hopped on the bnha OC wagon!! you guys probably know but im not good with ocs, so this was a challenging exercise tbh but as i thought a lot about her i ended up loving tetsuko a lot!! so i hope you will love her too!

click through images for fullview and captions please


My friend (@11Lynn17) went to the Haisute exhibition today and took this picture of Kenmako and Tetsuko’s dresses! lmao!! I can’t with these two Oikawa fangirls :)))) Tetsuko’s the crazier Oikawa fangirl based on the reports that I’ve seen and I’m sooooo excited to see Shouri fangirling over Oikawa, shrieking, and acting cute. 184 cm OIKAWA FANGIRL!! (≧∀≦)



more tetsuko doodles…!!! i wish i was better at drawing action scenes and comic format but im not so ill just explain some things with words:

  • tetsuko isnt very suited for battle!! even though she can increase the strength of her magnetic field by a lot, shes afraid to overexert it and find large objects hurtling towards her and crush her tiny body! she is still practicing having finer control over her quirk so she can get over this fear
  • another reason is that there is a high risk of collateral damage if she uses a lot of force, and even if noone else is hurt, she could easily hurt herself with metal debris (thats why her hero costume needs to have very little exposed skin)
  • shes good for recoinnasance and rescue missions where she can concentrate her quirk on smaller areas, for example stealing keys. she kind of wants a flashier action role though…

Updates to the Engeki Haikyuu Exhibition, now featuring Winners and Losers costumes!

The dresse are the costumes worn by Takato and Shouri as Seijoh fangirls, Oikawa’s conductor’s suit has a surprising amount of detail (for being a tearaway suit), and Kageyama TOBIUO’s flying fish suit!

Photos courtesy of @lost-shounen!!!

anonymous asked:

do you know any anime movies/shows that are about depression and topics like that? thanks :)

i do! here’s some!!


A Silent Voice 聲の形 
“A young man is ostracized by his classmates after he bullies a deaf girl to the point where she moves away. Years later, he sets off on a path for redemption.”
(cute movie but involves suicide and depression)

Colorful カラフル
“A soul wakes up in the body of suicide victim Makoto and must find a way to fit into his existence. The soul must unravel two mysteries – the secret of the great sin it committed in its previous life, and why Makoto committed suicide.”
(a kind of slow movie, but i really enjoyed the message at the end of it.)

 The Heart Wants to Shout /Anthem of the Heart 心が叫びたがってるんだ。
“A girl has her voice magically taken away so she can’t hurt anyone with it until her outlook on life is changed by music and friendship.”
(high school life-type, very emotional, touching, and beautiful music)

HAL ハル
“Kurumi struggles with the loss of her boyfriend, Hal, and shuts herself off from the world. She remains a recluse until an android is made to look like Hal and sent to help her cope.”
(very very emotional, touches a lot on regret.)

 The Case of Hana & Alice 花とアリス殺人事件
“Tetsuko, a 14-year-old student, moves with her mother to a new town. She is immediately bullied in her new school and is given the seat of a murdered student. Determined to find out what happened, Tetsuko begins investigating the death.”
(this sounds dark but is actually a much lighter movie than the rest. it’s not too focused on depression per say but i just wanted to add it to my list of recommended!)

as for series,

 i really don’t watch a lot that involve situations like that but one of my absolute favorite series is Honey and Clover, it’s about a bunch of art students trying to find their way in life. it’s very sweet and fun with a lot of heart but also involves a lot of questioning your life purpose and such.

similarly, made by the same writer, March Comes in like a Lion. basically about a social recluse/shogi champion and the warm family relationship he builds with this orphaned girl and her two younger sisters. really sweet moments but also gets deep about feelings of loneliness and anxiety.

THE OPENING OF MARCH COMES IN LIKE A LION actually makes me really emotional lOL it is like the definition of depression and anxiety.

The essence of femininity and a shounen women's strength - a long Gintama analysis

Gintama, despite its comedic form, talks about some important topics and I deeply appreciate it. There are many problems, but still some themes come back more often, in different settings and with different situations, yet they are not outdated, on the contrary - there is always something new that can be added. One of those problem is the matter of femininity, or rather problems with defining femininity, because not once and not twice Sorachi-sensei let his women said “I don’t want to be a woman, because”… yeah, why?
Here the answer is not so simple, every woman is a little different and her protest against femininity has a different form, is associated with different troubles. I do not want to be a woman, because I can’t do things that are natural for men. I do not want to be a woman, because it makes certain things unattainable for me. It cuts my perspectives. I do not want to be a woman, because it makes me weak. I do not want to be a woman, because men humiliate me. Because my life would be different if I was a man. Sorachi-sensei shows a woman fighting on many levels, not only to be equal to men, but also to show what does it mean to be a shounen woman, a strong female character, a valuable female character.

For the first time Sorachi-sensei showed a woman having problems solely because of her gender in a short story about firefighters, when Gintoki met Tatsumi. Because it was the beginning of the manga and Tatsumi never came back, I just remind that she was a girl saved from fire by a fireman. The fire killed her parents, so since then the girl was brought up at a fireman headquarters. Her dream was to become a firefighter, but her wings were quickly clipped. How? Simply, Tatsumi heard that she wouldn’t be able to be the real firefighter because she was a woman. And we all know it’s a male profession, a man world where a woman inherently does not fit. It was not that the firefighters didn’t like Tatsumi. They just didn’t treat her seriously - couldn’t imagine a good female firefighter. Sorachi-sensei showed it as a function too abstract for stagers.
There aren’t any simple stories in Gintama, so of course it turned out that it was never about Tatsumi’s gender. Her foster father wanted to protect her from his dangerous work, he just wanted to make her happy, it never really mattered that she was a girl… but for sure?
No. At this moment we disregard the storyline. Undeniably Tatsumi’s father wanted the best for her, he loved her, he didn’t regret that he had a daughter. In this case gender actually meant nothing. But let’s get out of the story area and stand on the author’s side. If a firefighter saved a boy, would he love him as much as he loved a girl? Yes. If he wanted to succeed his profession, would his father stop him? Yes. If Sorachi-sensei chose a man, would the story be the same? No. Sorachi would show this story through completely different means, “deterrence” would be different. The things that a boy has to prove are completely different. He would be a little bit like Shinpachi, most likely he would prove that he can do something - he himself, as an Individual. Tatsumi didn’t have to prove that she can do something. Immediately obvious way to divert her attention from firefighters was to remind her that she was a woman, with a man such a thing does not exist. Her privacy was taken away from her, her efforts were not individual, but very general. Because it showed that a woman can pursue male professions. She has gained privacy at the end, when she learned the truth about his father, that’s true. But Sorachi-sensei had reasons to choose a woman, underestimated just because of her gender.

When we talk about the problem of femininity in Gintama, without any doubt the most important character is Kyuubei Yagyuu. I mentioned Tatsumi because her silent protest was not a protest against femininity. Of course, she wasn’t sweet and girly, but she also didn’t hate being a woman. She was the woman doing some things as well as men, it was her role. Kyuubei’s problem was totally different. Kyuubei is that unusual character, in her the approval and contempt for the womanhood existed at the same time, or rather admiration for Otae’s femininity and the contempt of her own femininity.
Her father and grandfather said they never wanted Kyuubei to abandon her femininity (father again. If I have a little time my next essay will be about fairly difficult role of a father and his impact on a child in Gintama), but we are not surprised. Kyuubei was raised on simple rules - if you were a boy, you would inherit family, the dojo, our name, you’d be a samurai, you would be our pride. But you’re not, you’re just a girl. Some people probably would look askance at you if they knew you’re not a boy. And perhaps it was never explicitly stated, never said like that, but what little Kyuubei could hear if not ‘if you were a boy, you’d be much better, valuable person’. But she was just a woman.
Anime and manga sometimes give us situations like “Oh God, you are a woman?” and responses like “I’m a man in my heart, but outside I’m a woman”. Surely anyone can add more than one character. But how often the problem itself is marginalized and the topic runs as a TV trope or the effect of surprise, nothing more? Kyuubei has a serious problem, because she is not another character whose sex turns out to be different. Kyuubei is someone who believed that being a woman made her worse. As we know, in fact Kyuubei felt like a girl, she wanted to be like Otae, she wanted to behave similarly. But the influence of the society and the pressures were so strong that her dream was quickly burned.
Once again, remember that Sorachi-sensei, contrary to appearances, doesn’t live in a jungle and on a tree. He is an employee of one of the greatest shounen magazines and the amount of parodies shows that he is aware of his market. Perhaps he also knows about the widespread trend of giving women male characteristics, making women like different men to show how strong she is. I’m sure he knows. Sorachi does the same thing, he makes his woman masculine and… shows her as someone completely lost, deprived of identity and above all, unhappy. Sorachi-sensei completely breaks this approach, Kyuubei is only destroyed by such treatment. And Kyuubei’s society is sometimes like all readers, because are their expectations different? For many people femininity means weakness.
Sorachi-sensei answers when Kyuubei tells Otae that she always wanted to be like her. Who is Otae? She is not manly, she’s not even a fighter. She is a girl who, after her family death, took over her home, took care of her brother, she is someone who wants to continue the family dojo all alone, who works the night shift, so her brother can train with Gin, who always defended Kyuubei and never to judges her. Or, if you want to use the phrase Kyuubei said, she was a nice and at the same time strong girl. Pretty good definition of strength.

Kyuubei is not the only one who said “I have abandoned my womanhood”. But as I said before, every woman is different and we won’t see two similar cases. When Kyuubei says she does not want to be a woman, she thinks about becoming a man. Abandonment of femininity as a sign of masculinity. A third character for whom the essence of femininity is important was Tsukuyo. Tsukuyo is, again, completely different than the previous two girls. First of all, in her case there is no continuous comparisons with a man - with a firefighter, with a son of the Yagyuu family. Tsukuyo never tried to become a man, she also looks quite feminine compared to the two previously women. But Sorachi-sensei at one point said that Yoshiwara is an arc about broken women - none of them has been broken by her life, but by treating like a subject by men. Personally, for me it was the only anime showing a brothel and making named prostitutes the heroines.
The abandonment of femininity for Tsukuyo was divided into two parts. The first occurred when small Tsukuyo, being just a child, took a knife and destroyed her face to escape the fate of a prostitute. Here her gender meant beauty, grace, elegance. For Yoshiwara girls being the real woman was becoming more and more beautiful to please men. According to this inculcated logic the only way to avoid it was to erase the beauty from the very beginning. So the woman without the attribute of femininity, her beauty, automatically cease to be a woman. The second part took place when Tsukuyo met her master. It was him who told her to completely forgot about femininity, but for him it didn’t mean the same as for her. For Jiraia woman was weak, because a woman is the one that is protected. If you do not want to be protected, but protect, abandon femininity. Tsukuyo believe in these words, but similar to Kyuubei and Otae, for Tsukuyo being a woman didn’t mean anything bad. The real woman was Hinowa, firstly she was beautiful, secondly she was not made to fight, but to be protected by Tsukuyo. But the Yoshiwara society never recognized a not-beautiful woman, a not-for pleasing a man woman. The Yoshiwara was all for men, and the women were only for men too. Tsukuyo said that they were enslaved women and their slavery was created from the continuous power of men and stealing from women any form of freedom, individuality. They were serving as an object. And again, Sorachi says it in this story - if they were not women, they wouldn’t suffer. Because they were women, they have been sold to a brothel, because they were women, they were treated like that, because they were women they had to cease to be women to not be forced into prostitution.
Since we are talking about the Yoshiwara, a word about Hinowa. I’m not a native English language speaker and I admit I have no idea how this term is called in English. But Dostoevsky’s “Crime and Punishment” and the character of Sonia has created something called “the holy whore” and in literature it means a woman from seemingly moral lowlands, but distinguished by greater kindness and sense of morality than “normal women”. Sorachi-sensei used it very neatly, because Hinowa was it. A courtesan, a geisha. Certainly she was sold for money to men, at least before Hosen fallen in love and imprisoned her. And for Gintama characters having flaws is quite common, even though it’s hard to find a more flawless character than Hinowa.

Each character is different, each character represents different problems, but they are all associated with the discrimination against women, very visibly outlined by Sorachi-sensei. But let’s not talk only about those women who couldn’t make it, because the whole bunch of them did something and their gender couldn’t interfere. What do I mean? Gintama is not just a mass of broken women, intimidated by men. It’s Kagura, physically the strongest character in the entire cast. It’s Tetsuko Murata, the swordsmith creating the best swords. It’s Matako Kijima, the best shooter who never misses. It’s Mutsu or Ikumatsu, leading or co-leading their own business. They’re women in male roles that have never heard, “oh, it’s a woman” or “even though she is a woman…”. They are simply the best people in their field.
Really, if look at Sakamoto and Mutsu, don’t we get the exact opposite of what we expect in fiction from genders? Sakamoto is sometimes careless, sometimes reckless, easily makes friends, often needs to be saved, is guided by the heart rather than by the mind. Mutsu is rational, calculating, down-to-earth, she saves Sakamoto when he’s in danger. And still I didn’t see anyone hating on Sakamoto because “he’s so stupid and useless and he still needs help and he should do something and…”

Sorachi-sensei never tells his women to prove anything despite being women or try to catch up with men. If anything, he teaches them to achieve everything in life because they are women. Kyuubei or Tsukuyo not only didn’t give up being a woman, but they wear femininity proudly. Because being a woman is the pride and strength and Sorachi-sensei reminds it every time shows together Otae, Kyuubei, Tsukuyo and Sa-chan or Kagura, Tsukuyo and Nobume or any other feminine combination. Male power is not chauvinism, Gin says he doesn’t like seeing a crying woman, Shinsengumi is the entirely male unit. And that’s okay, because next to the thing that only a man can do is what can be achieved only by a woman. In every area of life.

None of them have ever heard “despite”. They are strong and beautiful because they have high self-esteem, awareness of their strengths and pride that can’t be crushed and can never be received by those who thinks that a woman has to be like a man to be strong. A Gintama woman is strong when she’s a real person.