“I-I didn’t kill anybody… it was all a joke! R̸͚̫̗͈̒i̴̱̘͛̾̆̀g̷̪̔̊̓͐͌ḩ̵̯͇̏̓ͅt̶͚̫̫͗̊̐̑͜?̶̧̬͔̆”
The ColonelWilliam Wilford Warfstach
A man now distorted and broken. A man gone insane and is now suffering from grandure delusions and hallucinations. A man who now believes death to be a pratical joke. A man who is still good but now dangerous.
goddamn you @markiplier I did not asked to be stabbed in the heart like this.
Things I really loved about Guardians of the Galaxy Volume 2 in earnest
1. Yondu’s “I’m Mary Poppins y'all!” after Peter says he’s cool. Because yes, it’s a hilarious line, but it’s also such a DAD thing. Like, who can’t say that their dad wouldn’t be so proud to be considered cool by their son and it’s so unexpectedly sweet because of it.
2. The fact that Baby Groot cries like an actual baby once. Because it’s like it’s stabbing you in the heart, but it’s so effective because you really forget that he really is a baby with all the things he can do until then, and that brings you right back.
3. The symmetry in Yondu’s redemption. Yondu is damned because he brings Ego’s children to Ego and his planet to be sacrificed, and he’s redeemed by sacrificing himself to save Ego’s child (who really is HIS child) and bring him away from Ego’s planet.
4. Drax’s interaction with Mantis, especially him holding her while he drowns in Ego’s planet. Because Drax is like this big murderous comic relief character, but his screen time with Mantis was this lovely way to remind the audience that Drax has this soft side and this tragic past without shoving it in your face. Drax might laugh at your pain, but he’d also try to save you even as he was drowning, and it’s a perfect way to frame his character.
5. Ego’s “For the first time, I am truly not ALONE!” and his alieness in general. Because don’t get me wrong, Ego is absolutely a non redeemable wonky bonkers genocidal jerk off, but he’s got this great alien quality to him that I feel this series really needed. It’s not in how he looks, but his motives and how he acts. Ego is a millennia old being; a god in a world of mortals. His view point of the world and his actions are so very true to that idea that we almost can’t relate because no one can imagine what it must be like to be that old or that powerful. But when he yells that one line out, we really get it. Ego, for all his power, is just like us; he just doesn’t want to be alone. Coupled with his god like alien superiority, his ego - get it? ;) - he sees the expansion as the way to answer that feeling. If everything is him, after all, then he can’t be alone, see? What makes him a great villain is that he actually had the real answer all along - love, family - but he chose to destroy it because he felt it was beneath him; because of his subconscious disgust at his own desire to be “just like the rest of them.”
6. Nebula’s “You wanted to win and I just wanted a sister!” And how it turns the tables on how we view her relationship with Gamora. Because Nebula is clearly set up to be the ‘bad sister’ to Gamora’s ‘good sister’ and that one line really throws that on its head and shows that neither one of them are good or bad. I also love how it’s Gamora that ends up apologizing to Nebula, after everything, and Gamora who finally returns Nebula’s offer of sisterhood after all of those years.
7. “You shouldn’t have killed my mom and squished my Walkman!” Like, this line right here; the essence of Peter Quill in 10 words. Perfection.
8. The batteries as they relate to the parallel of Yondu’s and Rocket. Because them as a parallel is basically smashed over our heads, but I liked the subtle batteries parallel in that Rocket steals batteries he doesn’t need and Yondu steals Peter, who is used as a battery by Ego. It’s just a little thing but I found it really neat.
9. Rocket’s “I can only afford to lose one friend today,” line and how although it’s clearly framed to be about Peter, it’s also possibly about Yondu. Because no matter what, Rocket is losing a friend and it’s a great line to add to his character development from a guy who started trying to push his friends away to a guy who can’t lose them.
10. The contrast between how Peter reacts to the death of Ego and Yondu. He holds both as they die but he’s just silent and unaffected by Ego and he’s distraught and trying desperately to save Yondu, trying to pull off the suit to give to Yondu and save him instead. Can you say tears?
11. Don’t even talk to me about the Ravager funeral.
12. That the movie really was truly about family. Drax and his family and Mantis, Gamora and Nebula, Rocket and the Guardians, everyone parenting Groot and Peter realizing that the dad he’d wanted all along was actually the one he’d had. Often these superhero movies pull the “we’re family” card and it doesn’t feel earned, but man it does in this one. This movie is like Marvel’s “The Fast and The Furious IN SPACE” and it’s just great.
“This is the phone call sequence which again was a nod for the Buffy and Angel fans. […] You didn’t need to see the one to enjoy the other. But if you watched both, you understood what was happening. That there was a moment where they almost made a connection and didn’t.” - Joss Whedon
you know what? and this is why even understood isak. he understood why isak was so hesitant to make the thing between them public, he understood homophobia and he saw how internalized it was for isak, because he went through something very, very similar. this is why when isak’s friend asks him where he forgot his snapback, even tells them in the cafeteria. this is why even never pressures him to come out, never gets upset with him for being timid. he doesn’t get upset when isak lies to eskild, and part of that is because what he has with isak is just so fucking great, and isak is worth waiting for.
this is why even is so patient. when isak goes in for a kiss in front of the cafe, and he backs off, even just laughs and smiles, because it’s okay. it’s okay that he isn’t ready for that, it’s okay that he’s still coming to terms with his sexuality and what it all means in the grand scheme of things (isak is one for the parallel universes, after all) and it’s okay because it’s them and they’re together and that’s all that really matters.
and when isak is ready, even is there to support him, to guide him through it, to squeeze his hand metaphorically and physically, because he knows that’s what isak needs (he’d wished someone like that had been there for him in the past, but it’s okay because seeing the expression on isak’s face reminds him that he was strong and now he can be strong for other people, too) and that’s what makes him such a great boyfriend, and why isak and even fit so perfectly together.