Sooooo in case you didn’t know I actually visited the PLL set today!
It seriously was such an incredible day. I honestly did not plan this: yesterday I was just sitting in my bedroom back in Australia and here I am on the other side of the world having seen the PLL set (and Marlene)! My taxi driver from the airport to the hotel actually recommended the WB tour on a Friday as it’s quiet so we may see more stars (which I did!!!!!! But no pics!!!!!) So it all happened very fast, I didn’t really plan on doing this.
Side note: people may think I’m crazy if that’s ALL the pics I took! Hell no, I’ve got like a hundred! Hahaha
There’s a limit of 10 on Tumblr so I just chose the most distinct ones showing off various sets. (I may post the ones with myself in it after when the show ends, when I’m thinking about revealing who I am)
Most of you probably/definitely know this already, but from left to right, the pics are the Rosewood Town (IT’S TINY, 100 metres MAX from one side to the other), Rosewood City Hall (fun fact: on the other side of this exact building is Rosewood High! other side as in it’s a two in one building), The infamous church (which had nothing in it, damn!), the Rear Window Brew (and also where Spoby kissed in 312), Rosewood High School (TINY TINY TINY - it seemed so much bigger when it’s filled with heaps of extras), Alison’s house (which was empty), the new Radley which turned into a fancy hotel (the scene between Ashley and Hanna in the 5 years forward 611 premiere was taken in the space of that pic), the Lost Woods Resort (and actually, to the left of where I took the picture is Noel’s cabin too, which was also Ezra and Nate’s cabin), Spencer’s backyard where the fireworks lit off in 514 and the snow in 513, and then of course the barn which is directly opposite Spencer’s backyard. (That smaller house behind the tree that you see in Spencer’s backyard…. yeah that’s Emily’s house! They don’t show that in the show however)
Aside from these pics I of course saw heaps more, such as the Pennsylvania airport where Ezria kissed in 6B (which is actually a cafeteria for all Warner Bros staff!), the movie theatre from season 1, Hanna’s house, Emily’s house, the woods, the lake where Jenna drowned, Mona’s house, Aria’s house, the New York from 501, the park bench where the girls tried blocking A’s number in early season 1A, the train station where Haleb hooked up, etc. HEAPS! We were going through all these areas and I could instantly recall heaps of scenes that were shot right in front of me… my tour guide was impressed! Hahaha
It’s SO much smaller in real life. They make Rosewood seem like a huge town in the show but in reality it’s just this tiny block and another strip of houses, and The Radley, located elsewhere.
I did get to go through the actual stage of PLL, where the girls’ makeup rooms were (we practically lived there too, thanks to Ash and Shay’s Snapchats!) however there was nothing there. I got pics but it’s boring. Just wooden stages coming down, but most was gone. This is where the insides to all the houses were, so they’re gone now. Tours no longer go inside Spencer’s kitchen for example. But oh well, I was still SOOOO happy I got to walk through Rosewood, with the signs still saying Rosewood, before it’s totally totally gone as they’re finished filming obviously!
Tour guide: “so lots of different movies and TV shows have been filmed right here on the Warner Brothers lot, are there any movies or shows in particular you would like me to focus on a bit more throughout the tour?”
Me: “I came here for Pretty Little Liars. We can look at all the other movies and shows later.”
The other 7 people in my tour group were too shy to speak up so he literally followed my demands. It was practically a PLL tour despite being marketed as a “Warner Brothers Tour”! So cool. He was an awesome tour guide in that regard but also extremely shitty because as you all know I’ve been ranting at the fact that I saw Marlene walking ten metres from me (pic on my blog too) and he didn’t let me leave the tour group to go say hi, despite knowing my strong passion for the show. “I can loose my job if I let my group members start wandering off”. Pfffft I was only wanting to go ten metres and say hi to the woman who created this wonderful world!
Fun fact he told me - they had a tour group pass through Rosewood whilst they were filming 514… aka, the episode of Mona’s funeral. Normally visitors don’t watch them film episodes so the visitors generally never see spoilers, however, a massive picture of Mona was situated right outside the church and all the cast was wearing black - so the visitors put two and two together: Mona dies in an upcoming episode! Ever since then they’ve been really strict about letting people onto the set whilst the sets are decorated ready for filming. Mona “dying” was actually public knowledge WAAAAYYYY before 512 had even aired!
Hope you enjoyed mini story time with me ;) I highly recommend this tour if you are in LA. I of course LOVED seeing other stuff like the Friends set and the costumes used in the ACTUAL DC movies (they said don’t touch Superman’s suit, but I’ve always wondered what it felt like so I had to touch it! It’s rubber…) As this is a PLL blog I’ll keep it exactly that; PLL, but still, I recommend this for all shows that you know of that are filmed in the Warner Bros lot! The part of the tour where you walk through the props was sensational. So many “A"s in there and also Supergirl props too which was cool!
I could write a thesis but I’ll end it here. What a day!
so I’ve always sort of liked the idea that within the communion of saints there the Heavy Hitters, the Career Saints who are invoked widely and in situations of grave need—I’m talking your Catherines and Francises and Theresas, the Twelve Disciples and Michael; the Big Time Major League saints who intercede on behalf of so many, and so are always in conversation with the divine, case managers for the sick and dying and hurting and faithful of the world.
but that also means that there’s a bunch of saints hanging around who are just—minor holy women, lesser martyrs, incidental virgins, doctors of the church who never managed to find a publisher. They’re not prayed to very often, and rarely called on to manage the difficult cases; they have a lot of free time.
so what do you do, if you’re a saint with some free time on your hands? You answer all the not-quite-prayers, the “jesus, don’t turn red don’t turn red’ muttered by cab drivers and the “christ, can you just try it to see this from my point of view?” spat out by a furious girlfriend and all the “oh god please let me make this meeting in time” “please don’t let me fail” “I’m so tired I hope I can get home”
or maybe I just like the idea that every time you mutter “god, let me be okay” there’s some girl killed in 9th century for refusing to marry who falls into step beside you—and though no book or chronicle or living person remembers her name, she squints up at you and says with holy authority, “yeah, you’re going to be fine.”
“I once had a dream, or a vision, and I imagined that dream to be of importance to other people, so I wrote the manuscript and made the film. But it is not until the moment when my dream meets with your emotions and your minds that my shadows come to life. It is your recognition that brings them to life. It is you indifference that kills them. I hope that you will understand; that you when you leave the cinema will take with you an experience or a sudden thought—or maybe a question. The efforts of my friends and myself have then not been in vain…” — Ingmar Bergman
Sunset Boulevard | Billy Wilder | 1950 Shirin | Abbas Kiarostami | 2008 Taxi Driver | Martin Scorsese | 1976 Goodbye, Dragon Inn | Tsai Ming-liang | 2003 Stranger Than Paradise | Jim Jarmusch | 1984 Vivre Sa Vie | Jean-Luc Godard | 1962 The Aviator | Martin Scorsese | 2004 Tropical Malady | Apichatpong Weerasethakul | 2004 Amélie | Jean-Pierre Jeunet | 2001 #ALLMYMOVIES | LaBeouf, Rönkkö & Turner | 2015
Ebert: I read that DeNiro really drove a cab to prepare for this role.
Scorsese: Yeah. I drove with him several nights. He got a strange feeling when he was hacking. He was totally anonymous. People would say anything, do anything in the backseat - it was like he didn’t exist. Finally a guy gets in, a former actor, who recognizes his name on the license. “Jesus,” he says, “last year you won the Oscar and now you’re driving a cab again.”