the night battles

during a mission lance gets his vocal cords hurt

either from a magic blast or physical injury


coran concludes that they need to heal naturally for 2-3 weeks before they can do some freaky altean medical thing to them to completely fix them


pidge and allura make some mandatory jokes about lance finally being quiet for a while, which almost don’t hurt lance


turns out, being mute is hard. lance opens his mouth dozens of times a day, wanting to share some story or a joke, and remembers his predicament when no sounds come out


during the first week everyone also have difficulties with remembering it, Shiro demanding verbal confirmation from Lance during training or Hunk asking his opinion on a new dish a few times before becoming irritated at the lack of response


at the end of the second week, no one asks Lance to talk by mistake. just some more comments about the blissful silence without Lance’s chatter.


also at the end of the second week, Lance needs to ask Pidge something. she’s so engrossed in the computer she doesn’t hear him approaching, so Lance has to shake her shoulder


Pidge lashes out for touching her,  'How many times I need to tell you not to touch me? You know I freaking hate skin contact!’


after that Lance tries to draw attention to himself just by things like waving or pointing at something, but… everyone are so engaged in their chatter, no one pays him a mind.


and slowly, gradually, lance realises that no one is actually interested in engaging in talking with him. no one approaches him, no one tries to establish some sort of contact outside of training or battle.


slowly, lance realises that without his voice, without him desperately trying to be noticed… he is just an empty place


another week passes. two. the mark for the operation they set a month ago has passed. no one remembered. lance doesn’t remind them.


he just keeps getting his job done, going into battle after battle, training night after night, and tries not to think about how pointless he has become.

anonymous asked:

hello! i've been trying to research magic, but unfortunately most books i find are specific wicca, which i'm not interested in. do you have any book reccomendations that arent wicca centric? thank you! i love your blog :^)

Oh heckin yes I do My amazon wishlist is literally like six pages long… ALL BOOKS

WARNING: This Is Going To Be Extremely Long!

First though I want to note that while I 100% understand your feelings about the Wicca stuff (being a very NOT Wiccan Witch), not all books that are Wicca leaning are bad! I’ve gotten loads of useful information from books that tended to be a little new agey. That’s where being objective comes in! With ANY book, you should take it with a grain of salt, and some with a whole shaker. But it’s up to you to pay attention to misinformation and conflation, and to know how to do research to prove or disprove that something in a book you read is true or not. Does that make sense?? 

Anywho, a couple of books that are still kind of “Wicca-y” but great:

Those are all books from my personal collection that I would recommend! Now as for the Non-Wicca Books, Let’s dive in! Not all of these have I read or owned, and they are in no particular order. You’ll notice most of them relate to “Traditional Witchcraft” or West Country, because that is where my practice is focused. 

PHEW!

That was a lot! Okay anon I hope this gives you a good starting place! 

constantly-disheveled.tumblr.com/ask

4

been thinking about this for awhile

3

Whoniverse: Class - a Quill an episode for the BBC America broadcast (1x01)

Percy Jackson may drool in his sleep, but he likes to point out that Annabeth snores

I want the universe to understand that when I ask for the darkness, I don’t certainly mean solitude, even if I want it at the times I refuse to give in for the people who don’t understand what I’m teaching my soul from feeding a random cat in the streets, or holding a friend so tightly, ignoring the scars all over his arms from last night’s battle he had to go through again, or complimenting a girl with a short dress instead of gazing at her black knees, the way they do, you see, I want to be able to steal a kiss or two on the same sidewalk where someone had stolen an old lady’s bag earlier in daylight, then cussed at this couple holding hands like they were the biggest sinners in town, I want to graffiti an abandoned wall with my heart that has been burdening my sleeve for so long, I still didn’t decide to grow apart from it, because I care, I always want to care, in the night, I hear everything calling, that’s why I think it’s always the right time to know how to let go, to blow my hands cold, put the ache of my open wounds to sleep, I just want the universe to believe in me, infinitely, to help me make friends with the contaminated parts of my soul, maybe they aren’t as black as the darkness I ask for, and maybe the darkness isn’t black, it’s just deeper than the rest.
—  hannah-mu 

ree-fireparrot  asked:

How realistic or unrealistic are battle couples, provided they have sufficient mental discipline? Is it even realistic to have two people working together to fight the same opponent hand-to-hand, or is focusing on both your opponent and your partner too much? What if one person is a distraction (by fighting the opponent head-on) so the other person can stab them in the back, so to speak? Is that too risky?

You’re asking a lot of questions here and most of them have absolutely nothing to do with having a romantic relationship with your working partner.

Some things first:

1) The relationship between a battle couple and any platonic working partnership are not really any different in most cases except that they share a romantic relationship.

2) You don’t need a functional or professional partnership or partnership at all to fight in a group or gang up on an individual.

3) Fraternization just as often falls into casual sex as it does a romantic relationship, if not more often.

4) Almost none of what you’re asking has to do with romance.

Falling in love on the battlefield happens, it happens a lot. Combat is a high stress environment and people are people. Just because something isn’t a good idea or is unprofessional doesn’t mean it won’t happen, it just means you’ve got an added benefit of complications.

Some people can handle romantic relationships with an SO who also engages in combat, even one who engages in combat with them. Those are the ones who can compartmentalize between being on the battlefield and being off it. However, if they can’t (there is a very good possibility that they can’t) then it becomes a real problem. When they can’t handle the stress or the distraction, if they can’t put the romance aside, then their relationship puts everyone at risk, including their mission.

When you’re fighting, especially with a goal in mind, one person’s life cannot be more important than the mission.

It takes a significant amount of trust for a battle couple to function because their romantic partner cannot afford to jump in and save them when things start going sideways. Both participants need to be the kind of people that when the choice is between their partner or the mission, they choose the mission.

This concept is one that’s very difficult to grasp if you’re setting out to write a romance, because most of the normal steps you’d take to fulfill that romance will leave the battle couple hamstrung and unable to function. You can’t have the guy or girl jumping in to save their guy or girl when it looks like they’re about to die, they have to trust their partner to save themselves.

That is hard.

This is a very difficult state to handle emotionally. Imagine, you are at risk of losing your loved one at all times and you can’t do a damn thing about it. You can’t obsess or brood over it, because you can’t afford that kind of distraction. Whether they’re right in front of you or on a battlefield somewhere else, you can’t think about it. You’ve got to focus on keeping yourself alive, because that keeps everyone else alive, and by doing what you can you help to ensure the survival of both your loved one and your team. You’ve got to do your job, even when you’re about to lose everything you ever gave a damn about and its within your power to stop it.

A true battle couple is one who exists in complete equality, trust, and partnership with their significant other on the battlefield. They keep a cool head and a cool heart while in the midst of gut wrenching emotional turmoil. They don’t baby, they don’t hover, they don’t keep a careful eye on, and they don’t obsess until the fighting’s over. They don’t sacrifice their own life or their own body to keep their lover from getting injured. They don’t break position.

If they do any of the above, they will both die and so will anyone who is relying on them. If you are writing characters where the relationship is more important than the mission, more important than the team, more important than surviving the fight in front them then you have, narratively speaking, a serious problem.

This is not a bad one to have in a story or an unrealistic one in life, romantic relationships on the battlefield are built around this concept, but it does need to be addressed. If its not, tragedy strikes.

If you’re writing a battle couple, you need two characters who when faced with the choice between saving their loved one and stopping the bomb from blowing up downtown Manhattan, they pick the bomb.

And, in fiction, that’s not normally what love is.

It also has to be both of them, they both need this very specific outlook to function while in combat together. If one has it, but the other doesn’t then tragedy strikes. If neither have it, tragedy strikes. They need to be on the same page.

The reason why the military and other combat groups prohibit fraternization is because romantic relationships inevitably fuck everything up. If they can handle it, great. However, the all to likely outcome, for either one or both parties involved, is they can’t.

They’ll do it anyway though, because people are people.

When you engage in violence, that violence and training separates you from the general population. You’ve been through experiences that most people cannot comprehend or relate to and that makes maintaining relationships difficult. There’s a lot to be said for being in a relationship with someone of similar background, who can empathize with your experiences, who has been through what you’ve been through. You don’t need to look much further than the rate of divorce among the FBI or CIA to understand just how difficult maintaining a relationship in an incredibly stressful environment is.

As humans, we crave having a partner we can relate to. With whom we can share our secrets. Who won’t judge us for the terrible things we’ve done. When you have to rely on each other for survival, attraction, desire, even love becomes easy. It’s often a false sense of connection built on desperation, one which if born inside the environment won’t function outside of it, but that doesn’t mean it feels any less real.

When you might die tomorrow, sometimes you just want to feel something, anything at all, and that’s where the causal sex comes in.


Casual Sex:

In mixed gender units, casual sex is really common. Not romantic relationships, mind. It’s just sex, and it doesn’t go any further than that. It’s desperation, it is all about sensation, and a reminder for the participants that they are alive.

When dealing with these types of relationships in your fiction, its important to remember that the emotional component is neither needed nor wanted. They’re not looking for comfort. They’re looking for sensation, to feel something before they (potentially) die.

Because the author controls everything in their fictional world, it can often become difficult to remember and insert qualities like the random chance of dealing with the unknown. We’ve often got characters that are necessary to the plot, who become identified as “safe”, and behave differently because they know they’re going to live through the fight or battle to get to the end of the story.

It becomes important to learn to live in the moment. To live in the twilight hour on the night before a battle, to be unsure, when the character doesn’t know what will happen next. If you don’t then there is a whole array of human emotions, experiences, and terrible choices that you’ll never touch on in your fiction.

If you don’t, you’ll be all the poorer for it.

The Two on One Battle: Real.

You don’t need to be in a relationship, or even particularly well-trained, to accomplish this. Two versus one happens a lot and the pair off usually wins because eight limbs trumps four. One person locks up the individual, the other circles and attacks on vectors they can’t defend from. We’re social animals. Our natural instincts will help us more when we’re fighting in a group as opposed to fighting alone.

1 v Group is a bad situation to be in if you’re the one, and it doesn’t matter how well trained you are. Numbers will kill you.

Part of the reason why you see single characters fighting groups in movies and other fiction is to establish that they’re great fighters. The problem is that this has become so widespread that we now think fighting a group is easier than fighting a single, skilled individual. This is untrue. The group will kill you because the individuals within the group can move onto vectors that cannot be defended.

What your describing in your question in a battle between three people in a two on one is normal behavior, its standard tactics. However, you’re also demonstrating the exact kind of behavior for why two people engaged in a romantic relationship should not be on the battlefield together.

If you’re ever sitting there and wondering if something that is a basic and bog standard tactic is now, suddenly, too dangerous because your characters are dating then that is the exact problem.

Things that are normal suddenly become too risky, and the focus transitions to preserving their lover’s life rather than making use of their significant advantage over their enemy.

That is the exact kind of thinking which will cost them their lives, and for no benefit at all.

Good job.

-Michi

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A quick sketch inspired by the book “Tides of Darkness".

Look we’re going further in their story. But I might often go back to their teens cause dkjhfd I love it when they’re just having a simple life ?? xD