the bolder

Today I’m rewatching some season 1…

And I am always just in awe of how they transformed Toby in one season. I mean his character and appearance.

Like in the beginning, of course they think he’s a murderer. But he’s quiet, sad, artistic, and into music. He’s also somewhat timid. Terrified of Jenna.

He’s got that mop of hair, and t shirts and jeans.

And then… like the very second that Spencer starts to quantify him as boyfriend material, he becomes bolder, more outspoken, more independent, willing to put himself on the line for her.

He gets a cleaned up hair cut, ditches the motorcycle and starts wearing his outdoorsy carpenter chic.

I remember how I felt watching this arc the first time around.

It felt to me, like “Well being myself didn’t work with Emily. Maybe if I change things up I can get Spencer to fall for me.”

And I don’t think they ever intentionally meant for it to feel that way… which I think makes it even worse to me? Like it would be one thing if Toby thought he needed to change to land a girl like Spencer, but it’s kinda sad if the show runners thought that.

“Keegan is pretty cute, and he’s got chemistry with Troian. If we’re gonna keep him on, we better clean him up. Can’t have a moody art kid playing a love interest in this show.”

Colores de Colorado

Traced the lines on long forgotten maps
GPS quickly replaced
Foxes grew bolder in Boulder
spanning the rocks on cold creeks
Pulled all the gold in Golden from the ground
and replaced them with turquoise
Swallowed the sun and held the patchwork quilt close
as beautiful views in Buena Vista overwhelm
Foreign sports cars stain the streets of Denver
with all the best of the fakers
Snow covered peaks shine
in clearest blue sky

© 2017 Ryan William Foster

College Gothic
  • You are learning addition. You blink. There is differential calculus written on the whiteboard. The longer you stare, the less it looks like numbers. The sky is a different color than when you closed your eyes.
  • Your final grade has not been posted yet. It has been two days. Your final grade has not been posted yet. It has been a month. Your final grade has not been posted yet. It has been a year. Your final grade has not been posted yet.
  • You look at the posted list of required math credits for your major. It is not written in english. It is not written in any language you know. It is not written in any language you don’t know. You close the list of required math credits before it can look back.
  • You cannot remember a time before your 8 AM. You leave the auditorium only to find yourself back in the auditorium. It is time for class. 
  • You have had the same advisor your entire college career. Every time you see him, he has more teeth. Eventually, you stop seeing your academic advisor. He still sees you.
  • Students that go to look through the reference section of the library return different. The unlucky ones don’t return at all.
  • You go to a school of 20,000 students. You see the same 10 individuals at random points on campus every day. There are 19,989 other students. You’re not sure if you want to know where they are.
  • People are screaming in your dorm. People are always screaming in your dorm. “Somebody must be going out partying,” your roommate says. You both know that isn’t true. 
  • You have a paper due in four days. You never finish it. The deadline never draws any closer. You have a paper due in four days. 
  • A man sitting alone on the snowy, empty quad tells you that you will die in exactly 47 minutes. You walk away. You glance back, from a distance, and see only your footprints. You walk faster.
  • The squirrels fear no one. You do not make eye contact with the squirrels. They grow bolder every year, graduating from stealing trash to stealing food off of your plate. You shudder to think what they will steal next. 
  • There is always someone in the study room. You have never seen them leave. It is always the same person. You have never seen them anywhere else.
  • Greek Town gets larger every time you pass it. There are houses with letters that aren’t in any alphabet you know. The residents have hollow eyes. A baby emerald sleeps here. You don’t know what it means. You don’t think you want to know.
Yuri on Ice interview translation - PASH! 2017/03 (p10-11)

The second part of the episode commentary by Mitsurou Kubo! I have now fixed it with all the italic & bold parts as in the magazine (in the magazine they are actually bold & bolder). If you have any questions please send me a private message and I’ll reply when I have some time.

You can find the first commentary about episodes 1-6 here.

Just a note: when she quotes lines from the episodes I’m not using any of the “official” English translations, I’m translating them as I would translate them myself, so they might not be like you are used to hear them, but I think you will understand which lines they are anyway.

The translation is under the cut because it’s long.

***If you wish to share this translation please do it by reblogging or posting a link to it***

***Re-translating into other languages is ok but please mention that this post is the source***

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what's a fire and how does it - what's the word? - burn

so i have this disney playlist i listen to usually when i’m driving and i was blasting poor unfortunate souls this morning and i was thinking

what if ariel didn’t sign the scroll?

because she’s about to, okay, and she looks at the paper. the parchment made of seaweed, the ones that’s specially treated to survive underwater. and she thinks of her cave of treasures, her books that remain perfectly preserved underwater. “no thank you,” she says slowly, becoming keenly aware of air of this place, of the not-people she’d seen who hadn’t been able to pay the price for sea witch’s bargain. “i – no. thank you. but no.”

ursula tries to convince her otherwise, but ariel runs. she goes back to her cave, destroyed as it was by her father’s anger, and thinks.

she’s the daughter of triton. her books never got wet, though she lives in the ocean. she feels a pull inside her, to the land, to somewhere else, but what if – what if –

what if she doesn’t need the sea witch or her father to perform magic for her? what if she has her own?

ursula had wanted her voice because that’s how she performed her magic. singing in this cave had given it powers and protection, and when she saved her prince from the sea – she sang then too, to keep him safe, to guide him back to life and away from death.

so she has magic. she only needs to figure out how to use it.

so that’s what ariel does now. she’s quiet and keeps to herself, and her father and sisters think that it’s because she’s upset with her father, that she’s busy licking her wounds. she’s moved on from that. she has no trident, and is uninterested with fueling her magic with the souls of the damned like ursula has. so she needs to figure something else out.

she does what she’s not supposed to do, and goes where she’s not supposed to go, slipping past the guards and patrols to the one place in the sea that is forbidden to all of them.

the crevice in the earth where what remains of her grandmother lives.

ariel goes to amphitrite, and the sea goddess is so much bigger than ariel, the size of great whale as she curls at the bottom of the sea floor, too old and too tired to do anything more than sleep. “granddaughter,” the great being croaks, opening an eye as blue and as unfathomable as the sea, “you look like me.”

“they say i look like my mother,” she says, and to herself adds: that’s why father can barely stand to look at me.

“you have more of me in you than your mother,” she says, and she shifts and pulls her mass of red hair over her shoulder. “more of me in you than your father does, even.”

“i have magic,” she says, pulling her bravery to the fore as she swims closer to her grandmother, “i want you to teach me how to use it.” amphitrite pushes herself up, and it’s the first time she’s moved in a millennia, and ariel notices for the first time that her grandmother isn’t a mermaid – she has legs.

she has legs.

“you have power,” amphitrite corrects fiercely, “and i will teach you to wield it.”

and so she does. ariel spends her nights by her grandmother, learning to harness the power of the sea that runs in her veins, and sleeps her days away while her sisters and flounder and sebastian grow more and more concerned, but she refuses to tell them why. she refuses to be stopped.

but her heart still aches. she fell in love with her prince, and she wants him still. so she swims to the edge, goes to the beach where his castle resides in the dead of night when her lessons with her grandmother are complete, and sings

. she’s careful not to let any magic leak through, only her voice. she does not want to enchant him. she wants him to love her as she is. so she sings, her voice clear and powerful and cutting through the air. she hopes he can hear it.

then one day a figure walks to the beach, and it’s him, her prince. “hello?” he calls out, “are you out there? are you – please, it was you that saved me, wasn’t it? won’t you come out and let me see you?”

so she does, waves her tail at him until he catches sight of her and takes hesitant, disbelieving steps closer.

“you’re a mermaid,” he says, eyes wide, “i thought i saw – but it couldn’t be.”

“i am, and it can,” she says, heart beating wildly in her chest. he’s just as handsome as she remembered, and she wants him just as much. “my name is ariel.”

“ariel,” he repeats, and pulls off his boots and goes wading into the water, watching her to see if she flinches away from him. she doesn’t, and his strides grow bolder. “my name is eric.”

“eric,” she whispers, and when he’s close enough he touches her, trailing fingers across the bare skin of her shoulder and tangling them in her hair.

when he kisses her, she feels powerful enough to undo the world.

so there’s that now, spending her nights with her grandmother and her prince, and she knows how to make her own legs now, could walk onto land and be made a queen among the two legged men.

but she’s a princess here first, and before she can do that she needs to take care of something.

ursula.

the rotten sea witch with her rotten sea magic won’t be allowed to torment her people any longer.

she tells her grandmother, and amphitrite smiles and says, “an excellent decision, child. i’ve enjoyed our time together, but i think it’s time for me to sleep once more. i’ve taught you everything i can.”

and tears prick ariel’s eyes, but she holds them back. she knew that it couldn’t be forever, that her grandmother can’t die but no longer desires to live and this is the in-between.

“you’ll be an amazing queen,” amphitrite murmurs, and closes her eyes for a millennia more.

this isn’t something to be done in the dead of night, although it would be easier to do it then.

she will make a spectacle of it, she will remind the sea that her people are not to be trifled with.

once upon a time they feared a blue eyed, red haired sea queen with the power to destroy them all. it’s time for them to do so again.

so she drives ursula to the center of the city. her sisters cower and people hide, and her father comes rushing forward to save her.

“you’ve committed great crimes against my people,” she says, not flinching as lightning gathers in the sea witch’s hands, “so now shall a great crime be committed against you.”

“foolish girl,” the sea witch snarls.

triton is yelling. he won’t get there in time.

he doesn’t have to.

she doesn’t need to sing anymore. instead she lifts her hands and pulls ursula apart without ever touching her, not only renders flesh from bone but also sets free the souls she’s been hoarding, reverses the magic done to those who’d fallen into the sea witch’s trap.

they all stare at her, her people, her father, and her sisters. she looks to triton and says, “i’m not a little girl anymore.”

he opens his mouth, closes it again, then says, “i can see that.”

all at once everyone’s perceptions are turned sideways about their youngest princess. she commands a power that even her father doesn’t have access to, she’s not depressed and dreamy – she’s powerful young woman who knows exactly what she’s doing.

so she does what she wanted to do, she gives herself legs and steps onto the sand and launches herself into eric’s arms. she becomes his bride, and the rumors run rampant of what she is, of where she came from, but they can’t prove anything and so they rule.

they live long, happy lives. ariel is his consort, his advisor, his wife, his tactician, and his best friend. all those years reading drowned books have certainly paid off. she ages herself along with her husband, bears his children and then teaches them they ways of her – their – people.

her husband dies, and she disappears, like the stories of selkie women that everyone whispers around her. their children give their father a sea burial, and vow to see him again one day. what they know and none of their subjects do is this – their father’s body isn’t in that casket.

she returns to her ocean, her legs form into her glittering green tail, and she goes home. she uses her terribly powerful magic, and brings her husband with her. she went from princess ariel of the sea to queen ariel of the land, and now she’s back again.

she’s not quite a teenager, but neither is she the old woman she pretended to be on land. she’s returned her and her husband to the prime of their life, and as she gained legs to be with him, he now gives his up to be with her.

eric becomes a merman, and a prince by virtue of being ariel’s husband.

she returns to her family and her world without missing a beat, and they all welcome her as if she never left, treat her husband with kindness and respect.

because they all know.

it doesn’t matter that she’s the youngest. when, far in the future, triton’s reign ends –

ariel’s reign will begin.

Since I’ve been traipsing around a different continent for the past three months, I haven’t even seen the rest of the season and the finale… but let me tell you what happens anyway after last night’s Apparent Clusterfuck:

As Dean Winchester stands next to his prone angel, morbidly fascinated by the ash wings burned into the ground around his feet, he feels completely and utterly numb. He’s only had the presence of mind not to step on them, an easy thing given the fact that they’re so bare of feathers.

Carefully, and still without thinking, the hunter lowers himself to his knees, brow furrowed and lip trembling as he attempts to process what is clearly right before him.

Castiel is dead.

Still, Dean can’t help extending a shaking hand. His fingers gently trace the curve of Cas’s cheekbone in a way he never would have allowed himself if the other was still breathing, and despite the fact that his mouth feels like sandpaper and he can feel Castiel’s skin turning cold he asks the question anyway:

“…C-Cas?”

Dean can feel Sam staring holes through his back, but that’s the extent of any response to his query.

“Cas, wake up.”

His voice is a broken croak, but Dean keeps speaking anyway, turning bolder and more desperate with every second that reality sinks in.

“Cas? Castiel, wake up. Wake up, Cas! Cas!”

He’s pawing at his angel now, vision blurring until he has to blink to clear it. He all but throws himself across Castiel’s torso to uselessly slap at his cheeks in an attempt to rouse him.

“You stupid son of a bitch, wake up! Wake up, Castiel! Don’t you dare leave me, don’t…”

Castiel is still motionless when Dean collapses against him. “Don’t go,” the hunter whispers pitifully into his angel’s neck. He squeezes his eyes shut and swallows a sob. “Please. I… Cas, I…” His heart is in his throat as he turns his head to press a light kiss behind the other’s ear, moving to put his lips against Castiel’s own for the first and last time. “…I love you, you dumb angel,” he murmurs. “So you gotta wake up. Cas. Cas, I love you, so you hafta…”

When nothing happens, Dean curls himself over his angel and cries.

Sam joins him after a time, crouching to put a hand to his shoulder and blinking back tears himself. Soon, though, they have to go. “Dean. Dean, we have to get out of here.”

“Sammy, I–”

“I know. It’ll be okay.”

But when they both turn away from Cas for the first time, God isn’t who they’re expecting to find. In all honesty, they’re not expecting to find anyone… and yet, there he is: Chuck, dressed in a robe and stained pj pants.

“You love my son?” Is all he asks, piercing gaze boring into Dean. Dean takes a step back as if to protect Castiel’s form from his own father, and that apparently is good enough. Chuck nods sagely. “I don’t play favourites, you know,” he says. “I did that once with Lucifer and it didn’t end well… but Castiel is, different. He’s everything I didn’t know I wanted angels to be. He makes mistakes. He learns. And yet every time I bring him back, he ends up risking his life for you.”

Dean holds his breath. Chuck sighs. “I love my son, I would give him the world if I could.” There’s a beat, and Chuck tilts his head to the side. “But we’ve both seen what happens when he has unlimited power. Besides, at the end of the day… I think he really just wants you.”

And then God is gone.

Dean is confused for only a moment before there’s a gasping breath from behind him and a hacking cough, Castiel sitting upright and flushed and so very alive that Dean can do nothing but throw himself to the ground. He tackles Cas in a kiss before the other has time to say a word, pressing him to the floor and putting everything he is into the contact.

When he pulls away, Cas is bright red and smiling with the approximate wattage of the sun. “Dean,” he murmurs, awed. “I’m… I mean, I…”

Dean presses a finger to the other’s plump lips. “I love you,” he says simply.

And Castiel moves to kiss him again.

The Dragon Angus Theory

I don’t know how many people know about this particular TAZ Theory but I discovered it last night in the TAZ Subreddit. There are thread discussions about this here and here. There could be more but these were the two I found.

In summary, the theory in general pertains to the fact that Angus might not be all that he seems, and that he might be a dragon in disguise. Specifically a Silver Dragon. Under the cut because this came out really long! (Don’t worry there’s a tldr at the bottom)

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well I’ve been afraid of changing

Originally posted by ohstylesno

‘cause I’ve built my life around you

Originally posted by best-larry-manip

but time made you bolder

Originally posted by pinkharold

even children get older

Originally posted by illbemasculineipromise

and I’m getting older too

Originally posted by ohstylesno

Here's what I gathered from Kendall Jenner's Pepsi ad.

Apparently people go to protest marches with their hella expensive cello strapped to their back.

The back of your hand will take off a whole gang of photoshoot makeup.

Live bolder and louder by giving a cop a Pepsi at your next protest and the crowd will cheer.

Helpful tip if you’re a POC who wants to do number three:  DON’T.  You will probably be shot.

off limits | 01 (m)

pairing: kim seokjin x reader
genre/warnings: smut, dirty talk, dom! Jin, just dirty, dirty sex that my heart can’t take
words: 11,158
summary: you’ve been lusting after your brother’s best friend for a while now, ever since you met him at a house party, flirting it up a storm as you failed to realise who the other was. That was months ago now and things are still awkward, but you can’t ignore the sexual tension that’s simmers between the two of you…and it keeps getting worse…
note. the first of my requests!

» playlist | 01 | 02 | 03 |

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Sleepy, Needy, Greedy (M)

⤞ When a simple case of morning wood proves to be much more difficult to get rid of than anticipated!

MASTERLIST

Pairing: Jackson x reader

Genre: just plain smut, you have been warned!

Word count: 4.7k

Warnings: rated M, graphic sexual descriptions

A/N: okay wow this took me FOREVER to finish but here it is, at last! I hope you’ll enjoy reading it as much as i did writing it ;)

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