im so sick of the idea of “white witchcraft” if you are a witch embrace tge darkness and don’t hold yourself back. the demonic element is what makes you don’t, repressing it isn’t witchcraft. that’s some normie shit. all you’re doing is adding to the ancient sigma that witches are bad and need to be feared.
and i like that sigma. I’ll hex you. you should be afraid. white magic witches are ruining witchcraft. your ancestors are not proud. you are not a witch.
Here’s my thing………. I want her to be upset because it’s Glenn and they’ve been together since day fucking 1 like SHE KNEW GLENN BEFORE Rick…. however it doesn’t seem like TWD writers have a good track record for showing emotion or even a reaction after death and idk if it’s partly because our group are so used to it by now or it’s just bad writing
there’s been so many occasions where you think certain characters are gonna be really emotional about someone dying but it just doesn’t happen
I’m not saying all the time because there’s definitely been some incredibly emotional scenes but other times you wonder if they actually give a shit lol. I don’t like the idea of them either skipping over it or having Carol just be like “oh…. I’m so sorry”
i finished all the hard-difficulty february quests in fe heroes, and it turns out one of the lunatic ones gives out 5 orbs… for killing like 15 armored enemies over level 35. so i guess i’m grinding the shit out of nino and hana now
“ART SKILL” Is subjective, someone might have a worse grasp on anatomy & technique but great ideas or grasp of color/design, or vise versa. someone might be INCREDIBLE at drawing detailed anatomy but be completely shit at composition and color theory.
The only thing that makes someone a “bad artist” is if they have a shit attitude.
imagine just being w ur friends n ur all chilling n everything is cool n then one of them is randomly like ‘hey guys who wants to help my lil bro smuggle a dragon out of this huge heavily guarded castle?’ n everyone is all ‘wtf charlie’ but u already know ur going. ur going to the fucking castle to pick up the fucking dragon bc charlie weasley’s little brother got himself in some shit. u just wanted a quiet friday night but no, now ur flying halfway across europe in the middle of the night to do something which is very likely illegal and most certainly a bad move, all bc u decided making friends w the timid-looking red headed weasley kid would be a good idea. wtf charlie. wtf.
you received an invitation to a dinner party hosted by one of your more popular mutuals. you want to get to know them better, so you go.
sandwiched between 2 of your mutuals-in-law, you pick off the pineapple from your pizza. you start to think that coming to this party was a bad idea. that fact solidifies itself when your eyes meet with someone across the table: its an ex mutual. you softblocked them a week ago because they were talking shit about your top comfort character. you hope that they still havent noticed that you softblocked them, but their eyes are drilling holes in you. a cold sweat drips down your neck.
one of the mutuals-in-law tries to start a conversation: “so i started watching that new anime… i think im kin with the blue haired one,” they say. the other mutual-in-law turns to look at you. “me too,” they say. the mutual you softblocked says from across the table, “me too”. you stare down at the pile of pineapple on your plate. “m-me too,” you choke out.
Okay, so, I can’t be the only one that doesn’t want Keith to lead Voltron in the beginning of season 3–at least, not easily at all. How much effort has been put into Keith and Shiro bonding with their lions aside, it just seems like a really, really bad idea for the team dynamic.
Which I guess might be the whole point. If Keith does try to lead Voltron, I want it to go really, really badly. I want Red pissed at him and I want Black frustrated with the whole thing. I want them unable to form Voltron. I want Keith saying he’s gonna lead and Lance flipping his shit. But then Keith says “well, Shiro said he wanted me to do it!” And while this kind of shuts everyone up on the subject, tension is high (especially when every time Lance tries to say something, Keith shuts him down).
I want Keith to be solely focused on rescuing Shiro, to the point where it’s a hinderance. Because, c’mon, ya’ll know he would be. While Keith isn’t selfish in his intentions (as he accused Pidge of being in the beginning of season 1), he can be in his actions. He’s always the first one to go off on his own, act rashly, and end up in battles he shouldn’t be facing alone.
Keith is a loner and hasn’t yet learned to connect with his teammates enough to be a good leader. The only character he has a semi strong bond with is Shiro. And as he lacks the supportive leadership skills that Shiro has, it stands to reason that he’s not going to be very good at understanding his teammates. While in a battle he may know what needs to be done, he doesn’t know how to deal with people. His social obliviousness has been made clear multiple times.
That aside, if we’re going to be changing the lions around, who’s taking over the spare lion? Is it Allura? Coran? And which lion is getting the switch? Why isn’t Allura getting the black lion and being the one in charge (this is how it should be, by all rights)? Maybe she will, we don’t know.
BUT if she doesn’t–if Keith ends up in charge–it shouldn’t stick. There’s no way in hell Lance would rally behind Keith. Not with how poorly Keith will handle the team dynamics. It will fester, as will the fact that Shiro decided to put Keith in charge in his absence instead of someone else. And through Lance it will make Hunk and Pidge uncertain.
I see them looking for Shiro and getting a distress call, but Keith wanting to ignore it in favor of looking for Shiro. Allura will have issues with this, but so will Hunk. After his reaction to the Balmera, you think he’d be okay with not trying to save enslaved peoples on their way through? Bad feelings begin to fester.
They’ll find leads on Pidge’s family, but Keith will, again, want to focus solely on Shiro, feeding Pidge some bull about them being able to more efficiently look for her family after they find Shiro (look at how he reacted in season 1–you know that’s what he’d say). Again, bad feelings will fester.
Until, finally, Lance loses it with Keith “bossing” everyone around, even if that wasn’t Keith’s intention (likely, Keith thinks he’s doing the right thing). They’ll get into a huge fight, Hunk and Pidge both agreeing with Lance’s points about Keith’s behavior.
Keith will be frustrated. He feels out of place in the black lion and like he’s trying to fill shoes that are far, far too big for him (because they are). But he also feels like the others aren’t seeing the big picture. They have to find Shiro because they can’t save the universe without him. That should be their priority number one, in his mind. So you know what he does? In typical Keith fashion, he decides to deal with the situation on his own. He goes back to Red (if he’d ever left her in the first place) and leaves.
He’s gonna find Shiro, even if he has to do it on his own.
Thus, Team Voltron falls even more to shambles.
Upon learning that Keith has left, Lance tries to remain bitter, but the guilt gnaws at him. While Lance does have the people skills that Keith lacks and could step up to the plate, his lack of self-esteem (because Lance’s confidence is about as thick as tissue paper) doesn’t allow him to do it. After all, he’s the jokester, the idiot, the one no one takes seriously. And he soon comes to believe that Keith leaving is his fault.
So you know what he does? He goes after Keith.
Which leaves Hunk and Pidge as the only lions left at the castle. This allows for two things–it allows Hunk and Pidge to stretch their legs in leadership positions as well as give the two the chance to form relationships with Allura and Coran. After all, Hunk wanted to be the head. Well, here’s his chance whether he wants it or not. Hunk being Hunk, however, wants to keep what little of the team is left together. Pidge was thinking of leaving too, to go look for her family, but Hunk stops her. He promises her they’ll look, explaining that going solo is only going to get them all into deeper trouble. Therefore, it becomes Hunk’s personal mission, and the heavy, heavy weight on his shoulders, to get the team back together. They go off in the direction they think Lance and Keith may have gone, answering any and all distress calls along the way. They get clues as to the locations of their friends, about the Galra, and make friendly with all kinds of peoples, even some that Allura probably doesn’t approve of.
Because Allura’s arc will be her dealing with her own prejudice as well as the loss of her team and what she views as a failure on her part. However, Hunk is the perfect person to help rebuild her and get her back on the right track.
Ultimately, it’s Hunk and Pidge, with Allura and Coran, that end up finding and saving Shiro. This is their big victory, so to speak, and goes very, very far in developing Hunk’s character, which is sorely needed. Big Man needs a situation to expand his strengths and become the rock of the team he’s supposed to be. It will, therefore, be Hunk who brings their leader back, as is fitting.
You know who doesn’t get to save Shiro? Keith. Keith, who in his reckless determination has abandoned his family and realizes his mistake too late. Because, low and behold, he can’t do things on his own. I want Keith to learn some lessons because, frankly, he’s too much of a loose cannon not to. I want his lion stolen and him forced to trust and depend on others to help him from planet to planet hunting for for his lion and Shiro. I want him to learn nothing about where Shiro is and instead get lead upon lead about others in distress. I want him to see those families suffering at the hands of the Galra that he spoke of in season 1 and be unable to do anything. You want to know why? Because if there’s anything Keith has clearly never been, it’s helpless (at least, not since he was a child, which could make the whole thing even more interesting if he’s the way he is so as to avoid the helplessness he was dealt as a child *shrugs*). He needs to learn to depend on others and listen. In the end, he gets his lion back, but he’s faced with a crossroad. Does he follow a vague, undefined rumor he heard about Shiro, or does he follow all the clues he’s been getting about Pidge’s family?
Keith gets to rescue and bring back Pidge’s father now (not the brother, because that’s too easy, obviously) because that’s what he learns is the right thing to do. Together–because Pidge’s father is a genius–they find the castle of lions and regroup, only to find Shiro already there.
But Lance is still missing and learning that Lance left to go after him after he foolishly abandoned them eats horribly at Keith, as it very well should (Keith is one of my fav characters, guys, really XD).
Lance, meanwhile, gets a treatment very opposite to Keith’s. He’s having doubts when it becomes clear he can’t track Keith. He’s reflecting on whether he even deserves to be a paladin and what he manages to bring to the team. he feels worthless and lost, and even his typical front of flirting and over-confidence begins to break down. But I want him to meet someone, someone older, that acts as a mentor to him. Because, frankly, Shiro makes a good mentor to Keith and Pidge, but hardly paid any attention to Lance and Hunk. And while Hunk doesn’t seem like the type to need that kind of support overly much, Lance is. But this person needs to be someone significant–maybe a member of an underground resistance outside the Blade of Marmora, maybe a previous paladin (I like this one a lot), I don’t care. But, one way or another, they–with Lance at the helm–save a fuckload of people and, you know what, because Lance deserves his moment too, they discover/save something/someone(s) huge. Or, better yet, diplomatically negotiate with a civilization that is powerful, but been in hiding as a result of the Galra empire spreading. Maybe they’re special because they know something about the lions. Maybe they built the fucking lions and it’s only through Lance’s growing confidence in his ability to be diplomatic–using the people skills he has but more or less abused in the past–that they convince this society and their awesome army/technology/badass ships/robots to join the Voltron cause.
Lance’s character, above them all, needs this victory. He needs this proof of his value and as a way to solidify himself as the Blue lion. Lance needs his fucking moment, both for himself and the viewers, who have been as unable as Lance himself to truly see his value.
When will this moment come? When he and this society (I really like this idea, okay?) hear through some high tech communication stuff that the castle of lions is in danger and that the Galra have brought down their whole fist in an effort to beat them/steal the lions. I imagine this society being either similar to the Alteans or related, so they’ll have the ability to make worm holes.
Anyway, back on the castle of lions, shit is hitting the fan. They don’t currently have the support of the Blade of Marmora because, well, this isn’t the show finale and we need to leave some “gathering of allies” for later (you know, Avatar style). Which means they’re stuck minus one lion. But damn if they don’t come up with an awesome plan and make some epic dents in the Galra fleet (probably Lotor is around being a creeper too, because I get the feeling he’d probably have been around the whole time. Probably harassing team Hunk and being a passive-aggressive little bitch). Still, despite said awesome plan, they’re screwed.
Until, boom, Lance shows up with the fleet of whatever it was he made an alliance with and the advantage is gained. The Galra are sent scattering (for once), Voltron is formed, and, uh, maybe Voltron fights Lotor, because this gives Lotor an excuse to see Voltron’s true power (and realize what his ridiculous father was always going on about). Upon being royally assaulted by Voltron, Lotor runs away. Which basically means he can’t go back to the Galra and, thus, we get a spoiled-brat prince with allegiance to no one continuing to cause problems in the next season (hint, hint, he’d eventually become good).
Probably end the season with the team kind of getting a sort of victory (the Galra run away, so it’s not like they won the war or anything). There’s a bit at the end–maybe a cheesy reunion that doesn’t hold a lot of weight, because, boom, you have to wait till next season. Where we’ll get heavy on the Pidge and heavy on the Shiro again (since he’d been basically gone this whole season) and heavy on the Lance and Keith learning to be friends instead of rivals.
THAT’S WHAT I WANT, OKAY?!
Maybe I’ll just end up writing this as a fic myself >.<
i love all these people who are talking about Eleanor right now cause you can tell they probably joined the fandom like in 2015 or even 2016 so they have NO IDEA what the time with Eleanor as Louis’ stunt was like but they still talk and pretend they know
I have exactly 0 mental energy for this game of “you shouldn’t learn about history because history is problematic” discourse.
Holy. Shit. Let people learn things. Let people enjoy learning things. People are not morally flawed because they enjoy learning things. Learning things about a person or event or time period of history that has fucked up elements does not make you a bad person.
I don’t understand how we got to this idea of “why would you post an interesting fact about a historical person. Don’t you know they did x, y, and z.” Yes, friend. I did know x, y, and z. But I didn’t know this other thing, and thats why I’m posting about it, because its interesting. What the fuck.
Maybe I’m just tired and irritable but I’m not fucking here for feeling like we should feel bad about learning.
a collection of notes about what i’d do if i made an aristotle and dante movie adaptation bc i want to make one so bad:
Basically all of the semblance of my cinematic inspiration comes from Wes Anderson and shit so bear with me lolI
just, in my mind for the car crash
I would love to film it in a series of short scenes and shots without clear view of the face
Most of the focus would be on the bird and the glare of light from the rain etc
And the scenes would be so fast the audience would almost have trouble processing what was happening
After the hit, the soundtrack would go silent and it would cut immediately to a wide above view shot of ari in the hospital bed
When filming it, I would want to go for Ari’s feeling of seperation and isolation
So all the shots would be like normal busts but just TOO wide
Like there’s extra space separation him from everyone else
Since during that time they have the period of emotional and physical separation
AND!!!It would be completely the opposite with dante
The shots of him in the hospital would feel crowded and intimate
Think the middle ground between a close-up and a bust shot
So like part of the body is cut out bc its so close but not too close u can see the actor’s breath lmao
I think Dante would feel overwhelmed and broken after being beat up by those boys
So ari crowding over him in concern would be shown in the angles and closeness of the camera
And the final chapter
OH the final chapter
Man oh man
It would be quiet
really really quiet
Not so quiet that the audience wouldn’t be able the hear
But I would make sure the actor’s would be subtle in their acting and gestures so everything would be soft and meaningful
Especially when Dante finally gets upset
It would disturb the awkward silence and shake the scene
Propelling the narrative and music to a brighter strong tone
And the audio would get louder until ari says his confession, in which it’ll reach a crescendo of emotions, to quiet realization
in general: Outside shots would be unbearably wide to make ari feel small
And the themes of isolation and crowdedness would probs pop up a lot in the cinematography and the lights would be very washed and there would be minimal makeup to make the characters seem more real and the music would be very soft, almost like the movie carol also lots of rock ballads and 80′s tunes
bonus: what little i wrote of a screenplay for the final chapter