Viktuuri amigurumis, both finally finished! It was difficult to pick the outfits to crochet, I’m still not 100% sure about my choice but the coats and scarves are removable so if I just have the energy I may try some other looks for them too
Oh, the beautiful working altar! It is a place of magic, with lots of shiny and smelly things on it which make me feel at home. But to the new witch, it can sometimes seem daunting, and even downright scary to look at - almost as if it came right out of some dark fantasy story.
But there’s nothing to be afraid of. Each object on the altar is merely a tool to help visually direct energy. In witchcraft, every tool has its significance and its own symbolism, and it often helps to understand what makes these tools so important. In this series of articles, I will endeavor to lift the shroud of mystery from these tools and assist in helping you understand what each tool is used for, where it comes from, and why we use it.
The Book of Shadows
We’ve all seen various shows that portray witches with various spell books, from the massive tome in Sabrina, The Teenage Witch to the living spell book in Hocus Pocus. It sometimes seems as if the book is as inseparable from witchcraft as the broom, pointed hat, and black cat! However, unlike how they’re portrayed in media, spell books, or Books of Shadows, are unique to each individual, and may have spells, correspondences, references, or may simply be a journal.
Ultimately, the Book of Shadows (hereafter, “BoS”) is a repository of knowledge pertinent to your practice. It’s your reference guide and a measure of your growth as you progress and learn more.
As many experienced witches who teach can attest to, one of the most frequent questions we get is “How to I make a BoS?” or “What do I need to do to get a spell book?” And this question is tricky not because of complexity, but because of its simplicity. So let’s take a look at the different types of BoS, and what could go into them!
Hard Copies, Media Files, and Oral Tradition
Every witch has his or her own aesthetic, preferred method of going about things, and pocketbook. As such, the types of BoS out there vary depending upon the witch! The most stereotypical BoS is the hard copy book. Durable, long lasting, and with a rather gorgeous look, it’s no surprise that from the get go, many of us will reach out to take hold of one of those faux-leather-bound blank journals lining the back wall of Barnes & Noble.
However, when first starting out, jumping straight to these often expensive books is not necessarily practical. The reason for this is that like our practice, our book will likely change and evolve over time to reflect our growth. As such, it isn’t uncommon early on to tear pages out, reorganize, and add pages to incorporate what suits you.
That said, it’s often recommended for the new witch to start simple. And for that there are a couple of options! First is for those who prefer hard copies. In the .gif above, the keen eye might notice that the BoS shown is a simple graph paper notebook. This is not uncommon, and while some may initially fear having a BoS that looks “tacky,” remember that the book will change over time, and as you practice more and find aspects that you know will not be going away anytime soon, you can incorporate them into another more aesthetically pleasing BoS (there’s no rule that says you can’t have more than one! I have several, and for different aspects of my practice).
Far less expensive is the digital BoS. Earlier on, I addressed Technopaganism and how it relates to paganism and witchcraft. In it, I acknowledged that one rather practical aspect to technopaganism is that witches who adopt this philosophy will often set aside files on their devices specifically for witchcraft. For instance, on my computer, I have a folder dedicated to witchcraft, with subfolders that have word files for notes, rites and spells, my blog articles (yes, my articles go in my BoS!) pictures, and correspondences. Though many witches prefer to cast spells and blessings on their BoS and may scoff at the thought of having a digital BoS, remember that in technopaganism, it is not uncommon to bless and cast spells on the device or drive that has the files in question, just as one would bless and cast a spell on a physical book.
Some witches who like the digital aspect even create public BoS’s here on Tumblr! Blogs are often a great repository for spells and notes regarding witchcraft, so it’s good to keep your eyes peeled for a good BoS page!
Lastly, there is another type of BoS that often goes unrecognized and treated less carefully because it’s not a physical object, and that’s oral tradition. Many of our ancient ancestors who did not have a written language passed their traditions, spells, and rites down to one another through strictly oral means. And some who had a written system maintained a mostly oral tradition as well (take, for instance, the Celts and Norse - both had written systems but maintained their traditions orally). The message here is that if you don’t feel that having a BoS is necessary or desired, you are not a lesser witch for it. Even today, some families maintain an oral system, passing their faith and traditions down from one generation to the next with the spoken word.
Compilations, Dreams, and Magic
So we’ve seen the different formats used for a BoS. But… what goes into it? Well, the simple answer is anything you want! And much to the frustration of many new witches, that’s exactly the answer they get. So let’s take a look at what commonly goes into a BoS, and how it can be varied.
Spells: This one’s the most common subject. After all, many witches prefer a repository of their successful spells for future reference. So many include a section in their books dedicated specifically to spells. (If the book were dedicated solely to spells and rites, it is often referred to as a grimoire instead of a BoS, though this is mostly a matter of preference).
Rites: This varies from tradition to tradition, as some partake in full rites whereas others don’t. But a section devoted to rites will likely include rituals for the Wheel of the Year, other holidays and sabbats, esbat (lunar) rites, and even initiation and dedication rites for covens.
Correspondences: If you rely heavily on correspondences, be they for astrology, color, runes, plants, or otherwise, it is often recommended to have a reference or resource where you can look up the proper correspondences for your tradition. As such, many witches who work with such correspondences will have a section dedicated appropriately.
Recipes: Giggle as you may, but kitchen witches often joke about their BoS being a cookbook. And some legitimately have a cookbook as a BoS. Regardless, those who work magic into their cooking may prefer to have some good go-to recipes on hand! Need an example? One of my books is dedicated solely to Foodie Friday recipes, and I do consider it to be a BoS!
Journals: Whether it be a dream journal, or a diary, there are many witches out there who incorporate their journals into their BoS. This has a couple of benefits: the first is that it is an excellent way of tracking growth; the second is that it provides a cross reference, so if you forget something in another section of your BoS, you could have it in your journal. It is also an excellent way of providing a personal narrative regarding your development and relationship to the gods, if that is part of your path.
Notes: Let’s face it, as a new witch (or even an experienced witch), you probably do a lot of note-taking, jotting down new information or spells or philosophies for your craft. The BoS is an excellent repository for these scribbles!
There is plenty more that can be added to a BoS, but these are the most common subjects. Is there a proper order to have in a BoS? Only if you feel you need one. However, for me, I have found that if I were to establish a table of contents in my BoS, it would be rendered null rather quickly as I add and remove subjects. Instead, sticky notes, tabs, bookmarks, or ribbons can be used to separate sections so that you can easily page through your book!
Many new witches might see a lot of those rather gorgeous home-made books out there. Though your book need not be pretty to be functional, it is encouraged to make your book your own. If you’re artistically inclined, bend that toward your book and create a BoS that doubles as a masterpiece! Some will create wood bindings, while others may simply draw and decorate the edges of their pages. It can be as complicated as that, or as simple as adding a ribbon with a crystal on it. The book is yours, so do what you’d like with it!
So Josh, what kinds of BoS do you have?
Well, I have several. The first is my aforementioned digital BoS. Though I don’t use it for spellcasting, it is a backup repository of my notes and articles, as well as a place where I can write out new spells and rites as needed before printing them for coven work (because my handwriting isn’t exactly the easiest for others to read). The second is the aforementioned Foodie Friday Notebook. The notes and recipes that I write down are later shared with all of you, and I keep it all for future reference and for my own work! Third is my coven BoS. This is a hard cover blank journal in which I write down all of the rites and spells that we do together, as well as where I write down any notes that may be pertinent to our practice. Fourth is my personal BoS, which is a faux-leather-bound journal in which I write my finalized aspects to my practice.
It’s likely that I could end up with new books in the future, and my BoS’s will continue to change over time!
How can I make my own BoS?
Use everything we’ve covered above as a guideline in crafting your personal BoS. Remember that if affordability is an issue, you can always start small and later on build up to something you’d prefer. Whether it be a digital file, a spiral bound notebook, or a blank journal, remember that your BoS is your reflection and repository! Treat it with care and as much respect as you would any other tool for the craft!
By far the most powerful and most populous of all the Peoples of the Thedas system, humans vary widely between size, colouring, build, aptitude, and religions. They are the ruling class of every planet and major colony in the Thedas system aside from the Par Vollen flotilla, Orzammar and Skyhold.
Compared to the other peoples, humans reproduce at rapid rates, allowing them to adapt to new habitats and skills much more quickly than the ancient peoples of the elves and dwarves. How they compare to the relatively new arrivals to the system, the Qunari, remains to be seen.
Only humans are able to become official rulers in the main nations, and non-humans are not able to serve directly in the Chantry or the Templars.
Roles are Rarely Gender specific outside of the Chantry
heights average between 5'6’’ and 6’’ but not uncommon for outliers, builds muscular to slender
Round ears, hair that varies from blonde to red to black, skin from very pale pink to near black-brown
eyes that do not have a tapetum lucidum (reflective lining on the retina that improves low light vision and glows like a cat’s)
Age relatively quickly
Shems - Elven, ‘Quicklings’
Shemlen - Elven, 'Quick children’
Basra - Qunlat (derogatory) 'useless thing’
Magic Ability - Present but still rare. Genetics play a factor but not guaranteed.
Rythlen Theirin (Hero and Queen of Ferelden) & Alistair Theirin (king of Ferelden)
Empress Celene I and General Gaspard, the warring Lions
Captain Frederic Rousseau formerly of the Chevaliers and his son with Milliara, Nils DuLion
Former Champion of Kirkwall, Garret Hawke and his brother, Senior Warden Carver Hawke
The Advisors to the Inquisitor
Maeve Trevelyan, one of the Heralds of Andraste
Haylan the Enchanter, doctor within the Inquisition and former Hound of the Templars
Theseus Trevelyan, former Templar Knight, now Knight of the Inquisition
Almost everyone in power, really.
The elves have a poor lot in Thedas. once a thriving nation of near-immortals, now elves live either under the thumb of humans in slums called alienages, as slaves in Tevinter or as nomads that call themselves the Dalish. They have no true home, having lost each they founded to human empire builders.
No longer immortal, they still hold some characteristics of their ancient ancestors such as skin that can range from purple to golden, eyes that are inhumanly bright and can see more clearly in the depths of deep space than any human or dwarf can. And of course, their ears.
Recently, an elf has come to prominence as the Inquisitor and a Herald of Andraste. This has stirred elven populations throughout the system, to stand up against the injustices they face. A surprising number of elves also seek out the Qun, appreciating the transparent rules and roles.
Roles are never Gender specific among the dalish, but city elves follow the human societies that they live in.
Eeights average between 5'0’’ and 5'9’’ but it is not uncommon for outliers, and Dalish tend to be slightly taller as they are less likely to grow up malnourished.
Their builds vary but elves are more slender by nature than humans.
Elves have pointed ears, hair that varies from white to red to black and gem-coloured skin that ranges from blue to golden.
Dalish elves have luminescent markings tattooed on their faces called vallaslin. The markings will often flicker in time with the elf’s mood
In addition to having large eyes, elves have a tapetum lucidum that causes their eyes to glow like a cat’s in low light. Apparently it can be unnerving.
Elves age and reproduce at rates comparable to a human (though slightly slower) however whenever an elf has a child with a human, dwarf or Qunari, the child appears to be fully the same race as their other parent.
Knife Ear - common insult
Rabbit - Orlesian insult
Elvhen'alas - 'Dirt Elves’, a Dalish slur for City elves
Flat-ears - a slur for elves too friendly with humans
Basra - Qunlat (derogatory) 'useless thing’ for non-Qun affiliated elves
Magic Ability - Slightly more prevalent in elves than in humans, however whether this is due to the reduction of policing of mages among the Dalish, or a genetic trait is unclear.
Milliara Lavellan - A Herald of Andraste, Inquisitor, Former Orlesian Bard, former city elf
Fiowyn Lavellan - Cousin to Milliara, part of the Inquisition
Kalieth Surana - Grey Warden Enchanter, half sister to Aldes and Karya
Aldes Lavellan - A hunter, older brother to Karya and incorrigible flirt
Karya Lavellan - the First of what used to be Clan Lavellan.
Briala, former lover of Celene I
Sera of the Red Jennys
While at first they might appear to be short humans, Dwarves are a distinct people from humans and incapable of interbreeding. Traditionally, Dwarves live underground on sub-planet Thaig. However many dwarves have ‘ascended’, leaving Thaig to seek fortune elsewhere. Traditional dwarven life relies on a strict caste system, Once a ‘true’ Dwarf sees the sky, they are considered to be casteless, and cannot return to their past role.
To travel between planets, Orzammar dwarves use windowless ships and shuttles to ensure that they do not lose their caste, although such trips are exceedingly rare.
The Carta is a dwarven cartel that dominates the grey and blue (lyrium) markets, ruthlessly defending their business holdings with less than legal methods.
Built short and stocky, Dwarves barely reach over 5′2″ but are dense with muscle and sturdy bone from developing as a people on sub-planet Thaig which has a super-dense core, and increased gravity compared to the human planets.
In terms of colouring, Dwarves take after humans in range of hair, skin and eye colours, which is curious despite their ancestors living underground for so many thousands of years.
Dwarven reproduction rate is slow, and the population has been in decline for centuries, aggravated by the attacks by Darkspawn on former strongholds.
Dwarves have exceptional hearing, and Dark dwarves often speak about the ‘song’ of the stone which allows them to find veins of minerals and other important geolithic features
Surfacers - Ascended Dwarves, dwarves who have seen the sky, stars or sun
Dark Dwarves - ‘True dwarves’ who have not ascended
NugScats - Casteless Dwarves
Magic Ability - None, although Dwarves are skilled at enchanting magical effects into items they are completely unable to perform magic or even dream.
Varric Tethras - famous author, blogger and podcaster
Dagna Smith - formerly of the Smith Caste, now a renowned researcher and enchanter
The Flotilla known as Par Vollen arrived in the Thedas System some time ago, but still not much is known about the People known as the Qunari. Initial scans appear to show that Qunari are the result of gene splicing, but such technology has never been known to produce viable individuals, let alone a fertile species of people.
In the Qun roles are specified by Gender, but Gender is not specified by the sex one is born with. Qunari men hold martial roles such as Sten, Arishok and Ben Hassrath while Qunari women hold spiritual and guidance roles, and are considered to be the true power behind the Qun. Tal-Vashoth and Vashoth however tend to follow societal norms of the area they live.
Qunari are the tallest and most muscular of the people in Thedas system. Averaging 6-9 feet, their size is made more impressive when one considers the horns many of them grow.
Like elves, Qunari have pointed ears, though they are smaller in relation to the Qunari’s skull. They also have inhuman skin tones, but while elves are ‘gem’ toned, Qunari tend to have skin the colour of metal.
Qunari often wear body and face paint made from substances that offer special protection against the hazards of space and battle. A trait unique to them, Qunari are able to survive in the void of space for brief periods of time with little side effect.
No one is certain about the aging rate of Qunari, as most met by non-Qun forces are killed in action or some other violent means.
Ox men - common insult
Magic Ability - Minor, seen as extremely dangerous, mages in the Qun are referred to as Saarebas and mages in the Qun are harshly treated if not outright killed. However mage Qunari exist among the Tal-Vashoth and Vashoth in small numbers.
Of the Qun
Sten, Veteran of the Fifth Blight
The Arishok of Kirkwall
The Iron Bull
Vashoth (not of the Qun, and never were)
Peanut and Tanim Adaar
There are many theories and legends that surround the origin of Darkspawn and the Blight, the truth is that no-one knows for sure how the Blight or Darkspawn came to be. A true Blight occurs when Darkspawn rally around an Archdemon, developing a hive-mind. The Darkspawn horde then launches an attack upon non-infected populations, poisoning the land they inhabit and infecting or killing the individuals they find there.
The only known way of ending a Blight is to kill the Archdemon, and the only way to do that is to sacrifice a Grey Warden… until the 5th Blight when the Hero of Ferelden managed to slay the Archdemon without losing her life.
Darkspawn have overrun most of the sub-planet of Thaig save for a few holdouts like Orzammar, and now inhabit the deep caverns and mines on most Thedan planets. As a result any subterranean ventures deeper than a kilometer
Savage, varying vastly in size, shape and ability
inhabit most of Orzammar
Magic Ability - Present in a few darkspawn, but these type of individuals are rarely seen outside of true Blights.
The Archdemon of the 5th Blight
The Chantry teaches that all spirits are Demons waiting to trick unwitting mages into allowing themselves to be possessed. This is absolutely not true, although it is a belief that continues to be pervasive and colour the perception of the any contact with spirits even if they’re benevolent.
Spirits reside in the fade, and while some do twist into demons either of their own will or through mangled summoning rituals, many spirits are happy to stay in the Fade.
Basic Traits - Vary too wildly to specify. Spirits represent an aspect of the physical world.
Magic Ability - Innate and extensive. Spirit are magical beings by nature, and reside in the fade. They can become demons if they are summoned into the physical dimension and are twisted against their nature.
Basic Traits - Vary, but tend to follow the 'sins’ taught by the Chantry: sloth, despair, pride, rage, desire (too often thought of as lust), but there exist others not yet known. The Inquisition has only recently identified Fear demons as being distinct from despair.
Magic Ability - Innate and extensive. Demons are magical beings by nature, and exploit their abilities to possess or ensnare a mortal to experience life through them.
Golem are exceedingly rare. Aside from the deep roads and the golem serving Minrathous, only archival footage exists of the Golem that once served with the Grey Wardens in the third blight.
Not squishy, no obvious gender roles but always best to ask the golem which pronouns they prefer. They hit hard
Inorganic, crafted by Dwarves from lyrium, crystsal and metal with a soul bound to them to animate the otherwise dead object.
Very tall, Golem are said to get as large as 20 feet tall, but modern history shows they range from 7 to 12 feet
Often (but not always) paired with a control mechanism. Either in the form of a non-replicable program or, in the case of truly ancient Golem, a rod mad of the same crystal as the Golem’s ‘heart’.
Magic Ability - None, but inherently magical beings as dwarven souls are enchanted into the Golem’s body.
So, I have been reading through some
of these discussions on @khiphop-discussions [I tagged you bc this is way too long for an ask] and I feel like saying something about “idol rappers” and “non-idol
rappers” and the conflicts between both. There are idols that have the rapping
position (like idk, GOT7 Jackson) and there are rappers that just so happened to be idols
(like BTS Rapmon and Suga). These rappers that are also idols are aware of the
different circumstances that come with being an idol versus being an non-idol
rapper; they separate those two titles and have one image for idol and another
image for rapper (like Zico), so to say that these people are “selling
themselves out” when becoming an idol seems a little too black-and-white to me.
Like… rappers can’t be idols without being written off as sell-outs now? That’s
maaad wack lol (and also, most idols make little to no money until they pay off
their trainee debt after several years, which means they chose to be idols
because they *NEWSFLASH* actually have a passion for performing).
The only reason why these idols go on
these rap shows is because they had the liberty to and they wanted to, not because
the company told them to do it for publicity or some sht like that, which means
*NEWSFLASH* they actually want to grow in rap (like Mark Lee). But
unfortunately, many underground rappers see a few idols screw up bad (like
Vernon… lol… well I mean, he wasn’t an idol back then, but he and Carats both
regret his decision to go on that show lmao believe who is a Carat) or see them
dancing to pop music on stage, and generalize all idol rappers as incompetent. Some
students on HSR literally said that they thought Mark wasn’t good because he
was an idol. Like, they literally said that LOL. So the prejudice is still
there, which is why some idols still feel the need to address that prejudice. I mean, OF COURSE idol rappers have more fans because kpop is still more popular than khiphop, so big broadcasting companies lime mnet or judges on shows WILL take that into account and try to use it to their advantage (you really can’t escape the business aspect to this).
I read somewhere on the khiphop page
about the kpop side not accepting hip hop artists. There is a very obvious
reason for that. Pop and hip hop are two very different genres, and the Korean public
almost ALWAYS sides with light pop or nice ballads. It’s the international fan
base that has been down for incorporating rap/hip hop into kpop, and to be
honest, that is the only reason why it has become such a trend in Korea,
because of the growing international fanbase. I mean, I personally still listen
to American rappers (like Kendrick and Chance and Noname) a bit more because
the content is a bit different and more of what I am looking for. But yeah,
that’s the reason why these two fields are kind of merging. I’m not trying to
say one specific side is wrong here. All I am saying is that this who issue is
not that black-and-white as it may seem, and that no one should be super salty about this because in my min, everyone works equally as hard in their craft, whether it be just rap or a bunch of art mediums. That is all
For those that are working hard in college right now:
I’m proud of you.
College is HARD. Classes are hard. GE core classes are hard. Essays are hard. Upholding standards of education is hard.
But you’re getting through it!
Generations of people have fought for the right to attend college and you’re honoring their fight by working hard at your craft!
I just want you to know that as a fellow suffering collegiate, I know it’s hard. But we fight through late nights and convoluted financial aid and shitty groups for projects and inconvenient travel/parking all so we can fight for our diplomas/masters’/doctorates. We fight so we can show off that piece of paper that says that yeah, college is tough…
my two worlds collide :)))) this isn’t strictly karasuno, just characters in the story that resemble the boys!
warning: spoilers ahead!! and also… i get a little. .…carried….away
S.Coups as Daichi Sawamura
MY TWO GRANDPAS I’M SO READY. as kind and fair leaders, daichi and seungcheol are inevitably very, very similar. in daichi’s approach with tobio and hinata when they first joined, coupled seungcheol’s way of uniting the boys to talk about their issues as frequently and fervently as possible, these two are the epitome of father material. daichi is never afraid to be vocal with the team on and off the court, and naturally is the voice of the entire team when needed. for seungcheol, despite being the youngest member in his family, was promised to debut with multiple groups time and time again, until finally he was put on hold with the rest of the seventeen boys. what this did was allow him to practice his patience and growth as a person, but as well, grow familiar and as an older brother figure for the boys as years went on. maturity aside, both of these boys are easily excitable and love it when their members are having a great time. with their relationship from their same age friends (suga and asahi, jeonghan and jisoo) to the younger guys on the team, they are an amicable sidekick and company to be around, and although they need to be serious on and off the court/camera for the sake of professionalism and victory, these two “old men” are two very dorky and clumsy guys at heart.
Jeonghan as Koshi Sugawara
THEY’RE ANGELS AND THEY FUCKING KNOW IT. but don’t be fooled. jeonghan can tend to be a little shit disturber at times cheeky at times (cheating, cheating, and more cheating) and suga sometimes does enjoy joining in on the banter with the second years, thus making them the most innocent (“wait, who me?” puppy eyes) older brothers out there. but with that aside, both are extremely caring towards the rest of the team and are undoubtedly the mother figures. sugawara, being assistant captain, knows each and every one of his teammates’ strengths and weakness, and always, always, has a sense of calm and patience, slowing the game down to his pace. despite losing his starting position to tobio when he came, he never once had a harsh attitude towards him and instead, cheered him on and did his part when he needed to step in. jeonghan is by far, the biggest mom figure in seventeen, and is extremely affectionate with everyone in the group. kind and attentive, he loves to compliment and tease his members “dino nugu aegi” and is enthusiastic in all their projects. he never seems to complain and be in a genuinely bad mood, like, ever. both are extremely reliable and have a bond with all of their members, making them both the soft, angelic, yet fun-loving members of the group.
Joshua as Asahi Azumane
i put 95-line as the third years do you hear me sob bi ng ASAHI AND JISOO ARE BOTH SO SOFT, SOFT, SOFT, and are the kings of humility. jisoo is seriously the nicest, most soft-spoken, and easygoing person ever. he will never go out of his way to seriously boast about something nor will he claim a title as his own. we all know he’s a mama’s boy and an extremely soft person, resembling a kitten, almost. he loves to embrace his members and his bond with the 95-line is so, so precious. however, on stage, his demeanour is extremely different. he works so hard with his music and has such a determination to make sure everything is perfect, namely being the one to arrange all the acoustic versions of their songs, and making sure to monitor himself extremely closely after every recording. he works hard on his craft and does his best to benefit the team around him, being the master of humility and is undoubtedly in love with love itself. asahi, on the other hand, and a clear difference between the two, looks extremely different from how he is on the inside. being mistaken for a convict, or a third-year that had to repeat school a couple times, or a gangster, he’s 180 degrees different from his appearnce. like jisoo, he cares extremely how he is on the court and makes sure to do his absolute best to benefit his team. being the ace, he never really claimed that title as his and has a hard time believing in his abilities until the near end. he’s so precious to the team, and with his “glass heart”, he’s literally a child that needs to be protected at ALL TIME. these two are extremely soft and kind, knowing no limits to hard work and dedication at their craft to make sure their team comes out on top.
Jun as Toru Oikawa
pROFESSIONAL PANTY DROPPERS. literally the two biggest shits on the face of the earth. jun was the first person i matched a character with because i had no freaking doubt in my head that he was going to be oikawa. toru is damn fucking good at volleyball–and he knows it. he knows that he’s the grand king and isn’t afraid to walk around like it, even off the court. besides from being a cocky ass little shit though (jks i love my king), he’s such a good captain and is also the king of POSITIVITY. even if he makes a bad set or misplaces a serve, he has no doubt in knowing the next play will be different. you know who else is the king of positivity? WEN JUNHUI. WEN. JUN. HUI. during one fine day, when they were literally all quarantined in an island away from home and forced to give up their personal belongings for a period of time, he was such a trooper and a cheerleader for the rest of the trip there. he never failed in complimenting mingyu and his skills (literally when asked to pick 3 things to bring with him to a deserted island, he chose mingyu, mingyu, and mingyu), always helped out in various things like cooking, making freaking sashimi, starting the fire, and cleaning. but on stage.… BOI. he’s legit a sex machine. like not fucking kidding. he’s fucking hot and he knows it. in 17 project, one of the things the mentor told him was to work on his facial expressions, and this boy fucking did. the way he bites his lips, the way he droops his eyes, the way he walks on stage, his poise and confidence is so prevalent and is, without a doubt, a visual to be reckoned with. with oikawa, despite being one of the best u-18 setters in the country, arguably the best in his prefecture, and having the pressure that comes with it, he carries himself with such poise and confidence knowing that he fully has the ability to help his team and make them amazing. these two are confident, positive, and work extremely hard at what they do to better everyone that is relying on them and are undoubtedly panty wetters havE U SEEN OIKAWA WITH GLASSES IM DECEASED.
Hoshi as Yu Nishinoya
NOYA M Y LOVE I LOVE YOU OSM U HC my svt bias wrecker and my haikyuu bias why do i do this to myself ffs. out of all of these matches, i think this one is the most spot-on, personality wise. noya is such a FREAKING FIRECRACKER, and is literally the second loudest character on this entire show despite having such tight competition whaddup bokuto, tanaka. he loves volleyball so. much. i’m literally not surprised if this kid sleeps with his uniform still on. but with that being said, as much as he loves it, his bond and love for his members are unparalleled. in the beginning, he refused to come back as libero if asahi wasn’t going to return, but eventually found himself too connected with volleyball to not be on the team. in every practice, he’s always testing out his moves and giving it nICKNAMES LIEK GFDIJ I LVOE YOU like fucking “ROLLING THUNDER!!!” like what even?? him, tanaka, and hinata love riling shit up and having a good time with what they do. so with soonyoung, you can tell that dance is his entire life. he said one time that he doesn’t know what his life would be without dance. soonyoung legit ALWAYS HAS ENERGY, like the members literally wake him up with “fighting!”. these characters are both extremely boisterous and friendly. noya made extremely quick friends with hinata and still initiates conversations with tsuki and tobio regardless if they’re interested or not. soonyoung, on the other hand as well, LOVES HIS UNIT SO MUCH MY HEART. on one fine day, bc minghao was sick and couldn’t really leave the house, hoshi would find things for him to do like help him peel stuff for dinner or bring him bites of the food they were making outside. chan looks up to him legit like an older brother and him and jun are the same age, making them have a brotherly, best friend-type bond. but with that being said, the second both characters step on their respective stages, everything changes. noya is such a beast, always looking to better his game as a libero, like when he figured out how to set from behind the line, or when he did the thING YOU KNOW THE THING AGAINST SHIRATORIZAWA WHEN USHIJIMA DID THE THING AND THEN NOYA DID THE THING BACK AND THEN HE DID THE THING AGAIN YOU KNOW WHAT I’M TALKIGN ABOUT and his entire team legitimately depends on him for receiving some of the best players in the entire country’s spikes and he never fails to back them up. with hoshi, he brings a different dynamic to the group. he choreographs everything and admits to making the most mistakes during practice because he has everyone’s dance parts in his head tell me that isn’t the purest fucking thing you’ve ever heard in your life. on stage, he’s so fuc kign h ot have you seen his stage at the boys wish concert goodbye!!!! these two have the most boisterous personalities, with abilities to befriend almost everyone. both love a sense of competition and leading the team with their athletic abilities, all the while having a true, true love for what they do.
i’m getting so fucking carried away i’m not even sorry
Wonwoo as Tobio Kageyama
if you began to think i was going crazy, you haven’t even seen my final form cus wonwoo’s my svt bias and tobio is my haikyuu bias wrecker good luck reader my two dark hair, dark eyed beauties. rather than having the exact same personality, i think these two resemble each other in appearance, the way they carry themselves and how they are when the begin to open up. tobio has always been good, exceptional even, at volleyball. named “king of the court” before he even got to high school, he always had an immense amount of pressure on him. however, for him and wonwoo, they both get mistaken as being solely and strictly cold-hearted bastards because of their first impressions and the difficulty they have expressing themselves. kageyama was first portrayed as a cocky and hard-to-get-along-with kind of character, always to engulfed in volleyball, but that’s not the case as the series progresses. no, he doesn’t become an extremely boisterous or outgoing character, but he no longer has such a demeanour around him. you can see him visibly wanting to spend more time around his teammates and he loves. the. game. so. much. he looks to make his game the best it can possibly be every single time and all his life, hasn’t really known anything besides volleyball until karasuno came along im SOBBING. with wonwoo, his sharp features and handsome face gives off the vibe of being the cold, scary pretty face that doesn’t really want to be around others, but when seen around his members, and members like hoshi, miNGYU, jun (members that are very opposite of his shy self and can bring him out more), him and his stupid freaking jokes will always be heard. through variety shows and time spent around the boys, we get to see garden fairy wonwoo, seventeen’s main bgm provider wonwoo, and palryongjung middle school dancing machine wonwoo, and we know he isn’t, and never was the cold-hearted boy we was thought out to be. when they get onto their stages, they’re both extremely charismatic and amazing at what they do. hallucination boy wonwoo has an aura around him with his voICE and the way he feels the rhythm as a rapper that makes him so underrated, until he got a solo freaking stage that he definitely deserved. with tobio, everytime he steps on the court, his walls come down and his focus is insane. everyone fears him on the other side and would much rather have him on theirs, knowing full well how capable he is of being one of the best setters in the country. however, these two boys have a history that they both would like to forget. and although it’s tough to talk about it with wonwoo, they made mistakes in the past and were given a reputation that they would both like override. for wonwoo, it was being someone that was wholesome and capable of hate, and tobio was known to be a horrible teammate and captain, eyes set solely for victory and nothing else. but as time went on, upon meeting their members now, they have the urge to become more than what they were and use the people around them as family, bettering themselves each day as both people and at what they do.
Woozi as Kenma Kozume
MY LITTLE KITTENS!! ok these two are also extremely similar in both looks and demeanour. while both seemingly uninterested in a lot of things and not wanting to be outrightly the center of attention, they are both extreme geniuses at what they do. kenma legit never loses his cool and doesn’t often voice his opinions. despite being like this though, he very much draws in friends that are complete??? opposite?? of??? him?? like hinata?? they have such a cute bond shoot me like as quiet, reserved, and uninterested as he may seem, he’s complimented well with people that are different from him and has an extremely kind heart on the inside. with jihoon, he doesn’t seem to care a lot abt stuff cue him beating mingyu up with a guitar cue him plotting cheol’s death everytime he makes him do aegyo but he’s so fucking cute and he DOESN’T EVEN KNOW IT. but when they’re put to work with their craft, these two are the best at it. rather than being an amazing volleyball player, and rather than being an exceptional singer, they have incredible overall sports knowledge and musicianship respectively. kenma has amazing volleyball iq and sense of the game that he always knows what he’s supposed to be doing, where he needs to go to receive a ball and how to juggle his play to make the players on his side of the court better, making up for his physique and build. with jihoon, he literally is in charge of seventeen’s success, if you really really think about it. definitely not saying that no one else puts in any work, but jihoon does the most of it when it comes to their title songs and side tracks, putting this immense pressure on him to have to do well and make sure that seventeen succeeds with the songs he writes. 90% of his time is spent in the studio and his hard work has paid off so much. as a musician, he deserves so much praise for his hard work and talent!! like he plays fucking like 52 instruments and can even rap??? like what? stan jihoon guys stan jihoon overall, these two characters, though seemingly bored and tired most of the time, are hardworkers and blend extremely well with their group, all the while being fucking underrated yet TALENTED at what they do.