thank you director

The emotional peak of the scene is Ron looking around astonished, he’s been Leslie Knoped the hardest he’s ever been Leslie Knoped. He goes to Leslie and says, ‘I’ve got a problem, I want to be useful. That’s a new thing for me. I’m uncomfortable, help me. I’ve made the mistake of not consulting you before and I don’t intend to make that mistake again.’ And she f—ing hands him a national park (laughs) and says ‘Here, paddle your canoe, walk around by yourself in this park, that’s your job.’ And oh boy! Whoa Nellie! I had to look at Leslie and say, ‘Thank you, Leslie.’ And Mike even did me the favor of writing the stage direction ‘very small’ before the line ‘Thank you, Leslie.’ I was rehearsing it the night before, and I’m in the park, talking to these rangers, the crew was there in my head, and I’m saying, ‘What are you telling me, Mike, by saying ‘very small’? And I did the scene sitting in my living room and I did it very small and I said, ‘You son of a bitch!’ For Ron, it’s the biggest thing by far that he has had to say in 125 episodes, and Mike told me to do it very small, knowing how greatly that would compound its impact. I was saying ‘Thank you, Leslie,’ and then I would think ‘Thank you, Amy,’ and I would think ‘Thank you, Mike, thank you, Morgan [Sackett. executive producer], thank you, Dean [Holland, director].’ I felt like I was the show saying thank you to everybody… Mike allowed me the equivalent of saying thank you to the universe—thank you to my parents for giving birth to me and thank you to Mother Nature for making me, so that I could stand here and say thank you to Leslie for giving me her final gift.‘
—  Nick Offerman on Leslie hiring Ron in the future (X

iluvshaft  asked:

I really loved your use of low angles in the new R+M episode; in particular the stuff with Summer in the rain really stayed with me after the episode

Thank you!! My director wanted this boarded like a feature, so that’s what we strove for. It’s probably my favorite episode I’ve ever boarded on.
And haha, that hair! I added that stray hair in for fun, not thinking it would actually make it through, and then I saw that they actually put it in her design sheet for the episode. I was very happy!

vimeo

This is strangely hard to post. I’ve been avoiding sharing this because when I watch it, I see all of the flaws, all of the things I wish I could change. BUT. I’m never done learning, my art will never be perfect, and all I can hope is that what I create connects to someone and translates real emotions. I’m excited to be starting my career with a project that pushed me, that tells an LGBT story, that helped me find my voice as a director. Thank you so much to everyone who has given to this project, shared it with others, and waited for its release! 

THIS is One Night: a lesbian/drama short film, written & directed by me - Lydia Smyth

For more info/credits, go to the vimeo page. 

3

I want you to be my night - 20, Seventeen

Caged (2)

Synopsis: What happens when Loki meets someone who actually calls him on his bullshit instead of running and hiding?

Word Count : 850

A/N: I’m not even sorry for starting another series! 😂😂😂

Part One

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Breathe ~ An Avenger’s Story  (1/15)

Originally posted by mentalandtwisted

AU: New series. yay. This one takes place after Ultron BUT Pietro is alive. Yes. Sue me. I like Pietro and I think he had potential to develop further as a character. Also, Fury is still Director of SHIELD because he’s probably the only one who can control the avengers so yea. Anyway, I’m not sure if this would be a StevexReader or a BuckyxReader or maybe someone else. You guys tell me. Enjoy!

Part 1 | Part 2 

MASTERLIST


The bomb blew up. The place was getting destroyed.

“Go! Run away from here! Find your family!”

Their faces almost a blur in her mind. Another explosion. This time more powerful. The equipment in the laboratory crashing to the ground one by one.

“You’ll live. Don’t worry. You’ll live long, Y/N. You’ll be okay. You’re strong.”

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