# the 20 20 experience 2 of 2

Numerology: Calculating Your Life Lesson Number

## Numerology Basics

Each one of us has four personal numbers that carry a specific vibration. They are the Life Lesson Number, the Soul Number, the Outer Personality Number, and the Path of Destiny Number. In this post, we’ll be focusing on the Life Lesson number.

The Life Lesson Number represents lessons one must learn in this lifetime and is most significant to career choices. It is derived from your full birthdate.

Though this post will be focused on calculating one’s number using the numbers in your birthday, I’m including information on how to calculate the numeric vibration of letters as well, because it’s intrinsically related.

To work with the value of letters beyond “I”, which is 9, we reduce the value to a single digit. For example, “O” is 15, so we reduce the number by adding the first digit to the second: 1+5=6. The number 15 is then written as 15/6. The letter “T” is 20. We reduce the 20 by adding the first digit to the second: 2+0=2. The number 20 is then written as 20/2.

Number Values of the Alphabet

A   1       J   10/1       S   19/1
B   2       K   11/2       T   20/2
C   3       L   12/3       U   21/3
D   4       M   13/4      V   22/4
E   5       N   14/5      W   23/5
F   6       O   15/6       X   24/6
G   7       P   16/7       Y   25/7
H   8       Q   17/8       Z   26/8
I    9        R   18/9

We can reduce any word to a numeric vibration by using the above table. Before we move on to calculating one’s Life Lesson number, lets experiment with a few words:

3  +  9  +  6  +  5  =  23/5
C     R      O     W

We reduce 23 by adding 2+3=5, which is written 23/5

5  +  9  +  2  +  3  +  8  =  21/3
W     I       T      C     H

We reduce 21 by adding 2+1=3, which is written 21/3

3  +  9  +  7  +  8  +  2  =  29/11
L      I       G     H      T

We reduce 29 by adding 2+9=11, which is written 29/11

There are four double digits which generally are not reduced. These are referred to as master numbers. Master numbers offer more opportunity for expression, yet demand more effort from the person or thing in question. The master numbers are 11, 22, 33, and 44. Whenever you arrive at one of these numbers in your calculations; retain the master value.

Because the word “light” vibrates to master number 11, it’s written as 29/11 instead of 29/2, which would be the case if reduced entirely. The number 2 is still acknowledged as the base number as the word will fluctuate between the vibrations of 2 and 11.

An individual will fluctuate between any master number and its base digit because the vibration of the master number is too intense to live under continuously. Living under the vibration of one’s base number offers respite while preparing to work with the master number vibration again.

## Calculating Your Life Lesson Number

To calculate your Life Lesson Number, add all the digits of your birthdate together and reduce the sum. Here is an example of how someone with the birthdate of 24 October 1948 would calculate their Life Lesson Number:

10 + 24 + 1948
10 + 24 + 22 (1 + 9 + 4 + 8)
10 + 24 + 22 = 56/11

Since the reduced sum of their birthday is a master number, the sum is not reduced further.

Now that you know how to calculate your Life Lesson Number, read on to see the description of each numeric vibration. All number descriptions come directly from Numerology and The Divine Triangle (1979) by Faith and Dusty Bunker, the reference material for this post.

## Life Lesson Number Descriptions

1: You must learn to be original, strong willing, creative, and innovative. You should have the courage and drive to go ahead into new fields of expression and be a pioneer. You should always go forward, never turn back. At times you may be dictatorial and stubborn because you do not like to be restricted or directed. You are a good executive and work best alone. You are usually efficient and well organized. You are not naturally domestic but can manage well in any situation. You usually like sports and athletics and enjoy the thrill of winning. You are sophisticated, not emotionally romantic, and always appear at the head of social and commercial groups. By learning the lessons of number 1, you become intimately familiar with the universal energy; that probing, seeking, independent spark that moves all creation. You are creative on the physical plane because your pioneer spirit precedes all others and expresses your unique individuality.

2: You are here to learn to become a good mixer. You are a good salesperson, more persuasive than forceful. You should be a support for those in leadership roles, help them to find their goals in life, and remain behind the scenes if necessary. This quality can be a help to you in business because those who benefit from your talents will in turn help you make use of your abilities. In partnerships and groups, you will encounter the lessons you came to earn in this lifetime. Success is then very possible. You must have consideration for others and should bring people together for a common cause. Various professions are open to you as you learn to be adaptable to most things that need to be done. You could select a career in finance, music, medicine, religion, or statistical analysis and research.

3: You are best in intellectual, artistic, or creative endeavors. You need to be expressive to manifest and to see the results of your work. Beauty, fruitfulness, luxury, and pleasure are your keywords. You should have ambition and pride. You must become conscious of the law, and by being an excellent disciplinarian, you will achieve a position of authority over others. 3 combines the daring of 1 with the caution of 2. It is a number of self-expression and freedom. You must guard against becoming a jack-of-all-trades; rather, you should specialize. You could then be successful in artistic, religious, or inventive pursuits. You should avoid routine work because you dislike restriction. You should work alone for the best results. Business partnerships become too disciplined for your freedom-loving nature. You could write, lecture, teach, or find your niche in journalism. Whatever you decide to specialize in, you must use your creative and inspirational talents.

4: You must build a solid foundation on which to base your life. This demands a well ordered system of conduct and morals. Administration or some sort of management would be the best type of employment for you. You want your home life to conform to the culture in which you live. You will provide well for those within your care, and you expect them to respond with respect and dignity. You should become a diligent worker and honestly earn your success. By being thrifty, you will have an adequate savings account as security against any possible losses. You should learn not to take a chance unless it is a sure bet. You should seek high goals. You might want to achieve concrete results quickly, and therefore should strive for patience and perseverance. Learn to face reality and base all your efforts on sound practical reasoning.

5: Your keyword is freedom. If you have “free rein”, you can accomplish wonders, but if you feel bound or limited, you lose your enthusiasm and accomplish little. You would be a good explorer or Peace Corps volunteer, as you learn well by travel and experience. You are a diligent student if interested in the subject, but you may fail in subjects for which you see no useful ends. You should be eager for new experience, and shun monotony. In your quest for knowledge, you will become interested in discovering answers in books and magazines. An avid reader, a fluent talker, and a versatile doer, you are the witty conversationalist and brighten any group by your mere presence. You are here to learn and experience the value of freedom and should not tie yourself down too severely. Your talents once learned, prepare you for a literary career or a a position in sales and dealing with the public.

6: You are here to learn a sense of responsibility for your family and community. 6 is the love and domestic vibration and requires that you be responsive to the social needs of others. A fine sense of balance must be acquired so that you can equalize injustices. This keen sense bestows artistic abilities as well as judgmental talents which can be utilized in the legal system. You should develop compassion and understanding necessary to ease the burdens of those who will naturally be drawn to you. You are among those who serve, teach, and bring comfort to humanity. A wide choice of professions is yours including nursing, teaching, welfare work, ministry, medicine, restaurant enterprises, a legal profession, and possibly veterinary or animal husbandry. You may also choose to end a career in the arts, interior decorating, or hairdressing.

8: This is the number of power and ambition, the number of the executive, the boss, who lives by brain and brawn. You will learn to work and will want to see everyone else working. You can push people to become successful in their own right. You should lead and show by example how to profit in business. You are here to learn to handle power, authority, and money. You can build a business empire and should work to that end. You want success for your family and for the family name as a matter of pride. You want your offspring to carry your name with honor and dignity. Sports is another field open to you, as this number vibration bestows great strength and endurance. Many famous athletes operate under an 8.

9: You should be the universal lover of humanity, patient, kind, and understanding. You are at the peak of life’s expression and must turn and show others the way. You seem to receive wisdom from above; thus you know that the true way of happiness is in service to others. You are the marrying type, strong in passion and compassion. You easily acquire money or wealth, and know how to preserve it. You are never petty, but deal in broad concepts and can attain success in the face of difficulties. You are here to show others the way, through your breadth of thinking. You can choose from many professions; education and medicine are the most usual. You may become an orator, writer, or lecture with equal ease. Communication, foreign service, statesmanship, and leadership positions are easily within your capacity.

11: The keywords here are altruism and community. You came into a unique and testing incarnation. You must practice “love thy neighbor as thyself” and use it as your foundation. Your strong intuitions are of value in gaining wisdom and inspiration. 11 is one of the most difficult vibrations because the demand for high standards is constant. You must learn patience and at the same time be able to make quick decisions. Seek for balance between the material, physical life which has to be considered, and the inspiration, spiritual life which underlies your self-understanding. You can succeed in the field of science because all new inventions and discoveries such as laser rays, research in fields of anti-gravity or kirlian photography, or any area of electronics would appeal to you. You could choose to be an astronomer or an astrologer, or a bible researcher and interpreter. You may become a teacher or writer in the field of philosophy. You are original and creative and could become and inspirational speaker. 11 is an esoteric master number of spiritual import. It bestows courage, power, and talent with strong feelings of leadership. You must not let this power go to your head, since frame and recognition are likely; instead realize that true mastership is service.

22: You must express a basic building urge, accomplish things in a big way, and work with large groups or business concerns. You would enjoy the import-export business which could demand long distance travel and meetings with persons of authority. You like to take an inspirational idea and put it to practical use. Self-knowledge is very valuable to you. 22 gives the promise of success. You know how to use your ability to adjust the physical laws of life and living to demonstrate esoteric wisdom. You could become an executive in banking or financial affairs in a national capacity, or help organize businesses for others as an efficiency expert or the like. As an ambassador to foreign countries, you would demonstrate statesmanship. You like to be occupied in some large enterprise to challenge your power to achieve. Your lesson is to learn to take charge of large organizations and corporations and to handle money efficiently and usefully for the benefit of large groups of people.

33: You should be steady and reliable and develop a strong desire to protect others. You would like to live close to nature, and this urge may influence you to choose a life in agriculture. Your goal would be to produce food on a large scale to provide sustenance for the hungry of the world. You would never be found in any profession that could act destructively to humanity. Your talent may lie along the line of the arts: music to bring harmony, painting to bring beauty, or literature to promote education. Service in the field of medicine an healing could also attract you. Possibly, you would choose the law as a way to protect others through justice. Since the 33 consciousness is almost beyond that of humanity, a place within ministry or priesthood could lead you to the realm of your dreams as world savior. You may be required to sacrifice your own desires for the need of others in order to fulfill your Life Lesson vibration.

44: This number stands for strength and complete mental control over your life while on earth. It requires discipline in every department of life so that you may be instrumental in promoting the material advancement of the world. Your mind must be trained to let the higher forces work within it, and you must keep your body and environment in order so that you are ready for any opportunity to achieve this same results from others. Your high energy potential is meant to further evolution by helping others set their world in order. You should try to promote better ethics and justice in the world of business. You must recognize reality, then use what you learn to alleviate the physical burdens of others. You are the instrument by which this alteration takes place. By displaying bravery, resourcefulness, courage, and discipline; you serve as an example for others. Edgar Cayce is an example of the 44 vibration.

Please remember that these are just general descriptions of the numeric vibrations pertaining to the Life Lesson Number. Not everything may resonate with you, and that is perfectly fine. Numerology is meant to be tool to guide, not a stringent set of rules to live by.

Stay tuned for follow up posts on the Soul Number, the Outer Personality Number, and the Path of Destiny Number

((source))

Evolution of JT.

8

uncharted challenge  [2/2] Chapters→ The Tree of Life (Uncharted 2: Among Thieves)

What the hell did you do back there? Oh, you know…saved the world.

Cabaret (feat. Drake)
Justin Timberlake

now can we discuss

how fast you just got undressed

girl if sex was a contest

you’re coming first

8

JT+ underrated songs (insp.)

Justin Timberlake
Drink You Away
Justin Timberlake

day 33
drink you away - justin timberlake

Justin Timberlake

So don’t act like it’s a bad thing to fall in love with me

5

2 0 1 3 – t h e   r e t u r n   o f   t h e   p r i n c e

Theatrical and Vocal Questions Masterpost

I’ve been getting so many questions about the theatre industry and vocal technique, and I figured it’s about time I make a masterpost that people can refer to when they have questions or are looking for help.  So, here it is!  I hope you enjoy!

Theatrical Questions

• Auditions
• Types of Auditions (1) (2) (3) (4) (5) (6) (7) (8) (9)
• Getting Over Audition Nerves (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)
• (11) (12) (13) (14) (15) (16) (17) (18)
• Audition Etiquette/What to Expect (1) (2) (3) (4) (5) (6) (7) (8)
• (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20)
• (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32)
• (33) (34) (35) (36) (37) (38) (39) (40) (41) (42)
• How Do I Stand Out? (1) (2) (3) (4)
• Choosing Rep/What to Avoid
•  (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14)  (15) (16) (17) (18) (19) (20) (21) (22) (23) (24)
• (25) (26) (27) (28) (29) (30) (31) (32) (33) (34) (35)
•  (36) (37) (38) (39) (40) (41) (42) (43) (44) (45) (46)
• (47) (48) (49) (50) (51) (52) (53) (54) (55) (56) (57)
• (58) (59) (60) (61) (62) (63) (64) (65) (66) (67)
• Your Audition Book (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)
• (11) (12) (13) (14) (15) (16) (17) (18)
• Preparing Rep (1) (2) (3)
• Audition Attire (1) (2) (3) (4) (5) (6) (7) (8)
• Other (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
•  (13) (14) (15) (16) (17) (18) (19) (20) (22) (23) (24)
• (25) (26) (27)
• Where Can I Find Auditions? (1) (2) (3) (4) (5) (6) (7)
• Stage Fright/Confidence While Performing
• (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16)
•  (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (30)
• (31) (32)
• General Questions    (1) (2) (3) (4) (5)  (6)  (7) (8) (9) (10)
•  (11) (12)  (13) (14) (15) (16) (17) (18)  (19)  (20)  (21)
• (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33)
• (34) (35) (36) (37) (38) (39) (40) (41) (42) (43) (44) (45)
• (46) (47) (48) (49) (50) (51) (52) (53) (54) (55) (56) (57)
• (58) (59) (60) (61) (62) (63) (64) (65) (66) (67) (68) (69)
• (70)
• Tech/Directing (1) (2) (3) (4) (5) (6) (7)
• The Industry (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13) (14) (15) (16) (17) (18) (19) ( 20) (21) (23) (24) (25) (26)
• (27) (28) (29) (30) (31) (32) (33) (34) (35) (36) (37) (38) (39)
• (40) (41)
• Cruise Ships (1) (2) (3) (4)
• Casting (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (12) (13) (14)
• (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27)
• (28) (29) (30) (31) (32) (33) (34) (35) (36) (37) (38) (39) (40)
• (41) (42) (43) (44) (45) (46) (47) (48)
• Agencies (1) (2) (3) (4) (5)
• Blocking Shorthand (1)
• Acting (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (12) (13) (14) (15) (16)  (17) (18) (19) (20) (21) (22)
• (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33)
• (34)
• Dance (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
•  (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23)
• (24) (25) (26) (27) (28) (29) (30) (31) (32)
• Dialect Work (1) (2) (3) (4) (5) (6)
• Type Talk (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23)
• Acting School, BFA Programs, and Private Lessons
• Degree/Program Types (1) (2) (3) (4) (5) (6) (7) (8) (9)
• (10) (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21)
• (22)  (29) (30) (31) (32) (33) (34) (35) (36)
• Specific Schools (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)
•  (11) (12) (13) (14) (15) (16) (17) (18) (19) (20) (21)
• (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33)
• (33) (34) (35) (36) (37) (38) (39) (40) (41) (42) (43)
• Private Lessons (1)
• What to Look For in a School (1) (2) (3) (4) (5) (6)
• Which Degree Should I Pursue? (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)
• (11) (12) (13) (14) (15) (16)
• What Are They Looking For? (1) (2) (3) (4) (5) (6) (7) (8)
• (9) (10) (11) (12) (13) (14)
• Other (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25)
• (26) (27) (28) (29) (30) (31) (32) (33) (34) (35) (36) (37)
• (38) (39) (40) (41) (42) (43) (44) (45) (46) (47) (48)
• The Not-So-Nice Side of Theatre (1) (2) (3) (4) (5) (6) (7)
• (8) (9) (10) (11) (12)
• Leading/Ensemble Work (1) (2) (3) (4) (5)
• Monologues (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15) (16) (17) (18) (19) (20) (21) (22) (23)
• Gaining Experience (1) (2) (3) (4) (5) (6) (7) (8)
• Headshot/Resume Questions (1) (2) (3) (4) (5) (6) (7) (8) (9)
• (10) (11)(12) (13) (14) (15) (16) (17) (18) (19) (20) (21)
• (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33)
• West End v. Broadway (1) (2) (3) (4) (5) (6) (7) (8)
• Time Management (1) (2)
• The Union (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14)
• (15) (16) (17) (18) (19) (20) (21)
• Opera v. Theatre (1) (2) (3) (4) (5) (6) (7) (8)
• Stage Makeup/Hair (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23)
• Playing Your Age (1) (2) (3) (4) (5) (6)
• Online Resources (1) (2)
• Side Jobs (1) (2) (3) (4) (5) (6) (7) (8)
• Is It Too Late to Begin? (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)
• (12) (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25)
• (26)
• Okay, but WHERE Do I Begin? (1) (2) (3) (4) (5) (6) (7) (8) (9)
• Natural Talent vs. Hard Work (1) (2) (3) (4) (5)

Vocal Questions

• Vocal Teachers v. Independent Work (1) (2) (3) (4) (5) (6)
• (7) (8) (9) (10) (11) (12) (13) (14)  (15)  (16) (17) (18) (19) (20)
• (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31) (32) (33)
• (34) (35) (36) (37) (38) (39) (40)
• Overdone Songs (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)
•  (12) (13) (14) (15) (16) (17) (18) (19)
• Song/Role Recs
• Alto (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• Contralto (1) (2)
• Mezzo (1) (2) (3) (4) (5) (6) (7) (8)
• Soprano (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13)
• Belt (1) (2) (3) (4) (5) (6) (7) (8) (9) (10)
• Tenor (1)
• Bari (1) (2)
• Bass (1)
• Other (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15)
• (16) (18) (19) (20) (21) (22)
• Duets (1) (2) (3)
• Belt (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25)
• (26) (27) (28) (29) (30) (31)
• Legit (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• Riffing (1)
• Mixing Head and Chest Voice (1) (2) (3) (4) (5) (6) (7) (8) (9)
• The Vocal Break (1) (2) (3) (4) (5) (6) (7) (8)
• The Soft Palate (1) (2) (3) (4) (5) (6) (7) (8) (9)
• Jaw Issues (1) (2) (3) (4)
• Working Outside Your Range (1) (2) (3) (4) (5) (6) (7) (8) (9)
• (10)
• Vibrato (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14)
• (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27)
• (28) (29) (30)
• Vowels (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)
• Diction (1) (2) (3)
• Warm-Ups (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15) (16) (17) (18) (19)
• Volume/Projection (1) (2) (3) (4) (5) (6)
• What To Do When You’re Sick (1) (2) (3) (4) (5) (6) (7) (8) (9)
• (10) (11) (12) (13) (14) (15) (16) (17) (18) (19)
• Vocal Health  (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26) (27)
•  (28) (29)  (30) (31) (32) (33) (34) (35) (36) (37) (38) (39) (40) (41)
• (42) (43) (44) (45) (46) (47) (48) (49) (50) (51) (52) (53) (54) (55)
• Medications (1) (2) (3) (4) (5) (6) (7)
• Mucus/Sinus Issues (1) (2) (3) (4) (5) (6) (7)
• Vocal Strain/Tension (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13) (14) (15) (16) (17) (18) (19) (20) (21) (22) (23) (24) (25) (26)
•  (27) (28) (29) (30) (31) (32) (33) (34) (35) (36) (37) (38) (39) (40)
• Vocal Support (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14) (15)
• Working Low Range (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)
• (12)
• Working High Range
• (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17)
• (18) (19) (20) (21) (22) (23) (24) (25) (26) (27) (28) (29) (30) (31)
• Alto-Land (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11)
• The Life of a Mezzo (1) (2) (3) (4) (5) (6) (7)
• So You’re a Soprano (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)
• (13) (14) (15) (16) (17) (18) (19)
• Widening Your Range (1) (2) (3) (4) (5) (6) (7) (8) (9)
• What’s My Vocal Type? (1)
• That E6 (and other sixth octave stuff) (1) (2) (3) (4) (5)
• (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (19)
• (20) (21) (22)
• Breathing (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• Classical (Opera) vs. Broadway style (1) (2) (3) (4) (5) (6) (7) (8)
• (9) (10) (11) (12) (13)
• Learning Music (Theory, Sight Reading, Piano, etc.) (1) (2) (3) (4)
• (5) (6) (7) (8) (9) (10) (11) (12) (13) (14) (15) (16) (17) (18) (29) (30)
• (31) (32)
• Tone and Style (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12) (13)
• (14)
• Tuning/Matching Pitch (1) (2) (3) (4) (5) (6)
• The Basics (1) (2) (3) (4) (5)
• Other   (1) (2) (3) (4) (5) (6) (7) (8) (9) (10) (11) (12)  (13)
• (14) (15) (16) (17) (18) (19) (20) (21)  (23) (24) (25)
•  (26) (27) (28)  (29) (30) (31) (32) (33) (34) (35) (36)
• (37) (38) (39) (40)  (41) (42) (43) (44) (45) (46) (47) (48)
• (49) (50) (51) (52) (53) (54) (55) (56) (57) (58) (59) (60)
• (61) (62) (63) (64) (65) (66) (67) (68) (69) (70) (71) (72)
• (73) (74) (75) (76) (77) (78) (79) (80) (81) (82) (83) (84)

Big Masterposts Full of Lots of Juicy Info!

• 45 Things I Learned Pursuing a BFA Acting Degree
• 45 MORE Things I Learned Pursuing a BFA Acting Degree
• Vocal Misconceptions Post
• Audition Do’s and Don'ts
• Stage Makeup Tutorial
• Awesome Theatre Resources
• Overdone Audition List
• Vocal Ranges of Female Roles
• Vocal Ranges of Male Roles
• List of Stage/Acting Terms
• List of Singing/Music Terms
• Often Overlooked Aspects of a Life in Theatre
• Shows Every Actor Should Know
• How to Talk to your Audition Accompanist
• Masterpost of Musicals by Category/Style
• Timeline of Musicals
• Definitive List of Musicals 1728-Present

I will continue adding as time goes on.  Hope this helps you all out!

4

Discography. Inspired by [x]

Disney Smite God Kit: Stitch

Role: Assassin

Passive: Ohana

Stitch gains 10 magical and physical protection for every friendly god near him. Maxes out at 40 protections.

1: Claw Assault

Stitch grabs on to an enemy god within 20 meters in front of him, rooting them and scratching them repeatedly for 2 seconds.
80/120/160/200/240 +100% physical power
Cooldown: 12 seconds

2: Fury Leap

Range: 70 meters
Stitch leaps forward and deals damage upon landing.
50/90/140/180/200 +80% physical power
Cooldown: 10 seconds

3: Experimental Rage

Stitch screams and buffs himself, gaining physical power and lifesteal.
Physical power- 20/30/40/50/60
Lifesteal: 10/15/20/25/30
Duration: 5 seconds
Cooldown: 10 seconds

4: Experiment 626

Stitch grows out two arms and has has maximum attack speed. Stitch also gains magical and physical protection and his abilities time on cooldown gets reduced by 4 seconds.
Duration: 8 seconds
Protections: 20/30/40/50/60
Cooldown: 100/90/80/70/60 seconds

Best Albums & Songs of 2013

Top 100 Albums of 2013

Kanye West-Yeezus

Disclosure-Settle

Drake-Nothing Was The Same

Blood Orange-Cupid Deluxe

Pusha T-My Name Is My Name

Beyonce-Beyonce

Action Bronson-Blue Chips 2

Daft Punk-Random Access Memories

The Dream-IV Play

DJ Mustard-Ketchup

Flume-Flume Deluxe Edition

Jai Paul-Jai Paul

Justin Timberlake-The 20/20 Experience

Autre Ne Veut-Anxiety

James Blake-Overgrown

JMSN-Pllaje

Rhye-Woman

Ryan Hemsworth-Guilt Trips

A\$AP Rocky-Long Live A\$AP

Italians Do It Better-After Dark 2(Compilation)

Jay-Z-Magna Carta Holy Grail

Jhene Aiko-Sail Out EP

Chance The Rapper-Acid Rap

Denita & Sene-His & Hers

Friendzone-DX

Shlohmo-Laid Out EP

Action Bronson-Saab Stories

Sampha-Dual EP

Pure Bathing Culture-Moon Tides

PARTYNEXTDOOR-PARTYNEXTDOOR

Kevin Gates-Stranger Than Fiction

Phoneix-Bankrupt!

Skin Town-The Room

The Drum-Contact

Dom Kennedy-Get Home Safely

Koreless-Yugen

Ty Dolla \$ign-Beach Hou\$e 2

Zomby-With Love

Deniro Farrar-Patriarch II

GrandeMarshall-Mugga Man

Juicy J-Stay Trippy

Kelela-Cut 4 Me

Darkside-Psychic

Denzel Curry-Nostalgic 64

Issac Tichauer-Take Over You EP

Postiljonen-Skyer

SZA-S

A\$AP Ferg-Trap Lord

Antwon-In Dark Denim

DJ Spinz-DJ Spins Presents: HPG 3

Ghostface Killah-12 Reasons To Die

Kingdom-Vertical XL

Kavinsky-OutRun

Blue Hawaii-Untogether

Four Tet-Beautiful Rewind

FKA twigs-EP2

Major Lazer-Free the Universe

Mount Kimbie-Cold Spring Fault Less Youth

Kevin Gates-The Luca Brasi Story

Metro Boomin-19 & Boomin

Araabmuzik-For Professional Use Only

Deniro Farrar-The Patriarch

Jessy Lanza-Pull My Hair Back

Friendzone-Kuchibiru Network 3

Lee Bannon-Never/mind/the/darkness/of/it…

Killer Mike & El-P-Run The Jewels

Le1f-Fly Zone

Ryan Hemsworth-Still Awake

Dam-Funk & Snoop Dogg-7 Days of Funk

Joey Fatts-Chipper Jones 2

Gorgeous Children-ICE

CHVRCHES-The Bones of What You Believe

DIANA-Perpetual Surrender

Blondes-Swisher

Keep Shelly in Athens-At Home

suicideyear-Japan

Woodkid-The Golden Age

ST 2 Lettaz-The G…The Growth & Development

Blue Sky Black Death-Cliff of Death

Eric Dingus-Subliminal Innocence

My Bloody Valentine-m b v

Mondre M.A.N-Cloudd Packk

Travis Scott-Owl Pharaoh

Phaseone-If I Tell U

Lil TExAS-Talkin 2 U

Curren\$Y & Smoke DZA-The Stage EP

Freddie Gibbs-ESGN

Giraffage-Needs

u-Ziq-XTEP

The Outfit,TX-Starships & Rockets (Cooly Fooly Space Age Funk The Album)

Lee Bannon-Caligula Theme Music 2.7.5

Umberto-Confrontations

Pure X-Crawling Up The Stairs

Young Galaxy-Ultramarine

Top 150 Songs of 2013

Kanye West-Blood On The Leaves

Disclosure-Together

Blood Orange-Entertainment(Blood Orange Remix)

Autre Ne Veut-Play By Play

Drake-Hold On, We’re Going Home

Kanye West-Bound 2

Flume-You & Me(Flume Remix)

Disclosure-Defeated No More(feat. Edward Macfarlane)

Lana Del Rey-Young & Beautiful

Migos-Versace(feat. Drake)

Pusha T-Numbers On The Boards

A\$AP Ferg-Shabba(feat. A\$AP Rocky)

Action Bronson-Strictly 4 My Jeeps

Beyonce-Blow

Daft Punk-Get Lucky

DJ Mustard-Paranoid(feat. Ty Dolla \$ign & Joe Moses)

Drake-The Motion

The Dream-IV Play

Jay-Z-Tom Ford

JMSN-Affection

Justin Timberlake-Don’t Hold The Wall

Kanye West-New Slaves

A\$AP Rocky-Fuckin Problems(feat. Drake, 2 Chainz & Kendrick Lamar)

Ben Khan-Savage

Busta Ryhmes-Thank You(feat. Q-Tip, Kanye West & Lil Wayne)

Daft Punk-Lose Yourself To Dance(feat. Pharrell)

Deniro Farrar-Separate(feat. JMSN)

DIANA-Perpetual Surrender

Disclosure-Confess To Me(feat. Jessie Ware)

Dom Kennedy-Never

Drake-Too Much(feat. Sampha)

The Dream-Turnt(feat. Beyonce & 2 Chainz)

Beyonce-Haunted

A\$AP Ferg-Work

Simian Mobile Disco & Bicep-Sacrifice

Skin Town-Ice Crystal Palace

Shlohmo-Don’t Say No(feat. How To Dress Well)

Schoolboy Q-Collard Greens(feat. Kendrick Lamar)

TNGHT-Acrylics

YG-My Niggas(feat. Rich Homie Quan & Young Jeezy)

Ciara-Body Party

Robin Thicke-Blurred Lines(feat. Pharrell & T.I.)

Mariah Carey & Miguel-Beautiful

Lady Gaga-Do What U Want(feat. R.Kelly)

Kevin Gates-Thinking With My Dick(feat. Juicy J)

Kanye West-On Sight

Justin Timberlake-Mirrors

Jhene Aiko-Drinking And Driving

Action Bronson-Hookers(Remix)

Destiny’s Child-Nuclear

Daft Punk-Doin’ It Right(feat. Panda Bear)

Disclosure-Apollo

Young Thug-Stoner

Drake-From Time(feat. Jhene Aiko)

Beyonce-Mine(feat. Drake)

A\$AP Rocky-Wild For The Night(feat. Skrillex)

Issac Tichauer-Take Over You

Jai Paul-Track 11

Jay-Z-Holy Grail

Jeremih-All The Time(feat. Lil Wayne & Natasha Mosley)

Juicy J-The Woods(feat. Justin Timberlake)

Justin Timberlake-Tunnel Vision

Kanye West-Hold My Liquor(feat. Chief Keef & Justin Vernon)

Koreless-Sun

Major Lazer-Bubble Butt(feat. Tyga, Bruno Mars & 2 Chainz)

Que-OG Bobby Johnson

The Outfit, TX-106 Degree

Phoenix-Trying To Be Cool

Rich Homie Quan-Type of Way

Ryan Hemsworth-An Overture Might Help Me Stop Thinking About You

Shlohmo-Bo Peep(Do U Right)(feat. Jeremih)

Ty Dolla \$ign-Ratchet In My Benz(feat. Juicy J)

Kutcorners-Body Party Bootleg

Ab-Soul & JMSN-You’re Gone

Beyonce & Andre 3000-Back To Black

Big K.R.I.T.-Just Last Week(feat. Future)

Cut Copy-We Are Explorers

Disclosure-Help Me Lose My Mind(feat. London Grammar)

The Dream-Pussy(feat. Big Sean & Pusha T)

Future-Chosen One

Jay-Z-FuckWithMeYouKnowIGotit(feat. Rick Ross)

JMSN-Fool

Phoneix-Entertainment

Pusha T-Trust You(feat. Kevin Gates)

Rhye-Open

Ryan Hemsworth-Mine(Remix)

Beyonce-XO

Young Dro-Strong(Remix)(feat. 2 Chainz)

A\$AP Rocky-R. Cali

Blood Orange-Hold On, We’re Going Home(Remix)

Curren\$y-Choosin(feat. Wiz Khalifia & Rick Ross)

DJ Mustard-Nothin’ Like Me(feat. Dom Kennedy)

Drake-Girls Love Beyonce(feat. James Fauntelroy)

FKA twigs-Ultraviolet

How To Dress Well-& It Was U(Elite Gymnastics Remix)

Jay-Z-Beach Is Better

Justin Timberlake-Suit & Tie(Four Tet Remix)

Katie Got Bandz-Pop Out(feat. King Louie)

Drake-Wu-Tang Forever

Disclosure-January(feat. Jamie Woon)

Chance The Rapper-NaNa(feat. Action Bronson)

Killer Mike & El-P-Banana Clipper(feat. Big Boi)

Lady Gaga-Jewels n’ Drugs(feat. T.I., Too \$hort & Twista)

PARTYNEXTDOOR-Over Here(feat. Drake)

Pusha T-Hold On(feat. Rick Ross & Kanye West)

SZA-Julia

Shlohmo-Fuck You All The Time(Remix)

Ty Dolla \$ign-Fuckin’ Tonight

Jay-Z-BBC

Jessy Lanza-Pull My Hair Back

Justin Timberlake-Spaceship Coupe

Kingdom-All My Love(Remix)

Ryan Hemsworth-Sleeping(Remix)

Eddie B-Marvelous(feat. Action Bronson)

Jacques Greene-On Your Side(feat. How To Dress Well)

Kevin Gates-4:30 AM

Lil Bibby-Water

A\$AP Rocky-1 Train(feat. Kendrick Lamar, Joey Bada\$\$, Yelawolf, Danny Brown, Action Bronson & Big K.R.I.T.)

Denzel Curry-Threatz(feat. Yung Simmie)

100s-Life Of A Mack

YG-This Yick(feat. Dom Kennedy & Joe Moses)

Jay-Z-Picasso Baby

Justin Timberlake-Suit & Tie

Miguel-How Many Drinks(feat. Kendrick Lamar)

Ciara-Where You Go(feat. Future)

Action Bronson-Midget Cough

Arcade Fire-Here Comes The Night Time

James Blake-Life Round Here

DJ Mustard-Put This Thang On Ya(feat. Ty Dolla \$ign)

Justin Timberlake-Cabaret(feat. Drake)

Ryan Hemsworth-773 Love(Remix)

Joy Orbison-Donell

Postiljonen-How Will I Know/All That We Had Was Lost

Peaking Lights-Pretty Boy(Young Galaxy Remix)

Jessie Ware-Wildest Moments(Remix)(feat. A\$AP Rocky)

Joey Fatts-Live Blasphemous(feat. Action Bronson)

100s-Keep A Bitch Broke(feat. Da\$h, Joey Fatts & A\$ton Matthews)

Jamie xx-Sunset(Jamie xx Edit)

Ryan Hemsworth-Open(Remix)

Jacques Greene-Painted Faces(feat. Tinashe)

Justin Timberlake performing “Only When I Walk Away” on SNL

4

JT’s Albums. Inspired by [x]

6

Justin TimberlakeVinyls → Albums → Singles

# Why I love MBLAQ’s “This Is War” or “It’s War”? (Based on my Experience)?

1. It reminds me of my grandmother: She died last March 20, 2012 (2 months and 11 days after just released the MV) and I wasn’t attended my Recognition Day for my Moving Up Ceremony last March 20, 2012 because I was moving up to Grade 6. Instead, I attended my furenal and it was so heart wreaching and full of tears even my mom cried that her mom (and my grandmother) will go to heaven with my grandfather–which is I didn’t met him for years because I was born in July 20, 2000.

2. The Dance Performance: Let’s face it: I love this kind of MBLAQ’s dance performance. I think it all starts when I heard this song first on M! Countdown’s comeback stage (after the B-side song “Scribble”) before I just watched the entire MV. My favorite part is under 2:19 to 2:27 and 2:41 to 2:52 if you are going to watch the performance version of “This Is War”, that it can be only seen on DVD called “MBLAQ 4th Comeback Story: This Is War DVD”, which is you can see their members’ angle versions!

3. Thunder and Joon’s Drama Scenes: I think they all have been worked hard so much in thier acting. Watch out for the climax and also the end on 3:50 to 5:36 because it will broke your heart away.

4. The Piano, The “Don’t you cry cry cry” and “Geunyoga bye bye bye bye bye” part and…A REALLY DRAMATIC VIOLIN MUSIC that can be used by any of the following: I mean it. This song what I remembered is some kind of RWBY scenes that was so action yet sad (like the almost at the end of Volume 3 and all the episodes of Volume 4 are now so angsty). Also it can be used in such Anime fight scenes and even such sad and angsty stories.

5. It will make you wanna play this song on repeat, especially when you need to watch again the entire MV: This is a fact okay? Since this song is sad and addictive (if you go back to number 4), it will make wanna do that again. Face it, it will make you more inspirations like drawing RWBY stuff or even making a Timeskip version of Ruby Rose for your next cosplay or maybe even better: You can make your next RWBY AMV/FMV with this song!

I have enough of being RWBY things but I cannot stop because Volume 5 will be here next month! Also does some of the EXO-Ls and ARMYs are fans of MBLAQ?

~Queennie

2, 10 & 20 for the nsfw questions!

Ah! Thank you!! ❤❤❤

2) my last sexual encounter: good or bad and why?
good! because it was with my boyfriend and every sexual encounter is a new and exciting experience with the man i love!

10) top or bottom?
I like to dabble in a bit of both, thank ya!

20) what food would i incorporate into the bedroom? (paraphrasing)
honestly, i don’t like bringing food into things. messy…makes me feel fat…gross. but i’d probably consider my boyfriend sensually feeding me an almond joy.

:)

4

Justin Timberlake Discography inspired by [x]