? It depends. Only through practice will you find clarity.
  4. Convey the message. I always like to spend a few moments making a variety of “hmm” noises when reading for others – it builds up their anticipation. Or you can throw in the occasional gasp or snarky smirk. Their responses are usually hilarious – even more so when yours are genuine! If you are reading on your own, it may be a good idea to sketch out a general map of the readings as opposed to taking a picture as often bones overlie others, which makes for a rather misleading photo representation. You might also find jotting down notes rewarding, especially in synthesizing a cohesive read.
  5. Once you’ve garnered all the information you can from that particular toss, feel free to specify: take the bone/situation you wish to examine and toss the rest again over it/them, reading the others through that particular lens. I.E. Who is this person mentioned? What are their qualities? What is the nature of this love? What magic is being referenced here? Follow that rabbit hole as far as you wish, building your understanding.

Do not be afraid to adjust your style! Want to narrow down a time frame? Make a sort of timeline with the bones. Wish to determine the source of an ailment? Shape the bones into the form of a body. I find the bones allow for far more creativity and ingenuity than cards. And above all – TRUST YOUR GUT.


Photos: These are photos of my “base” bones when I first started reading; since then they have probably doubled (if not tripled) in number and do not incorporate my other animal bones, claws or teeth. 

Full Official SU Soundtrack Song List

1. We Are the Crystal Gems
2. Let me Drive my Van (into your Heart)
3. Cookie Cat
4. Giant Woman
5. Strong in the Real Way
6. Steven and the Stevens
7. Big Fat Zucchini
8. Steven and the Crystal Gems
9. Dear Old Dad
10. Be Wherever you Are
11. On the Run
12. Comet
13. Destiny
14. Lapis Lazuli
15. Wailing Stone
16. Stronger than You
17. Full Disclosure
18. We are the Crystal Gems (Full Version)
19. The Jam Song
20. Do it for Her
21. What can I do (for You)
22. Tower of Mistakes
23. Haven’t you Noticed (I’m a Star)
24. Something Entirely New
25. Peace and Love on the Planet Earth
26. Don’t Cost Nothing
27. Empire City
28. Mr. Greg
29. It’s Over, Isn’t It
30. Both of You
31. Don’t Cost Nothing (Reprise)
32. I Think I Need a Little (Change)
33. Here Comes a Thought
34. Still not Giving Up
35. I Could Never be (Ready)
36. What’s the Use of Feeling Blue
37. Love Like You

Above all, we must remember the black worker was the ultimate exploited; that he formed that mass of labor which had neither wish nor power to escape from the labor status, in order to directly exploit other laborers, or indirectly, by alliance with capital, to share in their exploitation. To be sure, the black mass, developed again and again, here and there, capitalistic groups in New Orleans, in Charleston and in Philadelphia; groups willing to join white capital in exploiting labor; but they were driven back into the mass by racial prejudice before they had reached a permanent foothold; and thus became all the more bitter against all organization which by means of race prejudice, or the monopoly of wealth, sought to exclude men from making a living.

It was thus the black worker, as founding stone of a new economic system in the nineteenth century and for the modern world, who brought civil war in America. He was its underlying cause, in spite of every effort to base the strife upon union and national power.

That dark and vast sea of human labor in China and India, the South Seas and all Africa; in the West Indies and Central America and in the United States — that great majority of mankind, on whose bent and broken backs rest today the founding stones of modern industry — shares a common destiny; it is despised and rejected by race and color; paid a wage below the level of decent living; driven, beaten, prisoned and enslaved in all but name; spawning the world’s raw material and luxury — cotton, wool, coffee, tea, cocoa, palm oil, fibers, spices, rubber, silks, lumber, copper, gold, diamonds, leather — how shall we end the list and where? All these are gathered up at prices lowest of the low, manufactured, transformed and transported at fabulous gain; and the resultant wealth is distributed and displayed and made the basis of world power and universal dominion and armed arrogance in London and Paris, Berlin and Rome, New York and Rio de Janeiro.

Here is the real modern labor problem. Here is the kernel of the problem of Religion and Democracy, of Humanity. Words and futile gestures avail nothing. Out of the exploitation of the dark proletariat comes the Surplus Value filched from human beasts which, in cultured lands, the Machine and harnessed Power veil and conceal. The emancipation of man is the emancipation of labor and the emancipation of labor is the freeing of that basic majority of workers who are yellow, brown and black.

—  W. E. Burghardt Du Bois, Black Reconstruction in America, 1935, p.15-16

march-
my heart is no longer heavy from all the things I could not keep and wanted to. i learn that what is meant to be, always finds a way. it was supposed to happen like this. destiny. it was written somewhere in stone that i’d fall in love with you. without knowing from where or why. it would just happen. and then it did. and although you never learned to hold me like I needed for you too- you were honest. you could have never loved me. and i needed that. because you made room in my heart for love, because the part of me that still believes in loving a person has not died off yet. it was supposed to happen like this. i was supposed to lose you. you were not born the man i’d spend the rest of my life with, but you were born the boy who’d teach me that’s it’s possible to start over in your same home country. as it turns out, this heart is still mine even if it’s loving the wrong people.
anyways, i want to say thank you.
thank you for leaving me when you did.
thank you for leaving behind all that room for beautiful things to happen.
beautiful things have happened since then.
this new love, stronger love, is one of them.

9

Gadu, Toa of Stone

Employed as a guard, Gadu cares not for quests of destiny and conquest. Standing guard instead with his mighty shield and staff suits him just fine.

anonymous asked:

Quick! You're told to come up with an anime in an afternoon, what do you pitch?

Mythological College:

New Gods, Goddesses, Monsters, Etc from every piece of lore across the globe learning the tools and skills they need to take the places of their respective parents and dealing with the fact that their “destiny” is already written in stone and trying to find ways to not have to take over their parents jobs once they graduate.

-Done-

TYPE: Ghost Shell Recording

DESCRIPTION: Debrief

LOCATION: Tower

//RECORDING UNAVAILABLE//

//TRANSCRIPT FOLLOWS//

[Banshee-44] You take care of that gun, Holliday.

[Holliday] Cheers, Banshee. Thanks for the hardware.

[Banshee-44] Knew you once, didn’t I? Saw you at the tower. 

[silence]

[Holliday] Huh? See you at the Tower most every day, don’t I?

[Banshee-44] Nah, nah. Not the Tower. The tower. You were - aw, hell. Took your gun. Took it. 

[Holliday] My gun? You okay, Banshee?

[silence]

[silence]

[Banshee-44] Killed you with it. Was it you? Knew you, maybe. Did I? Killed you anyway. Don’t get to pick who’s on your side when you’re built to win. Didn’t use to, at least. 

[silence]

[Holliday] And then what?

[silence]

[Holliday] What happened next?

[Banshee-44] Lotta things happen. Over and over. Gotta kill to stay alive. Gotta kill to - gotta kill to win. Only way. You know what forever’s like. Do I know you from somewhere?

[Holliday] It’s me. It’s Holliday. You were telling me about the -

[Banshee-44] Not a gun you’d recognize. Nah. Only way to win is to kill. Stay alive. Last one standing. Used to be I had an army. Wait. Fought the army. All looked familiar. All looked -

[Banshee-44] Huh.

[Banshee-44] How many resets?

[Holliday] What was it? What were you fighting?

[Banshee-44] Like recognizes like. Dead things. Dead shapes. Dark reflections. I know enough to be afraid. Who ain’t afraid of themselves?

[Holliday] You mean -

[Banshee-44] What was it. Death. Nah. Maybe. Old gods. Old tower. Different tower? Doesn’t matter. Same thing everywhere. You can’t fight it. Can’t fight the world-ender without the right weapon. Told ‘em. Didn’t listen. And then what? You wanna kill forever? Just kill and kill and kill and kill and kill and -

[silence]

[silence]

[Holliday] Banshee. Banshee?

[silence]

[silence]

[silence]

[Banshee-44] You take care of that gun, Holliday.