the magical queue

the story behind mr. sugarnose

‘Cause, see, Sabo wears a top hat and a coat that flares like a cape, so I really just want some kid to wander up to Sabo and be like, “mister, are you a magician?” So he ends up learning a few sleight of hand things because of it, and someone already taught him to cheat at cards (you’ll never convince me he doesn’t cheat Allen!style at poker) and anyway sometimes he entertains kids for a bit on the streets while killing time

OR NO WAIT SO EVEN MUCH BETTER somehow he ends up undercover as the magician entertainment at a child’s birthday oh oh please

v. important child. High risk target. Too much overly paranoid security. Infiltration is the only way, Sabo, and it’s this or the clown, do you want the clown wig, Sabo, Sabo, wait, stop running away. It’s not til next week, that’s plenty of time to learn magic, I’m sure

“You realize, if you’re gonna make me do this, this makes you my Lovely Assistant. Bunny suit and fishnets and heels for you.“ "Hmm. Good point. Maybe I’ll be the magician, then?” “Wait–” “Nothing you wouldn’t wear yourself, I mean it!” *devious face* “that’s right, I forgot, you think shame is a sin. Right, never mind, I’m gonna take care of my own outfit, thanks. Shouldn’t you be learning a French Drop or something?”

“One week to learn a routine that’ll impress a crowd of little kids. How hard could it be?” HAHA SO HARD SABO U HAVE NO IDEA. kids are actively the very worst audience

But the hilarious thing is, you’d go learn a handful of simple tricks, like appearing candy or something, right? WRONG. A kid’s show should have about one dumb “mistake” warm up trick, one or two quick fun tricks that involve the audience, and then one big visually impressive trick, and that’s it. Five MAX. A forty minute routine would be pushing it anyway, and that’s for a crowd ages ten to twelve.

Sabo would do it so wrong. To be fair, Koala would be a much better magician, actually. …actually, of that pair, I really would put them as partners, with Koala as the head and voice and Sabo taking pratfalls and sitting in the audience and generally being a goof as Koala plays the straight man.

…damn, now I wanna design them a routine? Sabo would be the plant, the idiot sitting in the middle of the twelve year olds pretending to be one of them and calling out dumb questions and waving his hand wildly to be chosen and managing to get through the crowd by pretending to trip on all the kids, pulling candy out of noses and ears.

I BET HE FAKE SNEEZES CANDY ALL OVER THEM. And he keeps “messing up” Koala’s tricks. The Comedy Magic Duo of the Revolutionary Army!

Different Types of Magic

A note by the poster: this list is not extensive; these are not the only varieties of magic that exist or can be used, but are merely examples of some of the more common or well-known branches of practiced magic.


In this particular  type of magic the Elements of Fire, Earth, Air and Water are given their own directional focus to create added power and give extra energy to your spells. You will no doubt find that you tend to favor one particular direction, but you should be able to use all of them.


Perhaps the simplest form of magic is that which involves color. This method of working is also used in conjunction with various other forms of magic. Color can enhance, alter and completely change moods and emotions and therefore can be used to represent our chosen goal. At its simplest, it can be used alone and in dressing an altar. 


Herbal magic is often used alongside many other forms of magic. Used as talismans and amulets – for example in a pouch or bag – herbs become protective; the oil from herbs can also be used in candle magic. There are many different types of herbs available for use in this way. Each herb has its own specific use, but frequently is used along with many other herbs and oils to produce a desired result.


In candle magic, man discovered the ability to control light and this is one of the oldest forms of magic as well as one of the most simple. Using candles to symbolize ourselves and our beliefs means that we have access to a power beyond ourselves. Candle magic also forms an effective back-up for most other forms of magical working.


Every stone or gem has its own attribute which can be used in magic. Crystals are used extensively in healing because of the vibrational impact they can have. Because of this, they lend themselves to the enhancement of any spell making or magical working. Even ordinary stones have their own power and can be used as repositories for all sorts of energies and powers.


Knot magic works partly with the principle of binding, which is a type of bidding spell, and also with that of weaving. It utilizes ribbon, rope, string, yarn, or anything that can be knotted or plaited to signify our aspiration. It is a type of representational magic, and is used in conjunction with many of the other forms. The techniques of color, form and use of energies are all used in its practice.


Representational magic involves using an object that represents something or someone for whom you are working the spell. It helps in concentrating the energy and visualizing the desire and the end result. Representational objects should never be used for negative purposes. [This is an opinion of the book’s original author, and not one that is shared by the poster.]


In this system different symbols, rather than objects, are used to represent various ideas, people or goals. These symbols can be personal to you, or such things as Tarot cards, runes, sigils, or numerology. You will often use symbolic magic in your magical workings and will soon develop your own preferred symbols.

Talismans, Amulets and Charms

These devices use all the other forms of magic in their formation, but principally representational and symbolic magic. They are ‘charged’ (given power) magically and usually are worn or carried on the person for protection or good luck. Many are worn around the neck, perhaps as jewelry, or carried in a pouch and incorporate crystals, herbs or other magical objects. There are many types of each of these objects and you will gradually learn to differentiate between them.

[“The Ultimate Book of Spells” by Pamela J. Ball]