For the umpteenth time, Hollywood took a comic book series and adapted it for the silver screen. One of the latest comic book movies to appear in movie theaters in the past decade happened to be an adaptation of a Vertigo Comics series created by Andy Diggle called ”THE LOSERS”.
Directed by Sylvain White, ”THE LOSERS” told the story of five members of an elite U.S. Special Forces team that is sent into the Bolivian jungle to search and destroy a notorious drug lord. But when their CIA handler, a wealthy man named Max, betrayed them with an attempt on their lives, the team made plans to even the score. They are joined by a mysterious woman who offered financial aid for an operation to ensure Max’s death and foil his plans to start a new high-tech global war.
”THE LOSERS” was obviously one of the latest in a never ending line of movie adaptations of comic book series and graphic novels. In other words, these adaptations were and still are becoming a dime-a-dozen. But I had no idea that the movie was based upon a comic book series when I first saw the trailers six years ago. Had I known, would I have avoided the movie? I rather doubt it. The trailer struck me as rather appealing, if I must be honest. Have I ever regretted seeing the movie? Not at all.
I had expected to be mildly entertained by ”THE LOSERS”. Instead, I found it a great deal of fun to watch. Mind you, I had some problems with it. Sylvain White’s use of slow motion action became worrisome at times. The most annoying use of slow motion involved a love scene between the two leads – the leader of the Special Forces team and the mysterious woman. I mean … honestly. Slow motion sex? It brought back memories of certain love scenes from television dramas and miniseries in the 1970s and 80s. I was not particularly impressed by John Ottman’s score for the movie. And I never understood the need for a fight scene between the two leads – when the mysterious woman approached the team leader in order to form an alliance against Max.
Quibbles aside, I still enjoyed the movie very much. One, screenwriters Peter Berg and James Vanderbilt created a very entertaining story filled with sharp humor and plenty of exciting action. Even better, Berg and Vanderbilt provided plenty of angst, revenge, mistrust and betrayal that gave extra bites to the movie. The action featured in the movie struck me as pretty first-rate. I was especially impressed with the action sequences in Bolivia and the movie’s final showdown in Los Angeles.
By the way, I have to say that the cast turned out to be the movie’s best asset. Jeffrey Dean Morgan led the cast as Lieutenant Colonel Franklin Clay, leader of the Losers. Morgan’s Clay is as tough and ruthless as they come. Yet, the actor did a great job in balancing his character’s ruthlessness with streaks of idealism and compassion that sometimes proved to be his Achilles heel. Idris Elba portrayed Captain William Roque, the team’s second-in-command. Elba’s subtle portrayal of Roque is a cooler personality with a dangerous and self-serving edge that made him quite unpredictable. And his screen personality proved to be just as strong and dynamic as Morgan’s. Chris Evans proved to be hilarious as ever, portraying the team’s computer expert, Corporal Jake Jensen. Evans also created a funny screen chemistry with Columbus Short, who portrayed Sergeant Linwood ‘Pooch’ Porteous, the team’s transportation expert. I was also impressed by Short, whose performance struck me as wry and very witty. And Óscar Jaenada gave a charismatic performance as Sergeant Carlos 'Cougar’ Alvarez, the team’s gifted marksman with only a few lines. But the most impressive performance in my book belonged to Zoe Saldaña, who portrayed Aisha, the mysterious woman who recruited the Losers to seek revenge against Max. Her Aisha was not only a skilled arms handler and fighter, she was also intense and extremely complex. However, she certainly had stiff competition from not only Morgan and Elba, but from also Jason Patric. Who, by the way, gave a sardonic, yet off-beat performance as the team’s murderous, yet manipulative CIA handler, Max.
While watching ”THE LOSERS”, it occurred to me that its film style strongly reminded me of another comic adaptation, 2008’s ”WANTED”. Granted, the older movie seemed to have superior production values and bigger stars. But I still found ”THE LOSERS” more enjoyable. Why? Aside from the hotel fight scene between Morgan and Saldaña, Sylvain White did not indulge in too much over-the-top action sequences and graphic gore. Also, ”THE LOSERS” definitely possessed a sharper sense of humor and a more solid story, thanks to Berg and Vanderbilt’s script. Those traits, along with a strong cast made ”THE LOSERS” one of my favorite movies from the spring of 2010.