this is obvious in the original cast recording of “the private and intimate life of the house”
shes frightened of her father, calls herself disgusting when she dares to judge him for how he acts, he threatens her, she says that if he beats her, that would just be how it is.
yes, prince bolkonsky is old, but do you think that’s an excuse for how he treats mary? he tells her twice to shut her mouth, calls her insolent, yells at her when shes just trying to protect him, and does other things the audience can assume.
but she still loves him. her father basically separated her from the outside world, and shes abandoned hope of ever getting married or having friends.
Picture this: Phoenix and Maya having a slumber party later where they eat chocolate, watch Steel Samurai (at Maya’s behest), and gossip all night (and Phoenix shares this little tidbit about Gumshoe liking Maggey).
After giggling over Gumshoe and Maggey, they play ‘Truth or Dare?’ Phoenix, picks truth, and Maya asks him who he’s crushing on at the moment. Phoenix blushes, whenever crushes are mentioned he always thinks of him... But he doesn’t want to mention it, since Phoenix knows he would never return the feelings.
But Maya sees his cheeks redden and shakes him, screaming “OH MY GOD, YOU HAVE TO TELL ME!!! I’M YOUR BEST FRIEND, YOU CAN’T KEEP SECRETS FROM ME!” She’s pretending to be angry, but really, the smile on her face is huge, and her words are broken up with little giggles.
So, Phoenix gives in, and tells her okay-so-I-kind-of-sort-of-have-a-thing-for-Edgeworth, vomiting the words up as quickly as possible, so he can’t change his mind.
Maya squeals, and almost passes out with delight, “I knew it! I can feel the tension between you two every time we see Edgeworth! He’s totally into you as well!”
“No way,” Phoenix replies immediately, “You’re just saying that to make me feel better.” There was no way the Prosecutor saw him as anything but an annoyance (and occasional friend).
“No, seriously! I just, well… I was never totally sure if you were, you know… into guys. But now that I am, it makes so much sense! You two have so much chemistry. You were always so much more than a Steel Samurai and Evil Magistrate pairing… Even when you were enemies, there was something there.”
“Maya, you’re more excited about this than I am!”
“Because now I know, I’m totally going to set you guys up!”
Phoenix groans, as Maya grabs her Pink Princess notepad, brow furrowed, and starts jotting down ideas to bring Phoenix and Edgeworth together.
(So yeah… this super unedited passage is because I eventually want to write a fic where Maya tries to set Phoenix and Edgeworth up multiple times, mostly with hilarious - rather than romantic - results. Because I love Narumitsu but I also love Phoenix and Maya’s friendship <3)
I’ve been getting quite a few messages asking for advice in the Voice Acting field, so I’ve written a bit of a guide! I hope it’s helpful.
off, I would have never considered myself to be an expert on something like
this, but then I realised I’ve been doing it for about twenty years now, so I
guess I have SOME advice I can pass along.
YOUR ENEMY (AND SIBILANCE IS NOT YOUR FRIEND)!
pulls a listener out of the world you’re trying to create like those pesky pops
in your recordings (Tuhs, Kuhs, and Puhs), or those sharp “Ssssss” noises that slice through the mic.
Luckily, they’re fairly easy to prevent. BUT
HOW?!? I’M TELLING YOU HOW! SIT DOWN! The best advice? Get yourself a pop
filter. They’re relatively cheap and very effective (however, if you are BROKE
AF like I was when I started recording, get an embroidery hoop and some
dollar-store panty hose and you are SET. No joke – that was my first pop
filter. I held it between me and the mic and it WORKED). Now sometimes a filter isn’t enough – if you’re really yelling it out,
a filter will not save you. In these cases, you wanna make sure you know where
your plosives are, and tilt your head accordingly. You only have to move a few
degrees to avoid it – just put your hand in front of your mouth when you
rehearse and you can feel where your air is coming from. Just don’t do the
whole performance pointed away from the mic – it will hollow your sound out.
COUNTRYMEN! LEND ME YOUR GEAR!
do NOT need top of the line gear to sound good; your performance is what makes
or breaks you. That said, you can’t use a headset microphone and expect studio
quality. For the best quality (without breaking the bank), I recommend
microphones from the Blue line – Snowballs and Yetis specifically. They’re both
designed for podcasting, plug DIRECTLY into your computer, and sound
incredible! I still use my Yeti every once in a while – it’s a great piece of
These microphones, although amazing, rest on your table. That means you will
have to pay attention to a few things – not touching the table while recording,
not moving around in your chair while recording, and (most importantly)
watching your computer placement! If you’re using a laptop, it will undoubtedly
be sitting beside your mic and your mic will HATE IT. You may not hear the fan
on your computer, but your microphone will. Vibrations will ruin your
recordings, BUT there’s a solution! Well, two actually: You can fold a towel
up, place it on the table, stack a few books on top of the towel and sit your
mic on top of that, OR you can move your computer to another surface. It really
depends on your space set up. Just make sure you have a USB long enough to
reach the mic to the computer and you’re set.
Now, there’s the issue of reverb in your chosen room of recording. Almost every room will have an echo in it, and you will pick it up. You can prevent this a few different ways - you can spend hundreds on soundproof foam (took me a while to save up for that, totes worth it), you can record inside a closet (brilliant idea, enclosed, clothes absorb echo), or you can drape a blanket over you and your mic (gets warm fast, but it works!). Whichever way you choose, you will notice a boost in quality - the less ambient noise you have going on behind you, the better. All ambient noise in my recordings is put in AFTER I’ve finished editing my clips. It’s the same for any production - if you rely on your actual background noise for ambience, you will not be able to edit yourself properly as the cuts become too noticeable, ESPECIALLY if you’re recording a dialogue.
A quick note
about SOFTWARE: I always use Adobe Audition – I enjoy the look and feel of it,
and have never really used anything different. However, it’s not free! If you
want a great, FREE program for audio recording, I wholly recommend Audacity! It’s
a brilliant, powerful, and free program that will give you great results!
TIME FOR THE
has always been one thing I love about Voice Acting over Acting – No one has to
LOOK AT ME. I’m not insulting myself here, I’m just saying sometimes you have
to make some STUPID faces to get a voice you want. Voice Acting is incredibly
freeing in this regard – you can be ANYONE or ANYTHING, and that is very
can’t make this point enough times – in most cases, you’re doing this solo, so DON’T
BE MODEST. It will hold up your performance – if you hold back in any way when
voicing, you’re only hurting yourself. Sure you may feel silly doing certain
things, but no one listening will think that. Some voices give me fifty chins,
some cross my eyes, but if I didn’t do it, every character would sound the
let’s talk about PACING! My Friend and Mentor (may she fight well in Valhalla)
gave me the best advice in this regard; she said, “If it feels like you’re
going too slow, go slower.” Too often we feel we’re keeping a proper pace when
recording, but the truth is we are rushing it. In an actual conversation, you
haven’t rehearsed – you rarely know EXACTLY what you’re going to say to someone
else, so your dialogue should be no different. Your character needs time to
think, to react. If you ever want a moment of high tension, you CANNOT rush it.
You need the pauses and the breaths, or else it just becomes unrealistic.
CLEAN THAT FILTHY, FILTHY AUDIO!
clean audio has become a relatively new addition to my work – I used to simply
use the Noise Reduction effect on my recording and call it a day, but it doesn’t
get rid of the new bane of my existence: MOUTH NOISE.
do it. Everyone does it. I did it five minutes ago and I’m gonna do it again.
We smack our lips, we flick our tongue, we click our teeth, we make stupid
noises when we’re not talking, and the MIC WILL HEAR IT. My best advice is,
after reducing the noise in your audio (all programs have a basic preset to
kill the dead air noises in your recordings – google it to find how to your
respective noise reduction), highlight the sections between your audio and
reduce the volume to ZERO. Just kill the noise between your speech (the whole
sentence, not silencing between every word, that would be crazy) – you can
leave the sound of your inhales in if you want, but even they can be taken away
for a cleaner sound. Just make sure you don’t chop your words off – especially the
ends of your words.
sure you clean your audio BEFORE you add ANY form of reverb or echo! Otherwise
cleaning is impossible.
FROM A MADMAN!
Acting isn’t easy. Nothing infuriates me more than actors talking about how
they like Voice Acting because it’s “EASY”. If it’s easy, you’re not trying
hard enough. You have to convey thoughts, feelings, and ideas ALL WITH JUST
YOUR VOICE. Anyone who says it’s easy is a fool.
try your best to create something you feel proud of. You take as many takes as
you need, but never compromise your quality for the sake of just getting it
you can’t get a voice down right today? Do it tomorrow.
Above all else: HAVE FUN WITH IT
hope this has been helpful to you – if you have any questions about specific
things/things I may have missed, shoot me a message!