I’ve spent the past few months attempting to figure out a framework for Ghost Physics in the Danny Phantom universe? Enjoy my crazed scribblings.
Cliff notes version: The Ghost Zone is our dimension’s 4D “atmosphere,” absorbing harmful trans-dimensional radiation. Ghosts are made of the Ghost Zone’s version of matter, called ectoplasm, a substance capable of 4D motion (video explanation of that), “toggling” how physical forces (esp. electromagnetism and gravity) interact with it, and storing huge amounts of energy. A ghost’s unique nervous system and encoded body plan (the ecto-signature) remains in the upper energy levels of the Ghost Zone at all times, remotely controlling their body. Danny can chemically change his body between ectoplasm and regular matter, and has both a normal physical brain and an ecto-signature.
Do you like the rainbow? Do you like the idea of playing with berry Sims but hate berry Sims? Do you want to mess around with aspects of the game you’ve never used before? Boy, do I have the challenge for you!
Welcome to the Not So Berry Legacy Challenge, a ten generation legacy with a focus on bright colors and new experiences.
Each heir must represent the color of the generation (i.e. hair, makeup, clothing), but brightly colored skin is not necessary (these aren’t actually berry Sims, that’s the joke)
The colors of the spouses don’t matter as they aren’t part of the challenge. Unless otherwise stated you can do whatever you please with them.
Money cheats can be used, but not excessively. Suggestion: use freerealestate for your first home, but no cheats afterward.
You may live wherever you please unless something is specified in the rules of a generation.
Every generation is supposed to complete both the career and aspiration of the heir unless explicitly stated otherwise.
Keep the lifespan on normal.
If you play this challenge and want to share it with us, go ahead and post with #notsoberry so we can see!
My good friend @alwaysimming and I kind of created this challenge on accident, but I think it turned out pretty great. We wanted to make something that forced us to play with parts of the game we’ve never explored before. Hopefully you’ll have fun too. You can follow our gameplay on @mintiphresh and @lea-fey (pronounced “minty fresh” and “leafy”)!
In honor of my 5th semester in a row of all A’s (hell yeah boiiiii) I’m going to make this post. I don’t know how I did it because I am honestly so lazy.
Grades are reflective of your work ethic and your ability to strategize, not your intelligence.
Be real with yourself. Are you sure you are ready to commit to perfect grades? Are you ready to work, day in and day out, when it sucks and classes are boring and hard? Are you ready to feel satisfied for all of the hard work you put in? If the answer is yes, congratulations. You are on your way to becoming a straight-A student.
Prioritize classes. Not every class requires the same amount of work, and you should find out the hardest classes early on in the semester. These will take the most time, and you will have to spend extra time and effort to get a good grade. When choosing classes, make sure you will be able to handle them. Make sure you will be able to ace all of them, at the same time. That being said, don’t shy away from hard classes. You have to challenge yourself. Take a few AP’s. They are worth it.
Make friends with teachers/professors, especially the ones that teach hard subjects. I am very close with my chemistry professor, and this has proved invaluable because I am able to get free tutoring, as well as a great recommendation letter for college apps.
Have other goals. You need to do something that is not studying to keep you productive. I would highly recommend joining a sports team or club. I exercise (usually running and weightlifting) at least 2 hours a day, usually more. Playing 2 sports made me more healthy, social, and productive. Running calms me down, and weightlifting makes me feel strong. Do whatever makes you feel good, as long as it’s healthy.
Learn to manage time well. How do I play 2 sports, get straight A’s, have a studyblr, and have time to spare? The answer is that I take care of myself well. I go to bed at 10:30 or 11 each night so I can get 7 ish hours of sleep. I do homework during lunch or in class so I don’t do it at home.
Slack off. Yep. I said it. I complete assignments strategically, spending the most time on things worth the most points. Things that will only take a few minutes can occasionally be done in class right before the teacher is collecting homework. I have done this all too often. That being said, small assignments really do add up so make sure you do an acceptable job and turn them in on time.
Turn something in. It is ok to sometimes slack off in quality, but if something is due, you better turn something in. Something is better than nothing. Getting extensions on assignments for no reason will make the teacher think you are lazy, or don’t care about their class. Every single essay and worksheet does not have to be your best work, but make sure you fill the basic assignment requirements, and it should be enough.
Extra. Credit. Some classes don’t offer this, but if they do, just freaking do it man. Knowing you can miss an assignment because you did extra credit earlier is the best feeling, especially when doing that assignment would have meant losing sleep.
Plan (sort of). I have a bullet journal where I write important assignments down. As I said, there are some assignments not worth your time that you can half-ass. The ones I write down are the ones I need to do well. If you write down every. last. assignment. you will burn out and stop planning altogether.
Sometimes, go above and beyond. You know that subject you really like? With an awesome teacher? Spend time on it. Make your project extra beautiful, and read ahead in the textbook. Watch video lectures online, and maybe even make a studyblr post about it. Your extra work might not be turned in for credit, but it will make you feel a whole lot more knowledgeable on the subject. Do this for classes you hate, too. Maybe it’s not as bad as you think it is. The extra effort might allow you to see the beauty in a subject you used to despise.
Be real with yourself (again). This past semester, I had a B+ for a few months in a subject I really love. I wasn’t mad, and I didn’t stress about it, because, honestly? It doesn’t really matter. Eventually I brought the grade up again, but it would be fine to me either way.
Unhealthily obsessed with video games, anime, Disney, or some sick combination of the three
One of the most sleep-deprived majors, but also surprisingly chipper (there are exceptions)
Instantly recognizable by their triforce t-shirts or Pokemon Go snapbacks
In spite of everything, they have the highest population of straight-edge asexuals
If you weren’t straight edge and celibate before, then prepare to be, because you’re about to disown all bodily urges and dedicate your life to drawing cartoon animals
Like Animation majors, but cooler and much better taste in fashion. A little less tech-savvy, though
Comic book nerds
Painting & Drawing
A friend of mine once said, “People who love animation go into animation. Then they realize it’s a ton of work and switch to illustration. Then they realize THAT’S a ton of work and switch into Painting & Drawing.”
Highest percentage of colorful hair and weird tattoos/piercings
Listen to music you’ve never heard of
Smoke a LOT, asthmatics beware
Kinda stereotypical stoners or high level artsy kids, but not that pretentious
Somehow even more conceptual and indie than P&D
Behind the ceramics building, there’s a sculpture garden of all the sculptures of students past. Every night, the campus closes at 4AM. They say it’s for security, but I say it’s because the sculptures all come to life at that point. I mean, think about it. The whole “spooky midnight hour” is so cliche, I don’t know anyone who DOESN’T stay up till midnight at least once a week. But 4AM? That’s the true witching hour. The hour that belongs only to the living sculptures (and architecture majors I guess)
Frankly, the least hygienic major
All the males and most of the females have a rank odor after being sweatily hunched over the steaming hot forges for too long
Might be stoners, but the chill, easy-to-hang-out-with stoners
Probably the most like a real family. I always walk by the Glass Studio at night and feel the breeze of warm air from their fire, catch a riff of tasteful classic rock, and hear the echoes of genuine laughter from within. It must be nice to have a home.
I dunno, I’ve never met one. They put on some sick gallery shows, though.
In spite of Graphic Design as an art not being super emotional or indie compared to, say, Painting, the GD majors are probably some of the most tortured souls I’ve met
I used to be best friends/date a GD major and watched before my eyes as she was crushed by the world around her from Freshman to Junior year. Honestly I’m not sure if she still goes here. We don’t talk anymore, it’s too painful. I miss her, or rather, I miss the person she used to be. The person she used to be before Graphic Design.
I’m now roommates with a poor little GD Freshman, and I worry about her every day. Not as a lover like with the last one, but as a parent. What will happen to her? How long will she last? Cheyenne, if you’re reading this, run away while you still can.
Gets excited about fonts and kerning.
I don’t really know what kerning is.
Outdoorsy and nature loving hippies
The chillest major, I envy them
Photography IS hard work, don’t get me wrong, but come ON! You travel to a beautiful mountain spring, snap a few pictures, and call it a day
Never need to pull all-nighters
Seriously, I deeply respect Photography as an art and all BUT
Some of them are also outdoorsy and nature loving hippies, the rest are hipSTERS
“I don’t watch ‘movies.’ I watch Films.”
Apparently they have something of a drug problem, i.e., half the class comes in stoned
My friend Chris said one of the film teachers plays Porno he made in class, I’m not sure if he was messing with me or not
Oh boy, Architecture
The coldest hearts of any major
The only nice Architecture majors are the first years. After that last final, something inside of them breaks. At that point they either crawl to a different major in submission, or become as sharp, straight, and lifeless as the buildings which they spend so much time designing
They literally do not sleep
Seriously, I was pulling an all-nighter last week (since the Architecture place is the only place open 24/7) and I swear to god there was an entire CLASSFULL of the Architects up and jamming from 10pm to 7am. I tried to sleep, but the Architecture majors just wouldn’t quit. Also, it was so cold there. So cold. Cold from the hearts of fifth-year Architects. I’m bringing my winter backpacking sleeping bag next time.
Mostly foreign exchange students, especially Chinese, Indian, and Korean
I don’t speak Chinese, Indian, OR Korean so I can’t say much else
Vaguely like Architecture majors, only they appear to have a normal spectrum of human emotions
What is Interactive Design? Honestly I don’t really know. Like making Apps or some shmuck.
Graphic Designers who love themselves
Obviously they’re very very VERY nicely dressed
Calm, confident, but also have fun sides
Most of the textiles students I’ve met are just stop-motion loving Animators
I think the ones that aren’t are probably like grandmas that love knitting or something
Honestly I didn’t know this was a major until like last semester
The only furniture major I’ve met was this Norwegian dude who looked like a greek god
We were once assigned to do a group project together but then he blew me off to go surfing so I had to do it myself. Seriously? Surfing???? Like I’d be mad but that’s a cool reason to blow someone off. Hell, I’d blow people off surfing if I had the easy life of a non-animation-major
“We have a writing program?”
They’re cool though
Get really excited about books. I’ve read only about three or four books so I kind of just smile and nod while they talk
Seem genuinely interested in other people’s stories
I’m not entirely sure what this is
Passionate about social justice and teamwork
Disclaimer: No offense to any of them (except architecture majors)
*At California College of the Arts from my relativley limited perspective as an animation major who frankly has only had minimal interactions with the others
Here’s the full transcript of Mark talking Darkiplier in the livestream
(Time approx. 3 hours, 52 minutes to 4 hours, 4 minutes into the stream. And, yes, this took forever). Thought you’d like this, maybe.
I’ve bolded stuff I find especially interesting.
Mark: Long ago, a long time ago, I liked to do these scary
edits because I just felt like doing scary edits and this is how Darkiplier got
born. And then what happened was over time Darkiplier became less and less
about the scary figure and more about this romantic figure, and it always
rubbed me the wrong way. And I kind of shied away from Darkiplier for a while.
And I really really really- if I was going to bring Darkiplier, and when we
thought about this, we thought, okay there should be a Darkiplier route. And that
was there from the beginning, and so when I wanted to do it I wanted to do it
my way, and I wanted to do it right, and I wanted to have this unending level
of creepiness. And at the same time, I didn’t want to step on the toes of Antisepticeye
because I know there’s a big fan base of that, and I didn’t want to get in the
way of that at all and I really don’t care that there’s more than one dark
personalities of people. But when I saw the opportunity to have this character
here, I spent like 8 hours editing this, like just meticulously every single
RBG. This is a layer, we green screened this one, I color corrected it, I
separated the RBG layers I added the shakes and glitchiness every frame. I worked
on the voice, too. The voice took me the longest to figure out. Like the
shakes! And my computer was dying this whole time cause I put my effects on
Tyler: The amount of time you had to spend rendering this.
Mark: And so, the audio’s actually three separate layers. It
would have been two, but Kathryn helped me out on that one to make it more
clear. It’s a normal pitched layer that’s edited, echoed, reverbed, mastered,
and convoluted which means it’s just thrown off to the left and right, and then
it’s a deep layer of that. But then to make it really come together- it didn’t
live without this center channel that wasn’t convoluted but was centered. But
getting that voice right was so pinnacle, so paramount to what I wanted to come
out of this. And we did like thirty minutes of shooting various versions of me
talking to the camera and I wanted to pick the exact dialogue that really kind
of gave away my idea of what Dark is in not a terribly obvious way.
Tyler: The other thing, this was supposed to all be one
Mark: But YouTube annotations, this new version doesn’t
allow you to link the same video multiple times, so these are literally the old
videos that I first did when Darkiplier first came about, like, these are the
ones, especially this one here, and then this is my cheap knockoff Darkiplier.
Amy: Canon Darkiplier.
Mark: Canon Darkiplier. And I’m going
to readily admit something. I joked about Darkiplier because it didn’t seem
like something people wanted to take seriously, and I’m okay with that on
certain aspects but it had diverged into multiple different facets and multiple
different personalities, and everyone had their own version of Darkiplier, and I
thought it was hilarious that, “Hey, here’s my version of Darkiplier, and he’s
an idiot.” Like, he’s just this weird emo kid. And then I stepped back from
that, like, I stepped back. And you can even- in that time, when I was doing
those videos, in this era, I was not very happy. I was kind of… I was
pessimistic about a lot of things. And I felt like that bled through in a lot
of things I did. And that’s why even October of last year I literally made Darkiplier
an emo character. And then when we were getting to this, I thought about it
like very carefully and I thought back to why I did it originally, and I did it
originally because, well, Darkiplier wasn’t even a thing. Darkiplier was not a
thing when I was making those videos. I just wanted to make some creepy stuff.
And then I thought about that, and I was like if I want to make a statement
about who this is, I need to own that and I need to put something out there
that is not ambiguous, because I realize that’s where I went wrong. I didn’t
have a solid character so obviously, people would come up with their own
versions, they would fill in the gaps where they saw fit. So, when I made this I
had to embrace it fully and fine-tune it down to exactly where I wanted. When you
choose the “fake” choice carrying through to this one, I really wanted that to
come through, except at the end to this video, where it gets silly, but that’s
because the real me comes in and the real me’s an idiot. And I’ve actually
watched this over and over again because I’m listening to the takes I put in
here and I’m listening to my inflection and my tone, my demeanor and I’m
imagining like how to refine it better next time when I bring him back, like
how to do it better.
Tyler: I remember now, I set up
Mark: Yeah, you did. You set up
the table we had to change it out for clear glasses because the green screen
was reflecting through. But yeah, even this, like the intersplices of anger, and
this is me getting real deep in the meta of Darkiplier, like if that’s even a
thing that can be- let me just pause it here. I don’t read too much into this
but if there’s something that I want to take seriously, I want to actually do right.
So, in my mind, Darkiplier is an entirely different person from me. But, much
like Warfstache, doesn’t obey the laws of physics. He exists in another world
entirely and bleeds through into this one. This is sounding really nerdy of me.
Tyler: I remember the Warfstache
Mark: So Completely unironically,
Darkiplier is a completely separate entity from who I am. But, he admires what
I’ve accomplished, and he’s very much… people picked up on this, and people
thought it was really creepy, because it’s what I wanted. He’s a social
manipulator. He is literally, 100% manipulative. He leads you into this false
sense of security, and he wants you to trust him because he wants to take
advantage of you. That is literally what I wanted for Darkiplier. And how
creepy and scary that actually is from the surface. Especially in this first
bit, where he says, “If dinner is what you want, then I can provide.” And I wanted
this to come across in a seductive way while also masking, like, this burning
rage inside that breaks through the suave nature of it. That was my clue to
reveal he’s not your friend. He’s not here to help you. He’s here to use you. And
that also came across when I was thinking about, like, the effects. Like, his
image shatters, he separates because he’s not entirely kept together, you know
what I mean? So, I wanted like the drastic impacts of the rage pulling back
suddenly to the calm nature and the demeanor and this last one, I was thinking
was especially telling. It’s not me trying to break through, it’s his shell
Kathryn: I love that.
Mark: Yeah? It’s my favorite of
all of them.
Kathryn: That’s one’s my favorite.
I have legitimately just gone and watched that bit.
Kathryn: It’s really good.
Mark: Oh, thank you.
Kathryn: I really like that.
Mark: Yeah. And number 1 the
visuals work hard on this one, but nailing the audio- that high-pitched ringing
that a lot of people were like wow that really hurts my ears, that was by
design. That was supposed to hurt because listening to him- a lot if
inspiration for him comes from G-man from Half-life 2 and 1, like this weird interdimensional
person that seems human but is obviously not and doesn’t obey the laws of
physics, and is just like this shell of a person that’s in a suit. Not a suit,
literally a human suit, and is trying to figure out how to puppet it right that
you believe him, but he’s really good at it. And that’s where the scariness of Darkiplier,
I think, really comes from, is because he seems like someone you can trust, and
he will manipulate you, and take advantage of you, and literally use you, and
to me that’s terrifying. Like that’s the antithesis of what I want to be and so
if I’m going to make an opposite version of me, he’s gonna be the fucking worst.
Like worse than any romantic story can ever bring about. He’s fucking awful.
Amy: It was convenient, though, I like
the way it goes from Relax to this, like the video “Relax,” because then people
were not expecting this. But it’s so nice to have it on Valentine’s Day. It
works so well.
Mark: And then came the bullshit
transition that we had to do. So, this is comical in a way.
Amy: It doesn’t drag it though.
Mark: Yeah it doesn’t drag. You
get the scary. Tyler’s here-
Tyler: In Mark’s suit, which I
have fit in, but not the pants.
Mark: He didn’t fit, we forgot to
get a tie, like, we printed out a mask, and I looked at this and was like I could
try to make this creepy, and then I went, I objectively can’t. Let me throw in
some punch sound effects.
Tyler: I have to make sure, cause-
Mark: He couldn’t see shoot.
Tyler: No, I couldn’t, and I had
to keep moving the mask cause there was one time we did this that the mask
ended up completely on the side of my head and I was just like, hey Mark, you can’t
touch my face.
Amy: The convenient thing about this,
though, with all the glitches is that you can hide stuff with it.
Tyler: Yeah, and there’s a reason I
never let go of Mark I have no clue where anything is.
Mark: Yeah, oh man. Oh, this, oh
my god. Oh, and secret Easter egg- you know who Dark is because he doesn’t have
a shadow. Totally intentional and by design.
Good! A little bit. A tiny bit. Très bien et toi ?(very good and you?)
Very good, thank you. We start our interviews with “can you give us your five favourites words in English or French. Or a French sentence”. Someone told me you knew a French sentence.
Comment vous faites un café si délicieux? (How do you make such a delicious coffee?)
OK, that’s good.
That’s all I have.
Do you say it very often?
What does France mean to you? Is it something, someone etc...?
Best people I’ve known... I think her, *shows a fan* I guess. Fabien Barthez.
Yes, Fabien Barthez. Harry, you’re 23 years old and you’re one of the best known pop-star in the world. Everybody has expectations with your new album and single Sign Of The Times. Why did you choose that song? This is not what people were expecting.
I think I wanted to.. I've always liked music that made me feel something. You know I think writing it I could feet something I wanted to bring it out. I think it's a good indicator for me of what the album is to me. That's why I wanted to go with that first.
Billboard wrote that the single was "one of the more ambitious opening statements in pop this decade". Not bad, isn't it?
Do you have friends working at Billboard?
I don't know anyone at Billboard.
When we listen to the song we think of David Bowie, Queen, who else did you think of?
I mean, I think everyone, anything, any song you've ever listened to growing up or throughout your life or you've enjoyed, inspired you. There are a lot of different things. I wanted to just write and see what came out. I didn't know what I sounded like to make an album. So this process was as interesting for me as I think it will be for people listening to the album for the first time.
Do you know French singers other than Serge Gainsbourg? That's a tricky question.
I know Woodkid. He directed my music video.
I think his videos are amazing, he's a really talented guy and I love French people so I worked with him.
When you're in Spain, do you say that you love Spanish people?
It seems like everything has been easy...
You think so? It's French.
It's not a Spanish tie, isn't it?
Can I see your loafer? Oh yes! What is the brand? That's not French, isn't it? It's Italian.
That's from the European Union!
It seems like everything has been easy for you, is it true?
Was what simple?
Your life, everybody wants a life like yours, with One Direction...
I mean, I feel very lucky to be able to make music, I feel very lucky to be able to make this, I feel very lucky today being in France and performing my song. I love this song. I can't complain.
What were the unpleasant things?
I don't know, say only one thing.
I think when you care so much about something, it's hard to get to the point where you feel like it's finished and it feels like you're adding and it never ends and it adds up. So I think the hardest part was getting into that point and be like "ok that's finished."
You said to the Rolling Stone magazine that most of the album was inspired by a woman. Really?
No I think, honestly, the album is much more about me than it is about anyone else. I think if I said the album is about a woman it kind of feels like, I don't know, I put a lot of work into this. I don't feel like it revolves around woman. It's a lot about me and things I've never said before. It's more about me.
How did you start with a boy band and end with a solo career? Is it complicated?
It's been a lot of fun. You know we were very lucky to get to do some amazing things and at the moment in our lives, we're in a time where everyone is trying their own thing and have a good time. It's been amazing to see everyone doing their own thing as well. If I can do as well as the others, it'd be amazing.
Do you call them everyday or text them? Do you use What's app?
I don't have that.
Yes we talk, absolutely. And everyone is bringing stuff out. It's been a lot going on. It's been a good time.
This is the album cover! Can you describe it? Why did you choose this picture?
Yeah. So, I don't know. I worked with photographer Harley Weir, I'm a massive fan of her work. And that's amazing and I was lucky enough to work with her. I felt like this was what I wanted.
Why is it pink? Why the water? Why your back? Why? It's beautiful but why is it pink?
I don't know, man!
Really? You don't know?
I don't know. I don't think I want...
Apparently pink is Rock'n'roll's colour.
Apparently so. I don't know. I think it means something to me and if it means anything to anyone else, I wouldn't want to take away from that by explaining it. I think the cool thing about stuff like photos and art is you can just leave it. You don't have to explain it.
Everybody sees what they want to see.
Have you seen this?
*video of people reacting to Harry's single*
Your fans record themselves while listening to the song for the first time. You can hear relevant analysis and apparently they all really liked it. Do you read what people say about you on social media? On Youtube, Twitter, Instagram? Do you use Instagram?
Yes I use it a little bit.
*The public disagrees with Harry*
Yes I use it a little bit. I mean I wish everyone was having as good time as the girl who was like that with her hands. That's what I do when I listen to the song.
Are you the one using your Instagram? Do you use your own fingers or someone else does it for you?
Yes, I do mine.
Do you still vote in Redditch?
That's where I was born?
I don't live in Redditch.
So you don't vote there. Where did you vote?
What do you think of the Brexit? Welcome to Europe!
Thank you very much, thanks. I mean, I don't really comment on politics. To me, anything that brings people together is better than things that pull people apart. That's ... yeah.
Yet, you are in favour of equality of rights, men, women, gay people, straight people... That's politics.
I don't know. It doesn't feel like politics. I think stuff like equality feels much more fundamental. I feel like everyone is equal. That doesn't feel like politics to me.
Your fans are fetishists. They know all of your tattoos, piece of jewellery, they have heart attacks when you cut your hair. Right now you're playing with their feelings. Do you know that?
Yes! What is your favourite tattoo?
I think... I have a.. probably. I don't know, actually.
Which one is the latest?
The latest is this one there. *shows Arlo* And this one. *shows Jackson*
Jackson? All of them?
What's the story behind your haircut? How much did you spend on hair products with One Direction?
Yeah, like a lot. I used a lot, yeah.
You're in Dunkirk, Christopher Nolan's new movie.
How did you do?
Look at you there.
I am, that's me.
I auditioned and it was great. It's going to be a really cool movie.
Harry, it feels like we know you since you're a baby. The whole world discovered you in 2010 on X Factor.
*video of Harry's X Factor audition*
You auditioned alone but Simon Cowell had an idea... he put you in a band with Zayn, Louis, Liam and Niall. You became One Direction. You found the name One Direction and you sold millions of albums. One Direction are soon considered as the new Beattles and you filled the biggest stadiums. The whole world was talking about you. When you go out we prayed for your eardrums. You became UK's pride. David Cameron is in one of your music videos, your sang for the Queen. But in 2015... bang! Zayn left the band, fans couldn't get over it. But don't worry, their favourite is now on the cover of the Rolling Stone magazine, he's in Christopher Nolan's new movie, he's Mick Jagger on SNL... What you don't know is that we've met in 2012. You were in France to promote an album and now I have questions. First one! When you're in a car and fans are all around you, do you see that?
*video of fans around a car*
I think I've actually lost my shoe there. When I got in the car... I got in the car and I was like "how many shoes do I have?" Yes I lost my shoe.
I have another question! Do you still do that before going on stage?
*video of Harry and Lou*
Can we do it?
*does it anyway*
What is the weirdest question someone asked you?
I think it was actually a French interview. I got asked if I would pee in a sink... Yeah.
Ok, that's weird!
It was the first question, the first question.
It puts you in the mood.
What is the question you never want to be asked ever again? Did I asked you that question?
*Harry asks the public*
Which one? Oh crush.
Oh ok. I didn't ask it! Did you know that a French author wrote a novel about you. It's called "Styles", it's about his obsession with you. It's in French. You can translate it.
Oh! Is that true?
Yes it's true. He dedicated to you. It's called "Styles" and it's a really good book. Read it!
Thank you very much Harry Styles for coming tonight. His first eponymous album comes out on the 12th May. Thank you Harry Styles.
There is a story going around the interwebs about a pair of professionals who traded their electronic signatures for a few weeks and about how the male then discovered that the female was treated differently and about how hard women have it in the professional world.
It reveals how much trouble women have being taken seriously as experts. On anything. In reading the comments left on this story, I discovered the same sad narrative in nearly every one. Women, strong, intelligent women, were doubted at every step, on a daily basis, because no one believed they could possibly know what they were talking about.
Reading through these stories I thought, well, at least that doesn’t happen to teachers. As women in a traditionally female field, we are less likely to be immediately doubted when we speak, less likely to be dismissed purely because we are female.
Until it hit me.
The whole teaching profession is constantly being asked to see its manager. The whole profession is constantly being doubted. The whole profession is seen as being ill-informed. Teachers are never seen as experts. We are regarded as something between babysitters and lazy, spoiled whiners, who just want our summers off.
I couldn’t stop thinking about it.
Teaching is seen, by in large, as a feminine pursuit. And as such, teachers, while well-educated, well-trained, and well-read, are seen as less PROFESSIONAL and worthy of respect than our counterparts in other fields. When people DO praise teachers it is often with the kind of nostalgic affection reserved for things which are cute and sweet, not with the kind of respect given to others in other, more male dominated fields.
Everyone thinks they know what is best for education. Education policy, education critique, education reform: all are dominated by a kind of condescending man-splaining which would be abhorrent and vilified were it not accepted as the status quo.
Watch the video of the president signing his nomination for Betsy DeVos. He says, “Betsy…education, right?” like it could be any little honorarium he is throwing to any billionaire with a checkbook. Because education doesn’t need to be overseen by an expert. It is just women’s work. Put a nice, grandmotherly looking, well-coiffed lady in charge and it’ll be all good.
And when I have spoken out against this (and I have pretty much not stopped doing so for awhile now) people have pointed out to me that you do not need to have been a teacher to run a the Department of Education.
Really? Why? Because the base assumption is that teachers do not really understand big, important things like running a government bureaucracy. Our only purvey is the classroom, which like the home is to be paid respectful lip service, but not to be seen as a venue for real work.
I have had WOMEN, whom I LOVE, say things to me about educators like, “He is trying to run a company and she is worried about pipe cleaner art. Not really the same thing.”
The whole problem with the way our country talks about teachers is that, by in large, we are seen as a group of women, and therefore, the work we do is not seen to be really that challenging. There are whole books and television shows dedicated to the idea that a man, having excelled in another field, can stop by a classroom for a short period, for the purpose of entertainment or self-gratification, and somehow this is okay. No one thinks this about courtrooms or operating theaters.
Yo could you share some of your headcanons for the deh kiddos :O ?! I'm really curious!!
*cracks knuckles* HEADCANONS UNDER THE CUT (these are generally feel-good and going off of a Connor Lived And Everything Gets Better AU set of ten [+ one extra] headcanons for the kids where they’re all friends)
You had just gotten to back from class to your duplex. You lived in a very nice part of town for almost a year now. It was strange, even after ten months you were still getting used to all this. You’d come from a pretty wealthy family, but when you decided that you were going to go to school for dance and not to medical school your parents cut you off.
A good friend of mine was diagnosed with liver cancer when we were in high school. She was 16. Some time later, upon hearing that a surgery had not gone as well as hoped, I sat down with my guitar and wrote her a song. A few other good friends of hers strung together some photographs to make a music video and we sent it to her to watch from her hospital bed. When those same friends gathered together less than two years later to sing the song at her funeral, the dissonance was jarring. This was meant to be a work song, to see her through the hard days when the task of healing was tiring. It was not supposed to be a funeral hymn.
In June of 2015, we as a band decided that our LGBTQ community deserved a new song for Pride Week. This was days after the Supreme Court ruled that state-level bans on same-sex marriages were in violation of the Constitution of the United States, and it felt like the whole country was celebrating.
But as we began to write, I couldn’t help but think that although we had won this particular battle, the hatred and fear ailing our nation seemed as malignant as ever.
I knew this because people were still dying.
At least 21 transgender women were murdered in 2015. A disproportionate percent of our country’s homeless youth were (and are) LGBTQ adolescents, forced to reckon with the impossible task of staying healthy and safe without a home or proper health care.
We knew that if we were to make a song that truly spoke to the American LGBTQ community in 2015, it would need to address both victory and violence.
With “I Know a Place,” we chose to imagine a place where none of us would need to be afraid. In honor of Pride and the rich LGBTQ history of turning bars and ballrooms into safe havens, the space we imagined was a dance club:
I can tell when you get nervous You think being yourself means being unworthy And it’s hard to love with a heart that’s hurting But if you want to go out dancing I know a place I know a place we can go Where everyone’s gonna lay down their weapons
At the time, we intended the dance club to serve as a metaphor. Then, on June 12th, 2016, a gunman walked into Latin Night at Pulse Nightclub in Orlando, Florida — a queer space, a brown space, a safe space — and shot 49 people to death.
“I Know a Place” was never supposed to be a funeral hymn. It was meant to be a work song, like Yoko Ono’s full-page ad in the New York Times that proclaimed, “War Is Over!” in December of 1969, at the height of the Vietnam War. We wrote our song to be the voice in your head that tells you to celebrate peace during wartime, because our battle is only just beginning, and one day our war really will be over.
It was also meant to serve as encouragement for our community to remain vulnerable and kind and hopeful in the face of violence. We cannot build a better world without first imagining what that world might look like, and by creating that space inside ourselves first.
After the Pulse shooting, the Los Angeles Gay Men’s Chorus led a crowd of two thousand people outside City Hall in song:
We are a gentle, angry people And we are singing Singing for our lives
We sang with a unified voice that cried out, “We do not accept that this is what our world will look like.” And that night, people all over the country went out dancing — not just because it was Pride Weekend, but because they felt it important not to give in to fear in the face of hate.
People came together in dive bars, bedrooms, and places of worship to celebrate and to grieve, to love and protect one another, and this gentle resilience was nothing less than radical resistance.
Today, in this post-Trump America, many of us feel badly bruised. We, as a band, understand this. We believe it is a mistake to see this incoming Administration as anything other than a threat to the livelihood of our brothers and sisters; the LGBTQ+ community, the Muslim ummah, women, POC’s, indigenous Americans, undocumented people, the working class, and beyond. At the same time, we believe it is a mistake to say that a man whose best assets are hate and fear truly represents America. We say this because America has always been an idea, a utopian concept of a multiethnic, multicultural democratic republic, and therefore its home lies in the imagination, not in the House or the Senate or in a Trump Tower. In the bridge of the song, we implore:
They will try to make you unhappy; don’t let them They will try to tell you you’re not free; don’t listen I know a place where you don’t need protection Even if it’s only in my imagination
Let us push ourselves to imagine a peaceful America where no one has to live in fear. Let us continue to build spaces with our humble means that reflect the America of which we dream. Let us keep up the fight.
Warning: i have been adding to this headcanon for nearly a month so it is pretty long xD OOPS SORRY NOT SORRY (i did put a cut though, so, yeah) NO REGRETS
Marinette is a youtuber
Her channel consists of mostly sped up videos of her drawing designs and making her designs. Some have voice over, some have soothing and relaxing music.
Her channel blew up
Partially because, wow, she’s really talented for only being in high school
And people just really enjoyed watching her work, it’s very unique
Sometimes she’ll do simple tutorials on how to make a simple skirt, or get started on designing, but those are more rare videos
She has a second channel that is less professional than her main, where she posts a bunch of random vlogs that her and Alya take whenever they do something interesting, or even some random challenges. Most of these videos involve Alya, since she got Marinette to make a second channel for fun vlogs
Her international followers (#subtitles) find it very interesting anytime she talks about Ladybug and Chat Noir because there are legit superheroes in Paris and no other part of the world has seen that.
They vlog all sorts of things
going to the craft store for new fabrics, buttons, patterns, literally anything Marinette needs for her next project (or they’re just bored)
They record random things they see around Paris, cosplayers of LB and CN, pigeons being weird, aesthetics
Alya and Marinette have a weekly “review” which includes Alya buying something for Marinette to review- mostly themed around her favorite heroes
Sometimes just walking around the mall. Nino is spotted in many vlogs as well, but Adrien is rarely seen since he is already around so many cameras in his normal life Marinette is respecting his privacy
A lot more below the cut because I have been working on this headcanon for nearly a month!
Requested to do
the ‘dating Zach Dempsey would include’ but with a booknerd fem!reader :)
- Getting to see how smart
Zach is, everyone thought Zach was under average when it came to smarts
but when you start to date him you find out just how smart he is, not in the
stereotypical Asian guy can do any math way, he was terrible at math but he was an A+ bio
student and knew more about marine life than anyone you’ve ever met.
- Hand holding lots of hand
holding, Zach is big on holding hands whether it’s while you’re walking to class
or under the table during lunch or even at the library while he stands
patiently next to you as you take your time looking at all the books, you don’t
mind all the hand holding since your hands are always cold and Zach’s much larger
ones are always so warm and soft.
- Going on dates to the
aquarium, your favourite place to go to on weekend dates is the aquarium, you
like watching all the fish swim around therapeutically and you love watching
Zach’s eyes light up as he sees the aquatic animals he’s usually reading and studying about
- Cuddling on cold rainy
days, Zach is a massive teddy bear when it comes to cuddles, he loves to be
cuddled and also loves to be the cuddler and when it’s a cold rainy day that’s
the perfect time to sit on the couch and watch movies while cuddling each other.
Since you guys liked my last “How you interact” post, I feel like I should make another. I wanted to do one for Antisepticeye and Darkiplier since I very rarely see posts for these awesome characters. These head-canons are what I think Dark and Anti would be like as a friend. Hope you guys enjoy!!
My God, you’ll never live peacefully again! Not that it’s a bad thing, but Anti loves to mess with you.
Small pranks that involve misplaced objects. Bookmarks placed three pages back. Occasionally he’ll make your phone screen all static-y just because you’re ignoring him.
He likes making your mornings just that little more crazy Late for work? It appears your car-keys have disappeared Rough night out? He’ll be nice and make you a coffee, with two spoonfuls of salt to make sure you get your sodium intake today.
Anti finds your panicked/angry rants amusing.
But you get him back. He doesn’t like being called by cute nicknames.
“Aww, Green-Bean, don’t be so mean. I’m only trying to help” “I will destroy everything you love, (Y/N)”
Anti likes to be the center of attention. If you’re working or studying, Anti will try his best to distract you. At first, it’ll be small things. Like calling out your name in a whiny, jittering voice, balls of paper being thrown at you. Sometimes he’ll mess with your sense of perception so you have to acknowledge him to tell him off.
You simply try to ignore him. It became a game between the two of you to see how long you can last.
The record was ten minutes; but you had to stop since Anti started messing with your electronics. Flickering the lights and making you see double of everything and a loud buzzing sound almost burst your ear-drums.
It gave you a migraine for the rest of the day.
Although Anti isn’t the affectionate type; he does small things that brighten your day.
A single flower will appear on your desk.
A batch of cookies with milk.
Even little notes around the house in green writing.
When you ask him about it, he just shrugs.
“Maybe a little ghost is playing tricks on you”
He’ll try to distract you with video games. You absolutely refuse to let him win at Mario Cart because you don’t want to see his cocky grin.
Competitions between you are dangerous.
Lamps are smashed and the walls shake from you two yelling at each other. It’s surprisingly relaxing to come home and yell at something.
On really bad days, Anti will appear and disappear on your computer screen. Flashing a smile and making weird faces at you until you give up and allow yourself to laugh.
“Anti, your blocking the screen”
“P-Play with me, (Y/N). I’m bor-r-ed”
On rainy days, when your marathoning a series, Anti will be in the background of the show; waving or dancing ridiculously.
At serious scenes; he can usually be seen making outrageous faces at the actors. You can’t help but laugh,
Although you try to hate him, you can’t help but adore Anti. It’s a tiring and irritating friendship but you wouldn’t want anything to be different between the two of you.
I hope you like a friendship with a lot of flirting. Even though you two aren’t sexual towards each other, it doesn’t stop Dark from winking and speaking seductively towards you.
This makes people mistake you two as a couple. You don’t really complain, but sometimes Dark makes it difficult to make new friends.
“You don’t need them, (Y/N). I’m all you need” “That would be true, if you could hold a decent conversation that wasn’t always about you”
Dark likes to insult you. But you can see the hint of a smile whenever he says something.
You throw it back at him with as much sarcasm as you can muster. He likes your sass. It challenges him to be on his game when he’s around you.
You’ve witnessed his outbursts personally. But even though Dark has said some violent, horrible things about Mark; Dark is rather placid when you’re around him.
He’s been pushed back and ignored for long periods of time, he likes to be around someone who acknowledges him. He doesn’t want his anger to frighten you away, but sometimes you do get caught in these outbursts.
You wait patiently until he’s calmed down. Then make a little comment on the way his head jerks around.
“So, do you get whiplash? Or are you like an owl under that suit?” “Ask nicely and I’ll show you.”
Although he wouldn’t apologize, he is grateful you don’t ask about his behavior. Saves him from having to explain himself to a incompetent fool. ;)
He also likes to play games. Sometimes you don’t even realise you’re part of one until you find yourself in another dimension because you took a wrong turn.
“Tsk, tsk. You should have taken a left, (Y/N). Now you have to try and escape the Third Circle of Hell to return to the bathroom.” “If you don’t send me back right now, I’ll show you all Nine Circles of Hell!”
He’s rather affectionate towards you. He’ll give your hand a squeeze as he passes. If you’re feeling uncomfortable in a public place, Dark will come up behind you and place his hand on the small of your back.
But previous mistakes have taught you that this attention has a price.
He’d never ask anything big of you. Usually he’ll ask you to drive him somewhere, or accompany him to a certain location. Sometimes you “treat” him to dinner on Tuesdays.
But you are still very careful of what you ask of Dark. He remembers even the smallest favors.
There are times, however, where he does nice things out of nowhere.
You had a bad day during a work-week and you crumpled under the pressure. Dark found you in a sobbing heap on your bed and sat beside you. His hand gripped your own and he consoled you through the tears.
Once your tears were dried up, he ran you a bath and almost drowned you in rose scented bubbles.
It had been a shock to you. But a nice shock.
In the middle of the night, while you’re walking through the house to get a glass of water. You sometimes find a glass of cool water waiting for you in the hallway.
You mumble a thanks to the shadows and stumble back to bed.
Sometimes you feel the blankets pull up under your chin on cold nights.
Other times, Dark will wake you in the early hours of the morning because he was lacking intelligent conversation.
Dark also likes to give you nicknames.
They’re small and almost demeaning, but you don’t really mind. It’s better than fool or imbecile. (A name a certain family member is called frequently)
“Kitten, have you seen my tie?” “You’re wearing it, Dark. Are you blind as well as emotionless?”
It’s a weird friendship. One people would first look at and question. But the two of you have many fond memories and the laughter you two share are contagious. It’ll be hard to tear the two of you apart.
I want to talk about this whole “punching nazis” thing, which I have been thinking about for some days.
To start, let me clarify that I have no moral or ethical qualms with Richard Spencer getting punched in the face on tv. I’d be happy to see it happen again.
But I do have a couple issues with much of the dialogue that has emerged in the wake of this event.
A lot of the people suddenly talking about nazis right now are people who didn’t seem to even realize they existed in this country prior to this election.
A lot of people seem to have gotten some strange ideas about how and where nazis are typically encountered, or who they actually are.
So, I’d like to talk about some of the times in my life when I’ve encountered nazis.
Before I do that, let’s try to establish a definition. There are a lot of different stripes of fascists and white supremacists out there, with varying agendas and varying degrees of organization. In the US we’ve got many types, ranging from the KKK and Aryan Nation to various unorganized skinhead rabble to the newish group calling itself the Alt Right. It seems easiest, at least for the sake of this argument, to lump those all together under one general “nazi” category. But does that really make sense? I’ll come back to that. But for now, in most of the examples I will describe below, these were people who openly called themselves such.
Also, I want to establish a bit about who I am. I don’t like to discuss any of these things publicly, but I also feel like I kind of have to, to explain where I am coming from. So: I am Jewish, I am bi, I am neurodivergent. Due to this last thing, I have certain issues navigating the physical world. I am physically fit but not athletic. I have very little self defense training. By occupation I am a musician.
And lastly I want to point out that these examples are from 15-20 years ago and describe some of my earliest encounters with these forces to provide context. And I’m going to start with some clear cut cases:
I first became aware of the existence of modern nazis my first year in high school. This was in the suburbs of San Francisco. I had a few friends who were into punk music and culture. I heard about “white power punks” and nazi skinheads who would sometimes show up at shows. When I started going out I would see them every once in a while. When I started going up to the city, at that time there were places that were absolutely notorious for nazi skinheads. I never interacted with them, I always steered clear of them, and never really fell in with the punk scene anyway. But that’s when I first became aware that there were people in modern America who called themselves nazis and directly advocated for white supremacy.
To be honest I did not think of myself as their “target” because (in my mind, at that time) Jewish culture in the SF Bay Area was practically invisible and unlikely to be on their radar. In fact I didn’t think too deeply about who their target was. I mostly thought they were crazy people who loved violence and called themselves “nazis” because it was the meanest thing they could think of, that they were in favor of “white power” because it was so obviously wrong. At this time, there was fair amount of tension in the state around the issue of immigration from Mexico. But it did not occur to me then that there could have been any relationship between the xenophobia I saw expressed by mainstream circles in conversations about Proposition 187 and the blatant, violent white supremacy expressed by the skinheads on the periphery of local punk scenes. (also please note that I am aware that not all skinheads are nazis and that there is an anti-racist element within skinhead culture as well)
In college, in Pittsburgh, I lived on a store with a convenience store on one end. One of the people who worked in this store was a skinhead who wore a jacket covered in various white power/“rock against communism” band logos. He had a group of similar buddies that often hung around nearby, a couple of whom had aryan nation tattoos. On several occasions when I woke up in the morning I would find leaflets distributed up and down the block decrying the Holocaust as a “Jewish scam to make money”. These flyers were attributed to Church of the Creator, one of the more active neo-nazi groups in Pennsylvania at that time. Every once in a while I would cautiously engage in arguments with some people on the fringes of that crew of guys who hung out in the area. Things were sometimes tense but never got physical. Soon after 9/11 most of them disappeared. I don’t know why or where to.
While traveling alone in Slovenia, I nearly ran into a parade of about 40 skinheads chanting and marching in the street while I was on the way back to where I was staying. I do not know what specific group they were affiliated with but wore patches with the common “celtic cross” symbol used by far right/white nationalist groups all over the world. At that time, fascist graffiti covered Ljubljana.
Those are just a few of the more blatant examples from that time. These experiences were not rare. The KKK and various neo-nazi groups held public parades and rallies all throughout this period, and sometimes showed up as counter protestors or forces of violence at protests for progressive causes. They marched through downtown Pittsburgh - with the local government’s blessing - and many other cities in that region.
There were protestors at those marches, and there were people who fought the nazis directly, but the general consensus in mainstream liberal circles at that time seemed to be that nazis had the right to march just like anyone else, that any violence against them would be bad. It certainly wasn’t at all common to hear college educated, NY Times-reading liberals talking about the glories of “punching nazis”. This is a problematic but very complicated phenomenon: they were to be tolerated up until the point at which they’ve come into power.
But let me explain why _I_ didn’t go around punching the nazis I saw, during those times when I encountered them personally. To some extent, part of me did follow that logic mentioned above, but that’s not the real reason. The real reason is pretty simple: most nazis are a lot better at fighting than I am, they do it more frequently, they usually travel in numbers, they are often armed, and in almost every circumstance when I’ve encountered them the odds would not have been remotely in my favor had things gotten physical.
Richard Spencer was alone and unarmed standing in front of a video camera busily talking about an internet meme while he was sucker punched. This occurred in broad daylight in a very crowded, open area with a ton of media and police present. While I applaud the anonymous puncher for seizing upon that opportunity, that’s not really a typical situation in which one encounters nazis.
Recently, Richard Spencer posted a video in reaction to this incident. In this video he mentions that the Alt Right will not succeed if they are unable to be who they are in public. I’ve seen a lot of people pointing to this video as a sign of victory over the Alt Right, a sign that they are scared. I think the latter half is true but not the former. What Spencer is saying is that they are going to ramp up security. And I would anticipate that these people will begin to receive even more protection from the current administration.
So, this is one conclusion I’d like to leave here - in most cases “punching nazis” means getting involved in serious physical violence in which your life will be at risk. And that risk is only going to increase in the future. Fantasizing about punching some idiot talking about a frog on tv is fun, but I think it ignores the realities that many have faced and many more are about to face. And while many of us have disabilities that hinder us in this department, I think it would behoove anyone who is serious about getting physical with fascists to study and learn how to do so before getting involved in a situation you are unprepared for. I would also think long and hard before making that demand of anyone else. But that’s not the most important point.
I’d like to circle back to talking about definitions. The examples I gave above are obvious. These were people who, in almost all cases, were openly wearing the actual logos of white supremacist organizations. So let me bring up a different example:
About one year after 9/11 I was in Budapest, taking an overnight train to Amsterdam. I had a spot in a sleeper compartment on a train. I got on and a couple other passengers came in. One of them was a young guy, a little older than me (I was in my early 20’s at this time). He spoke English very well and we got to talking. It turned out he was an Austrian who worked in finance. Middle management at a major bank. He bought us a couple of beers and we were getting along. Inevitably, the topic of 9/11 came up. Seemingly out of nowhere, he explains to me how “there were no Jews in the building that day”. He then goes on to explain how 9/11 and the entire War on Terror that was then unfolding was all a Jewish plot to direct money to Israel’s armed forces. And hinted that the Holocaust was a similar plot. I tried to argue with him for a bit (without letting on that I was Jewish) but it was nearly impossible to get through to him, and he soon became surly and then passed out. I tried to do the same. But what caught my attention was that this man was well spoken, dressed conservatively, he looked every bit the upper middle class finance professional. It was difficult to imagine him in a street fight. No one would have described this person as being on the fringes of his society.
Up until a year ago, if I told this story to a European, or to an American person of color, they were unsurprised. But if I told it to a white American their reaction would usually be “yeah, well, that’s Europe for you”.
But that’s never been the case.
One common narrative is that many of the groups of fascists have figured out that they aren’t going to get very far if they are seen just thugs who march around on the street wearing in leather jackets getting in scraps. many of them have figured this out some time ago, and have been infiltrating mainstream education and corporate life. And yes, that is happening.
But there is a big problem with that narrative: it ignores the fact that many of America’s institutions and businesses are, themselves, organizations that promote white supremacy. Many of our banks, many of our police departments, our prison system, much of our media. Does these mean they are all “nazis”? Not really. But what it does mean is that white supremacy is not some outside force that just suddenly popped out of Steve Bannon’s suitcase. It’s been here for a long time. It is deeply engrained in our society. Fascism is not some new danger that we suddenly need to prevent from being “normalized” - for much of America, fascism has been the norm for a very long time.
Here’s my point with all of this: sooner or later, Trump will be defeated. This regime is monstrous, but I have seen the power and anger and sheer volume of opposition to it, and I do not think that this regime will last. My worry is, once this most obvious of enemies is defeated, the liberal establishment will go right back to completely forgetting that white supremacy and fascism are a major problem in this country. The sad fact is, even when Democrats in power, even when the POTUS is the most progressive sounding person electable, the nazis are still here, white supremacy is still here, fascism is still here. And not always on “the other side”. We need to remember that, we need to keep pointing to them and ostracizing them and speaking out against white supremacy and fascism even when it looks like things are more comfortable, because that comfort is a trap.
I’m gonna delete the latest posts because this silly game is over. I learned something about this…”kind” of excersise. It was funny, but very serious as well..
Let’s get straight to the point.
In three days Underverse will have one year since I created the first animation, the pilot showing my favorite Sanses from de AUs.
When I had the chance I tried to said all time this project started as a mistake, like a lucky moment to show people my love for art and videogames. But I learned to stop calling this story like that. Is just something that came up to my mind and made me feel more confident to do something I love with the chance to earn money with this to accomplish my goal to have my own house where I can live in peace with my only family that is my mother.
That’s my main goal. So, don’t think the rushers and haters are making me feel bad and forcing me to quit. I had to deal with real rude and evil people before, getting paid for being humillated from Mondays to Saturdays and coming back home crying because of a real stressing and miserable situation. I don’t think this is the same case here. I’m not receiving money from them. I keep with this because is a way when I can reach my goal giving love to my current job as a independent artist.
The latest posts were just for joking but I realized that some people was taking it too seriously. I’m very, very sorry for worrying you, but also I want to thank you for supporting me. Please don’t hate people who was involved into that shitpost, and don’t hate people who are really trying to hurt me. I don’t want you get hurt or having a bad time trying to defend me.
Unlike other cases similar to this one. I learned to stop worrying about this. I prefer ignore this or even taking this with humor like I did this week for distract myself in some way due the delay of Underverse 0.3 has been a bit stressful to me because I’ll continue animating until the video is released. Stereohead Studios has also many important things to do so blaming someone is just useless and unfair.
Something that I’ve learned from other big artists that I admire with all my soul like Crayon Queen and Myebi/ Comyet… is that we have enough living hard situations in this world, in our personal lives, and the less thing we can do as recognized artists in this fandom is trying to make our blogs a nice place and spread positive feelings despite hatred and the amount of terrible asks people make to them, because we’re motivating people and teaching kindness and respect to each other. Not for nothing exists options on this platforms to avoid those bad comments. Is a waste of time crying and messing up your entire day because two or three guys said something that could hurt you.
Is not that hard when you’re used to it.
Those guys don’t even know you and You don’t know them. So… man… why even waste your thoughts and feelings when you can keep working on your own stuff and improving your skills? Making a space for you and your fans to laugh, to smile, to show you how far have you came because of their support.
You’re doing something you love and that matter. Probably others not, probably they won’t have to deal with this style of life. And I’m sure many of us started to be recognized thanks to this fandom. Everyone started with a little level or we was too shy to show our stuff.
Drawing well, animating well, telling amazing stories won’t decide your happiness if you’re not happy, if you don’t try to trust happiness and show them that you’re really fighting for that.
If you feel your blogs or another places with things like “uuh I don’t like this thing i made” “I suck” “this person told me that and i’m so upset i hate them” “that person made something terrible go and hurt them because them deserve it” “i love what i do but my life is hell” “i’m tired of x and y because they want z” … things can’t change in your life if you don’t start by yourself.
I thought many times about cancel Underverse and leave this fandom, not only because of haters and stuff. It was because I was judged by many of other big artists that doesn’t like this kind of fandoms and are working in their own projects. I thought it was unfair because I was getting recognition because something that I didn’t create. I just created a fan story.
I’m pretty sure when I post the next animation the chaos will be back again but I don’t even care. I don’t have 100k yet so I don’t have a multitude telling me what to do and asking me when. Anyway, if I had them, I wouldn’t still care. Because I have clear what to do and how to make it works. I’m not here just for teaching people how to draw or animate. I’m here too for showing them how to be nice and patient and how those two things can bring you to a better way to see the world.
That we are real, nice people and we’re having fun, putting effort and love when we’re making something for you. Fandom or not fandom content.
Summary: Dean’s hit with a strong case of curiosity. Pure,
uncontrollable curiosity that leads to him finding a treasure trove of nasty little things.
Paring: Sam/Reader, Dean/Reader (kinda), Implied
Sam/Reader/Dean at the end
Word Count: ~2.5K
Warnings:FILTH. At this point it’d be easier to
name what’s not in this fic, but I’ll
name a few that are; smut (obvy), dirty text, nudey pics, sex videos
of Sam/Reader, masturbation, anal play, anal sex, vaginal sex, dirty talk,
copious amounts of semen, Sam’s a big fan of creampies (both of the butt and
vag variety), more masturbation, voyeurism, NSFW gifs just to really mess y'all
up :) a/n: aight don’t judge me but I only have one fic to post today bc school’s got me fucked up and has literally sucked my soul from my body. I’m still working on some of the requests you guys have sent in and other WIP’s as the mood/will to do anything but cry in a corner hits me (lol but I’m fine tho I swear) I hope you guys enjoy my contribution for Smut Appreciation Day 2017!
The first time Dean “snoops"—it’s by
Sam had lent him his phone after Dean’s had been
compromised on the hunt that they had just finished. Long story short; phone in
pocket plus getting pushed into pool by werewolf equals no bueno. Dean pulled up the messaging app to shoot the hunter that
been helping them out a text to let him know that everything had been squared away, but when
Dean went to tap compose message, his thumb took a sharp left and ended up
pulling up the messages between you and Sam.
Ok I don’t have anyone to talk to right now, I just had to be socially trans in person for an hour while signing legal forms, and I’m strung out and tired. SO I’M GOING TO RANT ABOUT CONSTRUCTED LANGUAGES AND MAGICAL SCRIPTS.
Look, I get it. You want your conlang/magic script to look mystical, cryptic, special. You want it to look different than any other language while still looking like a language people write in. If you’re a spiritual person or magic-user this may even be a language you’re channeling and that you believe to be ancient in nature or otherwise pre-existing. But 95% of conlangs and magical scripts look totally fake and made-up, and this is not a judgment I’m casting on their actual grammatical structure or language theory or the languages they were based on. The thing that makes a language look like one people ever actually wrote in for hundreds of years, that makes it look like the letters/characters are all from the same language, is that it looks like a language that’s been written in whatever tools you are claiming or feel like it was traditionally written in.
Let’s take cuneiform:
Looks super-neat, right? Man, who’d ever think of having those wedges in an alphabet! It’s totally different than most modern languages out there and very distinctive, and the wedges are consistent across the letters, so it makes them all look like they’re from the same alphabet. This wasn’t just arbitrarily designed as a font style. There is a reason for this!
Cuneiform writing was pressed into wet clay with these shaped bits and that’s why it looks like that. It got stamped with wedges. That’s how (this type of) writing was done at the time. It’s a technological solution and that’s what makes the lettering get that peculiar stylization. You’ll get variants based on craftsmanship and tools, but basically the method is the same across various implementations. Once someone tried to write that in pencil, you could imagine it’d look different, and you’d see evidence of people’s hand-motion between strokes, becoming more of a tilt between letters.
For instance, English looks like it does, even in tumblr’s sans-serif fonts, because it can be constructed with a pen. When it gets fancy with a variable-width pressure-sensitive pen nib, you can get more complex and flowy, but notice the flow and arc still go with the movements natural for a hand to make:
Those little trails between letters exist today because nib pens were drippy and left ink trails. The written language adapted to the tools to incorporate the trails and still make it look legible, and that’s why we have cursive writing at all. This is a simplified history but it’s basically there to make you think about the letter shapes in various traditional ways of writing in English and why it looks like it does instead of like cuneiform.
Which brings me to conlangs. If you want your brand new ancient-looking language to truly look like people have used it for eons, write it out with the tools you think those people would have used, and keep adapting the letters if you find that, say, a brush or nib pen can’t construct the weird arcs and whirls you’ve designed the language to have. Languages by and large are made to be convenient to write. If you don’t know how to write kanji, Chinese words probably look complex and arbitrary to you. But their shapes are logical when you see them written with a brush:
So if you have some arcane-looking swooshy script but it still looks kind of fake, think about where the weight should really be. It should be where the brush presses down heavier and the trailing marks are where the brush lifts up (and usually leaves the paper and ends the stroke). Where the stroke is wide on one end is where the brush initially met the paper. Above, you can see how one swish immediately flows into another, the strokes are like arrows leading across the page when you understand how they’re created. Pick up a brush and figure out an actual stroke order for your symbol. If logically the stroke seems like it’d leave someone’s hand smearing it trying to follow its arc, then logically that symbol would eventually get redesigned if it were in an actual language. Someone would figure out a better way to write it and everyone would adopt that way over time.
So practice writing your language with different tools. Consider a calligraphy course or even just a kit with a guidebook (or youtube training videos!). Written language is a tool that people use, magical as it can be. And if you’re using it for magical purposes such as woodburning it into tools or painting it onto things or writing it onto paper, consider that your symbols will change a bit according to the tools, just like with mundane languages. A wedge-shaped wood burner will get you something a bit closer to cuneiform. A brush will get you something flowy and not super-precise. Pencil will not leave ink trails and will get you something more technical and practical. Your written language logically should shift for that and adapt like a proper tool. And if you do that right, if you really use it, then it will look much more genuine because it will have experienced an actual evolution of form adapting to the physical tools it’s been worked with via.
And if you’re not using it for magic but are just using it for a fantasy setting where people use it for magic in the story, all the above would still apply to them.
Even with just one symbol not meant to be in a greater language, think about the tool you’re creating it with. It’s hard to make a realistic brush-style symbol in pencil. Use the tool that fits the symbol and you’ll produce something much more genuine-looking.
That’s it! I’m not a language expert, this is not meant to be A Real Factual History Of All Language, it’s just a rough primer in How To Make It Look Like A Language Is Actually Written With. It’s not meant to be a critique in whether your magical language is “real” enough or “magical” enough either. It’s simply some pointers in how to make a magical/constructed language that’s actually reasonable to write with and suits the tools you’re writing it with and the purposes you mean it for. Hundreds of years of written language evolution is hard to replace, but I believe in you.
Yuri on Ice interview translation - CREA 2017/03 (p34-35)
Second part of the YOI interviews featured on CREA. As for the one with Kubo, more than “interviews” they are like “mini articles” that incorporate what the interviewed people said. The interviews are with Kenji Miyamoto (choreographer), Eiji Abiko & Junpei Tatenaka (figure skating animators), Yuuko Sagiri (original costume designer), Keisuke Tominaga (music producer).
Random note: thanks to this magazine I was finally able to know that Sagiri’s name is “Yuuko”. When I translated her interview on Pash I did lots of research but wasn’t able to find out the pronunciation so I used Yuiko because that was what came out searching for the name alone, but now it’s confirmed that it’s Yuuko so as soon as I have time I’ll edit that interview to fix it. I swear all magazines should be obliged to provide the pronunciation of names, because sometimes it’s really hard to find out how the kanji are pronounced when it’s not famous people with Wikipedia pages and such…
By the way, the issue of Pash coming out today (Feb. 10th) has an article I was really looking forward to (the second part of Kubo’s detailed commentary on each episode), so I’ll probably spend the night translating it when I get home from work. Also because I want to post it before the YOI all night event on Saturday (I’m going to the live viewing).
***If you wish to share this translation please do it by reblogging or posting a link to it*** ***Re-translating into other languages is ok but please mention that this post is the source***
The reality as expressed by 5 people who created “Yuri on Ice”
Reality #2: Choreography x Kenji Miyamoto “The footage taken with the camcorder was the key to create realistic and powerful anime scenes”
Profile: From Hyogo prefecture. After retiring from competitive ice dance in 2006 he started working as a choreographer and commentator. With director Sayo Yamamoto’s “ENDLESS NIGHT” for the first time he was involved in creating figure skating choreographies for an anime.
The choreographies for all characters’ programs were created by choreographer Kenji Miyamoto. He created them integrating the music with the information he received from director Yamamoto and Kubo regarding the characters and their programs. What was different than usual is that the songs for the FS were 4 minutes long instead of 4:30 minutes. “In the anime characters need less strokes to speed up, so it’s possible to use less ‘transitions’, the movements connecting different techniques. I cut down on those and made the programs more compact.” Miyamoto was filmed with 4 fixed cameras and 2 portable camcorders as he danced all the programs, then the footage was edited into a multiframe video based on which the animated figure skating scenes were created. “I believe that the footage taken with the portable camcorder, that filmed me up close, is what made it possible to create realistic and powerful tournament scenes.” After watching the finished anime, Miyamoto commented that the characters’ monologues during their performances are realistic. “When you are performing lots of things are whirling around inside your head. In my case it wasn’t words but still pictures, like photographs. I was happy that they expressed the athletes’ feelings.”
Reality #3: Animation x Junpei Tatenaka & Eiji Abiko “The performances look realistic thanks to Miyamoto-sensei’s choreographies”
Profile: Animators working for the anime production company MAPPA. Specialized in sports and action scenes. They both created animation for director Sayo Yamamoto’s “ENDLESS NIGHT”.
Animation of the figure skating scenes was created by action specialists Junpei Tatenaka and Eiji Abiko. “It’s the first time that we digitally create 2D pictures after deciding the camerawork. It was very difficult because we had to figure out how to do everything”. Tatenaka, who was already a fan of figure skating, says: “For the moments I believed to be the ‘highlights’ of a performance I would add 1-2 extra stills. This way, I was able to draw out a little what in the live footage only lasted an instant.” They actually made jumps much higher than they are in real life. “While being aware that real skaters wouldn’t jump that high, I still wanted the scenes to be striking, therefore I was always looking for a good balance between realism and what could be allowed in animation.” (Abiko) They both agree that Miyamoto’s choreography footage was the most important factor that allowed them to create realistic performance scenes. “When there was a key point in the music, Miyamoto-sensei would pose with all of his body creating a beautiful line, from his fingertips to the tips of his toes. It was very easy to draw.” (Tatenaka)
Reality #4: Costumes x Yuuko Sagiri “I think the only difference is that there were no budget restrictions (LOL)”
Profile: Ballroom dancing costume designer working for the ballet & dance supplies maker Chacott. She has designed figure skating costumes for athletes such as Nobunari Oda and Akiko Suzuki.
Yuuko Sagiri, designer of the athletes’ costumes, created the designs giving importance to functionality that would improve a skater’s performance and to elements that would make the character’s personality stand out, just like she does for real costumes. She chose materials, cuttings and decorations that would actually be employed in costumes used for real performances. “Normally I objectively watch an athlete’s past performances to understand their level and what kind of movements they are skilled at, and this is then reflected in the design. This time I based the design on the characters’ setting materials, the information I received from the director and the choreography footage by Miyamoto-sensei. I think the only difference is that there were no budget restrictions (LOL).” Regarding Yuuri’s costume, she mentions that she wanted to reflect the fact that he is psychologically weak and gains weight easily. “I added shining decorations on his chest so that his face would look bright even when he is tense. The cuts on the waist are to make him look slim.” Actually, she also designed a costume for Yurio’s exhibition. Sagiri said that she created the design thinking of what “Yurio would really want to wear”. We’d definitely like to see him skate with that costume!
Reality #5: Music x Keisuke Tominaga “I added melody to the beautiful lyrics that is ‘Yuri on Ice’”
Profile: From Kanagawa prefecture. Music producer. He founded PIANO INC. in 2012 and is the current representative director. His main works include the Pocari Sweat 2016 commercial “Kimi no Yume wa, Boku no Yume.”, the TV anime “Zankyou no Terror”, etc.
When creating the music for this show, music producer Keisuke Tominaga constantly asked himself whether it was music you could dance to. “I would move my hands, feet, my whole body, sometimes even checking the rhythm like a conductor or a dancer. Figure skating has many elements that resemble ballet, so to express the elegant movements of the body I used many tunes in triple time like waltz and bolero.” Most of the classical and orchestra tracks were created by Taku Matsushiba, while the vocal tracks and modern band songs by Tarou Umebayashi. They worked on the music as a team, always communicating with each other. “The world created by Kubo-san and director Yamamoto was like realistic and beautiful ‘lyrics’, and I feel that our role was to create a ‘melody’ for those lyrics. In fact, when I joined together Yuuri’s FS song “Yuri on ICE” and Victor’s recorded voice for the first time, the lines sounded just like the words of a song, and I can’t describe how moved I was. I believe that this strong, deep expression that you would not be able to obtain with music alone is what realistically affects the viewers.”
Bonus in case you haven’t seen it already: Sagiri’s design for Yurio’s exhibition program.