How does Asha and Theon get back to the Iron Islands to set them to rights? Or does this happen after ADOS?
At the end of Theon’s released TWOW chapter, Bloodraven (via bird) was positively thrilled with the idea of Stannis and Theon trekking out to the local weirwood, while Bran (also via bird) kept calling to Theon, just as he did at the Winterfell heart tree. Which seems practically like a guarantee that the greenseers will be speaking to the one true king and his captive from said weirwood. (Let’s all pause for a second to imagine the look on Stannis’ face when this happens. If you thought talking birds interrupting you was bad, your Grace, wait ‘til it’s a tree…)
I think both Bran and Bloodraven will intercede to spare Theon’s life: Bran out of pity, Bloodraven out of a hope that Theon can be useful against BR’s rogue protege Euron. If there’s anything that might stay the Northerners’ hands where the Turncloak is concerned, it’s their prince speaking from the font of their religion.
So that’s how they make it out of the frying pan; as for how they get home, I think the long-missing Dagmer Cleftjaw might prove the key, though I still think it’s noteworthy that Tycho Nestoris ransomed Asha’s men and seemed quite pleased to meet her.
→ GOT with actors of colour. (Q’orianka Kilcher as Sansa Stark, Kalani Queypo as Jon Snow, Ruth Negga as Margaery Tyrell, Mahershala Ali as Stannis Baratheon, Dev Patel as Theon Greyjoy, Gong Li as Cersei Lannister)
The Baratheon sigil is a crowned black stag on a field of gold. Members of the family tend to be tall and powerfully built, with black hair and blue eyes, as well as strong, square jawlines. They are known for their mercurial tempers, and their words are “Ours is the Fury”.
Do you have a favorite character? Do you have a favorite non-pov character?
Thanks for the question!
Favorite POV character: Sansa Stark. No contest. I love her characterization, her genre archetype, her chapters’ themes, her inner monologue and her fascinating journey throughout the books.
I love her characterization and, hell, I even appreciate it in A Game of Thrones. Yes, she was a snob and a brat who wanted things to be nice, the knights to be chivalrous, the queens to be graceful and the princes to be sweet, but she’s eleven at that time and all that idealism and naivety only made Ned’s execution all the more heartbreaking, opening the trapdoor underneath Sansa and causing her to fall into that horrific reality of King’s Landing.
Also, it’s really nice to have a classic princess that still has substance. In fact, I think Sansa was my first of the archetype to be given a rich density of character. I know, by now, Sansa’s genre archetype is old hat and has been done time and time again, given a more deconstruction-conscious fantasy market, but Sansa still calls to an inherent part of me that I’ll get to later on below.
Her chapters’ themes? Internal resistance, idealism, abuse, survival, story-and-song thinking, lies, knighthood, femininity, navigating the rules of high society and patriarchy, empathy, romanticism, the eventual disillusionment from reality and kindness-under-pressure… they’re universal (and even relevant to this day) and I can always return to them whenever I reread a book.
Her internal monologue is super crucial to the heart of Sansa’s characterization because A Clash of Kings and A Storm of Swords constantly play in her head. Passages and pages can turn as her mind whirls and the gears in her mind start to work. Anyone who tells you that Sansa is just a passive pawn clearly doesn’t read hard enough because she’s making active resistance in her mind against the Lannisters and thinking over the political implications of letters sent to her, trying to figure out if they can be trusted and which one she can take up while being safe.
She has an amazing character arc that takes her from a naive, head-in-the-clouds girl to an abused political prisoner actively resisting her captors in her mind to a woman taking control of a castle’s household under the guise of being bastard-born, all while trying to hold onto her humanity and retain a measure of kindness when she’s exposed to more and more horrors in the upper class of society.
Also, I personally think she has one of the best supporting casts in the story, all of the characters in her story pertaining to and enriching her narrative going from Cersei, Loras, Jeyne, Margaery, Olenna, Tyrion, Dontos, Littlefinger, Lysa, Myranda, Mya and Sandor, all of them challenging, adding, compounding upon her worldview, complicating her ideals and turning into her a fascinating person who’s increasingly seeing the strings of political theater and is going to start utilizing them with purpose.
Lastly, her want for there to be true knights? Breaks my heart because I constantly struggle with my ideals like that too. There are good values worth standing up for, but not everyone’s going to live up to them… but that doesn’t make the effort itself worthless. If the world fails us, then we should endeavor to live up to those ideals ourselves. There are monsters, abusers and indifferent people in the world, but the best we can do is hope to outlive them, hope to do it while being better than them.
In short, I will always be here for “He was no true knight.” and “If I am ever a queen, I’ll make them love me.”
Favorite non-POV character: Stannis Baratheon. Let’s see, grumpy, pragmatic, bitter, deadpan, grim, strict, yet fair, meritocratic-leaning with an inferiority complex towards his older brother who he thinks outdoes him everywhere that matters? GEEZ, STANNIS, I DIDN’T KNOW YOU WERE PRETTY MUCH ME IN ASOIAF.
But yeah, I love Stannis’ characterization so much. It’s such a multi-faceted portrait ranging from his strength (meritocratic ideology, drive towards justice, willingness to commit to good kingship) to his weaknesses (pettiness, willingness to commit to past grudges, bitterness and tactless manner of speech) and it’s such a rush to see him when his weaknesses outweigh his strengths in A Clash of Kings to later have the pendulum turned around nearing the end of A Storm of Swords.
And his character archetype is actually what I’d consider some of GRRM’s most subversive genre work. On the surface, he looks the Evil Overlord, complete with living at a grim island full of gargoyles, housing pirates, sellswords and a mysterious sorceress. He looks like the Evil Uncle because he’s rebelling against his “nephew’s rightful crown.” But the truth is far more complex, Stannis himself actually being the Cape, the man who wants to right the wrongs of Westeros, who wants to deal justice against the Lannister’s incestuous reign, who only came upon Dragonstone because he was doing his duty to his older brother.
His chapters’ themes… oh boy, they hit at me. Justice, duty, wounded pride, bitterness, past grudges, mockery from empathy, choosing from lawful or good, meritocracy, good kingship, the choice between valuing the individual or the many and complicated relationships with religion and gods… Stannis just hurts to read.
It is legitimately fist-pumping to read his character arc because it’s a rush. From a bitter, resentful, petty lord sitting at a dreary rock to a man who’s lost one of his central battles as claimant and who is torn between careening further into the abyss or committing to rising above the loss to a savior protecting the realm in truth rather than in title to a truly fascinating and worthy king who’s learning from the past, willing to take advice from all wells of knowledge and take charge to fight against the “only enemy that matters.”
And I tend to love Stannis’ supporting cast. I know we all love Davos, but I even love Melisandre because she brings an interesting facet to the philosophical/theological dialogue between the Dragonstone trio. Davos and Melisandre are constantly in conflict, externalizing the duality raging in Stannis’ heart and how he wants to conduct himself as king. And Stannis’ court also helps, being a bunch of (mostly) unlikeable, fanatic, squabbling lords and knights… who nevertheless help protect the Wall, ordered by their king, from the Free Folk attacking it.
There’s a lot of Stannis I keep coming back to, to be honest. It’s just inspiring that, amid all the destruction, death, rot and chaos of Westeros… there’s one man who’ll stand steadfast and fight for Westeros’ best interests because he’s the man you want against the Others when they come to bring the night that never ends. My One True King.
In short, I’ll always be here for "Stannis! Stannis! STANNIS!“ and "Then we will make new lords.”
Why did Robert dislike Stannis? I can't think of a reason that wouldn't also apply to Ned. The pros would be that they're both obedient and dutiful. The cons would be that Robert would find them too boring/serious. They're not the same character but I can't see what he loves about Ned that he hates about Stannis.
You’ve just put your finger on the main reason why Stannis resents Ned so much. Because yes, Stannis and Ned are not really that different which is exactly why Robert’s close friendship with Ned hurts Stannis tremendously. Ned is the brother Robert chose above Stannis which is something Stannis does not understand, he is just like me Robert, can’t you see? Why did you pick him and not me?
We don’t get an outright explanation to why Robert dislikes Stannis but considering all the talk about Stannis’ grim personality and how Stannis himself ruminates on how different he and Robert are, and how different they are viewed by others, it seems like a classic case of different personalities and temperament that created a rift between the brothers as the reserved and serious Stannis made for a disappointing prospect in companion to the lively and wild Robert. But it’s Robert’s fosterage at a young age that played a huge part in the chasm between the two Baratheons. The two brothers never really built a relationship because while it’s possible for fostered children to still have a good relationship with their siblings (hence Ned’s strong attachment to his own siblings), I don’t see Robert going out of his way to stay in touch and build a relationship with Stannis, and Stannis…. well, Stannis had trouble reaching out and showing vulnerability and the one time we hear about him doing so as a youth with Proudwing, he abruptly got smacked down by both Robert and their great uncle. So with distance, and no interest in forging a relationship, their disconnection grew.
Comparatively, and while Ned shares an introverted and reserved nature with Stannis, he was Robert’s childhood and teenage companion. It was Ned that shared Robert’s new exciting life in the Eyrie, Ned that he trained with in the yard and squired alongside, Ned that he built a brotherly bond with. It’s a given that Jon Arryn took great care in fostering friendship and kinship between his two wards, and Ned’s strong family values and good relationship with his siblings surely also appealed greatly to Robert whose relationship with his own brother was aloof and distant. Ned also had experience with a Robert-like character in his brother Brandon, and so probably was quite used to dealing with (and somewhat indulging) a wild and boisterous character Robert. And when you take into consideration Robert’s knack for romanticizing, I’m sure the Vale felt like a grand new adventure that he got to experience and Ned was the person he got to experience it with, which built a brotherly bond between them.
With how fosterage relationships is regarded as being equivalent to blood relationships, and with Robert building relationships there that he did not have back home, Robert all but replaced his blood family with his foster one, something he displayed repeatedly and made no secret of. Once Robert found a new family in Ned and Jon Arryn, and later zeroed in on the Starks as his chosen prospective family, his relationship with Stannis was doomed. He simply couldn’t be bothered. Robert is notoriously lazy, and he had a brother he liked in Ned, one that came with a family that
actually likes each other and that Robert can be a member of, so why should he exert himself to build a relationship with a brother he
did not like, especially since all of Stannis’ good qualities existed in