sun disc


Egyptian Gold Amulet of Sobek-Re, Late Period, 664-332 BC

The crocodile god Sobek was worshiped in the region of Thebes and particularly in the Fayum. Bronze figures of Sobek-Re, wearing the sun disc and uraeus, were offered in the sanctuaries of the region. Crocodile amulets were also offered in funerary ceremonies for protection from water-borne perils. The lack of suspension loop or piercing suggests this amulet was placed within the mummy wrappings. 2 cm long

Celtic Goddesses and Gods Part 5

Gabba (Also Gabis of the Abyss)- She is a crone aspect of the Dark All Mother and one of the dark queens. She is the Goddess of the 13th Moon. Her name means “Crystal.” No one knows or remembers what she looks like because to look at her face kills you. Her symbol is the Celtic endless weave and quartz crystals. 

Gwalchmei (Also Gwalchmai)- He is the nephew of King Arthur, son of the Goddess Mei, and is called the Hawk or Falcon of May. He portrays a God of love and music. His symbols are hawks and the fields at hunting times. 

Gwyn ap Nudd- A God of the Wild Hunt, he is a God of the death chase and the Otherworld. He is the hunter of souls and lord of the unmanifested. He has a white hound with red ears named Dormarth. 

Hellith- A God of the setting sun (Fire and Air), and of the sying. When invoked, he brings peace to those near death. After death, souls are in his protection until they reach their destination. His symbols are the setting sun disc and a flute that brings peace and tranquility to those who hear it.

Hertha (Also Herdda)- She is an Earth Goddess, representing the greening of Spring. A Goddess of rebirth and healing, her symbols are the cow and calf and milk pail. 

Letha- A harvest Goddess associated with Midsummer, her magickal symbols are swan and apples. 

Luchta (Also Lucta, Luchtaine)- A God of smiths, wrights, and craftsmen who is associated with Gobannon, he is the carpenter God and shieldmaker for the Tuatha.  

(Source: Exploring Celtic Druidism Ancient Magick and Rituals for Personal Empowerment by Sirona Knight)

I was trying my hand at interpreting Dave’s intro page on page 2344.

Dave broods on his oppressive environment, his high-rise hell. There are hints of violent tension in his words – the sun “threatens” to set and “is staring [Dave] down”. The image of the sun as a burning red eye links the heat to Bro’s constant observation (2470, 2493, 2505), both inescapable and stifling. He calls for relief in the form of rain that will “set the record straight”, which is to say, he wants to cool down the searing turntable that is his life.

On the day John’s letter arrived, it was raining. This tells us a bit of what the letter meant to Dave before he even says a word.

His motif of fire and rain is reflected in the initial crowsprite design as well.

On a more speculative note, I think the phrase “Drop It Like It’s Hot” is used loosely to refer to raindrops – or crying, even. Emotional release from the sun’s heat. On a even MORE speculative note, I think the misattribution to Keats is meant to draw attention to his unfinished work, Hyperion (Homestuck like making reference to bad or incomplete media). The poem is about the sun god Hyperion being surpassed by the new sun god Apollo – a seeming parallel to Dave’s efforts to surpass his brother. Given Dave’s association of the sun with a record disc, even the name “turntechGodhead” could be simplified as “sun god.”

Celtic Goddesses and Gods Part 2

Babd (Also Badhbh, Badb Catha)- A Gaelic Goddess of war, wisdom, death, and inspiration, she is the wife and sometimes granddaughter of Net, a war God. As an aspect of Morrigan, she is the Battle Raven, and her name means Scald-crow. She fills warriors with fury and helped defeat the Formorians in Ireland. Her father is Ernmas and her sisters are Macha, the Morrigu, and Anu. Her symbols are the cauldron, ravens, and crows.

Balor- He is a Sun God and king of the Formors, who were early giants, originally occupying Ireland. Son of Net and grandfather to Lugh, he has a baleful eye that, when opened, lays waste to his enemies. At the second Battle of Mag Tuired, Lugh puts out Balor’s evil eye with a sling-stone and kills him. 

Banba- An Irish Earth Goddess representing the sacred land, she is part of the triad of the three Goddesses of sovereignty that also includes Folta and Eriu. She is wife of MacCruill, and thought to be the first settler in Ireland. One of Ireland’s ancient names is “the island of Banba of the Women”. 

Belinus (Also Bel, Belanos, Belenus)- A God of life, truth, war, inspiration, and music. His mother is Corwenna and his brother Brennius. He represents fire of fire, and is said to have been buried in a golden urn in London. An active healing (dry heat) God, he drives away diseases. His symbols are the roadways, sun disc, a golden harp, and a golden curved sword and spear. 

Belisama- The Goddess of Fire and an aspect of Bridget, she is known as the “young Sun” and the “Sun maiden”. Her name means like unto flame or bright and shinning one. Her symbol is the rising Sun. 

Belisana- An aspect of Belisama with a similar appearance, but more earthly, she is a solar Goddess of healing, laughter and the forests. 

Blodenwedd (Also Blodewedd, Blodeuedd)- A sun and moon Goddess associated with the dawn and the May Queen, she is called “Flowerface” or “White Flower”. Created by Math and Gwydion from flowers, blossom, and nine elements, she is the most beautiful and the most treacherous Goddess and is associated with the Arthurian Guenevere. She is turned into a white owl by Gwydion. Her magickal symbols are he white owl, meadowsweet, oak, broom, primrose and cockle.

Borvo (Also Bormo, Bormanus)- A Celtic Apollo and a God of healing, he is also associated with wet heat, such as hot springs and mineral waters. He represents the elements of fire and water, and is God of unseen or concealed truth and inspiration through dreams. His symbols are a flute, a golden harp, a golden sword or spear, hot springs, and the sun disc. 

Brigantia- A powerful Celtic Briton nature Goddess of water and pastoral activities with distinct similarities to the Irish Sun Goddess Bridgit, her name is an ancient name for the rivers and the curves of the countryside. She us a titular Goddess of the Brigantes in Yorkshire.  

(Source: Exploring Celtic Druidism Ancient Magick and Rituals for Personal Empowerment by Sirona Knight)

King Silko’s Silver Crown, 5th Century AD

This silver crown comes from the necropolis of Ballana situated south of Abu Simbel, the site is today submerged by the waters of Lake Nasser. The tomb in which the crown was found, without doubt, is that of a local potentate judging by the abundance and quality of the material uncovered in the 1930s by W.B. Emery. It falls within the category of culture called X-Group (or Ballana Culture) which developed after the breakup of the Empire of Meroë into small kingdoms or principalities. This period is between the end of the 4th century and the beginning of the 6th century AD.

The individual whose corpse was adorned with this crown was probably one of the kings of these small principalities who succeeded the domination of the kings of Meroë. It could be identified as Silko, dating back to the 5th century, who was proclaimed in a Greek inscription within the temple of Kalabsha, “King of Nobatae and all of Ethiopians”. The crown still includes a set of representations from a repertoire directly inspired from ancient Egyptian iconography; however, its symbol and its form are no longer Egyptian.

The crown is composed of two parts, a diadem and a crest. The diadem is decorated with a frieze of Horus falcons between two rows of small squares and circles….

Keep reading

anonymous asked:

Top 10 sentai suits design.

This one is one I’ve been thinking about for a while since I got it in my inbox. There are a lot of possible answers to this but I wanted to hold off until I caught up on some others and give it a bit of thought. Now that I’ve had the time, here we go!

10. Ryu Commander from Uchuu Sentai Kyuranger

This is going to be the most recent entry on the list and places this low because of that.  That said, I love this look.  I have always been a sucker for the long coat look on tokusatsu heroes going back to at least Shinken Red’s Super Mode and Kamen Rider Wizard, both designs I adore.

When you add violet, which is my favorite recent edition color, to the mix, you have a suit that REALLY hits my sweet spots for awesomeness. Plus, you make it dragon-themed and that just pushes it over the line to being one of the ten best ever.

9. Dragon Ranger from Kyoryu Sentai Zyuranger

Sticking with Dragons and extra Rangers for a moment I can’t let Burai’s hero outfit go by without adding it to the list.  He started the trend of taking the look of the original heroic suits and adding to them (in his case the chest protector and added gold bands) to the design to make the sixth hero’s outfit something really special. His is also just a great take on the general Zyuranger costume theme and his shade of green is particularly appealing to the eyes, vibrant and rich but not pastel or too dark.

8. Starninger from Shuriken Sentai Ninninger

I am not the biggest fan of the series Shuriken Sentai Ninninger but I am a fan of Starninger, especially his ridiculous outfit.  This may be because I live in Texas and am an American and Starninger’s cowboy rock star outfit is exactly what I expect the rest of the world to think of when they come up with a Texan hero.  Built in cowboy hat?  Check!  Lone Star faceplate? Check! Faux fringe on the faux poncho?  Check and check!  I also love the balance between gold, blue black and red with the gold being primary and everything else used as accent.  It’s a great look and I can’t help but love it!

7. Heart Queen from J.A.K.Q. Dengekitai

One design element of Sentai costumes I don’t think gets used enough are capes.  I love them but more about that later.  Of call the old-school pink heroines, I think Heart Queen has the best costume.  I love the sash across the shoulder to the hip that meets up with her belt, I love the yellow cape that gives a nice color contrast with the rest of her costume, I love the heart-emblem faceplate on the helmet and I really love the four colored triangles on the shoulder.  Each one represents a member of the team and functions as an anchor point for the cape.  Love that design element and I love designs that run diagonally across like that sash/utility harness.

6. Kyoryu Violet 2 from Zyuden Sentai Kyoryuger

Two of my personal favorite design elements come into play here, the across the chest diagonal design and the color violet.  I really like the Kyoryuger costume designs and somehow, I like the new ones from the South Korean/Japanese co-production Power Rangers Dino Force Brave/Zyuden Sentai Kyoryuger Brave even more with their addition of white accents for the helmets and areas on the uniforms.  However, none of those are violet so I ruled them out. This is a nice design and I really like the helmet with the dinosaur teeth and raised areas for eyes plus the little fins on the lower side to suggest the flippers of a plesiosaur.  That little armored shoulder bit suggesting a dinosaur eye just completes the look

5. Vul Eagle from Taiyo Sentai Sun Vulcan

If you can’t have a cape, I saw go with a scarf.  Yes, it’s more well known as a Kamen Rider costume flourish but I think it works for Sentai as well. Vul Eagle makes this list because I love how simple and iconic his costume is. The white and red color balance is great.  His yellow sun disc stands out on his chest and looks great.  But what really does it for me is his helmet.  The design might be kind of simple but I love the look of it with the huge golden eagle in the front and the yellow accents around the visor suggesting wings.  It’s a really great look.

4. Dekared from Tokusou Sentai Dekaranger

This is another costume I like for the helmet design. That’s not the only reason but it’s one of the first.  I like the police lights on the side of the helmet, I like the way the visor narrows in the middle and sweeps up dramatically to the back.  The visor shape reminds me of the headlights on a Nissan 350Z (which came out about the same time). The other thing I really like about this costume is the way the number designation is done with it being integrated into the left side of the costume and leaving one arm red and the other arm black,  I have a thing for asymmetric costume designs and this one is just fantastic.

3. Gokai Green from Kaizoku Sentai Gokaiger

I really, really like the outfits from Gokaiger.  They pirate theme mixed with a Sentai costume really works with the flared boots, hat-like helmets, high collars and colored coat over a black undersuit just creates a unique look that I really, really think is one of the best designs in the last 10 years. So, why Gokai Green?  I like Green. It’s a good color when done right and Doc’s heroic costume is just the right shade of green to strike my fancy.

2. Akaranger from Himitsu Sentai Goranger

This may seem a pretty easy choice and it was for two reasons. 1) It’s the original Red Hero outfit and set the standard for what Sentai heroes look like. 2) It has my favorite design element of all time for a Sentai costume, that short cape. I love the way capes of that length move in battle and how easy they are to flourish dramatically without having them get in the way or drag like a long cape would. I also just love his thigh holster and high collar.  It’s a classy look that’s really passed the test of time.

1. MagiRed from Mahou Sentai Magiranger

Once more with the capes!  I love capes on Sentai outfits as I just said and I think the capes on the Magiranger outfits are just perfect.  I’m going to go with their original, non-powered up forms because I just think the outfits are better before the added on bits and changes.  The lines are clean and sleek, the material is nicer than the simple cloth used on Akaranger above and the helmet design works much better for me.  In short, good costume design is Magic!

Neferneferuaten Nefertiti (ca. 1370-1330 BC) was an Egyptian queen and the Great Royal Wife of Akhenaten, an Egyptian Pharaoh. She and her husband were known for a religious revolution, in which they worshiped 1 god only, Aten, or the sun disc. They were responsible for the creation of a whole new religion which changed the ways of religion within Egypt. With her husband, she reigned at what was the wealthiest period of Ancient Egyptian history. Some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husband’s death and before the accession of Tutankhamun, although this identification is a matter of ongoing debate. 

She was made famous by her bust, now in Berlin, Germany’s Neues Museum. It’s one of the most copied works of ancient Egypt. It was attributed to the sculptor Thutmose, and it was found in his workshop. The bust is notable for exemplifying the understanding Ancient Egyptians had regarding realistic facial proportions.

Ancient Chariot of the Sun, Bronze Age, circa 1700 BCE

Trundholm, Denmark

A 4,000-year-old bronze horse seems to pull a golden sun-disc across the heavens. The gilded spirals on the sun may have been a calendar or astronomical model (?)

Discovered buried in a peat bog in Denmark in 1902. 

Jamie glanced over his shoulder at the sun, a flat disc hanging in mid-sky behind a thin screen of cloud.

It’s almost Samhain now,” he said. “All Hallows’ Eve. Seems suitable, no?” He shivered involuntarily, in spite of the joke. “When you … came through. What did ye do?”

I tried to remember. I felt ice-cold, and I folded my hands under my armpits. 

“I walked round the circle, looking at things. Just randomly, though; there was no pattern. And then I came near to the split rock, and I heard a buzzing, like bees—” 

It was still like bees. I drew back as though it had been the rattle of a snake. 

“It’s still here!” I reared in panic, throwing my arms around Jamie, but he set me firmly away from him, his face white, and turned me once again toward the stone. 

“What then?” The keening wind was sharp in my ears, but his voice was sharper still. 

“I put my hand on the rock.” 

“Do it, then.” He pushed me closer, and when I did not respond, he grasped my wrist and planted my hand firmly against the brindled surface. 

Chaos reached out and grabbed me. 

The sun stopped whirling behind my eyes at last, and the shriek faded out of my ears. There was another persistent noise, Jamie calling my name. 

I felt too sick to sit up or open my eyes, but I flapped my hand weakly, to let him know I was still alive.

“I’m all right,” I said. 

“Are ye then? Oh, God, Claire!” He clasped me against his chest then, holding me tightly. “Jesus, Claire. I thought ye were dead, sure. You … you began to … go, somehow. You had the most awful look on your face, like ye were frightened to death. I— I pulled ye back from the stone. I stopped ye, I shouldna have done so— I’m sorry, lassie.” 

My eyes were open enough now to see his face above me, shocked and frightened. 

“It’s all right.” It was still an effort to speak, and I felt heavy and disoriented, but things were coming clearer. I tried to smile, but felt nothing more than a twitch. 

“At least … we know … it still works.”


Architecture (Part 8): Greco-Roman Temples

A Hellenistic Macedonian family ruled Egypt during the Ptolemaic Dynasty (305-30 BC).  Under their rule, a revival of Egyptian traditions & forms occurred, but with a change – instead of the temples’ previous “public majesty”, they were now darkened and mysterious.  Large building projects were carried out, temples were rebuilt or enlarged, and Egyptian religious beliefs were preserved by the foreigners.

The basic elements of temple construction & room arrangement were still used, with the pronaos and a free-standing central sanctuary (instead of against the back wall) added to them.  Under the later kings of this dynasty, the temples still provided a strong social function, serving as the town’s focus, and giving it administrative & economic value as well as spiritual value.

The Temple of Edfu was built from sandstone on the Nile’s west bank in Edfu, over a period of 180 years.  Its layout was complex, but streamlined.

Temple of Edfu.

Statues of Horus outside the entrance (close-up).

Stairways inside the pylons led to the roof.  The entrance led to a large courtyard, after which was the pronaos, hypostyle hall, small antechamber, and finally a free-standing sanctuary, surrounded by a corridor.

Decorative hieroglyphic texts state that the temple was built according to the ancient ideal, which re-emphasized its dedication to the cult.

Edfu was dedicated to Horus (the falcon god), and displays all the typical major temple elements: broken-lintel doorway (two partial lintels reach only a short way, with a large gap in the middle); elaborate column capitals; a screen wall across the hypostyle hall; and the roof was used for ritual.

A winged sun-disc over the pylon entrance represented Behdet, the creator & protector of the world.  The courtyard is flanked by colonnaded porticoes.  It gave an impressive public aspect to the temple, with elaborate, brightly-decorated capitals, and the large statue of Horus as a falcon at the back.

Courtyard (looking back to the pylons).

The pronaos was also called the Hall before the Great Seat”. This is the temple’s fore-hall (i.e. before the hypostyle hall).  It has three rows of six columns each.  The only light came in through a square aperture in the roof, thus emphasizing the transition between the physical & spiritual worlds.

Behind the first row of columns is a screen wall, to restrict the amount of light entering the pronaos.  This created an environment for cleansing before approaching the sanctuary.  The screen wall is made of thin stone, and is highly-decorated with images of the king & queen, cult themes, and mythological motifs, thus emphasizing the cult of the pharaoh.

In the courtyard, looking to the first row of columns.

Hypostyle hall.

The Temple of Hathor in the Dendera Temple Complex was built during the 00’s BC.  The columns supporting its hypostyle hall were crowned with 4-sided Hathor-head capitals.  The upper part of the capitals depicted the mammisi (birth house), which was identified with divine descent.  Hathor was the goddess of love.

Temple of Hathor.

Columns in the hypostyle hall.

The cornice was a projecting ornamental moulding, on along the top of pylons and temple walls.  It was a standard part of Egyptian decoration.  The earliest designs were simple mud-brick and reed, and later elaborate designs were of detailed cult symbolism, such as the striking cobra and sun-disc.  Cornices gave elegance to monumental structures.


Bronze Bust of Sassanid King (Shapur II), Persia, 4th Century AD

The Sassanid King Shapur II is represented by a cast bronze torso which originally belonged to a composite statue that showed him majestically enthroned, his finely articulated hands resting on a sword (cast separately and now lost). He wears a high, crenellated, tripartite crown with ribbons attached at the back and his forehead is encircled by a diadem adorned with two rows of pearl beads. He wears a tight-fitting, long-sleeved tunic marked by sinuous rills; over this, he wears a belt and halter, both double-beaded with pearls and clasped at the waist with a large circular medallion bordered with the same gems. He is richly outfitted in large bead-and-pearl earrings, pearl bracelets, and a heavy pearl necklace with two round jeweled pendants, one intact, the other preserving traces of a sun disc.  

The Sassanids were a Persian dynasty originating in Fars, who established a powerful empire that extended throughout the Iranian plateau between AD 224-226 and AD 651, making their capital at Ctesiphon. In western chronicles, the most celebrated event in Sassanid history was King Shapur I’s victory in AD 260 over the Roman emperor Valerian, who was taken prisoner along with several thousand of his soldiers. Comparison with similar stepped, crenellated crowns on coin portraits supports the identification of this bust as that of Shapur II (reigned AD 309-379) whose glorious seventy year tenure fortunately had a Roman eyewitness, the historian Ammianus Marcellinus, an officer in the army of Emperor Julian the Apostate.

Day 3 - Role Reversal

@jamiltonweek So, the Alex is a tall, sauve douche in a magenta suit and Jefferson is smol, angry and wet.

It began as a whispering of wind in the air. The day had been beautiful and the sky was like a dome of plasma-blue. The clouds had looked like airy anvils, drifting under the gleaming disc of sun. Hamilton had been sitting in his office, only occasionally bothered by Washington simply to consult with him on a joint-custody project. But then the clouds began to gather in the sky. Up to now, everything had been post-card perfect but the sky turned a tar-black and the tapping on the window started the pitter-patter of rain. Puddles began to gather on the ground, outside Hamilton’s window, floors below him. As the rainfall became heavier, the cars danced with spray as the song of engines mixed with the melody of the rain.

Then the serene picture came to an end when Thomas Jefferson stormed into the office. He passed by Maria Reynolds, the receptionist, ignoring her bid of a good day. He was soaked from head to toe, all five feet and three inches on him. The man’s curls were hanging low around his shoulders and in his face, rather than sticking up as if they were on alert, per usual. The little man, shrugged off the jacket that had accumulated so much water it might have been able to help a drought somewhere. Hamilton couldn’t pass up a chance to mess with his tiny enemy. He stood and walked into the hall just as Jefferson rounded the corner.


“Move Hamilton.” Jefferson said, grabbing a handful of Hamilton’s magenta suit and trying to shove him but there was no luck moving the six foot - three inch man out the way. Jefferson eventually gave up and huffed. He shivered,  his teeth chattering together. “Here, come to my office. I have a jacket you can wear, cupcake. We can’t have you catching your death because you’re freezing to death.” Hamilton smirked, leading Jefferson into his office. “I’m a strong man, I’ll be fine.” Jefferson, the pip-squeak responded. Hamilton chuckled huskily. “You’re funny.” He said, filing through his bag before pulling out a pink jacket that matched his suit. He handed it to Jefferson who looked horrified. “It’s a bit flashy, don’t you think?” He asked as he slid it on. The sleeves hung past his fingertips and it went far past his waist. Hamilton eyed the man with satisfaction. “If anyone told you pink wasn’t your color they lied…” he muttered as he moved into zip the hoodie for Jefferson. Bending over, he tugged the zipper up until he was face to face with Jefferson. Hamilton kissed the tip of Jefferson’s nose. “Well, there you go sweetheart.” Hamilton hummed. Jefferson stumbled back, hiding a smile behind his sleeve clad hand. “Don’t call me sweetheart, asshole.” He said and turned, marching out the room. Hamilton shook his head, grinning. He went and sat back at his desk when a head of dripping curls popped up in the doorway. “Um, thank you.” Jefferson said, before scrambling off. The only residual evidence that he had been there were the wet shoe-prints on Hamilton’s carpet and his bright, smug, smile.


Magical Girl Devotees: Hethert

Hethert / Hathor is an Egyptian Goddess associated with Love, Motherhood, Happiness, Music, and Marriage, among other things. She is depicted as a beautiful woman, a cow-headed woman, and a cow wearing a sun-disc with horns on either side, called the Hethert crown.

So somebody was buggin’ my buddy @hippiebirdmom, because apparently grown-ups can’t be cute, so here I am making everything cute as hell.

Trying to call Netjer “God of _____” doesn’t work so well, but I figure if anyone sees this that doesn’t know who Hethert is, I might as well put something up. I also associate her with Prosperity, but that might be just me.