terry disney

10

FANCASTING: Atlantis: The Lost Empire

Milo Thatch: Andrew Garfield

‘Kida’ Kidagakash: Zoe Saldana

Commander Rourke: Tommy Lee Jones

Helga Sinclair: Charlize Theron

Audrey Ramirez: Francia Raisa

Dr. Joshua Sweet: Terry Crews

‘Vinny’ Santorini: John Turturro

Gaetan ‘The Mole’: Timothy Spall

Mrs. Packard: Helen Mirren

King Kashekim Nedakh: Morgan Freeman

To anyone who thinks there's no possible way of Jyrus becoming canon

Literally every single person thought the exact same about Solangelo. No one thought that Rick would possibly make a SECOND queer character, let alone a gay couple!! I mean what would the parents think!? This is a children’s book after all!1!1! But look what happened. Rick Riordan broke barriers and not only made Nico the first gay character in his children boom series, but he also wrote him to have a crush on the main character and eventually get together with another character in his next series. I’m not saying Jyrus is definitely becoming canon. I’m just saying don’t rule out the option.

10

The Jungle Book

136 in x of animated feature film history
Release: Oct. 18th, 1967
Country: USA
Director: Wolfgang Reitherman

“The Jungle Book was inspired by the 1894 book of the same name by English author Rudyard Kipling. Directed by Wolfgang Reitherman, it was the last film to be produced by Walt Disney, who died during its production. The plot follows Mowgli, a feral child raised in the Indian jungle by wolves, as his friends Bagheera the panther and Baloo the bear try to convince him to leave the jungle before the evil tiger Shere Khan arrives.

After The Sword in the Stone was released, storyman Bill Peet claimed to Walt Disney that ‘we [the animation department] can do more interesting animal characters’ and suggested that Kipling’s The Jungle Book could be used for the studio’s next film. Disney agreed and Peet created an original treatment, with little supervision, as he had done with One Hundred and One Dalmatians and The Sword in the Stone. However, after the disappointing reaction to The Sword in the Stone, Walt Disney decided to become more involved in the story than he had been with the past two films, with his nephew Roy E. Disney saying that ‘[he] certainly influenced everything about it. (…) With Jungle Book, he obviously got hooked on the jungle and the characters that lived there.’

Peet decided to follow closely the dramatic, dark, and sinister tone of Kipling’s book, which is about the struggles between animals and man. However, the film’s writers decided to make the story more straightforward, as the novel is very episodic, with Mowgli going back and forth from the jungle to the Man-Village, and Peet felt that Mowgli returning to the Man-Village should be the ending for the film. Some plot points were taken from Kipling’s 1895 novel The Second Jungle Book. 

Disney was not pleased with how the story was turning out, as he felt it was too dark for family viewing and insisted on script changes. Peet refused, and after a long argument, Peet left the Disney studio in January 1964. Disney then assigned Larry Clemmons as his new writer and one of the four story men for the film, giving Clemmons a copy of Kipling’s book, and telling him: ‘The first thing I want you to do is not to read it.’ Clemmons still looked at the novel, and thought it was too disjointed and without continuity, needing adaptations to fit a film script. Although much of Bill Peet’s work was discarded, the personalities of the characters remained in the final film.

Many familiar voices inspired the animators in their creation of the characters and helped them shape their personalities. This use of familiar voices for key characters was a rarity in Disney’s past films. The staff was shocked to hear that a wise cracking comedian, Phil Harris was going to be in a Kipling film. Disney suggested Harris after meeting him at a party. Harris improvised most of his lines, as he considered the scripted lines ‘didn’t feel natural’. After Harris was cast, Disneyland Records president Jimmy Johnson suggested Disney to get Louis Prima as King Louie, as he ‘felt that Louis would be great as foil’. Walt also cast other prominent actors such as George Sanders as Shere Khan and Sebastian Cabot as Bagheera.

David Bailey was originally cast as Mowgli, but his voice changed during production, leading Bailey to not fit the ‘young innocence of Mowgli’s character’ at which the producers were aiming. Thus director Wolfgang Reitherman cast his son Bruce, who had just voiced Christopher Robin in Winnie the Pooh and the Honey Tree. The animators shot footage of Bruce as a guide for the character’s performance.

The characterization of the orangutan King Louie has frequently been cited (including by Anthony Edward Schiappa, Susan Miller, and Greg Rode) as a racial stereotype, especially given the political and civil rights climates in America during the time this film was released. Initially, the producers considered famous jazz musician Louis Armstrong for the role, but to avoid the likely controversy that would result from casting a black person to voice an ape, they instead chose Italian-American musician Louis Prima.

Longtime Disney collaborator Terry Gilkyson was brought in to write the songs for the film. Gilkyson delivered several complete songs which were faithful in tone to Rudyard Kipling’s novel, but Walt Disney felt that his efforts were too dark. The Sherman Brothers were brought in to do a complete rewrite, on the condition that they not read Kipling’s book. The only piece of Gilkyson’s work which survived to the final film was his upbeat tune ‘The Bare Necessities’, which was liked by the rest of the film crew. Walt Disney asked the Shermans to ‘find scary places and write fun songs’ for their compositions, and frequently brought them to storyline sessions.

In the original book, the vultures are grim and evil characters who feast on the dead. Disney lightened it up by having the vultures bearing a physical and vocal resemblance to The Beatles, including the signature mop-top haircut. It was also planned to have the members of the band to both voice the characters and sing their song, ‘That’s What Friends Are For’. However, the Beatles member John Lennon’s refusal to work on animated films in that period led to the idea being discarded. The casting of the vultures still brought a British Invasion musician, Chad Stuart of the duo Chad & Jeremy.

The Jungle Book was released in October 1967, just 10 months after Walt’s death. Produced on a budget of $4 million, the film was a massive success, finishing 1967 as the fourth highest-grossing movie of the year. The Jungle Book received positive reviews upon release, undoubtedly influenced by a nostalgic reaction to the death of Disney. Life magazine referred to it as “the best thing of its kind since Dumbo, another short, bright, unscary and blessedly uncultivated cartoon.’ The song ‘The Bare Necessities’ was nominated for Best Song at the 40th Academy Awards, losing to ‘Talk to the Animals’ from Doctor Dolittle. Academy of Motion Picture Arts and Sciences president Gregory Peck lobbied extensively for this film to be nominated for Best Picture, but was unsuccessful.

According to Elsie Kipling Baimbridge, Rudyard Kipling’s daughter, ‘Mowgli’ is pronounced ‘MAU-glee’ (first syllable rhymes with cow), not ‘MOH-glee’ (first syllable rhymes with go). She reportedly never forgave Walt Disney for the gaffe.

After a studio screening of the finished film Walt Disney’s personal nurse Hazel George came up to animator Ollie Johnston with tears in her eyes and told him that the final shot where Bagheera and Baloo walk off into the sunset was perfect and that it was ‘just the way that Walt had gone out.’”

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FIRST POSTED: 5/15/17

this is very important!!


i received a message last week about andi mack presenting white culture with just poc faces. this show is very progressive compared to disney’s other shows in their current line up. the show is the first to center around an asian american family and most likely have a main queer character. however, as the message stated, it doesn’t portray an asian culture which the family identifies with. culture is part of one’s identity and the writer totally brush over that fact. i’m not asking for stereotypes of caricatures of what the family should be, but there needs to be an acknowledgement towards it. 

before anyone says it, i know hamm is white. but that doesn’t mean that cici should forget about her culture. she’s asian, and it would be great for disney to promote her culture. it would be beautiful to highlight the culture without making such racist gag jokes, like what disney has done before.

like caricaturing korean culture

or making kennedy from ant farm magically have a terrible japanese accent after she was exposed

and one of the reasons why disney sucks at having asian characters and talking about asian cultures in their shows is the lack of asian writers. andi mack, a show that focuses on an asian american family, is written by white people. there lacks the authenticity and development because white people don’t understand what it means to be asian. having writers that do will create stories that show the struggles and positives of being asian.

thank you @nappeun-yuja for this. i never thought about it since i was busy loving the diverse characters and complex story. but it needs to be said.