that tone of voice

Her voice is inhuman, growling and hissing in tones that skim the line between “bestial” and “other”. All those who hear her speak cover their ears, because listening too long causes unbearable migraines. Her voice has caused people to bleed out onto the floor in writhing agony. But all she wants is to speak to you, to wax poetic about your lovely skin and eyes and smile. She longs to tell you how much you mean to her, how you fill her every day with joy, how much she loves you. But she fears hurting you with her voice. One day, completely by accident, she gives a quiet, lonely sigh of your name, and, to you, her voice is the most beautiful thing in the world.

misguided-ghosty  asked:

Ok but Jenna Rolan standing in front of a mirror for h o u r s introducing herself as "Jenna Canigula" in different types of voices and scenarios just to test out the way it feels

NOOOO THATS SO CUTE??? she knows a lot of diff tones/voices to convey certain moods bc of christine’s constant practices for her roles that jenna picks up on a bit by extension and she can go from a dead-serious, no-nonsense “jenna canigula.” to a really flowery/bouncy “jenna canigula!!!” and she loves the way All of them sound

@chompiee

honestly I don’t read sana’s feelings for noora as jealousy… shes sad. shes hurt. shes exhausted. but I don’t think she really thinks she’s lesser, she’s simply tired of being seen and treated like she is. that’s not jealousy. that’s anger. sana is someone with a very keen sense or self and others. she understands white feminity because she was never part of it, she watched it from the sides. in s1, she used her exterior outlook to plan for their bus, calling eva “the prettiest” with a tone that conveyed her certainty that she was the voice of reason in the room, as well as her applying make up for chris in the bathroom. she interacts with white girls like someone who knows themselves to be distanced from them. in the first episodes, we saw how disgusted she was by the girls, the way they spoke, the way they moved. her staring at white girls laughing, eating, interacting with one another, all of it, it isn’t shot like jealousy, it’s shot like resentment and with angles that are not flattering. when the girls decided she wanted to hang out with her brother and his friends, she was annoyed. she was annoyed because it’s not something she wants to share with them. no, she does not envy white feminity. she’s sick of it. she’s sick of being subjected to it, she’s sick of passing second. she does not wish she could emulate it, I don’t think so. but like always with julie, thats how it looks and that’s just nasty and boring

vermilion-blues  asked:

Ok so this sounds really strange, but I swear it makes sense with context. How does someone flirt with a ghost that they can't see but knows is there?

This does sound strange, but I am 100% intrigued. I love paranormal/supernatural stories. This is also something I myself have to use. 

Okay, so if you can’t see someone, then all signals rely on the other senses: Mainly Sound and touch. Considering it’s a ghost, I am gonna say touching is also off limits, which leaves you basically with sound. 

So all flirting tactics must now be in verbal form. You are gonna have to rely on phrasing, and tone of voice. 

Lowering once voice, or making it more high pitched, or trying to smooth out their voice are all indications of flirting. Trying to make your voice sound appealing to another person. Trying to sound sweet, happy, bubbly, strong, proud, smooth, smart,sexy or cool by altering your voice a little bit is seen as flirtatious. “Hey” and “Hey”  mean two different things depending on the tone of the voice. 

Phrasing is also really important when it comes to flirting! Just a couple words or punctuation changes make a huge difference. Simple example: “Do you come here often?” is a classic cheesy pickup line, “You come here often.” Is more of a statement, that comes off as kind of creepy. Word things wisely when it comes to flirting, and keep in mind that their are two main types:

1. Obvious flirting. Being plain and blunt and up front with your intentions. This is usually done with lots of compliments, and copious amounts of flattery, and obvious statements of attraction and intentions. 

2. Subtle, more playful flirting. This is the less obvious tactic. Usually done through word play and subtle hints and comments that have underlying romantic or sexual content. 

You dont have to see someone to flirt with them. For instance, if you are texting someone, or talking to them on the phone. You may not see them, but how you say things, and way you say them make the flirtatious intentions clear.  Your character may not be able to see the ghost, but if they know they are there, then there is nothing stopping them from throwing out some flirty comments. 

I really hope this helps, and I wish you luck with your writing! If you have any other questions, or something isnt clear, please feel free to contact me! 

anonymous asked:

OK BUT please do passionfruit by drake and yoongi you'll have my heart

Listen, Seein’ you got ritualistic

Cleansin’ my soul of addiction for now
‘Cause I’m fallin’ apart, yeah

Passionfruit by Drake

Originally posted by loveblushes

THIS IS FOR YOU AND THE SIX OTHER PEOPLE WHO ASKED FOR YOONGI AND THIS SAME EXACT SONG BUT I’M NOT GOING TO DIG THROUGH THE SHIT TON OF ASKS FOR THEIRS TO SCREENSHOT IT SO HERE YOU GO HERE’S YO MANS COME GET HIM MERRY CHRISTMAS YOU FILTHY ANIMALS

- Admin Dayna


You stared blank face at your phone. The only sound in the now monochromatic and dreary apartment was the cell’s dial tone and the faint echo that followed it. Your vision blurs from staring at the screen, hearing the ritualistic dial tone ringing, and not the voice you’ve been trying to hear for the past few weeks.

You just keep missing him and his calls.

You just keep getting these dry texts and half assed voicemails.

But you understand. He’s busy. He’s tired. You entered this skinny romance knowing this was the cons of it. You yawn, rub your eyes until your vision focused once more, and hovered your thumb over the button to end the call. 

“Isn’t it late?” 

“Oh… you actually answer your phone calls?” You say, a faint and pained smile appears on your face. Yoongi scoffs in return and you chuckle. Laying back on your bed with your cellphone set on your chest. You stare up at the white ceiling, nothing being said between you and Yoongi. What was there to say anymore? The distance between you two had grown larger than the bond you two built. 

“[Y/N]? You there still?”

“Mm.” you hum, nodding even though he couldn’t see you nod.

“How have you been?”

“Okay.” 

“Have you eaten?”

“Yeah.”

“Mm.” He says. The silence falls between you two again. You could hear him shuffling around on his side of the call. You try to imagine him in a hotel room. Seems like the ritualistic visits weren’t enough. You couldn’t picture his face as vividly as you used to. You couldn’t remember what he smelled like anymore. “Aren’t you tired, [y/n]?”

“Only a little.”

“Would you like me to hang up so you could sleep?”

“No.” You say confidently. You could hear a bed creaking a little from the pressure of Yoongi settling down in it. You close your eyes now, wishing he would speak more. “Have you been sleeping well over there?”

“Like a dead man. Tours are tiring.” You could hear the exhaustion in his voice, definitely.

“Sorry to hear.”

“Sorry I can’t hear from you more often.”

“Hmm?”

“We don’t talk as often as we used to.” He says, remorse in his now soft voice. You inhale and exhale slowly. Deeply. Feeling his remorse just the same. “I always miss you.”

“It’s a subtle reminder that time zones exist.” Yoongi chuckles.

“We don’t talk that often anymore.”

“No we don’t.”

“That doesn’t upset you too much, does it?”

“Not too much.” You lied. 

He knows you lied. 

“It’s hard to keep up with everything.”

“I know it is.” You say in almost a whisper. Your eyes heavy despite being closed. Sleep was catching up to you, but you fought it. Just a little longer. You just wanted to hear him speak to you for a little bit longer.

“I’m trying, you know that?”

“Don’t strain yourself, Yoongi.”

“I just really care is all.”

“You don’t have to call every night.”

“I don’t have to but… I’d like to.”

You purse your lips, hating hearing the exhaustion, the stress, and obvious guilt he was feeling. But what for? Wasn’t like the two of you were together. It’s only ever been tension between the two of you that never broke through. The two of you were always miles and miles apart… it’s hard building a relationship with someone who hardly had the time to make himself a meal in the morning, or the energy to send a text at night. You raise your arms over your head and stretch out leisurely on your bed with a yawn. Sleep was dangerously close.

“[y/n].”

“Yeah?”

“I feel bad.”

“Why?”

“I can’t think of anything to say.” He says with a sheepish chuckle.

“It’s okay, Yoongs. You should be sleeping anyways.”

“Yeah…” he says softly, not convinced that you weren’t upset with him. “I’m sorry I don’t call often.”

“Don’t be. Can’t blame you.” You shift a little in the bed, tucking yourself in comfortably in the covers. Exhaustion made it harder to keep your focus. Your brain fuzzy and disarrayed from the sleep that finally got a hold of you.

“We’d be great together – if the timing wasn’t bad.” He muttered, but you hadn’t heard him through your sleep. Yoongi heard your light snores and frowned for a second, only to then follow it with a small repentant smile. “Love you, [y/n]. Goodnight.”

End of call.

4

Hey Loves

Feels like we haven’t posted in awhile. After my birthday we went straight back to work and getting stuff ready for Nahri. I’m so thankful for my vacation, it was needed. Idk if ya’ll can tell but J grew out his hair. He looking so fine 😍😍😍😍. Lol he always do but his long hair got me feeling some type of way *bites lip*. He so yummy omg *blushes*

J: Lol don’t worry I wasn’t too rough with her. Her and Nahri are fine. I just wanted to cheer Bambee up because we came from the doctor. They told her she has to rest meaning no work. Or at least not being on her feet for more than 5-6 hours. Which got her sad even tho she is hiding it. I know my baby, she doesn’t have to tell me, it’s the tone of her voice and the way she moves. Honey bun you’ll be fine. It’s what’s best for you and Nahri 💕

French Perfume Part 3

Crowley X Reader

Word Count: 1.2K

Summary: Female reader receives a package from an admirer.   She also learns about her special gifts.

Warnings: language, angst, mild petting

Catch up: Part 1; Part 2


“Well, well you returned.” Dean’s voice had that sarcastic tone. “Did you have fun?”
“Yes, mate, we enjoyed ourselves.” Crowley replied, kissing you gently in front of the boys.
“Oh God that is just disgusting!” Sam scrunched his face.
“Are you going to tell them, Dean?” Castiel inquired.
Dean stood up and gestured to you and Crowley, “Oh yeah this, this is over!”
You huffed, “Dean!”

Keep reading

I’ve had a long day, so I’m gonna head to bed. Leaving you with a little snippet of the Hal-smut.

The door swings open, making your heart nearly shoot out of your chest, a frightened yelp escaping you before you clap your hand over your mouth. You know you’re lost the second you look into Hal’s eyes, his pupils dilated, shirt only half done up. That doesn’t mean you won’t try to resist.

“Hal.” His name is easy, familiar on your lips, but the rest of your words are locked up in your throat.

“Didn’t figure I’d see you again, sugar,” he says, voice silky; a pleasant tone that lulls you into some sense of comfort. “Least of all here.”

anonymous asked:

Sam started to speak slowly at first, choosing every word very carefully in his mind before allowing them to spill out. "Do you think it's possible that there's a little monster in all of us?" He asked softly, hazel eyes trailing their way down to the other.

It was a question that seemed to fill the entire room with an inescapable and suffocating weight, despite how quietly it had been uttered. The Archangel kept his eyes downcast for a quiet moment, before drawing them slowly back up to the comforting warmth of the hunter’s gaze. 

“I think that there has to be.” Lucifer’s voice matched Sam’s in gentleness, his tone steady and soothing. “You call it a monster, but I think it would be better to call it survival. Sometimes, for our own good and for the good of those we love, we must do things we wouldn’t normally do.” He sighed quietly, tilting his head to the side as he watched the man for another quiet moment, reaching out carefully to brush gentle fingers through his unruly hair. 

“For you, Sam, there is nothing I would not do. I’d become whatever beast I needed to be if it meant keeping you safe. And for that, I will not apologize.” 

“Nice job cutting off the water flow from this Divine Beast, asshole.”

When I got to the Vah Ruta fight, I had the sound off and I read this line in the wrong tone of voice…

Sidon, my man, I understand that you need to get your glam on, but do you REALLY need to wear so much intricate jewelry?

I was gonna draw Link in here and do more than just a rough sketch, but I’m sick and really out of it, so just… have this I guess

Ways To Describe Someone's Voice
  • adenoidal (adj): if someone’s voice is adenoidal, some of the sound seems to come through their nose
  • appealing (adj): an appealing look/voice shows that you want help, approval, or agreement
  • breathy (adj): with loud breathing noises
  • brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry
  • croaky (adj): if someone’s voice sounds croaky, they speak in a low, rough voice that sounds as if they have a sore throat
  • dead (adj): if someone’s eyes or voice are dead, they feel or show no emotion
  • disembodied (adj): a disembodied voice comes from someone who you cannot see
  • flat (adj): spoken in a voice that does not go up and down; this word is often used for describing the speech of people from a particular region
  • fruity (adj): a fruity voice or laugh is deep and strong in a pleasant way
  • grating (adj): a grating voice, laugh, or sound is unpleasant and annoying
  • gravelly (adj): a gravelly voice sounds low and rough
  • gruff (adj): this voice has a rough, low sound
  • guttural (adj): a guttural sound is deep and made at the back of your throat
  • high-pitched (adj): true to its name, a high-pitched voice or sound is very high
  • hoarse (adj): someone who is hoarse, or has a hoarse voice, speaks in a low, rough voice, usually because their throat is sore
  • honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking
  • husky (adj): a husky voice is deep and sounds hoarse (as if you have a sore throat), often in an attractive way
  • low (adj): a low voice is quiet and difficult to hear; also used for describing a deep voice that has a long wavelength
  • matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about)
  • modulated (adj): a modulated voice is controlled and pleasant to listen to
  • monotonous (adj): this kind of voice is boring and unpleasant due to the fact that it does not change in loudness or become higher/lower
  • nasal (adj): someone with a nasal voice sounds as if they are speaking through their nose
  • orotund (adj): an orotund voice is loud and clear
  • penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable
  • plummy (adj): a plummy voice or way of speaking is considered to be typical of an English person of a high social class; this word shows that you dislike people who speak like this
  • quietly (adj): in a soft, quiet voice
  • raucous (adj): a raucous voice or noise is loud and sounds rough
  • ringing (adj): a ringing voice is very loud and clear
  • rough (adj): a rough voice is not soft and is unpleasant to listen to
  • shrill (adj): a shrill voice is very loud, high, and unpleasant
  • silvery (adj): this voice is clear, light, and pleasant
  • singsong (adj): if you speak in a singsong voice, your voice rises and falls in a musical way
  • small (adj): a small voice is quiet
  • smoky (adj): a smoky voice is sexually attractive in a slightly mysterious way
  • softly spoken (adj): someone who is softly spoken has a quiet, gentle voice
  • soft-spoken (adj): speaking or said in a quiet, gentle voice
  • sotto voce (adj, adv): in a very quiet voice
  • stentorian (adj): a stentorian voice sounds very loud and severe
  • strangled (adj): a strangled sound is one that someone stops before they finish making it
  • strident (adj): this voice is loud and unpleasant
  • taut (adj): used about something such as a voice that shows someone is nervous or angry
  • thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
  • thickly (adv): with a low voice that comes mostly from your throat
  • thin (adj): a thin voice or sound is high and unpleasant to listen to
  • throaty (adj): a throaty sound is low and seems to come from deep in your throat
  • tight (adj): shows that you are nervous or annoyed
  • toneless (adj): does not express any emotion
  • tremulous (adj): if your voice is tremulous, it is not steady; for example, because you are afraid or excited
  • wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing
  • wobbly (adj): if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
  • booming (adj): very loud and attention-getting
  • quavering (adv): if your voice quavers, it is not steady because you are feeling nervous or afraid
  • a voice like a foghorn: very loud voice
  • in an undertone: using a quiet voice so that someone cannot hear you
  • someone’s dulcet tones: the sound of someone’s voice as they speak
3

”I can’t think of a single thing I can teach this guy. I feel bad, like I’m scamming him or something!”

“Are you asleep yet?”

“No, are you?”

“…no”

“How about now?”

sleep over with Zen! | Yoosung! | Saeran!

Just like video games have adjustable gameplay difficulty settings, they should also have adjuatable foul language settings. All the violence stays the same, but when the bad guys get shot they just go “OH JEEPERS” or “MY GOOD SIR”

Barn Mates - One Year On

Barn Mates was first aired exactly a year ago today… and what a monumental episode it was for both Lapis and Peridot!

For those of us who were already shipping Lapidot, it was a dream come true – and for some of those who weren’t, it opened their eyes to a whole new (and now completely canonically viable) ship.

I’ve written about this episode a few times in the past, but it feels fitting to look back on it again today; for day one of Lapidot Anniversary Week!

So, without further ado…

The episode opens with Peridot wistfully speaking into her tape recorder about sharing her new home with Lapis.  Only a couple of episodes prior to this point, Peridot had made the decision to stay at the barn by herself whilst the other Crystal Gems returned to the temple. The fact that she now so enthusiastically wants to share her home with Lapis (as opposed to going back with the other Gems or staying by herself in the barn) just shows that she already has some level of admiration for Lapis.

Peridot says:

“Why don’t we watch the sun come up and figure out what we’re going to do with all this time, eh Lazuli?”

Watching the sun rise with someone is an old romantic tradition/cliché, so the fact that Peridot specifically mentions wanting to do this with Lapis certainly speaks some volumes.   And it also transpires…

…that this line was foreshadowing a scene that came later in the show – in Room For Ruby, not only are they watching the sun rise together (just as Peridot wanted to do), they’ve actually been sat together all night stargazing prior to this point, which is another activity that has obvious romantic connotations.

After Peridot has finished speaking into the tape recorder in Barn Mates, Lapis expresses her desire to live in the barn all on her own. Steven suggests that the barn be split down the middle, with each of the two Gems having their own “side”, which leads to a very interesting shot of the pair of them:

Notice how they’re effectively framing a picture that’s behind them.   This picture is of the barn’s previous owners – Greg’s aunt and uncle, who Greg described back in Space Race as follows:

“My aunt and uncle had a great love for aviation, and each other.  They cherished the years they spent together, and they held on to every belonging they ever owned.”

It’s interesting, then, that a picture of a happy couple has been placed directly in-between Lapis and Peridot in this shot.  This becomes something of a trend as the show progresses, with the picture being placed in-shot with Peridot and Lapis on occasion in a fair few other episodes, such as these:

This could well be foreshadowing a romantic relationship between Lapis and Peridot.  The fact that Greg mentions “aviation” is also something interesting to think about, considering that Lapis can fly and Peridot was the pilot of the Hand Ship back in Jailbreak.

Lapis isn’t keen on the idea of splitting the barn, telling Steven that Peridot is the problem:

“I can’t stand the thought of looking at her everyday!”

This statement is now somewhat ironic because, in the episodes since Barn Mates, Lapis almost always has her eyes on Peridot – and gives her some extremely suggestive looks, too!

Peridot and Steven both try to assure Lapis that Peridot has changed, but she doesn’t want to hear it. Steven thinks it’s “sweet” that Peridot wants Lapis to see how much she’s changed since their last encounter, and he helps her to make an apology card which has a very interesting picture drawn on the front of it:

Steven may well have the intent of getting Peridot and Lapis to be friends, but he’s drawn them looking like an actual couple here; they’re even holding hands.

Eventually, after some persuasion from Steven, Lapis joins them – and a beaming Peridot hands over the card.  This still fails to win-over an unimpressed Lapis, much to Peridot’s disdain.

“It took me over an hour to compose [the message in the card], and I was the most sincere as per Steven’s instructions!”

The fact that Peridot put so much time into her apology message gives us an indication of how highly Peridot thinks of Lapis – and how much she wants to make her feel better. She then spends some time deliberating what she could give to Lapis as a gift (upon Steven’s suggestion), and they come up with an idea…

“H-2-Oh my GOSH!” … “It’s a gift for you!  You know, ‘cause water’s your thing.”

Peridot’s mannerisms and tone of voice here are very flirtatious.  However, given Lapis’ previous traumatic experience of being trapped on the bottom of the ocean, this is another idea that falls completely flat.

And what does Peridot do?

“A pool?!  What a cloddy idea!  Of course she wouldn’t like that!”

She actually blames herself for the mistake.  This is very uncharacteristic of Peridot, who normally has a very lofty opinion of herself and her intellectual capacity – which, again, shows how highly she must think of Lapis.  She even uses the word “cloddy” to describe her own idea; with “clod” being an insult that she usually only ever levels at other people when she’s at her most angry.

She then decides to make a very grand gesture…

…and offers her most prized possession – the tape recorder – to Lapis as a gift.

She’s very flirtatious in doing so here, as well.  With a wink and a smile, she tells Lapis:

“See, the ribbon is even blue.  I got yo’ number!”

Peridot has offended all of the other Gems at some point in the past, but she’s never been seen to perform as grand a gesture as this one in order to win them over. 

Peridot is, in a lot of ways, incredibly materialistic - she has been shown on more than one occasion to hold her very few possessions really closely to her.  By Peridot’s standards, handing the tape recorder over is essentially the biggest thing she could do for someone, which is a very clear indication of her feelings towards Lapis.

This gesture is completely lost on Lapis, however, who proceeds to crush the tape recorder in her hand.

Usually in these situations, Peridot would be distraught that one of her possessions had been destroyed (see, for example, Peridot on her knees begging Amethyst not to throw away her beloved tablet in Too Short To Ride).  However, this time, she actually seems to be upset by the fact that she’s managed to upset Lapis once again, exclaiming:

“What, were you trapped in a tape recorder too?!”

Peridot is exasperated by this point, and gives a very heartfelt speech which, I believe, really gets to the root of one of the key reasons why a relationship between Lapis and Peridot just makes perfect sense:

“Look, I get it, you know?  You’re confused!  You can never go back to Homeworld.  This place doesn’t exactly feel like home yet.  You’re alone, no one could possibly know what that feels like!  Oh wait, I do!  We’re the same, except…  you don’t have to be alone.”

She and Lapis are going through the exact same thing at basically the same time; namely, being stranded on earth with no way of returning to Homeworld.  There’s literally no-one else who they could bond with over this, except for each other – it’s a common ground that they share with each other and only each other.  It’s logical and sensible storytelling, therefore, to have these two characters stick together and share the experience with each other.  It puts them on equal ground, gives them both an acute understanding of each other, and enables them to both support one another as they adjust to life on earth.

At this point in Barn Mates, however, Lapis still isn’t having any of it.  Peridot, clearly at her wits end, asks what Lapis wants from her.  Lapis angrily tells Peridot that she wants her to leave… and that’s exactly what Peridot does.  She wants Lapis to be happy so much that she’s even willing to give up her home so that Lapis can live there instead.

As she walks away, Steven reprimands Lapis for treating Peridot so badly.  As he’s talking, Lapis folds her arms and shifts on the spot, her gaze meeting the crushed tape recorder on the floor.  Everything about her body language in this scene exudes guilt.  

Peridot comes screaming back towards them moments later, however – being pursued by a Roaming Eye that she’s convinced is after her.    

The trio flee from the ship, but eventually come face-to-face with it, which causes Peridot to cower behind Steven in fear.

However…

…Lapis steps forward, and glances back at a wide-eyed Peridot.

This scene is very important because it’s the first time we ever get to see that Lapis does actually care about Peridot, despite the pair of them getting off to a very turbulent start.  She steps up to defend the helpless Peridot from the Roaming Eye, and makes sure to specifically ask Peridot if she’s ok after the threat has been neutralised – proving that she didn’t only have Steven’s interests at heart when she took out the Roaming Eye.

What happens next needs no introduction…

Originally posted by geekylaugifs

Peridot has still, to this day, never looked at anyone else with such love.  The way that her hands are clasped to her chest makes it the typical “cartoon character looking at their love interest” pose.  That smile on her face is literally the biggest one that she’s ever given.  And Lapis’ deep blush, that she actually turns her head away from Peridot in an attempt to hide, is also a reaction from her that’s unique to this scene – and very much implies that the apparent feeling of attraction is mutual.  There appears to be some symbolism behind the sun coming out as Peridot smiles, too.  This could well be an indication that Lapis is warming up to Peridot and seeing her in a new light.  It also has a somewhat poetic quality to it, with the storm clouds (both literal and metaphorical) dissipating at this very moment.  

Originally posted by giffing-amethyst

Steven picks up on what’s going on, giggling to himself as he looks at Lapis.  It’s also very interesting that Peridot’s loving look is still lingering even after the camera angle has changed – this is no fleeting “micro expression”, it’s a very prolonged and deliberate look…

…which was the first of very, very many that the pair of them have since gone on to give each other (the above images being a small handful of examples).

All in all, Barn Mates was the start of a very beautiful relationship between these two Gems, which has well and truly endured throughout the past twelve months – and has gotten ever stronger with each episode that they’ve appeared in together.

The First Time With Jeon Jungkook

Originally posted by syeons

Genre: romance/fluff
Pairing: Jungkook/You
Length: 12203 words
Summary: This a series based on all of your first times with Jungkook from your childhood till when you both reach adult hood.

PART 1 PART 2 PART 3 PART 4 PART 5 /PART 6


THE FIRST TIME YOU KISSED

“You tell me Y/N, do you want this?” he brushes his thumb over your cheek “Do you want to kiss me?”

Before you could ever give your response to him, reality hits the shameless boy like a train. What was he thinking when he asked you such a question? His sudden tendency to take your feelings for granted by working his moves on you, wasn’t how he ever wanted it to be. He was curious and quite greedy about having the chance to win your first kiss. Was it still like a competition for him? Was he toying with you or was he being serious?

Jungkook was your best friend and his intentions were never ill to begin with. You knew from day one, when he held your hand and decided to be your friend back then in kindergarten, that he was anything but harmful. You were well aware of the fact that he could be trusted, and all these years of friendship proved that he was a keeper. Maybe you could trust him? But what would it change? Only jungkook had the answers and decisions to take in this very moment, yet he suddenly stepped away from you

What am I doing, right now? Jungkook would suddenly ask himself as he eyed your lips up-close for the first time in his life

Keep reading

I have never heard a “kpop idol” like Yongguk switch from Korean to Mandarin so naturally without hesitation or speak in both languages and not carry a trace of the other language’s accent into the other so confidently