the little mermaid

what's a fire and how does it - what's the word? - burn

so i have this disney playlist i listen to usually when i’m driving and i was blasting poor unfortunate souls this morning and i was thinking

what if ariel didn’t sign the scroll?

because she’s about to, okay, and she looks at the paper. the parchment made of seaweed, the ones that’s specially treated to survive underwater. and she thinks of her cave of treasures, her books that remain perfectly preserved underwater. “no thank you,” she says slowly, becoming keenly aware of air of this place, of the not-people she’d seen who hadn’t been able to pay the price for sea witch’s bargain. “i – no. thank you. but no.”

ursula tries to convince her otherwise, but ariel runs. she goes back to her cave, destroyed as it was by her father’s anger, and thinks.

she’s the daughter of triton. her books never got wet, though she lives in the ocean. she feels a pull inside her, to the land, to somewhere else, but what if – what if –

what if she doesn’t need the sea witch or her father to perform magic for her? what if she has her own?

ursula had wanted her voice because that’s how she performed her magic. singing in this cave had given it powers and protection, and when she saved her prince from the sea – she sang then too, to keep him safe, to guide him back to life and away from death.

so she has magic. she only needs to figure out how to use it.

so that’s what ariel does now. she’s quiet and keeps to herself, and her father and sisters think that it’s because she’s upset with her father, that she’s busy licking her wounds. she’s moved on from that. she has no trident, and is uninterested with fueling her magic with the souls of the damned like ursula has. so she needs to figure something else out.

she does what she’s not supposed to do, and goes where she’s not supposed to go, slipping past the guards and patrols to the one place in the sea that is forbidden to all of them.

the crevice in the earth where what remains of her grandmother lives.

ariel goes to amphitrite, and the sea goddess is so much bigger than ariel, the size of great whale as she curls at the bottom of the sea floor, too old and too tired to do anything more than sleep. “granddaughter,” the great being croaks, opening an eye as blue and as unfathomable as the sea, “you look like me.”

“they say i look like my mother,” she says, and to herself adds: that’s why father can barely stand to look at me.

“you have more of me in you than your mother,” she says, and she shifts and pulls her mass of red hair over her shoulder. “more of me in you than your father does, even.”

“i have magic,” she says, pulling her bravery to the fore as she swims closer to her grandmother, “i want you to teach me how to use it.” amphitrite pushes herself up, and it’s the first time she’s moved in a millennia, and ariel notices for the first time that her grandmother isn’t a mermaid – she has legs.

she has legs.

“you have power,” amphitrite corrects fiercely, “and i will teach you to wield it.”

and so she does. ariel spends her nights by her grandmother, learning to harness the power of the sea that runs in her veins, and sleeps her days away while her sisters and flounder and sebastian grow more and more concerned, but she refuses to tell them why. she refuses to be stopped.

but her heart still aches. she fell in love with her prince, and she wants him still. so she swims to the edge, goes to the beach where his castle resides in the dead of night when her lessons with her grandmother are complete, and sings

. she’s careful not to let any magic leak through, only her voice. she does not want to enchant him. she wants him to love her as she is. so she sings, her voice clear and powerful and cutting through the air. she hopes he can hear it.

then one day a figure walks to the beach, and it’s him, her prince. “hello?” he calls out, “are you out there? are you – please, it was you that saved me, wasn’t it? won’t you come out and let me see you?”

so she does, waves her tail at him until he catches sight of her and takes hesitant, disbelieving steps closer.

“you’re a mermaid,” he says, eyes wide, “i thought i saw – but it couldn’t be.”

“i am, and it can,” she says, heart beating wildly in her chest. he’s just as handsome as she remembered, and she wants him just as much. “my name is ariel.”

“ariel,” he repeats, and pulls off his boots and goes wading into the water, watching her to see if she flinches away from him. she doesn’t, and his strides grow bolder. “my name is eric.”

“eric,” she whispers, and when he’s close enough he touches her, trailing fingers across the bare skin of her shoulder and tangling them in her hair.

when he kisses her, she feels powerful enough to undo the world.

so there’s that now, spending her nights with her grandmother and her prince, and she knows how to make her own legs now, could walk onto land and be made a queen among the two legged men.

but she’s a princess here first, and before she can do that she needs to take care of something.

ursula.

the rotten sea witch with her rotten sea magic won’t be allowed to torment her people any longer.

she tells her grandmother, and amphitrite smiles and says, “an excellent decision, child. i’ve enjoyed our time together, but i think it’s time for me to sleep once more. i’ve taught you everything i can.”

and tears prick ariel’s eyes, but she holds them back. she knew that it couldn’t be forever, that her grandmother can’t die but no longer desires to live and this is the in-between.

“you’ll be an amazing queen,” amphitrite murmurs, and closes her eyes for a millennia more.

this isn’t something to be done in the dead of night, although it would be easier to do it then.

she will make a spectacle of it, she will remind the sea that her people are not to be trifled with.

once upon a time they feared a blue eyed, red haired sea queen with the power to destroy them all. it’s time for them to do so again.

so she drives ursula to the center of the city. her sisters cower and people hide, and her father comes rushing forward to save her.

“you’ve committed great crimes against my people,” she says, not flinching as lightning gathers in the sea witch’s hands, “so now shall a great crime be committed against you.”

“foolish girl,” the sea witch snarls.

triton is yelling. he won’t get there in time.

he doesn’t have to.

she doesn’t need to sing anymore. instead she lifts her hands and pulls ursula apart without ever touching her, not only renders flesh from bone but also sets free the souls she’s been hoarding, reverses the magic done to those who’d fallen into the sea witch’s trap.

they all stare at her, her people, her father, and her sisters. she looks to triton and says, “i’m not a little girl anymore.”

he opens his mouth, closes it again, then says, “i can see that.”

all at once everyone’s perceptions are turned sideways about their youngest princess. she commands a power that even her father doesn’t have access to, she’s not depressed and dreamy – she’s powerful young woman who knows exactly what she’s doing.

so she does what she wanted to do, she gives herself legs and steps onto the sand and launches herself into eric’s arms. she becomes his bride, and the rumors run rampant of what she is, of where she came from, but they can’t prove anything and so they rule.

they live long, happy lives. ariel is his consort, his advisor, his wife, his tactician, and his best friend. all those years reading drowned books have certainly paid off. she ages herself along with her husband, bears his children and then teaches them they ways of her – their – people.

her husband dies, and she disappears, like the stories of selkie women that everyone whispers around her. their children give their father a sea burial, and vow to see him again one day. what they know and none of their subjects do is this – their father’s body isn’t in that casket.

she returns to her ocean, her legs form into her glittering green tail, and she goes home. she uses her terribly powerful magic, and brings her husband with her. she went from princess ariel of the sea to queen ariel of the land, and now she’s back again.

she’s not quite a teenager, but neither is she the old woman she pretended to be on land. she’s returned her and her husband to the prime of their life, and as she gained legs to be with him, he now gives his up to be with her.

eric becomes a merman, and a prince by virtue of being ariel’s husband.

she returns to her family and her world without missing a beat, and they all welcome her as if she never left, treat her husband with kindness and respect.

because they all know.

it doesn’t matter that she’s the youngest. when, far in the future, triton’s reign ends –

ariel’s reign will begin.

Why all of the Disney princesses are awesome

Snow White

- was a survivor of attempted murder, and was resilient to not let that horrid and traumatizing event bring her down or let it ruin her life

- was a victim of emotional abuse, and didn’t let the abuse get to her

- would save a baby bird from danger and make sure it found it’s parents

- knows how to hold a rocking party with friends

Cinderella

- survivor of emotional abuse from her stepmom and stepsisters for many years, and stayed kind towards others

- despite her family treating her so wrongly and poorly, she just wanted to spend a night with them and have fun with them, and just be like a normal family “ Prince Charming, who “ ?????

- she’s sassy as fuck “ Well I don’t want to interrupt their “music lesson “ during her stepsisters bad singing

- even though she had a short time to be at the ball, she was grateful for the opportunity anyways

Aurora

- Gives up her happiness, to perform her duty as a princess for her kingdom and her kingdom’s future and knows that she must do her job as a princess. That’s pretty brave and selfless.

- that gorgeous blonde curly hair !!!!

Ariel

- she’s the first Princess that goes forward to make her dreams come true, rather than just wishing, hoping and waiting.

- she’s adventurous, curious, loves to explore, learn about new things and new cultures and new world

- she’s the first Princess to save her love interest, but once, but twice

Belle

- different, odd and a misfit from the common crowd and gives no fucks

- “ Women shouldn’t read “ Well shut the fuck up, I’m going to do what I love and enjoy anyways.

- takes no bullshit. You are a asshole ? Got no time for that. She’s outtie.

- sees the good within people, but is also isn’t naive, she knows that some people are just plain monsters, through and through.

Jasmine

- will stand up for her rights, and won’t be pushed around

- is quick, sharp, intelligent and a fast learner

-wants to learn more about the outside world and her people

-if you try and lie to her or manipulate her or treat her like she’s a fool, she’s not having that shit

Pocahontas

-will fight for her people, her family, her world, her home, her culture

- she’s the first princess to save the day, not the guy, not a male sidekick, she’s the one the saves the day, while Snow had the Dwarfs, Cinderella had her mice friends, Aurora had Prince Phillip, Ariel had Eric, and Jasmine had Aladdin. ( Belle is debatable imo )

- loves the earth and nature and will protect it from harm

Mulan

- she saves China, I mean, come on

- she never gives up, no matter what. If she fails, she will just try even harder to succeed and will find a way on how can succeed.

- brave, determined, strong mentally and physically, a kind friend

-teaches girls that it’s okay if you haven’t found yourself yet- if you don’t give up, one day you will, and you will conquer

- pushes gender norms

- another female princess that saves the day, not her male love interest, or sidekicks, is also the first princess to defeat the villian in battle, like a previous male character like Phillip or Eric would

Tiana

- is hard-working, and never gives up on her dreams, and will work hard to get there

- teaches that dreams are done by sweating your butt off, giving up on fun sometimes, sometimes having to work more than one job, than just wishing and hoping, you have to take action, and make that dream happen

-ambitious and smart and realistic

- teaches that you shouldn’t take a short-cut, find a lazy option, cheat or gamble your way to success, the only to get there is through hard work and effort

- again,another badass princess that saves the day on her own

Rapunzel

- is kind to everybody

- is cheerful, positive, warm and supportive towards others, even people who seem “scary “, she knows inside, that we all have dreams

-is brave enough to step outside her  zone and new and strange places and territories

- anger her by harming one of her loved ones and she will fucking tear you apart

- a talented artist

Anna and Elsa

- teaches girls that family love is just as important than romance love, if not more so

- Anna goes through a abusive relationship and isn’t put off love forever, she learns her lesson, doesn’t let Hans bad treatment of her ruin her or let her become a toxic person, like he was, and moves on with a better man, and a healthier relationship

- Elsa goes through basically being locked up with lack of other human contact, fearing her powers and fearing what other people think of, to come out as better and stronger person

- Elsa teaches that sometimes its best not let what others think of you, and just say “ fuck it “ and just be yourself and be free

- Anna teaches the difference between a unhealthy relationship (whirlwind romance,quickly trusting people, getting into a deep relationship with somebody you don’t even know )  and healthy one ( somebody who gives you his jacket when you are cold, holds you close when you are scared, is worried about your well-being, getting to know somebody first before leaping in, somebody who asks for your consent before kissing you, will do anything to make sure you are safe and okay )

Moana

- will do anything for her island and people and make sure they’ll all okay

- her leadership skills are A++

- no “ you are forced to marry this boy so you can become his queen”, BS, Moana is the future leader

- is brave to fear the unknown waters, learn new skills, and battle monsters

- is understanding, and understands why somebody acts the way that they do

- is extremely independent


in short, they are all awesome, even the three originals.