synth head

Best Fallout moment I’ve had this month was when I went to University Point and there was a synth lying smack in the middle of the razorgrain

And since I couldn’t snipe it off ‘cause MacCready had my rifle, I had to get within detection range

It stands up, staring straight ahead, and then finally turns and looks at me and goes, matter of factly,


Time for you to die now.”


On this day in music history: October 20, 1989 - “Pretty Hate Machine”, the debut album by Nine Inch Nails is released. Produced by Trent Reznor, Flood, Adrian Sherwood, Keith LeBlanc and John Fryer, it is recorded at The Right Track Studios in Cleveland, OH, Blackwing Studios, Roundhouse Studios in London, Unique Recording Studios in New York City and Synchro Sound Studios in Boston, MA from May - June 1989. While working as an assistant engineer, handyman and janitor at The Right Track Studios in Cleveland, Trent Reznor begins making his debut release under the Nine Inch Nails moniker, at night during studio off hours with the studio managers’ permission. The album features Reznor playing most of the instruments and doing much of the programming and sequencing which is done on an Apple MacIntosh Plus computer. Released on the indie label TVT Records, it is one of the first independently released albums to reach platinum status in the US and is considered a landmark record in the Industrial Rock genre. It spins off three singles including “Head Like A Hole” and “Down In It”. Due to legal issues between Reznor and his former label TVT, the album goes out of print from 1997 to 2005, before the musician acquires the rights to the the master tapes. It is reissued first by Rykodisc, then by UMe (Universal Music Enterprises) in 2010 in a newly remastered edition. “Pretty Hate Machine” peaks at number seventy five on the Billboard Top 200, and is certified 3x Platinum in the US by the RIAA.

So the wonderful Melanie Martinez has just dropped her debut album Cry Baby and its safe to say that pretty much each track from the album is absolutely incredible, honestly not one track I dislike from it but one which stood out for me was Tag You’re It. The track just has this wonderfully playful nature to it with a hidden dark nature to it, like a lot of Melanie’s tracks but this one has done it absolutely perfectly in my opinion - Jakk

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I just…. how come people seem to think that Gen 3 synths are sterile / can’t reproduce? I mean, Gen 2’s obviously cant cuz their basically Gen 1’s plus skin and better AI, but Gen 3’s are literally flesh and skin and organs and nerves and, ehem, everything, with the only robotic part being the synth component in their heads. I mean, it’s totally fine to think that individuals may be sterile, but assuming all Gen 3’s are just seems a little illogical to me


Something I’ve been working on the past week or so.

…Codsworth, he’s right here. HE’S RIGHT HERE. Ok let’s go look for him.

Moog Music Inc

On January 19, 2015 Moog Music Inc. announced their plans to recommence a limited run manufacturing of three of their most sought after 5U large format modular synthesizers: The System 55, the System 35 and the Model 15. These three modular synthesizer systems were originally created and manufactured by Moog in 1973.

To commemorate the announcement, Moog shot a short film at their factory about the inspiring and multifaceted relationship artists have with modular synthesizers. The video features electronic music pioneers such as Suzanne Ciani, Malcolm Cecil, David Borden, Dick Hyman and Herb Deutsch alongside performances on the new Moog modular systems by Holy Ghost! (DFA Records), Gavin Russom (ECSTATIC/Entropy Trax), Max Ravitz AKA Patricia (L.I.E.S./Opal Tapes/ Spectral Sound), Kaitlyn Aurelia Smith (Western Vinyl), Jacques Greene (Vase/LuckyMe) and M. Geddes Gengras (Stones Throw/Leaving). Each artist played a patch on one or more of the new Moog modular synthesizers recorded in one take with no overdubs.

Yes Indeed