t.i king

[ do you guys e ver see pictures of your muse and you jus t.… . sit and stare at it for  l ike hou rs ….   and you j us t. .. .  you rea lize how  much you  love them and. .…  how much m us e you have for them and you  jus t .…  you love the  m s o m U C H ]

The scenes we NEED in Infinity War.

1. Tony asking for Peter and both respond.
2. Rocket needing Bucky’s metal arm.
3. Thor and Drax comparing their turds.
4. Groot helping Bucky with his mental state. Bucky even shares his plums with Groot.
5. “I am T'Challa, King of Wakanda.” “I am Groot.”
6. Somebody saying ‘No shit Sherlock’ and Stark and Strange give each other a knowing look.
7. They also bond over their facial hair.
8. Steve telling someone to watch their language and Drax asks how he can watch language.
9. Both Peters bonding over their retro tech.
10. Rocket and Stark drinking and creating robotics together.
11. An arm wrestle between Gamora and Nat.
12. Mantis getting Wanda and Vision together
13. Rocket hitting on a fox. “Rocket, she can’t talk.” “Of course she can! She’s just shy!”

No need to hide your thoughts, boi.

Your face says it all.

Detail of one of the scenes on the side of the little golden shrine, found in the Tomb of Tutankhamun. The scene is described as follows in the book “The Small Golden Shrine from the Tomb of Tutankhamun” by Marianne Eaton-Krauss:

Ankhesenamun anoints Tutankhamun

Tutankhamun sits on a high-backed, armless chair with lion legs. A patterned cushion covers not only the seat, but the back of the chair as well. The design of the chair includes the “union of the Two Lands” motif in open-work between the legs above the strut. The king’s attitude, with his elbow resting on the chair back, is a mirror image of CR4. His feet, which are unshod, rest on a low footstool.

The king wears the same kilt, with the addition of a crimped sash and sporran, as in all the other panels on the shrine. His costume includes wristlets, armlets, a broad collar, and a shebyu-necklace. An unusual feature is the depiction of the rectangular clap at the nape of the neck, a detail sometimes included when the necklace is displayed but not usually shown when it is depicted worn. The blue crown with uraeus and streamers completes the king’s regalia. A vulture hovers protectively above and behind the king’s head. The shen-sign held in its talons is augmented by the addition of an ankh. In front of the king’s face is written:

“the Perfect God, Nebkheperure, Son of Re, Tutankhamun, Ruler of Upper Egyptian Heliopolis, give life like Re.”

Behind the throne one reads:

“all protection of life is around him like Re”

The queen stands before her husband and inclines towards him. With her far hand, she touches his far upper arm. In the other hand, she elevates above her shoulder a footed dish containing a garlanded ointment cone. Draped over the cone are two lotus blossoms: two more blossoms and three buds hand behind her hand, presumably to be understood as also held in it.

Ankhesenamun, like her husband, is barefoot. Her jewelry includes wristlets, a broad collar, and a stirrup earring with dangling pendants. She wears the Nubian wig with an elaborate uraeus diadem, as in CR 4, and with streamers. Her modius is adorned with a frieze of uraei with sun disks; a garlanded ointment cone sits at its centre, flanked by four feathers. Two vertical columns of hieroglyphs behind the queen identify her as:

“hereditary princess, great in favours, Mistress of Upper and Lower Egypt, possessor of charm, sweet of love, the great wife of the king, beloved of him, Lady of the Two Lands, Ankhesenamun, may she live forever and ever.”

make way for the raven king 

in celebration for the release of the 4th book!! #savethegangsey