the weirdest things honestly happen in my school like back in the spring, this guy in my grade randomly started selling these seafood restaurant jackets for $3 and everyone started buying and wearing them to school. the administrators even had to ban him from selling it on school grounds at one point
The world has finally seen the Spring Day stage. And wooh! That was emotional! (You’re heartless if you didn’t shed a tear)
When they talked about Youth Ending… They weren’t fucking
Bangtan may have talked about their advocacy against discrimination
and injustice for the MV (if you want to see the symbolisms check my theory
here: BTS You Never Walk Alone - Spring Day MV Theory: The Untold Story) but this song, this choreography… was all dedicated to the victims and
families of the Sewol Tragedy which happened on the spring day of April 16,
2014. The Sewol Ferry tragedy ended the youth of almost 300 students from
Danwon High School that day and this song and stage hopes to give comfort to
the victims and their families that they are not alone.
Jimin representing those whose youth ended that day.
Boat formation, Jimin slowly going down
Jimin being taken by the waves, JHope too late to save him
Jin, the “comfort-giver”.
He represents those who stand strong with the plight of those who went through the injustice in hopes of giving peace to them and those whose lives were lost in the tragedy.
Being a strong shoulder for Kookie
Continuing the fight for Tae who was singing about his best friend
Tae trying to catch and hold on to the hope
Finally giving peace to the lost, Jimin
When us ARMYs say that Bangtan is relevant, we don’t only mean that they are breaking new ground in the industry they are in. Their songs in and of itself are now even more relevant than some on-lookers may perceive.
Bangtan will let everyone remember that the fight is not over…
You who are still fighting, lost, and in mourning… You will never walk alone.
‘Why did you fall for him?’
I’ve never been able to answer this question and I wonder if I ever will be. The only thing I know is that I spent years not knowing him and one day he just was there.
I still remember him, just sitting there on a wooden picnic table, I still remember him looking up at me, I still remember the look in his eyes, I still remember the feeling I had. Both were pure, clean because nothing had happened yet.
There we were on that chilly spring morning, not yet knowing how we would change each other’s lives.
'Why do you still love him?’
How will I ever be able to answer? I just do. He’s such a big part of my life, I can’t imagine it without him. No, there hasn’t been an easy moment ever since I met him and yes, at times it hurts, a lot.
But I guess I just live for him, for the signature grins I get from him, for the way he calls my name, for the sparkle in his eyes when I make him laugh. For the way he can still make me stutter after 5 years and for the princess-like feeling he can give me.
I know everyone tells me to let him go. And I get why. Perhaps I could let him go if I only met him a few months ago, but he has marked too many memories, predominated too many years. He’s the only thing in my life that never changes.
Writing post-apocalypse/dystopian future can actually open a large range of possibilities and original ideas but there are some things we should try to keep in mind. The problem with this genre is that is a heavily research-based genre, it requires a lot of information so a lot of things can slip up or be forgotten.
Limits of the Body - This is something that seems to be largely forgotten unless in extreme situations. Yes, humans are tough, but they are also weak. We have that balance of nature within us. People can keep going whilst in a lot of pain, but something like a headache could knock them senseless. I knew someone who got shot in the leg and ran three miles because he thought he had been hit by the brick. The second he realised he had actually been shot and was safe to do so, he collapsed in pain. Quickly establish what your characters can and cannot do.
Children - Children are more robust than so many people give them credit for, they wouldn’t make it to adulthood otherwise. Children are emotionally stronger than they are physically but many children have a lot more endurance for their size than adults because they have to keep up with adults. Two good examples are The Road by Cormac McCarthy and Lord of the Flies by William Golding.
Hygiene - Namely with periods and stuff. It is hard work keeping the body clean, so personal hygiene will be poor but people tend to stop caring at a point when they realise how hard it is to maintain. A lot of people would revert to old fashioned methods of vagina health as well, so people would use reusable cloth or diva cups. The only book I know of that covers this is The 5th Wave by Rick Yancey.
Simple Killers - More people died of the Spanish flu than in the First World War (source). It is surprising how often it is “little things” that kill people off. An emotional death does not have to be all that dramatic, no bloody death or major killer. Something as simple as a small cut that festered will kill someone if not treated correctly. An asthma attack, diabetes, things we see as treatable would make quick work of us without medical aid. Also most deaths are really simple and sudden.
World Limitations - What is this obsession with guns and everything happening in the summer and unlimited cans of food? No, let’s be honest, none of these are realistic. Guns will not last, can goods will be snatched up by the shop loads, most natural disasters will happen in spring or autumn. Remember to do the key thing, make your world real and people are more likely to believe it.
Take a Page - Who are most renowned for their post-apocalyptic stories? British pre-1950s authors. Why? Their worlds are real, the possibilities of what could happen in those worlds are real. Some where and still are scarily accurate, they looked at the current and possible state of things, creating a world too similar to our own. Great examples like 1984 by George Orwell, The Death of Grass by John Christopher, The Day of the Triffids by John Wyndham, Soylent Green and the Mad Max Series.