sun(dae)day

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2

64 days in heaven and hell (19)
The Bridge
On the south side of Arles, Van Gogh discovered a drawbridge that brought back memories of certain bridges in his home country. Dutch engineers had been involved in the development of the canal system around Arles in the 17th century and Dutch painters had painted the bridges regularly.

So did Jacob Maris, and Van Gogh knew works like this one.

Jacob Maris, De ophaalbrug (The Drawbridge), 1875. Watercolour, 28 x 21,5 cm. Rijksmuseum, Amsterdam
Vincent Van Gogh, Drawbridge with walking couple (sketch in letter 587 addressed to Émile Bernard), March 1888.  J. P. Morgan Library, New York City

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S U N ( D A E ) D A Y - S U B M I S S I O N S 

This Sunday we highlight the colour work of Daniel Ribar, who bounces between Chicago and Detroit, US. To run your eyes over more of Daniels photographs visit his website here.

If you would like to see your work featured as part of SUN (DAE) DAY Submissions, please send a handful of jpegs and a portfolio link to:        

- submissions@theheavycollective.com

7

S U N ( D A E ) D A Y - S U B M I S S I O N S  

This week we spotlight the work of Baltimore photographer Jerome Freeman. It turns out Jerome is the younger cousin of one of our earlier features Jesse Freeman, peruse that link too for some Freeman double trouble. To see more of Jerome’s work head to his blogroll here.  

“Film photography is and will continue to be my primary form of expression. I am thrilled by the unique characteristics of the different film formats, and the moment of discovery as each roll is developed. 

My photos stem from my curiosity of how different people live and their changing conditions. I believe knowing or getting to know your subject on a personal level results in photos that create an emotional response. With the time set for my work, I’m with my subject experiencing and observing the events and details that define their life.

Photography allows me to make personal connections with the different people and cultures that surround me. My process of documentation allows me to understand individuals on a level I couldn’t without a camera. A warming response through photos of lives that bring insight to a reality one doesn’t live is what I wish to achieve.”

If you would like to see your work featured as part of SUN (DAE) DAY Submissions, please send a handful of jpegs, a link to your portfolio and a short description on your work or series to:        

- submissions@theheavycollective.com

staarplatinum asked:

omg i saw in your tags that warriors (by erin hunter) ruined u and let me just say its (likely) ruined me even more bc we had a fuckin' warriors club where we ran around pretending to be cats like.... this happened

godddd honestly same???? Like I swear it was a cult, I was convinced for a good 4 years of my child legitimately believing that somehow, someway, I was Midnightstar- leader of ThunderClan. We had terf wars at recess. My childhood is an embarrassment.

Tbh Im still lowkey Warriors trash like I bought the most recent book and I still hurt about all the plot twists. Babies first A Song of Ice and Fire tbh

6

S U N ( D A E ) D A Y - S U B M I S S I O N S 

This Sunday we feature the work of Canberra based photographer Jamie Hladky. To see more of Jamies’s work you can visit his website here

“Originally from Manchester, UK, I’ve lived and worked in London and Singapore, and been lucky enough to travel fairly widely. Living and travelling away from home for so long means developing a new set of visual understandings, and I’ve tried to do this through exploration and photography. I’m now based in Canberra, Australia, spending my time trying to see as much of this huge strange country as possible.”

If you would like to see your work featured as part of SUN (DAE) DAY Submissions, please send a handful of jpegs, a link to your portfolio and a short description on your work or series to:        

- submissions@theheavycollective.com