stephen dillane

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I fell in love with  Britell’s amazing score in Moonlight and wanted to make a tribute video to the one and only Elise Wassermann - one of the two main protagonists in the joint British and French television series The Tunnel.

Footage: The Tunnel (2013)
Score:The Middle of the World by Nicholas Britell
Editing:Cathy Loudi

@poemnumber14  @goodobservationshirley   @ritr  @talesofnorth

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One of his ex-slaves, Isaac, emphasized his erect posture. “Mr Jefferson was a tall, straight-bodied man as ever you see,” he recalled. “Nary a man in this town walked so straight.” Bacon agreed that Jefferson was “straight as a gun barrell.” But others, mostly enemies, described him as loosely jointed and seemingly collapsible, all wrists, elbows, and ankles. The discrepancy might have been a function of different postures. On his feet he was square-shouldered and formal. He bowed to everyone he met and tended to stand with his arms folded across his chest, defining his own private space and warding off intruders. When seated, however, he seemed to melt into the upholstery with a kind of contorted grace, one hip high, the other low, shoulders slouched and uneven, his torso folded in several places, part jackknife and part accordion.

American Sphinx: The Character of Thomas Jefferson, Joseph J. Ellis