that's me right the

The husband is stuck at home for a few weeks after having knee surgery and he’s re-watching 24. Last night’s conversation:

me: ooh did you get to the misha collins episodes yet?

him: misha collins is never in 24.

me: yes he is- season 1.

him: no, you’re confusing him with sebastian stan.

me: *blinks* I would NEVER confuse misha collins and sebastian stan.

He did not believe me until he looked it up himself– because “well, they both have long hair.” (still smh)

 I’ve seen a few posts around saying that Andy was problematic or that the episode would have worked just fine without him. The thing to remember is that the crewniverse creates this show to be relatable not only in ways that have us singing from the mountain tops, but also in ways that are a little harder for us to face. Maybe in ways that make us uncomfortable, but are very much issues that we need to address as well. 

How many people were reminded of their own closed minded family members while watching Andy? My literal thoughts were ‘oh look, it’s my dad in an SU ep!’, before wanting to sink away from second hand embarrassment for the comments he made. Because man, have I been there before. 

Because who hasn’t had their sort of uncle freak out over the illegal hippy martian immigrant farmers your dad said could live in his barn? 

No but really. Especially that part about hearing about this on AM radio? Yeah, at least one writer has come up close and personal with this type of specimen. It may seem that given the timing of certain current events, the last thing anyone wants to see on SU is one of THOSE types. 

But here’s the thing: they exist. You can hide your head under a rock all you want, but they’re still there. So what do we do? We actually get two points of view on this. One: the gems as literal aliens. On a good day they really don’t understand even the most open minded of humans. So here they are running smack into one that’s mad about a world that’s changing even without the interference of the gems. And he’s upset that they’re not acting in the “traditional” roles he’s use to seeing human women in. Never mind that they’re not human, or technically speaking, women. They’re there in his barn, messing with his things, and really there’s no way this can end well. 

Until you bring in the nephew he never knew he had. Who just so happens to be very, very interested in learning about his human family.And who just wants everyone to get along. Because let’s face it, that’s Steven’s MO. He’s so focused on finding out that his family name is ‘Demayo’ that Andy’s comment to Greg ‘not even marrying an American’ floats right by him. But it was very much meant for the audience to hear. 

Not that any of that matters to Steven, he’s already planning the most awkward family reunion in the galaxy. 

And the Gems, bless their hearts, are eager to make Steven happy.

And honestly, for all his misgivings, so is Andy.

To a point anyway. Until he realizes that maybe, just maybe things are changing. That change is coming whether he likes it or not. And that change can never, ever be one sided. 

And at the first Thanksgiving, the gems and the humans gave thanks for polyamorous wedding cake, corn, this table, and traumatizing life events.

The thing about change is that it’s never simple. It never happens over night. Both sides are scared or angry, or very probably both. They’re also sure that their side is the right side. 

And even when it seems like everything is going right, you’re trying so hard include everyone in your new vision and it seems like you’re really getting through to them, they just… slip away. Because change is scary. Because they’re going through the motions without really understanding why. Because sometimes it’s easier to go along with things even if they don’t agree, even if their heart isn’t in it. So again, what do you do?

You listen. You hear their fears. You let them come to their own conclusions that maybe, just maybe, things HAVE to change. 

But that doesn’t mean being left behind. 

Now for reality: It’s never as simple as this. Bigotry isn’t faced and solved in 20 minutes. No one is saying it is. Sometimes it’s safer not to face it, and sometimes you just can’t. 

But I think overall its meant to be a message of hope- just like the overall message of Steven Universe is a positive one. People have opposing points of view. Talk. Listen. See that in the end you have more in common than you ever thought possible and go from there. Also: family is what you make of it. Even if it’s a dad, an estranged uncle, an alien hybrid child and his hippy illegal martian immigrant aunts. It can work, as long as you work together.

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/APPARENTLY/ we could be seeing spideys underarm webbing in the new movie!! Fancy suit upgrades! 

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“And what time will you bring him?”

“Six, Lydia, six! Is there a reason you’ve asked me three times already?“

“Because it’s important, and we both know how slippery your focus is. I bet you’re doing three things at once right now.”

“For your information, I’m doing two. Ordering the cake, putting bullshit answers down for my history paper, and talking to— that’s, that’s three, isn’t it?”

“Yes. And what time will you bring him?”

“Six!”

✨ Sneak peek for the last chapter of Home. ✨

A super-powered version of the FAHC is an awful, unstoppable thing. Powered humans are rare, sure, but not unheard of; the Fake’s aren’t the only group out there defying reality in broad daylight. What makes them so remarkable, so formidable and distressingly hard to combat, is the way they use those powers. The way each member has taken their gift and twisted it, pulled and torn and stretched it to unforeseen territory, used their powers in ways no one else has even dreamed. Ways most could only imagine in their worst nightmares.

Ryan might be the most obvious example, the clearest illustration of the perversion of abilities, power turned on its head and used against its intention. He’s inspired them all, one way or another, to push their powers to the limits, into shapes they don’t belong in, powerful and strange and noticeably tarnished. On anyone else Ryan’s gift would be one of healing, of hope and restoration, empathetic and inherently altruistic. Its not a power most would associate with a life of crime, outside perhaps a medic, definitely not one most would pick for a mercenary, for the infamously deadly Vagabond. Ryan though, he’s never been one to let a little thing like reason set him back, never felt constrained by expectation, and he wasn’t about to let his powers derail his goals. Ryan has taken the ability to heal and broken it down into stages, approached inexplicable magic like a scientist, methodically identifying how to extract the exact elements he was after. He has the power to heal, yes, but what can be healed may also decay, that which can be stitched back together may just as easily be disassembled; it is no more difficult to displace blood than it is to correctly route it. With a touch Ryan can stop hearts, can rend tissue and implode organs. He can push natural reactions into overdrive, can encourage minor ailments into unstoppable disease, convince various systems to shut down without exposure to extreme circumstance. The only limit is Ryan’s own bountiful creativity, and while it might not be what people expect from the Vagabond he wouldn’t swap his abilities for anything.

Jeremy can change his density at will. Becoming immensely dense has some obvious uses in their world; bullets literally bouncing off his skin and fists that can shatter bones with a single punch, but becoming unnaturally light has just as many applications. Jeremy can change his weight mid-jump to achieve inhuman distance, can fall from great heights without a parachute, can climb sheer walls and hold his entire body up on the tip of a finger. There is no weight Jeremy cannot lift, no wall or door that can keep him out, let alone cuffs or bars to contain him. If Jeremy does not want to move there is physically no way to make him, and if he sets his sights on destroying something little can be done to stop him.

Geoff can communicate telepathically. This comes in handy when getting a hold of his crew, so long as they are within his range he can speak to them comms or no, but they are not the only ones he can speak to. All it takes is some connection, long term emotional links allow for greater distance but as long as Geoff is looking at someone he can get into their mind. Can sneer at police officers, whisper threats to rivals, force unsuspecting strangers to have the most peculiar thoughts and terrify anyone who tries to stand in his way. While Geoff can only really scrape through the top level of someones mind, more emotion and direct thoughts than any deep secrets, it is no great difficulty to convince people that he sees a lot more. Let them feel him poking around, quote a few stray thoughts back at them and suddenly not only do his victims believe he sees all but they are much more likely to think loudly about the very things they hope he doesn’t notice. Geoff can push images as easily as word, useful when sharing a story but even more so as a form of torture; he can fill minds with his darkest thoughts, plague dreams with images from his nastiest nightmares, provide a personalised hell that is impossible to escape from.

Michael controls heat. It’s a power people tend to fear, think it synonymous with mastery over fire, imagine sparking fingers and raging infernos. Which, to be fair, isn’t wholly inaccurate, but is hardly the extent of Michael’s power. He can create fire sure, can raise the temperature to extremes in pinpointed locations to ignite a room, but he doesn’t need to. Michael can press heat straight into a body, can warm someone up or cook them from the inside out, can burn slowly or kill in an instant. His powers extend to objects too, he can melt metals, boil water, absorb and deflect heat, and set off explosives. While people don’t associate it with him the way the do fiery rage, what can go up can of course also go down. Michael can drop the temperature, can produce dangerous frost and sharp ice shards, freeze someone in water and induce frostbite with a simple touch. Michael is completely unbothered by extreme temperatures, can render himself undetectable on thermal imaging cameras and change the temperature of objects so suddenly they shatter. Even those who flee aren’t safe; careening into danger as roads are  suddenly coated in black ice or bubble and melt beneath flaming tires.

Ray can multiply himself, a series of duplicates capable of drawing fire and completing simple tasks. They were once mere mindless echoes of his actual self, near translucent and noticeably different if you looked closely enough, quickly giving birth to the term Ghost Ray when describing them. They didn’t stay that way though, Ray quietly practising and practising until they not only solidified but he could split his conciousness between them, could act as all bodies simultaneously and be in half a dozen places at once. It’s disconcerting, the way they all look real now. The way they all are Ray now, will fade away like they were never there when Ray lets them go, or when they die, but until then he can be in any and all of them at once. It bears thinking about, considering some die. Considering one stays. Considering the way Ray doesn’t like to talk about it, practises late at night and sends his selves off on private missions, laughs and deflects and fades away.

Jack can manipulate the wind; her jets are always boosted and her cars caught and righted before they can ever spin out, while any who pursue her find themselves shoved off the roads. She can deflect bullets, catch plummeting bodies and stir up various weather phenomena. As though this was not enough Jack’s power over the air allows her to create small vacuums, granting her the ability to suck oxygen from a room. To steal it right out of lungs, suffocating her opponents without lifting a finger to touch them. Alone she is more than dangerous, but Jack has always worked best with others. Her powers are particularly effective when combined with Michael or Jeremy; catching Jeremy up and hurling him like a canon ball and taking ice or flame and whirling them into deadly tornadoes. She can, just as effectively, force them all to calm down when things start getting out of hand; wind separating fights, extinguishing fires, airless pockets keeping anyone from storming away in a huff, and being sudden drenched by rain provides a wholly undignified end to any petty squabbles.

Gavin’s power is all about luck. It’s not the most exciting power at first glance; he can see probabilities, split-second calculations that manifest in inexplicable feelings, knowing just when to duck, when to take a detour, when to blow off a meeting and stay home instead. It’s not a power most people would associate with violent crime, rather imagine lotto winnings and effortless celebrity, but most people aren’t Gavin. It was simple intuition at first; shoot now, trust him, buy the ticket, check your phone. But Gavin, being Gavin, pressed for more. Worked out how to manipulate his own luck instead of relying on chance, concentrating on what he wants so his powers bend around him, gift evolving from simple suggestions into something else all together. When Gavin assures himself that all he needs in the world is to shoot his way out of a situation there is no way he will be unlucky enough have a gun run empty, when he needs to make a purchase he will never have the misfortune of running out of money, when he settles himself as the frontman of the FAHC none will be lucky enough to resist his charms. Now that he knows how to push, the limits of Gavin’s power are completely unknown – the least visibly impressive and yet the possibilities are as astounding as they are impossible. He needed a worthy crew, so he found one; they desired power, so they got it; it would be unlucky to die, so they don’t.

don’t let anybody tell you you’re any less than what you are!! you are important, and you deserve to be treated that way!

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Sneak peek for the last chapter of Home. 

(Also you should totally click for full res to see all the detail that took me two weeks to paint *weeps on the floor*)

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