the aleph quotes

Nuestra vida es un constante viaje, desde el nacimiento hasta la muerte. El paisaje cambia, la vida cambia, las necesidades se transforman, pero el tren sigue adelante.
La vida es el tren, no la estación del tren.
—  Psicopedagoga Melgarejo.❤🌷 (@psicopedagogamelgarejo)
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
—  Jorge Luis Borges, The Aleph
On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph’s diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror’s face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I’d seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand; I saw a woman in Inverness whom I shall never forget; I saw her tangled hair, her tall figure, I saw the cancer in her breast; I saw a ring of baked mud in a sidewalk, where before there had been a tree; I saw a summer house in Adrogué and a copy of the first English translation of Pliny – Philemon Holland’s – and all at the same time saw each letter on each page (as a boy, I used to marvel that the letters in a closed book did not get scrambled and lost overnight); I saw a sunset in Querétaro that seemed to reflect the colour of a rose in Bengal; I saw my empty bedroom; I saw in a closet in Alkmaar a terrestrial globe between two mirrors that multiplied it endlessly; I saw horses with flowing manes on a shore of the Caspian Sea at dawn; I saw the delicate bone structure of a hand; I saw the survivors of a battle sending out picture postcards; I saw in a showcase in Mirzapur a pack of Spanish playing cards; I saw the slanting shadows of ferns on a greenhouse floor; I saw tigers, pistons, bison, tides, and armies; I saw all the ants on the planet; I saw a Persian astrolabe; I saw in the drawer of a writing table (and the handwriting made me tremble) unbelievable, obscene, detailed letters, which Beatriz had written to Carlos Argentino; I saw a monument I worshipped in the Chacarita cemetery; I saw the rotted dust and bones that had once deliciously been Beatriz Viterbo; I saw the circulation of my own dark blood; I saw the coupling of love and the modification of death; I saw the Aleph from every point and angle, and in the Aleph I saw the earth and in the earth the Aleph and in the Aleph the earth; I saw my own face and my own bowels; I saw your face; and I felt dizzy and wept, for my eyes had seen that secret and conjectured object whose name is common to all men but which no man has looked upon – the unimaginable universe.

I felt infinite wonder, infinite pity.
—  Jorge Luis Borges, “The Aleph”
The world is being created and destroyed in this very moment. Whoever you met will reappear, whoever you lost will return. Don’t betray the grace that was bestowed upon you. Understand what is going on inside you and you will understand what is going on inside everyone else.
—  Paulo Coelho, Aleph

I love you.

I love you because all the loves in the world are like different rivers flowing into the same lake, where they meet and are transformed into a single love that becomes rain and blesses the earth.

I love you like a river that creates the right conditions for trees and bushes and flowers to flourish along its banks. I love you like a river that gives water to the thirsty and takes people where they want to go.

I love you like a river that understands that it must learn to flow differently over waterfalls and to rest in the shallows. I love you because we are all born in the same place, at the same source, which keeps us provided with a constant supply of water. And so, when we feel weak, all we have to do is wait a little. The spring returns, and the winter snows melt and fill us with new energy.

I love you like a river that begins as a solitary trickle in the mountains and gradually grows and joins other rivers until, after a certain point, it can flow around any obstacle in order to get where it wants.

I receive your love and I give you mine. Not the love of a man for a woman, not the love of a father for a child, not the love of God for his creatures, but a love with no name and no explanation, like a river that cannot explain why it follows a particular course but simply flows onward. A love that asks for nothing and gives nothing in return; it is simply there.

I will never be yours, and you will never be mine; nevertheless, I can honestly say: I love you, I love you,
I love you.

—  Paulo Coelho (The Aleph)
I giovani escono dall'università e non trovano lavoro. I vecchi raggiungono l'età della pensione senza avere denaro sufficiente per vivere dignitosamente. Gli adulti non hanno tempo per sognare, dalle otto del mattino alle cinque del pomeriggio lottano per mantenere la famiglia, per pagare le rette scolastiche ai figli, affrontando le innumerevoli fatiche che conosciamo e che si riassumono nell'espressione ‘la dura realtà’.
—  P. Coelho
“This is how space begins, with words only, signs traced on the blank page. To describe space: to name it, to trace it, like those portolano-makers who saturated the coastlines with the names of harbours, the names of capes, the names of inlets, until in the end the land was only separated from the sea by a continuous ribbon of text.  Is the aleph, that place in Borges from which the entire world is visible simultaneously, anything other than an alphabet?” ― Georges Perec, who was born on this day in 1936"