katie mcgrath/supercorp fans, we need to have a tiny chat.
i’m assuming (hoping, mostly) that the majority of fans that are doing this are young, but yall really need to cool it a bit with trying to speculate and dig into katie’s personal life. she is obviously a very private person, if her lack of social media, and her stating as such in interviews is anything to go by. and apart from that, it’s just… incredibly rude? and weird. and a boundary that needs not to be pushed. (this goes for all actors/musicians/etc. fyi, holy shit! it’s not a new concept.)
like, it’s great that more people are becoming fans of hers! but ho boy, some of the stuff yall are saying and doing just isn’t cool. just, relax a little. leave her personal life alone. it’s not that hard.
also, this isn’t actually a problem like digging into her personal life is, but can yall just cool it with the kashy mcgra thing? it’s how her name is pronounced. just, relax.
And why the Attack on Titan anime adaptation once again proves itself to be incredible.
Sasha reading her bow and telling the kid to keep going is an amazing moment in the manga already–Isa deserves all the credit here. In the og flashback, Sasha refuses to abandon her principles just because outsiders are in trouble, she refuses to help them; a perhaps egocentric, but also human point of view-we tend to prioritize us and those closest to us over strangers. Then, in the current time, Sasha tells the kid to run bc she’ll certainly find kind and helpful people ahead; and stays herself behind to fight; she fights knowing that proper victory cannot be achieved, to save a random stranger; a kid, further emphasising that Sasha herself has grown into a great person and abandoned that egocentric child she once was.
It’s great stuff, but the animated execution of it made me realize just how good it actually is.
In the yumikuri flashback the S1 version of counterattack mankind starts…its positive a track expressing a sense of optimism and peace, it suits the “ordinary moments” she thinks about. Then, we cut back to present time. A newer arrangement of the track, led by faint strings with hints of an organ in the background–there’s a distant but growing intensity in there.
As Sasha talks to the kid, most of it is shot from the kid’s perspective, so we get to look up to Sasha–she’s seen as the grown up here, perfectly fitting the above characterization. In the meantime, the music grows ever stronger-the organ is very present, and drums are added too. The buildup to the sequence is thus heavily emphasized. Also, listen carefully to Kobayshi Yuu (who’s performance here I loved). There’s definitely exasperation in her voice–they’ve been running for some time and are chased by a titan, not to mention that she’s afraid. Yet, you can still find a lot of tenderness in there–the kid is supposed to feel safe and secure, despite everything going on, and it just makes you love Sasha even more.
Let’s get to the real meat
I LOOOOVE this scene. Sasha spinning on her feet to stop and get into position looks really cool…but its’ the following take that I adore the most
The spin kills her entire momentum…she stands still and ready, and the camera lingers on her. But the kid didn’t do any spin, kid’s still going, not slowing down. Sasha however wants kid to keep going, seems to use her spin as a way to propel kid forward. And the moment her arm is separated from kid, the camera moves on as well–doing so, Sasha’s staying-behind-to-fight is visually translated and further emphasized without the viewer consciously realizing it. I have a hard time describing it, but there’s an incredibly powerful sense of organic dynamism in there that just sells the scene. It’s excellent visual storytelling, not only of the situation, but also of Sasha’s character–she’s strong and altruistic now, and she’ll fight against all odds to save the kid in need. Yuu’s performance here is perfect as well–there’s now definitive desperation to be heard, alongside remaining hints of kindness but also a certain intensity. Sasha is afraid–she has no equipment to protect herself, she has no weapons to eliminate the threat, but in spite of that, she still sends the kid away, she still stays behind, she still stands in the way of the titan.
And THAT shows just how brave she is–Sasha overcomes her weaknesses, she fights against all odds, she dedicates her heart–and that is what the anime manages to portray so masterfully here.
And of course, that is what the best shot of the episode does.
We get an incredibly gorgeous wide shot…starting off once again from below, keeping both the titan and Sasha in frame, reminding us of the threat ahead of her, but in one amazing panning zoom, we fly all the way to a closeup filled with nothing but fierceness. The visual alone is amazing in its own regard, but the sound is what truly rounds it up. Counterattack Mankind A reaches its climax, going all out on instruments, cue-ing the all-so-familiar melody in an immensely epic arrangement worthy of the scene it accompanies. Kobayashi Yuu 100% sells it too–her first “now-go” is still a bit feeble and unsure as mentioned above, the 2nd “run” already stronger but there are still hints of fear….and then, with the musical cue behind, after getting a full frontal close-up–the all out “get runnin’!”, filled with nothing but raw energy and determination–Sasha’s abandoned all fear and is in all out character-climax-badass mode. Her shout echoes through the woods, the kid is literally hit by a shockwave and finally starts running (sidenote–her eyes were dark and lifeless throughout the ep, but only after that do they lighten up, adding once more weight to Sasha’s moment). And of course, Sasha’s accent arc comes to full circle in the same frame as well, as she yells the command out in her native dialect she’s tried to hide for so long. Pretty much everything that could’ve come full circle did–in terms of writing, performance, sound and visuals.
It’s an amazing sequence deserving of ludicrous praise for the creative staff–they’ve proven once more that Attack on Titan is a work of art. The manga is already without a doubt amazing–most of the points above stem from it after all-but the anime is so ridiculously good at presenting I sometimes can’t believe it with my own two eyes.
In case you couldn’t tell, I fucking loved this sequence and I’m gonna yell about Sasha all week long.
-likes Cronching, theoretically, but was always too anxious to try it in case people thought it was weird
-tried it once and enjoyed it
-only does it when he’s alone or no one is watching
-says he hates Cronching but when he finds out Evan likes it he does it all the time
-“didnt you say you hated eating ice?”
“SHUT UP AND LET ME LIVE MY LIFE”
-buys Evan ice when he’s too anxious
-one day he decided Ice just wasn’t enough
-he started freezing things and eating anything to satisfy his desire for the cronch
-one day he cronched a bathbomb on a self-inflicted dare
-the cronch was so otherworldly he immediately fainted
-when he awoke his first words were “level up”
-Doesn’t like the cronch
-tried it once but it wasn’t for her
-Still supports the cronch lovers in her life
dramatic standoff music plays in background. Screen is dark. A white light
flashes from the left side of the screen to the right with a sharp SHING sound, and the screen turns bright. Eyes open between thick black bars at the
top and bottom of the screen, comic-like.]
Artist: “… we meet again.”
to back of Artist. Artist pans to the right as camera rotates to the left,
revealing the rectangular silhouettes of the opponents. Music intensifies.]
Artist: “My nemeses.”
to Artist’s hand gripping hard on a pencil. Quickly cut to Artist’s mouth
tightening in a grin. Voice low and strained.]
Artist: “Background and Perspective.”
[Dramatically zoom in on the two rectangles that
turn into open PS documents filled with lines and blotches of colour.]
Oh my God if I see one more tool bag post a picture or video of themselves doing any sort of weed related activity
AND TAG IT UNDER PINK FLOYD
Because they’re wearing a DSOTM tee shirt or have the fucking poster in the background
IM GONNA FLIP MY SHIT
so many people tagged my last ut art as like “i really miss these guys!” dude, they never went anywhere! you were probably just shamed into not loving them publicly anymore! its ok!! undertale is still cool. it never stopped being cool
Holy crap, you guys. So as you have all probably seen I’ve been messing around with the Sims 4 and Teen Wolf. Mish-mashing them together and the response was overwhelming. A few people encouraged me to go further with it….
So here it is. This is the link to my YouTube channel where Sims 4 Sterek Let’s Plays will be posted! Nothing is up yet. I still have to finish making Beacon Hills and then record the first video. However this is just another step in the right direction. Just wanted to let you all know where the channel was and what is going on.