the air nomads

anonymous asked:

In my opinion, I thought Korra was an incredibly unlikable chatacter. Her uncompromising attitude towards conflict, her entitlement towards being the avatar, and how shitty she was to tenzin left a bad taste in my mouth.She had nothing to work towards,either?Its rly absurd that a 4 year old would already be the master of 3 elements when it took aang a long time,and even then he still stuggled.The romance was handled in a superficial & junenile way, and imo nothing would be lost if it was cut out

I saw a post a while ago which explained in a really good way why a lot of people found Korra harder to like from the off. With Aang, as an Air Nomad, he’s been brought up in a pacifist world and taught a pacifist ideology by the monks. Then when the war kicks off hes thrown into a situation where as the Avatar, he has to actively do things that go directly against all of his pacifist upbringing in order to end the war, and he finds that incredibly difficult and, notably, struggles with it from the off. Korra however is a strong, feisty, and somewhat hotheaded girl, and although that made it hard for her to master airbending, she is still able to solve the main issues in the majority of the first few seasons in any way she normally would; by running in guns blazing. Its not until she has to help to try and rebuild the air nomads that shes actively thrown into a situation where she needs more diplomacy and tact, something she struggles with, that you see that conflicted side of her. And thats why a lot of people find her harder to like almost from the off because its basically a feisty girl being feisty and beating people up whereas with Aang it was a small monk boy finding it hard to accept that he had to beat people up and attack people. Korra was far more suited to the role of the Avatar from the off because she had more of an aggressive instinct and actively wanted to be the avatar. Aang never wanted to be the avatar, and I think that adds a lot of development that, with Korra, isn’t there and I think that threw people off. 

The people in Avatar the Last Airbender were modeled after wonderful, beautiful cultures. 

The Fire Nation, modeled after Japan.

The Earth Kingdom, modeled after China

The Air Nomads, modeled after Tibetian monks.

The Water Tribe, modeled after North American Natives.

And the Foggy Swamp Tribe, modeled after Floridians

9

“You have indeed felt a great loss, but love is a form of energy, and it swirls around us.  The Air Nomads’ Aang’s love for you has not left this world.  It is still inside of your heart, and is reborn in the form of new love.”

The announcement of the upcoming graphic novel brought up all sorts of old feels, so in commemoration of the continuing story, I decided to break my own heart.  Enjoy.

Guys the past twelve years of my life just made sense

We all know Sozin’s plan and “the avatar is the Fire Nation’s greatest threat” blah blah blah but listen. Twelve years after Roku died, Sozin attack the Air Nomads. He thought he killed the Avatar. Then where did he send troops? The Southern Water Tribe. The avatar was to be born of water next. They didn’t bother with the Northern Water Tribe until 100 years later when Zhao went ape shit, I think that they stopped because they knew Aang was hiding somewhere. Where was their third target? The Earth Kingdom, more specifically, Ba Sing Se, the heart of the Earth Kingdom. My friend asked me when we were watching AtLA “they know that if they kill Aang that the avatar will just be reborn, right?” So then I thought of the Red Lotus from Korra, their plan was to kill her in the Avatar State to end the cycle. Sozin wasn’t stupid, and Sozin’s best friend was the Avatar. He would have known that the Avatar would just be reborn. So why didn’t he try to end the cycle like Zaheer? I’m like 100% certain that Fire Lord Sozin’s ORIGINAL plan was to go through the other three nations, the order of the cycle, killing any benders that could be the avatar. He was trying to cheat his way through the cycle to get another Fire Nation Avatar. He even made a point to Roku that the Avatar and the Fire Lord could, in fact, take over the world. He needed a new Avatar to mold to help him take over the world.

ah yes the air nomads, the white people of the avatar world

because avatar the last airbender is a white savior show :D

these people dont have asian traits at all

this random air nomad is definitely not asian she only has western features

a closer look at that monk dude and you can tell that hes 100% caucasian mhm

the animators thought it would be funny to give this totally not asian kid, asian features because like we mentioned earlier, air nomads are white xx

And Coran is Finally done after 500 years
He’s a rope bender XD

(Lance, Keith, Shiro, Hunk, Pidge, Allura,  All of ‘em)

Avatar The Last Air bender AU

Lance = Water bender
Keith = Fire bender
Shiro = Air bender
(The last living from a small family that survived the genocide 100 years ago)
Pidge and Hunk = Earth benders (Pidge will become a metal bender)
Coran = Non-bender
Allura = Avatar, Air bender

Fire Nation = Galra

(Coran is not from the Air nomads originally. He met Alfor and his flying bison and after getting to know him more he was able to get to visits the air temple and fell in love with the place. he studied with them, and learned a lot, but since he’s a non bender he uses everything around him if he has to fight)

Katara: It’s not magic. It’s waterbending, and it’s-
Sokka: Yeah, yeah, an ancient art unique to our culture, blah blah blah. Look, I’m just saying that if I had weird powers, I’d keep my weirdness to myself. 

So I wanted to talk a little about Katara, because I think we often focus on her grief for her mother, and forget her relationship to her culture, and her experience of the Southern Water Tribe genocide (unlike the Air Nomads genocide, which was for the greater part over after four big terrifyingly effective simultaneous strikes, this one took place over a long length of time - more than 40 years? 50? - and it wasn’t total, but it definitely was one. genocide = the deliberate and systematic extermination of a national, racial, political, or cultural group, fwiw)

(Kanna’s village - before and after)

All of the Southern water benders were exterminated or taken away to rot in prison (where they all died eventually except for Hama). Katara was born the only bender left in the whole South Pole. Then when she was eight years old, she survived a raid that was meant to kill her, but took her mother instead (she probably was too young to realize that, to her it must have been a question mark up until she met Yon Rha - gratuitous cruelty? Why her mother in particular? They took nothing else!).

So Katara from a young age had a double burden to bear: that of her mother, and the legacy of her bending (and she was shown as painfully aware of her situation and what it meant on both front). But here’s the thing: Katara could be a mother, she was naturally good at it, and her grandmother could teach her what she didn’t already knew. Her family and tribe demanded that of her, they needed her to be that for them (especially after her father and the rest of the men basically abandoned them). However, there was no one left to teach her how to waterbend - she had almost no hope of ever becoming a master without formal training, her brother thought it was silly and weird and let her know, her grandmother thought it was a waste of time. But she kept practicing, because she knew how important it was, to her and to her tribe, that she kept trying (as the only one left who could).

(…an ancient art unique to our culture, blah blah blah…)

(Of course she would obsess over that waterbending scroll)

When she gets to the North Pole, she meets Pakku, and with him the opportunity of finally becoming a true master. But because she is a girl, he judges her unworthy. He judges her, the only remaining southern waterbender, unworthy of carrying on their culture. The Fire Nation didn’t care about the gender of their prisoners, men and women - they all fought side by side for their freedom in the South, and they were all taken away to the last one, and killed to the last one. In the South, the women had the choice to learn how to fight, or be defenseless. And privileged master Pakku couldn’t possible realize the extend of what he was denying her in that moment.

Katara had to prove herself, she had to earn her right to these teachings. And if she had been less good or less stubborn or not Kanna’s granddaughter - well the North would have refused their sister-tribe the power to use their common cultural heritage to fight back against the nation that destroyed them.

(It’s sexist and terrible.)

Meh, thankfully, she was that good, stubborn, and Kanna’s granddaughter, and she did get to become a master.

Good.

But, of course, her story doesn’t end here, and wrt her culture, the next chapter is a much more traumatizing experience. In the Fire Nation, she meets another master. This time it’s an old woman from the South like her (“You’re a waterbender! I’ve never met another waterbender from our tribe!”), and she is, ah, more than willing to help her.

Look how happy Katara looks at the idea to learn from her in particular:

Katara: I can’t tell you what it means to meet you. It’s an honor! You’re a hero.
Hama: I never thought I’d meet another southern waterbender. I‘d like to teach you what I know so that you can carry on the southern tradition when I’m gone.
Katara: Yes! Yes, of course! To learn about my heritage… it would mean everything to me.

But when Hama starts her lesson, the techniques she teaches have been obviously developed with one goal in mind: survival in enemy territory. They can’t possibly have been invented in the South Pole, where water is abundant everywhere. They are deadly and cruel, and the damage they do to the environment leaves Katara sad and uncomfortable, but Hama waves that off as unimportant. It doesn’t matter, she doesn’t have the time to worry about flowers or beauty or nature. To her that peace and beauty is probably just an illusion anyway, a lie: years after her escape she is still living the war, and war is ugly and rotten and messy (her world is ugly and rotten and messy - this is her comfort zone).

The last technique she teaches Katara is bloodbending. She forces Katara to learn something she finds disgusting, repulsive (just like Hama was forced to learn?) by torturing her (Hama was tortured), by overpowering her, invading her, making her lose control over her own body, bending her blood (Hama herself is clinging to the last remain of control she managed to get back after rotting in prison for years), and finally by threatening to have the two people she cares most about in the world kill each other right under her eyes (Hama lost everyone too, she had to say goodbye).

(Katara: But, to reach inside someone and control them? I don’t know if I want that kind of power.
Hama: The choice is not yours. The power exists…and it’s your duty to use the gifts you’ve been given to win this war. Katara, they tried to wipe us out, our entire culture… your mother!
Katara: I know.
Hama: Then you should understand what I’m talking about. We’re the last Waterbenders of the Southern Tribe. We have to fight these people whenever we can. Wherever they are, with any means necessary!
Katara: It’s you. You’re the one who’s making people disappear during the full moons.
Hama: They threw me in prison to rot, along with my brothers and sisters. They deserve the same. You must carry on my work.)

And this, this, is the only truly southern waterbending Katara is ever going to learn. This is her tribe’s bending heritage, what’s left of it: blood, grief, suffering, hatred, loss of control over both your body and mind (because it’s terrible, but I think that’s what’s implied by the show: bloodbending makes you lose your mind. Hama’s only mean of regaining physical freedom ended up trapping her in another nightmare). Hama gifts her with a power she despises (but will use anyway in her darkest hour when she loses control) and a philosophy of violence and revenge.

Katara chose peace and forgiveness. As an adult, she will have bloodbending outlawed, she will become the greatest healer in the world, and she’ll teach her daughter, the next avatar, probably many others. These choices matter, and we should talk about them with that background in mind. Katara redefined her heritage - or rather she created a new one for herself: she refused the condition that was forced upon her (bloodbender) and ensured nobody could legally do to someone else what Hama did to her (and it’s implied this law is valid anywhere in the world). She transmitted Pakku’s warrior teachings, the ones she fought for, to the next generations (and did a great job of it!), but she also taught them how to heal, refusing to separate the arts as in Northern Water Tribe tradition - and healing was something she discovered by herself, that she felt was always a part of her. At that, she became the universally acknowledged best. Her legacy, despite everything that happened to her, will never be one of violence.

tl;dr: Katara is one of the strongest fictional characters ever created bye