table of reference

I’m at a wedding right now for one of my good friends from university (when we were both studying Japanese) and it’s such an awesome mix of retro/vintage and geekiness and I love it (we’re sitting at the Spock table and there were multiple references to Doctor Who during the speeches).

My wedding is gonna be full of SPN references/art ❤

Random Trinket Table

Have you ever thought to yourself, “Man, I want something useless but mildly interesting that isn’t from the trinket table in the player’s handbook!” Well, you’re in luck. Because I love random, useless trinkets and I’ve created a list for all to use. Even though there are plenty of other random trinket tables out there, you can never really have too many. Am I right or…? Anyways. Table below the cut!

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Alternative Interpretations of Body Language, Part 1

So I found this cool table in one of my ‘how to be a therapist’ textbooks that seems like it’d be super helpful to writers. There’s a lot of lists out there of emotions are linked to certain expressions and gestures, but not many that go the other way around - providing alternative ways you (or other characters within your stories) can interpret body language.

I’ve adapted it to be a little more understandable. 

Under the jump because it’s long.

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Should you fight them: Russian leaders from 1855 onwards edition

Tsar Alexander II: leave alexander II alone. he just wants to free serfs and liberalize the legal system without having his authority threatened by the nobility. If you fight him you will definitely win, but, you’d be a bad person.

Tsar Alexander III: PLS FITE HIM. I mean, he’s big and burly and stoic and conservative and everything a Russian tsar is “supposed” to be so you will probably get all your limbs broken, but he is a dick, so fight him anyway.

Tsar Nicholas II: Fight him. You will undoubtedly win. He will run all the way to your duel by foot, by means of an extremely dumb and unnecessarily long route, (accidentally fighting the wrong person along the way) and be already totally wiped by the time he arrives. Even when it’s clear it’s a losing battle, and everyone he knows is telling him to just back out of the fight already, he will refuse, consequently pissing off everyone on his side and driving them to beat him up FOR you.

Vladimir Lenin: Don’t fight Lenin. He’s probably been planning his fight strategy for a decade. Bad idea.

Joseph Stalin: Um. Yeah. Don’t fight him. I dont think i need to explain myself, y’all already know the gory deets. Just, yikes, as much as fighting him would be amazing, pls stay far far away. 

~~fast forward~~

Nikita Khrushchev: If you fought him you would winbut he’d probably just read you an angry speech, throw a shoe at you, and then run away to watch star trek.

Leonid Brezhnev: Don’t fight him. He’s got a whole squad of underlings forced to come to his defense and fight you against their will, so, yeah. Don’t.

~~fast forward~~

Mikhail Gorbachev: You could definitely fight him, but you should probably just leave him be. He’ll probably just end up accidentally beating himself up, you wont even have to lift a finger. Anyway, he has a grammy and you don’t, so he’s won in the game of life. 

~~fast forward~~

Putin: i would say fight him but if he caught wind of your plans you would disappear off the face of the earth before you even got a chance.

Percy Weasley

7

Tutorial: how to make organized notes.

  1. Read the objectives of the lecture. If there aren’t any, flip through the lecture slides and make an outline. This puts into perspective what you need to be learning and what you should get out of this lecture. FAQ: what do I do if there are no objectives?
  2. Skim the book to get familiar with how the information is divided compared to your outline or objectives. While doing this, you’ll figure out whether or not you need the extra details from the book. Sometimes the lecture is enough and you could keep the textbook just as a reference to things you don’t get.
  3. Write down the first objective and flip to the page in the book that has the information pertaining to that objective. Read the lecture slide then refer to the book for details.
  4. Combine your lecture notes with the textbook information. Do this by rewriting the information in your own words and try to be as concise as possible. 
  5. Keep doing this for every objective. Paste things if it helps.
  6. Make sure that you’re not just copying information. Use visual aids as much as possible. Put the information in a table, flowchart, diagram, etc.. (refer to this post to see how I make my flowcharts).
  7. When you’re done with all your objectives, go through the lecture and your notes to make sure you didn’t miss anything.

General tips on how to keep them organized:

  • Be systemic. Making objective-oriented notes is one way to do that. 
  • Use two (or more colors). Color-coding information helps me remember it + it doesn’t look that bad.
  • Section your objectives according to the topic. Then make sure that when you’re writing out the information, it’s in a sequence that’s understandable.

Disclaimer: this is the way I’ve been making my notes since I started med school. By no means am I claiming it’s perfect or that everybody should follow it.

Hope this helps and as always, happy studying :)

Telepathic Tease

Pairing: USUK
Words: 1,868
Rating: T
AU: Human
Genre: Romance
Summary: Alfred is thoroughly entertained by a sarcastic Englishman’s inner commentary thanks to his mind reading abilities. 


Christ. How loud can one child scream?

The thought enters Alfred’s head in a smooth, unfamiliar, and thickly accented voice. Grinning, he glances around the crowded restaurant, searching for the person whose mind had been connected to his especially well. Usually, the thoughts of others were muffled, requiring Alfred’s explicit attention before he was able to access their thoughts. Occasionally, however, there came a person whose mind was extremely compatible with Alfred’s; in these cases, their minds could sync up within seconds of being in close proximity. This person, whoever they were, was even more compatible with Alfred than most, their thoughts almost completely drowning out everyone else’s.

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The Awful and the Adorable // A.I

Originally posted by lashton-giggles

credit to the original owner of gif

Requested: no

Pairing: Ashton x Reader

Description: This date is bad. Fortunately, the waiter is cute.


“Argh, I’m guessing you’re gonna pay for you own then?” Your date asked you because you asked for a side dish. He with his head in the menu, avoiding to look up. Your eyes widen as you sighed, regretting this date once again. Ten minutes in and your date starts rambling and praising everything bad in this world.

You hated blind dates, so the easiest way to not go on them, was to avoid them. But unfortunately, your mum set you up on this one. Which was a terrible idea. This man was rude, racist and just straight up awful. The waiter coughed and you looked up with sorrow in your eyes. The waiter was attractive with his curls hanging down his forehead and the glasses fitting him perfectly. He smiled, so the dimples on his face appeared, making your heart flutter before your date started speaking, ruining the moment completely.

“I’ll like two muffins and a black coffee, then,” he mumbled and handed the menu to the attractive waiter. Before the waiter walked away again with the menus under his strong arms, you saw the little tag with the name “Ashton” on it.

The rest of the date, you could actually not stop having Ashton in the back of your mind. When your date started rambling again about whatever, you had blocked him out. Fortunately, you could stare at the waiter Ashton without your date noticing. Ashton walked around the tables his shirt hanging loosely around him. When he brought your food, you tried to keep calm and maybe make a good impression. However, when you couldn’t even talk when he was near you. You sighed when your date again started arguing with himself about the worst things in life.

Minutes passed. A half hour passed. A whole fucking hour passed and your date was still rambling. You sighed before choosing what you should do next. You suddenly raised yourself from your wooden chair and smiled at your date, who instantly stopped talking as soon as he saw you standing up.

“What are you doing?” he asked with furrowed eyebrows, pissed that you had interrupted his little speech.

“This is not going to work out.” You responded with a smile, as his face grew more confused. “I’m gonna pay the bill and you’re gonna get the hell out of here, okay? You’re probably surprised that I can talk, huh?”

Your date was surprised over your sudden attitude. He got up from his chair, pushing it back so it fell to the ground. Some of the costumers  turned their head towards the scene. Out of the corner of your eye, you saw Ashton behind the desk, observing every move you made.

“Okay.” Your date answered with the click of his tongue. “You’re missing out on a lot, girl.”

“Get the fuck out before I punch you in the face,” you said with a serious expression, as he smiled on his way out. A headache was slowly kicking in as you sighed as soon as the bell above the door rang, showing you that he was far away now. What a jerk.

You turned around on your heel and marched towards the desk. Ashton was standing behind it with a smirk as he watched you come with a tiny smile. You stood right in front of him as he raised his eyebrows, waiting for you to say something.

“You don’t have alcohol, do you?” you exclaimed as Ashton chuckled slightly, but shook his head.

“No, we don’t. Awful date, huh?”

“Worst. Human. Alive.” You mumbled with a tired facial, but you managed to get a smile spread across your face, still trying to impress the cute waiter. Ashton nodded understanding, already finding your bill.

“So, you have to pay for all of it?” he questioned, managing the bill before handing it over. As you dealt with the bill and the tips, Ashton was looking at you, writing down numbers and letters.

“Yes, and I’m happy to if it means I get that idiot out of my face,” you murmured as you handed him the bill. Ashton nodded again before saying something surprising.

“Could I make that…” Ashton pointed to your empty table, referring to your date, “better by asking you out? Someday? Maybe?”

He smiled as you bit your lip, pretending to think about it.

“Yes, of course,” you said, your breathing becoming quicker as he grinned. Your stomach was twisting in every possible way as Ashton’s beautiful dimples spread across his face again.

“Oh, and just so you know,” Ashton leant across the desk, making your heart shutter, “I can do it way better than he can.”


A/N: we all needed a little Ashton fluff this night, let’s be honest. Halloween themed imagines are on their way, so look forward to that more than ever! Hope you enjoyed :)

-Masterlist-

-Let me hear your thoughts-

anonymous asked:

Do you have any tips for writing Cullen?

Let me first start out by saying that he comes easiest to me because we’re very similar people. That doesn’t help anybody, so I hope I’ve articulated some tips that work well. This is purely how I view the character, so all opinions and observations are my own. If they help veer you into the right direction, bully. If not, then just ignore.

He’s a busy guy.
First, I recommend listening to his banter. It’s established in Inquisition that he is married to his job, hyper-focusing for hours or even days without rest. He’s curt with his page and peppers his lines with sighs of indignation and annoyance. He isn’t someone who likes to or even can drop what he’s doing to concentrate on something else at will. His dialogue varies depending on how “in the zone” he is.

He uses contractions sparingly.
He tends to veer toward a more formal manner of speech, though not nearly as much as Solas. The best way I can think to word it is try to find a more polite way of saying something. (”D’you wanna… vs. “Perhaps you would like to…)

  • “With what? They have only words at their disposal.”
  • “At first they merely humored me, but I must have shown promise.”
  • “I was not sorry to leave at the time. I did not expect to return. Now – between the Divine’s murder and the Breach – I’ve arrived to find nothing but chaos.”
  • “Few who survived the Blight have fond memories of that time. I would prefer not to speak of it.”
  • “Is it? I hope they’re right about you. We’ve lost a lot of people getting you here.”

-I’ve noticed he tends to use more contractions when under pressure or stress. This fits very well into his busy-body persona. Reading his notes on the War Table is a good reference, as well.

He’s nostalgic.
His dialogue is rife with fond memories of happier times. Heck, he even has a side quest named that. When he’s reminiscing, he’s more open to expression and laughter.

  • (Laughs.) “I wanted to be. I wasn’t always successful. Watching a candle burn down while reciting the Chant of Transfigurations wasn’t the most exciting task. I admit, my mind sometimes wandered.”
  • (Smiling.) “The poor recruit ran into the dining hall in nothing but his knickers!”

-Get more liquor in him and his guard goes way down. Keep in mind that he still maintains his same speech pattern when inebriated. Look at the difference between him at the start of the Wicked Grace scene toward the end:

  • “You seem to have enough people. I have a thousand things to do.”
  • (When the Inquisitor asks for another round of drinks.) (Smiling.) “I’ll get them! Don’t start without me!”

He’s prone to a black and white manner of thinking.
I can go on about my asperger’s headcanon, but putting that aside, he’s a character who sees himself and the world around him as polar opposites, and this tendency feeds into his need to be perfect (ie defeat Corypheus by raising a massively successful army, free from lyrium). This comes out during his Perseverance quest. What’s his response to suffering withdrawal and trying to put in a resignation? Anger. A meltdown. Punching a wall. He likes to feel in control, and loses his temper when he feels caged.

He panics when people go “off script.”
Seriously, when was a time Cullen succeeded with language? He’s purely a man of action, and seems to keep himself centered on a particular subject. (Should you choose his first flirt option and ask to hear his lecture you’ll see it right away.) When people veer from it, he becomes flustered. I’m afraid I only have romance dialogue examples of this.

Cullen: Inquisitor! We were…
Leliana: Eagerly awaiting your presence…some more than others.
Cullen: I wasn’t…I mean, I was…we have work to do.

Inquisitor: “A life of service and sacrifice. Are templars also expected to give up… physical temptations?”
Cullen: “Physical? Why…” (Clears throat.) “Why would you… That’s not expected. Templars can marry – although there are rules about it, and the Order must grant permission… Some may choose to give up more to prove their devotion, but it’s, um, not required.”
Inquisitor
: “Have you?”
Cullen: “Me? I… um… no. I’ve taken no such vows. Maker’s breath – can we speak of something else?”

He has a dry, exhausted wit.
He actually tries jokes. They are just subtle and sarcastic. I find his sense of humor similar to Blackwall’s, though the latter is more warm and welcoming.

  • “While I was there, Qunari occupied and then attacked the city, the viscount’s murder caused political unrest, relations between mages and templars fell apart, an apostate blew up the Chantry, and the Knight-Commander went mad. Other than that, it was fine.”
  • “At this point, the headache I’m developing is preferable to the company.”

He’s not going to say sorry…until he does.
This is specifically pertaining to his romance arc, but if you choose to write it it’s good to note that while he remains unapologetic in his worldviews, when it comes to consent and his partner’s comfort? It’s a different picture. 

  • (After kissing Inquisitor.) “I’m sorry.”
  • ”Does it bother you?”
  • ”I didn’t mean to worry you.”

Stims, glorious stims.
Make use of his stance: arms crossed, guarded, clutching his sword. The way he flexes his neck or rubs at the base of his skull. The shifting of his feet. Pinching the bridge of his nose. There are characters like Cassandra or Solas who stand perfectly still in conversation, arms crossed behind their back in scenes. Cullen’s body language is far more expressive, and indicative of his level of comfort (or discomfort).

runforyourlimbs  asked:

Hi! I'm a witch from the other side of the world and I just saw your post about Beltane, but it's autumn here. I can't find any seasonal celebration tips while being in the opposite season, what do i do? Do the celebrations even apply? ~Thanks in advance

Hi! The holidays are made to match the seasons of the year. So if it’s autumn for you there, follow the autumn celebrations. I’m pretty sure it goes something like this, made a reference table for ya. A few of the dates might be slightly off but you get the general idea.

How to write a good TOK essay

·      Max 1600 words

·      Use knowledge from all subjects you take

·      Use knowledge from your life outside of school

·      Use knowledge from CAS experiences (could, but doesn’t necessarily, give a good example for your essay)

·      General and true questions (titles)

·      Get different perspectives in your essays (for example use parents, family, do research etc.) Religion, gender, age etc.

·      News and newspapers could be used to give different views

·      All claims should be connected or supported by examples, and all examples should be effective and varied

·      Don’t spend too many words explaining the example. Use 1-3 sentences to describe the example.

·      Link knowledge issues to areas of knowledge and ways of knowing

·      Step away from your essay to get a perspective on yourself

·      The title should be exactly as given (no number needed)

·      The title is the heading

·      Well presented

·      References are important

·      Bibliography is needed as well

·      Use personal example that other people will not be able to use

·      The word count does not include: title, bibliography, pictures, maps, charts, diagrams, tables, illustrations, references

·      Put word count in the end of the essay

·      Do not hand in a first draft with more than 1600 words

Structure of the essay:

Paragraph 1: 150-200

Paragraph 2 and 3: 400

Paragraph 4 and 5: 400

Paragraph 6 and 7: 400

Paragraph 8-9: 150-200

Paragraph 1:

·      Bring up knowledge question. Don’t state directly “my knowledge question is” or “KW =”. State it indirectly.

·      State your thesis (basically short answer to the knowledge question) i.e. your main claim

·      Present what you will bring up in the essay (to make it easier for readers to understand what you will talk about). Use one sentence do describe this. Basically bring up your main claims of each paragraph/perspective/view

·      Make the introduction interesting, something that makes them want to continue reading

Paragraph 2:

·      Start with a claim, which is connected to your knowledge question

·      Explain and elaborate, clarify your claim

·      Use an example to support your claim. Bring up persona examples that could perfectly support your claim. No fake examples.

Paragraph 3:

·      Bring up a counter claim to the claim in the second paragraph.

·      Explain and elaborate, clarify your counter claim

·      Use an example to support your counterclaim

·      Link this counter claim to your knowledge question. Sum up the insights quickly.

General tip:

Make sure your examples are open for people to understand. Don’t use complicated math, because the examiner might not understand it.

Paragraph 4:

·      Claim

·      Explain

·      Example

 

Paragraph 5:

·      Counterclaim

·      Example

·      Link to knowledge question

Paragraph 6 and 7 could look the same as 4 and 5.

Make it easy for the examiner to follow your ideas and understand what you are talking about.

Paragraph 8:

·      Implications and significance. Why is this important? So what?

·      Bring in perspectives. Explain a perspective that someone else would have. Only do this if you didn’t bring up perspectives in the pervious paragraphs.

·      Bring back the previous perspectives and discuss

Paragraph 9:

·      Sum up your arguments and conclude. State the thesis again, in short.

Everything's Good

Originally posted by barthallens

Request: an imagine where your Oliver’s sister and he tells you he’s the green arrow and the arrow before that not Roy and you blow up at him and get so angry and reference how he’s a criminal nothing compared to the flash bc you moved to central city but you’re dating Barry Allen and Oliver gets mad that he never knew about your relationship and almost beats Barry up potentially almost killing him then like Barry tells you & you get mad but then realise they both didn’t tell you to protect you please :)

Notes: So I think I followed the request pretty well, the only thing I couldn’t really do was have Oliver actually beat up and injure Barry, I just don’t think it’s in his character as much. But yeah, this turned out a lot longer than I expected, but I hope you like it!

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