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for the ‘choice’, which case happens oftener, choice between the two or among
about ten different options?
Among ten different options. Rather than
this or that, (describing a semicircle like a tachometer with his hands) I have
an image that we choose the position in this amplitude. Of course sometimes we
choose whether to feel delight or sorrow though. But if we choose to feel
delight, how much? It’s another choice. We have such cases oftener.
got it clearly by your description using meter-like thing. You mean acting
changes not by the choice between A or B, but by the delicate combination of
the choices, right? By the way, you said in the ‘+act mini’, ‘The theme this
time is to abandon myself’, didn’t you?
Was it a sales talk?
Sales talk. (lol) Those words came out at
the shooing site when we acted the pouty mouth in the first episode. So it was
my theme for just that time.
see. (lol) But do you have the feeling that you try to abandon yourself, as if
to make Sato Takeru disappear completely?
it mean that you disappear naturally in becoming the character?
isn’t it Sato Takeru that makes the choice?
No, it is not necessarily the case. Of
course, in the first place, I make a choice, but Director sometimes say, ‘This
would be better’, or ‘You had better make it a little easier to understand’. So
you can say that, for actors, those who make a choice for them are very
important. Actors are all tactful, so they can do almost anything if they are
told to do it, I think. Meanwhile those who give instructions about what is the
right choice or the sophisticated choice are valuable, especially in case of
dramas. But it is, so to speak, a matter of taste. Some people like exaggerated
expressions and others like simple expressions. There is no right answer. Since
there is no right answer, I hope to work with someone whose sense I think I can
long have you been aware of ‘choice’?
I wonder how long … but for quite a long
time, I suppose. Many people say some actor’s performance is good or bad, but
when, especially, their opinion is a negative one, I sometimes feel they could
probably have done better if the director had directed him/her how to do it.
actors leave most of what is accepted as so-called impression to others, I
So I can do nothing by myself, especially
in case of dramas. As for films, there is some possibility to brute-force your
way. But dramas necessarily have more camera blocks, which means that we have
to make more choices for each performance in the cut. Well, but there are a
variety of ways and whatever way you take, it’s OK if the result is good. In
short, the way we’ve been taking in ‘Tenno no Ryoriban’ now is like what I told
you. ‘Ryoma-den’ is also a drama but we made it in a totally different way.
hear that, I think actors have to be flexible.
I said dramas are completely different from
films, but even in the case of films, the method is different from film to
film. As I often say, people say ‘actor’ is one kind of job but we’re doing
such different things that you could even call our job by different names, I
you have so many different ways, would you like to experience as many different
ways as possible?
Well, I have a preference, of course,
is your preference?
I won’t tell you. (lol)
if you could choose only your favorite way perfectly, would you like to do it
Ah … but at the same time, the project is
important, I think, so even if I don’t like their way, if the project is a good
one, I’ll do it.
factors attract you as a project?
It depends on my feeling; whether I think
it good or not.
it that you want to try something you’ve never done before?
Something I’ve never done will naturally
attract me. I want to do what I’ve never done before than what I’ve done
Because human beings are easily bored, you
know. Everybody is so. Human beings cannot keep doing the same thing forever, I
isn’t it scary to try something new?
in the case of the job like this, one failure … I don’t know if it’s right to
call it a failure, though … if people consider it a failure … would have a
great influence, right?
Therefore, I make as much effort as
possible so that I won’t fail. I won’t always choose to do something just
because I’ve never done it before.
of a work should be comprehensive, but it is inevitable that it is attributed
to actors for the most part, right?
That’s our job. (lol) But it naturally gets
exciting, when it is an interesting project. An intriguing scenario or what I
find exciting motivates me automatically.
it happen that even if you start something feeling so, it turns out different
from what you have expected?
Of course it happens. It’s impossible to
tell ahead of time how it will turn out. But I’m trying to be careful to avoid
mean you won’t jump at the chance unless you can start to run with trust?
Right. It’s difficult to start to run with
even if you jump at a chance with trust, you can’t necessarily keep your motivation
high. It can be discouraging simply to lack sleep, or to be exhausted … at
least in my case (lol).
(lol) It happens to anyone. Only human.
in your case as an actor, if you don’t keep your motivation at a certain level,
it will all come out, you know.
That’s right. It’s the most important
thing, right? I remember I told you when talking about Kenshin, staying
motivated is the most important … or the hardest rather than the most important.
we read it transcribed, we’re apt to read on without pause, just thinking, ‘Well,
Yup, so please write ‘It is really hard’. (lol) Really.
that you’re working really hard to
stay motivated, when I see you, you appear to have a stout heart like iron to
don’t show others, ‘I’m working frantically!’
you think you have something like soft and limp tofu in you, not like iron …
Yes, of course. (lol) Often.
do you with it?
When I get limp? Eat meals with my friends.
you spit venom eating meals?
I do, I do. (lol) Definitely. Otherwise …
it is a necessary skill to stay motivated, so to speak. It is impossible
without doing so.
Engine ø92 mm forged pistons, stock titanium connecting rods, balanced stock crankshaft, upgraded oil pump, custom profiled intake and exhaust camshafts (IN: P233º 9.3 mm lift, Hi295º 12.5 mm lift, S238º 9.7 mm lift – EX: P238º 8.4 mm lift, Hi 288º 12 mm lift, S243º 8.7 mm lift), strengthened valve springs, C32B intake valves, C32B head gasket, Kakimoto custom exhaust manifolds, Kakimoto custom exhaust system, ø48 mm six-throttle conversion, custom velocity stacks, carbon fiber airbox with titanium intake pipe, 370 cc/min injectors, Nismo high pressure fuel regulator, BNR34 in-tank fuel pump, custom collector tank, NGK #8 racing plugs, ARC racing radiator, Setrab oil cooler, Motec M84 ECU
Driveline NA2 six-speed transmission, Exedy twin plate metal clutch, lightened flywheel, 4.643 final, ATS 2-way meal LSD, Kakimoto custom-made transmission oil cooler with custom baffling and intakes
Suspension/Brakes Kakimoto custom front tubular subframe/chassis, custom front suspension pick-up points, Kakimoto original adjustable suspension, Eibach 8.9kg/mm front springs, 23.2kg/mm rear springs, Kakimoto custom adjustable suspension arms all round, Endless six-pot front calipers, Endless front ø370 mm two-piece rotors, Brembo F360 four-pot rear calipers, Brembo ø340 mm rotors, Brembo single pot e-brake caliper, AP Racing master cylinder, Tilton brake balance adjuster
A fic based off this idea “If Caroline got Karaoke if she won, what would Stefan get if he won” and later this inspiration
Disclaimer: RATED M! This is Smut you guys and it’s pretty filthy, it’s also No Humanity Stefan and Caroline so it not sweet, it’s very dirty and there’s blood sharing and you all have been warned. Enjoy ;)