“A work of •{Art}• is good if it has arisen out of necessity…That is the only way one can judge it.”…
Rainer Maria Rilke

Hey, Hey, Hey!!!
Tonight @afropunk Atlanta Presents Race Music

Mr. Dynamite Screening at 9PM

God Father After Party at 11pm

Sponsored Bar from 8-9

Located at Space2
425 Edgewood Avenue

We hope you all can make it out tonight!!! Oh, and if you peep my dress its just a #SneakPeak at the new @AfroPunk collection, there’s some seriously #SuperDope pieces so be on the look out!



#AfroPunkAtl (at East Atlanta)

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ALL I HAVE TO SAY…………..👆Ups 🚀✈️ Only Monkey Juice can make it bounce like that 🙊! 🙌💯✔️ Thank you @ciggysga 🙌 for this #SUPERDOPE video! #monkeyos #monkeyjuice #skills #vape #vapelyfe #vapeporn #vapeshop #love #loveit #fun #cool #vapetricks #new #vapor #summer #summerfun #fun #thc #hookah #cannabis #dabs #smoke #dope #smoketoy #headshop #highlife #420 #share #worldwide #highsociety 🐒😜

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This 1992 issue of my self-published music fanzine is the first in the 8-issue series I can legitimately say that I’m more or less proud of. SUPERDOPE #3 came out about six months after I’d “threatened to quit” publishing (oooh!) for reasons I don’t really remember. I even went so far as to send back promo records on my own dime to certain labels I respected who’d sent me freebies, because I was embarrassed to keep them if I wasn’t going to, you know, review them. I remember meeting Mac from Merge Records the next year in Chapel Hill, and he was just bemusedly shaking his head that I’d bothered to do that. Rest assured, I gave up those ethical qualms later on. So after making a big to-do about being “too tired” to publish or whatever, I just said aw fuggedaboutit and put out this tiny, digest-sized, 16-page minizine.

SUPERDOPE #3 captures a bit of the (un)popular rise of the great garage punk bands of the 1990s, with the piece de resistance being this interview with THE GORIES. Though I had no idea at the time, the band would soon break up, and gave few other interviews during their career. I simply mailed them a list of dopey questions and let them record their answers on a cassette tape; as it turns out, it was my favorite interview I “did” outside of the DON HOWLAND one that made it into issue #6. That I never got to see the band play always stuck in my craw, a situation that was rectified when they hit my town on their reunion tour in 2010.

 A few other thoughts on this issue:
  • I wrote and edited this one completely solo, though, having just recently seen “Beyond The Valley of the Dolls” for the first time, I uncleverly appropriated the name “Lance Rock” for several items. This doesn’t wear as well in 2010, I concede.
  • My list of over-the-counter stimulants in my “Top 10” was nothing but bluster. It stemmed from an incident that year where I’d taken two (very much legal!) Ephedrine - the ingredient in No-Doz - pills to keep myself awake at a Thinking Fellers Union show, mixed it with a couple of pints of beer, and proceeded to suffer through one of the weirdest, malarial, hallucinatory nights of pseudo-sleep I’d ever had. Not sure I ever used one again – but it sure was fun pretendin’.
  • It is indeed true that the first CD I ever bought was MONSTER MAGNET’s horrific “Spine of God” – I proudly waived my “no bad reviews” policy especially for that one.
  • The “Late Reviews” consist of clipped reviews from other magazines like Maximum Rocknroll and Your Flesh, married to records that weren’t actually being reviewed (and in the case of “Ska Derr & The Rejectones” and “Cognitive Drought”, bands that didn’t ever form). I thought the Barbara Manning one was pretty funny; I’m pretty sure it was for the first LIQUOR BALL LP.

I’ve got five more issues to scan and post for you, and rest assured, before I shuffle off this mortal coil I shall do so.



“We’re setting an example for the rest of the world, but we’re not really good spokesmen for it because we make everything we touch look bad.” - Neil Haggerty


BANANAFISH #6 1991 (no page #)  SEYMOUR GLASS, Editor

Other stuff we already posted…

  • Jay Hinman of dynamitehemorrhage reviews Twin Infinitives in SUPERDOPE #1 (Spring 1991): “A definite room clearer…”

This fanzine, SUPERDOPE #8, is one that I put out in 1998, and one of which I still have multiple copies left. I’m selling if you’re buying.

It’s a digest-sized ‘zine with a long piece on my then-favorite 45rpm singles, each individually reviewed and explained. You can get a sense from the cover of what kind of music we’re talking about here. The magazine also has reviews of then-au courant rocknroll acts as well.

Only $3 to US residents ($4 Canada, $7 rest of world), via Paypal, to jayhinman(at)hotmail(dotcom). Make sure you provide your address to me there and I’ll wing one out to you right away.


This is an interview I did via mail with Japanese psychedelic speed freaks HIGH RISE back in 1993. Definitely one of the great lost-in-translation interviews I’ve ever seen, all modesty aside. All I did was ask the tough questions.

Fantastic band, too, if you’ve never heard their late 80s/early 90s material. Interview taken from SUPERDOPE fanzine #6, 1993.


“Forget space, Earth’s calling & for once you oughta pick up." 

SUPERDOPE #5 1992 (no page #) Jay Hinman, Editor

JANDEK  review by SUPERDOPE contributor TOM LAX

  • That’s a nice fuckin’ record review.
  • If we compiled a zine of Tom Lax fuckin’ record reviews from Siltbreeze, Forced Exposure Superdope, Opprobrium, Wind-Up Butter Cow, etc,  would you buy it? We would. Of course, we would’ve put it out so we would not need to buy it. That would be silly. But you, would you?

Tonight is also the last night to get Free Shipping. Use coupon code ‘bustinfam’ at checkout. Here are a pair of twin Maestro Minis that shipped out today. #superdope

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