• always syncing when you speak
• Damon picking on you
• being quite like Damon personality wise
• always mocking the boys about Katherine
• “okay you’re five minutes older, that barley classifies as older, don’t baby me” • vamp-speed fights around the boarding house, particularly when Damon takes something of yours
• always going to Stefan when you need advice
• calling him ‘Steffie’
• Stefan not being able to resist your puppy dog eyes • being a sort of anchor for Stefan and his bloodlust as you’ve always been there to help him
• being attracted to Kol
• “no, no, no, no, did I mention no?” • “you understand he’s a thousand-year-old psychotic vampire right?”, “If you change that thousand to a hundred we would also have a pretty accurate description of you Damon”
• “you are not to go anywhere near him! We forbid you!”
• Stefan and Damon being really over protective over their little sister
• Pre-vamp you use to always going outside and play football with you brothers • having a really close bond
• you and Stefan having this ‘are you fucking serious’ look you give each other while someone says something stupid (usually Damon)
• Damon always wrapping an arm around your waist and dragging you away when he doesn’t want you somewhere
• Them doing anything they can to protect you, and vice versa
• Jumping into Stefan’s bed when you can’t sleep
• Stefan leaving the room when the sarcasm between you and Damon becomes too much
• being one of the only only ones that see the sassy, humorous side of Stefan
• “you sure you’re okay? He didn’t hurt you did he? We’ll rip their throat out if they did.”
• “We’re family. We’re stuck together.”
• catching Stefan’s eye and pretending to throw up when you both see Elena and Damon together
• sometimes (when you’re not saving the lives of Mystic Falls) and Stefan go on road trips
• singing loudly with Stefan in the car to classics like Bon Jovi, Led Zeppelin and ACDC
• You and Stefan not straying too far from the other’s side the past century as you were brought into this world together and that’s how you plan to end it
• being able to finish each other’s sentences
• being in-tune with each other’s emotions and noticing small shifts when no one else does
• Damon picking on you both and your 'freaky psychic abilities’
• Damon calling you the 'wonder twins’ • “oh here come broody and bitchy”
• being each other’s shoulder to cry on • being each other’s rock
• the other’s opinion means the world to you
• you and Stefan rarely fighting (apart from banter and sibling fights)
• even with his humanity off Stefan can never find it in himself to hurt you
I need to leave this party. I zig zag between the couples eating out each other’s mouth, making sure not to step on the guys who have passed out on the floor. When I think that I let Bea down for this party… I’d rather be spending the night at her’s, getting fat in front of the TV. I bump into Louise’s cousin, the one lending the place to her, as I walk out of the living room.
"Oh, sorry.” I stutter. The twenty four year old Brad Pitt secures his hands on my arms as I threaten to fall.
“It’s okay. Are you leaving?” He replies. I push my dyed red hair out of my face, and I can sense my flush.
“Yes.” I clear my throat.
“Ask Liam to take you. He’s playing taxi tonight.” He gives my arm an friendly squeeze. My whole body relaxes in relief, I won’t have to walk.
“Okay, thank you.” I smile shyly at him. He nods and I leave. Outside, a tall, brown haired, older guy is smoking a cigarette, leaning against an old junker, and I guess it’s Liam.
“Are you the Taximan?” I call and he looks up at me with his green eyes.
“Liam to serve you.” He says sarcastically. He must be paid for doing this, because he looks really unwilling. He pushes himself off the car and staggers, his eyelids heavy.
“Are you sure you can drive?” I ask. He looks drunk. He throws his cigarette on the ground.
“You want to go home or what?” He asks, exasperated. I don’t want my ride to get mad at me, I really need to go home. I purse my lips and get closer as he walks around the car. I make a move to open the passenger door but he stops me.
“Backseat.” He orders, climbing in. I oblige, because once again, I want to go home. Liam starts the engine.
“What’s your name?” He asks, looking at me through the mirror.
“And where do you live, Abigail?”
“To Brentwood we go.” He slurs. Alcohol radiates from his body, and I make a silent prayer to god so I can come home safe. The ride is quiet and calm. I look out the window, the night sight passing before my eyes, all sort of flashing lights and fluorescent sign animating the peaceful darkness, it’s soothing. Liam slams his door closed and I jump awake. The car is immobile, where are we? I look around, and all I can see us that we are on a park lot and I have enough time to perceive a shadow, walking around the car. I blink a few times and sit up.
“Liam?” I call. The door on the opposite side of mine opens up and Liam climbs in next to me. He starts to crawl to me, my heart starts to race, what is he doing?
“What are you doing?“ He gets closer to me, his handsome face rotten by the alcohol. I back away the most I can but soon find myself pinned on the door.
“Oh, Abby.” I see a yellow glint in his green eyes. His face is close to mine, intimidating and bothering, and an animal aura radiates from him.
“Don’t touch me.” I articulate, but the shaking of my voice betrays my fear. He unfastens my belt and I raise my knees, using them as a shield as we face each other on the backseat of his junker. He pulls away and grabs my ankles, yanking them towards him and I find myself lying down on the leather seat. I scream. He puts a hand the back pocket of his jeans and pulls out a small object, from where, with a swift and sharp movement, a blade pops out.
“Shhhh, Abby.” He coos in the most disgusting manner. I crawl away from him and press myself as far away as I can, covering my mouth with my hands to smother small panicked cries escaping my mouth. "If you scream, I’ll have to shut you up. You don’t want that, do you?“ I shake my head.
“Strip for me, Abby.” He commands. No, please, no. I shake my head, my lower lip trembling as I beg and plead for indulgence. “Strip!” The threat in his voice makes me jump and I gasp, beginning to fumble with the buttons of my sleeveless blouse.
I’m so glad me and Bea end up in the same class again. Bea is my best friend since kindergarten. She’s like a sister to me, she’s my half, my soul mate. Despite the uniform we have to wear in our High school, she manages to stand out with her super curly brown hair and her signature high side ponytail. She’s the cutest goofball on earth and made a dork out of me. We enjoy burp competitions and I am proud to say she made me discover that I could touch my nose with my pinky toe. Me and Bea have been cheering for nine years together, and I’m sad to think that this year, our last year of high school, will be the last year we will cheer too. It’s also my last year in Peddington High, a private school for athletes. The cheer leading section in quite disregarded here.
Most of the girls are runners or volleyball players, and we don’t have a lot of guys in our teams. All the other sections, the runners, the basketball players, the football players, the swimmers, they all bring dozens of medals to the high school’s prize list, while the cheer leading club never manage to get in a competition.
“What’s wrong?” Bea asks me as we walk to our Algebra class, in room B316. It’s our first day back at school, and I haven’t been able to think about anything else but cheer leading.
“It’s our last year here, I’d like to bring back a medal.” I whine.
“Don’t bank on it, Abigail. At this point medals don’t even matter anymore, lets just pray they don’t close the cheerleading section.” She shrugs, clutching at her skateboard. The bell rings, and Bea and I look at each other, mortified. Already? We’re still in the G block of the high school, on the complete opposite side of the campus. We take a run up and jump on our boards, speeding across the campus, and the bell stops as we enter the B block, we have three floors to climb at at least twenty meters of corridors to walk.
“Sorry, we’re late!” I pant as I open the door. Whew, since when did my lungs get so weak? The whole class goes quiet and fixes us, and my eyes land on my Algebra teacher.
Oh my god. My Algebra teacher is a tall, black haired young man. He looks, so young, way too young to be a teacher. His jawline could cut an arm, he has a sharp nose, thin but oh so full, soft-looking lips, and the deepest, brownest eyes accomplishing the painting of perfect beauty. I can sense his muscular body through his white shirt, tucked in black jeans as he leans against his desk, watching us impassively. He looks like an adolescent with his black low sneakers, but he is stylish, and this look suits him for some reason. I’m dumbfounded and intimidated by his good looks, he’s really really handsome.
“Please, take a sit.” His voice is deep, but not too husky, vaporous but marking. There are two empty seats in the back of the classroom, and me and Bea take them silently, sitting behind Emma and Aurianne. “Let me start over, my name is Mr Tuan, and here is my e-mail address.” He point to the board where his name and email address is written, and I learn that his first name is Mark. “I’m going to start by calling the roll.” He announces, briefly turning around and grabbing a paper on his desk. He starts to call out names, and Emma and Aurianne take the opportunity to turn around and face us. “He’s so fucking hot.” Emma mouths, and Aurianne gives an approving grimace.
“I know, right?” Beam gasps, while I don’t say a thing. It’s the first time in two years that I find a man handsome, and I don’t really know how to feel about it. “He looks so young, he looks like he’s in his mid twenty’s.” Aurianne says to me, green eyes lit up with amazement. “Yeah, how can he be so young?” I frown, genuinely curious. “I am so going to love maths.” Bea concludes and I giggle. “Abigailia Kraige.” He calls, and Aurianne and Emma whirl around. I look up at him and he’s looking directly at me. I didn’t even say yes, how does it know it’s me. “It’s Abigail.” I correct him. “Abigail.” He mumbles, correcting the mistake with his pen.
“Can I call you Abby?” He asks casually. What the fuck? My nickname rigs in my ear and in the very back of my head I start to hear Liam’s voice, calling me Abby, whispering dirty things in my ear while he…
“No, you can’t.” I breathe, and I can see my reaction take him aback, but I don’t care.“Sorry.” He mumbles, and then turns back to the roll calling. “Abigail.” Bea whisper-yells and I look at her with questioning eyes. Hers are wide and painted with horror. What? What did I do? “He was flirting with you and you turned him down, are you crazy?” Her face is contorted with horror.
“Can I call you Anna?” I hear the teacher ask so I gaze up, and he’s talking to Annabelle, a pretty little brunette. She has unbuttoned her shirt, exposing more skin than necessary, and she’s twisting a strand of hair, obviously swooning, her legs crossed under her desk. The perfect american slut. Annabelle beams at his words.“Of course.” She giggles, biting her lips, her silicone heart melting, her body mirroring it as she relaxes in her chair. I look back at Bea and give her a ‘you see?He’s like that with everyone.’ look. He’s just too lazy to pronounce more than two syllables
“I take that back. But you still acted like a bitch.” She whispers.“Saying ‘no’ is not bitching, Bea.” I reply.
“Abigail, Beatrice, something interesting to say?” Mr Tuan prompts and the class goes silent. We both look up at him and he’s gazing at us impassibly.“No, sir.” We both say.“I would appreciate that you keep quiet during my class.”
“Yes, sir.” Oh shit, I really did bitch at him, now he has it bad against me. The rest of the class goes smoothly, none of the girls chatting, not wanting Mr Sexy to scold them. They all pay full attention to his class about polynomial functions, while I debate on whether I acted like a bitch or not. The bell rings, and I start to pack my things, so do the other students, and Mr Tuan. When I walk out of the room he’s focused on his bag, and the lack of attention he gives me makes me walk back into the room.
“Mr Tuan?” He looks up and sees me, then looks back down at his bag, unimpressed.
“Abigail.” He sighs.
“I’m sorry if I sounded impolite when I talked to you earlier, it wasn’t my attention.” I say quietly.
“If you think I started being tough with you because of that, you’re wrong. You’re chatting during my class, I correct you, that’s it.” His tone is serious,severe, he’s not joking. My mouth dries out of words.“But I accept your apology.” He adds and I blink at him.“Okay. See you tomorrow then.” I slowly turn around and walk to the door.“Goodbye, Abby.” He says and I freeze. Did he really just- I turn around.
“Wait, it didn’t mean that-”
“I know.“He cuts me off, not even looking at me. I blink at him. “Abigail, come on.” Bea urges me from the doorway, bouncing up and down out of frustration and I reluctantly leave.
“What did you say to him?” She asks me in the hallway, eager as ever.“I apologized.” I shrug and I feel her smirk.“I thought you didn’t give a fuck about him.” She nudges me. “I don’t.” I retort and she keeps silent. When I look up at her she’s shaking her head. Hey! I really don’t give a fuck about him.“He started taking it out on us.” I argue. I know she doesn’t believe me but fuck her, I’m in peace with myself, that’s what matters.“And what did he say?” She asks.
“He called me Abby.”
I step out of the shower and wrap a towel around my body, and I stare at myself as I use a smaller one to wipe my face. My eyes land on my scars as I pass the towel over the skin of my neck.
I take off my sleeveless red blouse off, along with my jeans. “Enough.” He says and I still. “You look mighty fine for a 16 year old.” He compliments, but his flattery scares me even more. Tears rush down my cheeks, dragging my mascara as they do.“Please don’t rape me, please.” I beg, shaking my head, but he ignores me and crawls closer to me. He pulls my ankles towards him and I’m lying under him. He bring his face close to mine and I have to fight the urge to throw up, he stinks.
“Are you a virgin, Abby?” He asks and I nod slowly.
“You must be all tight. It would be a shame not to feel your tight pussy squeezing my dick.” He fakes a comforting tone, and I know he’s not going to stop.
“No, please.” He groans and buries his face in the crook of my neck, trailing wet kisses all over my skin, creating a purple galaxy as he nibbles and sucks on my flesh. I’m going to throw up.
“Please, stop. Please, please, please. I don’t want to, I don’t want to.” I sob as he kisses me down to my chest, stilling between my breasts as I speak. “Shhhh, Abby.” He brings his face back up to me and places his knife just beneath my jaw, a silent threat that gives birth to a genuine fear inside of me. I keep quiet. He sits up and hooks his fingers around the cups of my bra, and he pulls them down, revealing my breasts, exposing me some more, and I weep.
“Look at those titties. You’re making me so hard.” He palms the roundness of my breasts and kisses each of my nipples, before sucking, and licking them, and have to cover my mouth to prevent myself from screaming, it’s disgusting. He lets go of my breasts and fumbles with his jean, unzipping them and sliding them down along with his underwear, letting his erection spring free.
“Look how hard I am for your pussy.” He rasps, crawling up to me so he his straddling my chest, the tip of his penis inches away from my face. I lift my chin and squeeze my eyes shut.
“Do you want my dick inside of your mouth, Abby. You want it, baby?” He asks, and I feel something poking at my lips.
“Open.” He orders and I turn my head to the side. I don’t want to, I don’t want to. “Open!” He says again and I weep. I feel a sharp pain on my neck. “Ah!” I scream, opening my eyes. He’s just made a cut on my neck. It stings. “Open.” He grabs my hair and pulls my head towards his penis. I oblige and take him into my mouth, and I instantly feel even more nauseous. "Suck.“ He orders and I… I obey. Because I’m scared, and because I don’t want to die. And he thrusts inside of my mouth and moans and grunts for what seems like eternity. “That’s right. You’re doing good, Abby.” He pulls out of me and deep down I know the torture isn’t over, but I plead again. “Please, let me go.” I beg, and in an excess of anger he inflicts another cut to the skin of my neck, it hursts, I cry out. This time I decide to shut up for good.
“Abigail!” I jump as my mom knocks on the bathroom door. I put my necklace back on in a hurry. I use necklaces to hide my scars, the same crew neck floral necklace, but in different colors, that all match the Peddington uniform. “Bea’s downstairs, she’s staying for dinner.” My mom says from behind the door. I try to compose myself. That Mr Tuan, he’s handsome, so what? He is still a man, a primitive creatures with animal instincts. It doesn’t go further than that, it won’t go further than that. "I’m coming!” I reply before returning to my reflexion. This lack of attention he gives me, why does it bother me so much? I’m starting to think I’m slowly falling into the same mindset that every average teenage girl in front of a good looking guy, its disgusting, I’m better than that. Finding someone good looking isn’t wrong at all but why do I feel like a sinner? All those limits I impose to myself, are they really legitimate? In front of what? A pretty face? Gah! I don’t know. What kind of teacher would call his students with nick names now that I think about it, his intention was clear, towards me, Bea, Annabelle, towards all the girls. He is a payer. He knows he has a face and he likes seeing every girl swoon. It’s decided, I won’t swoon. Well, I won’t show it at least.
Summary: Reborn isn’t sure what he’ll find when he meets his new student.
It wasn’t this.
Reborn is honestly of two minds.
One- thank God this isn’t another Dino. He can’t handle another klutz with zero sense of dramatics, thank you.
Two- he is going to brutally murder Iemitsu.
Well, it all started when he was given the task of training the new Vongola heir. He’d been given a file on the boy, and after reading through it, had thought he was probably going to be going into a situation similar to Dino. (After he had his own spies look through records anyway. He trusted his own network better then anyone else’s.)
He’d gone to Nammori expecting a useless student, an oblivious housewife and a bunch of issues.
Instead, he found… this.
“Tsuna, please, don’t!” a young orange haired girl begged a boy who was wearing a helmet. He grinned at her as he eyed the ramp way down the hill. “You’ll get hurt!”
“Come on Kyoko-chan! When have I ever gotten hurt… You don’t get to answer.” He pointed at a brunette girl who huffed at him.
“Stupid monkey.” she muttered as a white haired boy laughed, pumping his fists into the air.
“This is EXTREMELY EXTREME! GO TSUNA!”
“Don’t encourage him Onii-chan!” Sawada Tsunayoshi simply grinned and turned back to look at the ramp, one foot on his skateboard. Reborn eyed the ramp and jerked when he realized that with the angle and potential speed of the board, Tsunayoshi could fly right over traffic and land on the other side… on a railing.
“Hey, Takeshi!” Tsuna said, pulling out a walkie-talkie. Reborn, hidden in the trees, had Leon turn into binoculars to see what was happening farther away.
A tall brunette boy stood next to a large mattress at the end of the railing.
“Ha! Yep!” the tall boy said, a grin on his face. Tsuna smirked in pleasure.
“You recording?” The tall boy pulled out a camera, ready to capture the moment. The brunette girl pulled one out as well, looking long suffering.
“Alright! Let’s do this!” Tsuna cackled, jumping onto his board and pushing off, using his feet to get up to speed. He hit the ramp and flew over traffic, nearly falling into it, only…
Orange flames appeared under the board, propelling him a bit farther away, to land on the railing where he slid along it towards the mattress.
Yes, he was going to murder Iemitsu.
Also known as: Daredevil!Tsuna AU. In which the seal doesn’t hold up to adrenaline, leading to daredevil Tsuna who does the stupidest stuff, encouraged by his friends Ryohei and Takeshi.
The sun is high up in the sky, the trees are moving with the wind as the birds carry small pieces of wood to them, building their nest. All in all it´s just a wonderful summer day here in Mystic Falls.
You and your secret boyfriend Kai are currently strolling through the woods, hiding from your still clueless brothers.
Kai: “I think we should tell them soon.”
Y/N: “I know, but they will be furious. Especially Damon.”
Kai: “I don´t care, let him be mad. He will see that I have changed. And that´s all because of you, Y/N.”
You smile, grabbing his hand as you take a deep breath.
Y/N: “I will tell them soon, I promise.”
He smiles before planting a short and tender kiss on your lips. No matter what everyone thinks, you know that he changed. Be it merging with Luke or your influence, he is different and your brothers will see that as well.
Damon: “You gotta be kidding me.”
Both of you heads spin around, facing an angry Damon holding a shovel. He must´ve buried something or someone.
As I waited for Nate to get home I made his favorite meal. Steak and mashed potatoes on the side. As well as rolling a few joints for him. Tonight was going to be the first night we would have intimacy. Not once has he pressured me to do anything I wouldn’t want to do and I’m grateful. There is this feeling I can’t get rid of I need him in every way.
As set up the plates I here the door slam shut.
“Nate baby is everything okay?” I questioned him as I walked into the living. He sat on the couch head in his hands, and groaned every so often. Nate finally made eye contact with me.
“Y/N, do you love me?” He questioned with uncertainty.
“Of course I do! Why would you ask such a question like that. Nate no matter what happens between us I will always love you” I told him straddling his lap.
“W-why haven’t we done anything? Was he more smarter, caring, and athletic than I was. Is that the reason you don’t want to get to the next level in our relationship?” Nate replied looking anywhere, but my face. Lifting his chin up with finger, and giving him a gentle peck on the lips.
“Yes. I gave myself to my ex boyfriend, but you are the one that holds my heart. Only you” He kisses with passion as I rotated my hips on his lap. Small moans escaping his mouth as the kiss started to get more rough.
“Shit…Y/N… I need you now” Nate flipped us over in the couch before we ended up falling on the floor. My giggles filled the living room.
“This was not how it was supposed go. I had a game plan all set up” Nate groaned as he lay beside me. I soon straddles his lap again, yet he still didn’t pay attention to me. I rotating my hips, and saw Nate jolt his hips up.
Nate’s hands wandered under my shirt as he unclimbed my bra. His eyes turning a shade darker full of lust. He kneaded my breasts as he kissed gently not to hurt me.
“Nate please do something!” I whimper as he leaves a trail of hickeys down my stomach. Small moans left my mouth as he slowly pulled down my pajama pants down my legs. He gasped before looking back at me.
“Is something wrong?” I slowly move up on to my elbows. He pushes me back down before he kisses my inner thighs.
“Nothings wrong lil mama just your so wet for me. I don’t know if I can do this. What if I’m not good enough? What if you leave Y/N?” He stands up before leaving the room. The bedroom door closing. I get dressed and go into the bedroom.
“Nate…?” I knock a few times before opening the door. There sitting in the bed was Nate with his head in his hands.
“Nate, baby please look at me” I kneeled in front of him taking his chin in my hand and lifting his head up. He would not meet eyes no matter how hard I tried to make him do it . “Nate I wouldn’t leave you for something
as small as this. I love you and it will take more than bad sex to get rid of me. You are the one I want no one else” I kiss him gently before pulling away. He pulls me back in kissing me harder than before.
“Let’s take it to the next level lil mama” Nate strips down to his boxers before tearing off my clothes.
“Nate that was expen- sh I’ll by you something better and sexier” Nate said before kissing me again.
“Get on all fours Y/N. Head down facing the the door. Good girl” I did all he said before I heard him grabbing a belt out of the closet. “Ass up and Baby you have my permission to be as loud as you want. Let’s se if we can get a noise complaint” I could practically hear the smirk appearing in his face. His demanding tone making me whimper and get wetter.
Nate massages my ass before grabbing the belt and tying my hands behind my back. His free hand moving towards my clit before pinching it roughly. I whimper loudly as I hear Nate chuckle.
“I guess we don’t need to do foreplay when you are already dripping” Nate slams into without warning. I moan before putting face into the pillow drowning out any sounds escaping my mouth. Nate grabs a fistful of my hair and lifts head up.
“Y/N I want to hear how good I make you feel. Keep your head up lil mama” I connect our lips to slow kiss, and his thrusts start slowing down.
“Ooh Nate… baby… I want” I couldn’t finish my sentence before I ignited a load moan from my throat causing Nate to groan.
“What do you want Y/N?” Nate asks before picking up speed causing the head board to hit the wall with force repeatedly.
“Top… I…. ooh.. I want top” Nate soon unbinds my hands as lays on his back. I straddle him before sliding down his erection. I roll my hips into figure eights causing Nate to throw his head back a load groan escaping his mouth.
“Fuck… Y/N don’t stop I’m so close” Nate starts thrusting his hips up and I begin to bounce on him meeting thrusts. Nate soon reaches my g-spot triggering my orgasm. I see Nate trying to trigger his own as I slow my bouncing and ride him slowly. Warm spurts of cum spill into me as Nate holds onto my hips for dear life.
“Nate, are you okay?” Nate just chuckles before lifting me off him.
Nate cuddle and close to him before speaking.
“Better than okay.. mind blowing” he kisses my forehead and flips me into my back. He lays between my legs with his head on top of my breasts.
“My very own personal pillows and just how I want to keep” Nate mumbles as he looks up at me. “I love you Y/N and one day I will make you my wife.
“I love you Nate” I kiss his forehead as we drift off to sleep. Tonight will be forever engraved in my mind.
Bentley Bentayga (2016) - Luxury-packed powerfull SUV - Luxury-sport SUV news / HD wallpaper
The Bentley Bentayga combines unparalleled luxury with effortless performance and everyday usability.
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An all-new twin-turbocharged 6.0-litre W12 engine is at the heart of the new Bentayga. The mighty 12-cylinder unit combines efficiency and refinement with ultra-luxurious levels of power and torque. With 608 PS (600 bhp / 447kW) and 900 Nm (663 lb. ft) delivering a 0-60 mph time of 4.0 seconds (0-100 km/h in 4.1 seconds) and a top speed of 187 mph (301 km/h), the Bentayga is the world’s most powerful and fastest SUV.
Wolfgang Dürheimer, chairman and chief executive of Bentley Motors, comments: “The Bentayga is truly the Bentley of SUVs. It redefines luxury in the SUV sector and offers a genuine Bentley experience in any environment, thanks to a combination of unparalleled attention to detail, go-anywhere ability and cutting-edge technology. With this extraordinary car we are looking forward to an exciting period of strong growth and sales success for Bentley. The Bentayga is the next step in our brand’s bold future.”
The Bentley Bentayga will make its full public debut at the 2015 IAA Frankfurt Show. Customer deliveries commence in early 2016.
Innovative Features and Advanced Technologies
A suite of state-of-the-art driver assistance systems and infotainment features designed to enhance safety, comfort and convenience make the Bentayga an innovative, advanced and connected luxury SUV.
It offers the widest range of on- and off-road drive settings of any vehicle via Bentley’s Drive Dynamics Mode and optional Responsive Off-Road Setting. Up to eight modes are available, allowing drivers, at the simple turn of a dial, to select the perfect dynamic set-up for any surface or road condition. This versatility is complemented by Bentley Dynamic Ride (electrically activated 48V active roll control) and Electric Power-Assisted Steering (EPAS).
Responsive Off-Road Setting allows the customer to select the appropriate vehicle settings for a wide range of off-road surfaces, while the Driver Information Panel displays information on pitch, roll, wheel articulation, steering angle, compass bearing and altitude.
Adaptive Cruise Control (ACC) including Stop & Go, Predictive ACC and Traffic Assist enables the driver to maintain a set distance to the vehicle in front. Predictive ACC uses the navigation data, sensors and cameras to predict upcoming corners, city boundaries and speed-limit changes and can then modify the vehicle speed accordingly, improving both comfort and fuel economy.
In urban environments, there are a number of driver aids available on the Bentayga. These systems - such as Traffic Sign Recognition, which detects a wide variety of traffic signs and displays information to the driver; Rear Crossing Traffic Warning, which uses radar technology to detect crossing traffic when reversing out of a parking space; and Top View, a system which uses four cameras to display an overall picture of the vehicle’s surroundings - combine to enhance everyday usability.
The Bentayga is also available with Park Assist - a system that detects suitable parking spaces (both parallel and perpendicular) before autonomous steering takes over to support parking manoeuvres, even in narrow and tricky spaces.
Other innovative systems available on the Bentayga include Electronic Night Vision, which uses infra-red technology to identify potential obstacles ahead, and a Head-Up Display, which reduces driver distraction and increases safety.
The Bentayga’s all-new, cutting-edge 8" touch screen infotainment system boasts class-leading navigation technology, a 60GB hard drive, and a choice of up to 30 languages.
Rear seat passengers benefit from the introduction of the Bentley Entertainment Tablet - a removable 10.2" Android device with 4G, WiFi and Bluetooth for effortless, high-speed on-board connectivity.
Customers can choose between three different sound systems for the Bentayga: Bentley Standard Audio, Bentley Signature Audio and Naim for Bentley Premium Audio. The latter is the most powerful system in the segment, with 1,950 watts, a network of 18 speakers and super-tweeters for unrivalled recreation of the highest audio frequencies.
Sculptural Form, Sharp Lines and Elegant Execution
The Bentley Bentayga’s wheel arches, fenders and bonnet deliver a balance between sportiness and SUV presence. The ultra-sharp Bentley power line and muscular rear haunch display a taut tension in side profile, as part of the largest single-piece aluminium pressing in the automotive world. Trademark Bentley features such as the large matrix grille and B-shaped wing vents afford the Bentayga a modern, dynamic elegance.
The grille is flanked by four distinctive floating all-LED headlamps. The lights sit flush within the seamless superformed aluminium front fenders. Innovative design features, like the discreet headlamp washers contained within the outer lamp’s body-coloured centre, demonstrate remarkable attention to detail.
To emphasise the go-anywhere nature of the Bentayga, the Bentley design team have integrated a stylish skid plate into the lower section of the front bumper, just below the floating wing motif.
At the rear, within the segmented tail lights, a new ‘B’-shaped illumination graphic is incorporated that affords the Bentayga an instantly recognisable and striking night-time signature.
A combination of advanced design, innovative engineering and state-of-the-art manufacturing technologies - including the use of lightweight aluminium - has enabled a total weight saving of 236kg compared to a traditional body construction.
As standard, the Bentayga comes with a panoramic glass roof. Making up almost 60 per cent of the total roof surface, the 1.35m2 glass feature is split into two panes. The front panel tilts and slides, and the whole glass surface can be obscured via an electric, full-length roller blind.
Either side of the glass roof are aluminium roof rails that combine two different finishes - a high-gloss black base and bright anodised top section.
A new range of bespoke Bentayga alloy wheels are available, ranging in size from 20" to 22".
The World’s Finest Cabin, Handcrafted at the Home of Bentley
Step inside the new Bentayga and you find the finest automotive interior in the world, with handcrafted wood and leather throughout - engineered with precision to deliver absolute perfection.
The attention to detail in metal, wood and leather is the epitome of modern British luxury, and is only achievable thanks to the exceptional skill of the workforce in Crewe.
The Bentley Bentayga’s cockpit sets new standards for both luxury and precision, with meticulous tolerances between the exquisite veneered woods and metal elements. The dashboard takes the iconic Bentley 'wing’ design as its inspiration, with the beautifully finished surfaces flowing gracefully from door to door over the top of the instrument binnacles, down under the centre console and back up around the passenger side fascia and foot well.
The hand-selected veneers form pure and elegant surfaces throughout the cabin, and each of the 15 pieces are shaped by Bentley’s artisans from a choice of seven different veneers, and finished with trademark Bentley attention to detail.
Highly polished, handcrafted metal elements adorn the dashboard, centre console and doors. Trademark Bentley knurling on the drive mode selector, gear knob, iconic bulls-eye vents and organ pulls adds sophistication and tactile refinement.
Sumptuous front seats, individually handcrafted in Crewe and featuring 22-way adjustment including adjustable cushion and backrest bolsters, provide superb support and comfort for all conditions. This cosseted feeling is further enhanced with a six-programme massage system, seat heating and ventilation.
Whether selected in four- or five-seat configuration, all of the leather seats in the Bentayga are available with contrast stitching and a quilted diamond design applied to the 'shoulders’ and bolsters, echoing the design of a finely tailored British hunting jacket.
Bentley specialists individually select only the finest bull hides, all of which are sourced from cool European climates, naturally tanned and never over-printed.. Customers have the choice of 15 colours, in three duo-tone and one single mono-tone colour split.
The four-seat configuration makes the ultimate statement in design, comfort and luxury. The two individual rear seats adjust in 18 different ways and include massage and ventilation functions as well as footrests. The veneered rear console hides additional functionality such as cup holders, generous storage areas and USB charging sockets.
The opulent feeling is completed by the fixed back, dividing the interior cabin from the boot. Also trimmed in the signature diamond quilting and including a ski-hatch, it creates an enclosed rear cabin space that sets new standards in the SUV sector.
A full-length panoramic sunroof with acoustic interlays allows ample natural sunlight to highlight the surfaces and detailing.
Activate the hands-free tailgate and not only is a large, practical storage space revealed, but also another of the Bentayga’s unique features - the optional folding event seat. Ideal for those wishing to stop for a moment and enjoy a spectacular outdoor environment or pursuit, the innovative leather-trimmed folding seat matches exactly the style of the cabin seats and integrates seamlessly into the rear of the car with characteristic attention to detail.
All-New W12 - Efficiency with Unrivalled Power and Torque
At the heart of the Bentley Bentayga is the all-new Crewe-built W12 TSI engine. This 6.0-litre twin-turbo unit combines efficiency and refinement with the luxury of unrivalled power and torque.
It is the most technologically advanced 12-cylinder engine in the world and develops 600 bhp (608 PS / 447 kW) @ 6,000 rpm and 900 Nm (663 lb ft) from 1,250 rpm to 4,500 rpm. These mighty outputs result in equally impressive performance figures. The Bentayga is capable of dispatching the sprint to 60 mph in just 4.0 seconds (0-100 km/h in 4.1 seconds) on its way to a top speed of 187 mph (301 km/h).
The new W12 uses both direct and indirect fuel injection. Switching seamlessly between the two technologies, the combination of these systems maximises refinement, delivers low particulate emissions and maximises power and torque delivery.
An impressive efficiency figure of 292 g/km CO2 is made possible in part thanks to Bentley’s Variable Displacement system, which shuts down half of the engine under defined conditions. Intake and exhaust valves, fuel injection and ignition are all shut down on defined cylinders, with the engine running as a six-cylinder for improved efficiency.
The engine is mated to an eight-speed automatic gearbox. The transmission and four-wheel-drive system has been strengthened to handle the demands and high torque levels of off-road driving.
In Bentley’s advanced application of Start-Stop technology for the Bentayga, coasting is also available, as the engine rests not only when the vehicle is stationary but also at 'near to stop’ speeds.
In 5th to 8th gear, when the driver releases the throttle (at motorway cruising speed, for example) the car will open the torque converter, dropping the engine to idle and simply allowing the car to roll or 'sail’. When the throttle is reapplied, or the car starts going downhill and detects an increase in speed, the transmission is re-engaged.
The new W12 sees a 11.9% efficiency improvement compared to the existing powertrain. The Bentayga will also be available as diesel and hybrid variants in the future.
Genuine Luxury with Go-Anywhere Ability
Never before has a vehicle so coherently combined genuine luxury with go-anywhere driving ability.
The development programme for the Bentayga has been the most exhaustive in the Bentley brand’s history, ranging across five continents. From the dirt and gravel of South Africa and the dunes of Dubai, to the muddy fields of Cheshire, and from -30°C in the frozen North Cape to searing 50°C desert heat, the Bentayga’s ability to perform on any surface and even in the most extreme conditions has been proven.
The Bentayga has also driven more than 400 laps of the famous Nürburgring Nordschleife circuit, as part of developing the dynamic performance of the chassis and fine-tuning the relevant control and stability systems. The unique features of the Nordschleife, including the high level of topographical change, variety of surface grip levels and wide range of cornering speeds, made it the perfect place to develop the fastest, most powerful SUV in the world.
The Bentayga introduces Bentley Dynamic Ride - the world’s first electric active roll control technology that utilises an unrivalled 48V system. Inherent in larger vehicles with a higher centre of gravity, this system instantly counteracts lateral rolling forces when cornering and ensures maximum tyre contact to deliver class-leading cabin stability, ride comfort and exceptional handling.
While conventional anti-roll bars present a compromise between body control and ride comfort, Bentley’s adaptive and reactive system provides variable torsional resistance, allowing the Bentayga to be both dynamically capable and comfortable for all occupants at all times. The pioneering use of a 48V system results in silent, instantaneous responses and sufficient power on hand to deal with all road surfaces.
Electric Power-Assisted Steering (EPAS) is also featured on the Bentayga. The new system improves feedback to the driver, while providing isolation from steering kick-back both on- and off-road. EPAS also features a variable rack ratio, permitting light and fast steering while manoeuvring at low speeds, as well as a more subdued response for excellent stability at high speeds.
The Bentayga offers class-leading ride comfort, steering feel and handling thanks to the partnership of a highly sophisticated chassis and Electronic Stability Control (ESC). In addition to advanced, multi-mode Traction Control (TCS), the Bentayga also features Hill Descent Control (HDC).
HDC automatically regulates the vehicle’s speed on steep declines, allowing the driver to concentrate fully on steering and obstacles ahead. It can be pre-set at speeds between two and 30 km/h (going in either direction) and works on gradients greater than five per cent.
As with all Bentleys, the Bentayga comes with multi-mode air suspension. The Bentayga driver has four different modes to choose from: High 2, High 1, Normal and Low. High 2, for example, can be manually selected when tackling more severe off-road surfaces. Customers can also lower the rear suspension via a switch in the boot, to ease loading and trailer hitching.
Bentley Personalisation Options and Mulliner Bespoke
The Bentley Bentayga redefines personalisation and bespoke luxury. Paint, leather, veneer and lifestyle options are unlimited and tailored to the individual.
The standard palette alone comprises 17 exterior paint colours, with up to 90 hues available in the extended range. There are also 15 luxurious carpet options, seven different handcrafted veneers and 15 choices of interior trim hide, which means that customers are able to specify their own choice of luxury finish. In addition, customers can choose between a new range of bespoke Bentayga alloy wheels, ranging in size from 20" to 22".
Six lifestyle-orientated specification packages will be available from launch, including two styling packs. In addition to these options, the Bentayga is available with the widest range of lifestyle accessories ever offered by the Bentley brand. For example, customers with an interest in watersports may wish to specify the Load-Assist Tray and Wet Gear Stowage options.
As with all Bentleys, the Bentayga can also be handed over to the highly skilled and dedicated craftspeople at Mulliner, who will respond to bespoke customer requirements.
At launch, the Bentley Bentayga is available with an exquisite integrated Mulliner Hamper Set, complete with refrigerator, bespoke fine Linley china cutlery, crockery and crystal glass, and storage area for dry goods. For comfort in the great outdoors, sections of the hamper can be removed and used as seats.
A bespoke mechanical Mulliner Tourbillon by Breitling clock can also be specified. The most complex of watch mechanisms, the Mulliner Tourbillon is automatically wound periodically by a dedicated high-precision winding mechanism within the car. This masterpiece is machined in solid gold (customers can select from either rose or white gold), with a choice of either a mother-of-pearl or black ebony face and decorated with eight diamond indexes.
Meet Tim Prendergast, a storyboard artist on Nick Jr’s Blaze and the Monster Machines who works out of our NYC studio! We found out about his office days at Nickelodeon, the journey that led him to Blaze, and A LOT of his favorite desserts!
Continue reading to find out more about this awesome artist:
Tell me a bit about yourself! Hey! My name’s Tim! I’m a storyboard artist on the Nick Jr. show Blaze and the Monster Machines, and I went to school for animation at MassArt in Boston. Besides being a board artist, I’m an animator, FX artist, and an optimization/pipeline guy. I’m also a runner, avid reader, and brunch enthusiast.
How did you get your start? I started animating when I was little. I’d turn Post-it Note pads into flip books, and make stop motion films with toys on my family’s old VHS camera. I didn’t know I wanted to work professionally in animation until college, when I found myself surrounded by some really talented artists. It inspired me to want to be a great animator, and I’ve tried to take jobs that further that goal.
I was hired out of school at CloudKid, a Boston studio that did projects for Scholastic, Sesame Street, and PBS Kids. I moved to work in NYC at Titmouse INC. in 2013, and a few years later I had the opportunity to test for a job as a storyboard artist at Nickelodeon!
What do your day-to-day tasks look like? Blaze and the Monster Machines is a script-driven show, so as board artists we’re responsible for setting the scene. On a given day, I could be doing thumbnails, layout, pitching shot ideas, or addressing notes. In this environment, it helps to have a well-rounded skill set, and be able to work under tight deadlines. I like to spend more time on my thumbnails than my panels, so I can pitch my panels sooner and see whether or not they’re working.
Favorite parts of the job? My favorite part is having the opportunity to develop and pitch brand new properties with my pitch partner. I’m inspired all the time when I’m here, which is easy when you’re surrounded by world-class talent. I’m really lucky that the work I do keeps me inspired as well, giving me the chance to tell stories and apply my animation sensibilities to boards. But the most satisfying part of working here is seeing the finished episodes go to air, and seeing the final product of everyone’s time and energy.
Any advice you’d give to aspiring artists in this industry? Be determined, and don’t be afraid to work really, really hard. Figure out what you love doing and be exceptionally passionate about it. Get really good at drawing and be determined to get better. Find people you admire and learn from them. Be genuinely nice. Also if you’re an animator, watch the entire DVD box-set of The Animator’s Survival Kit.
What tools have helped you get to where you are? A positive attitude, persistence and enthusiasm.
What inspires you? I get inspired by pitching ideas. Whether it’s gag for a scene, or an entire show pitch, or thoughts about where to get lunch, I find that bouncing thoughts off of other people is the best way to grow them. Almost all of the work we do is collaborative, and that helps us tell better stories, and makes the show stronger overall.
What are some of your favorite hobbies? Most times I’m developing shows, writing music, drawing, or spending way too much on food in NYC with friends!
Did you go to school for what you’re currently working in? Yes!
Tell me about a project or accomplishment that you consider to be significant in your career. One of the challenges on any production is creating a pipeline that’s artist friendly, but also saves time without being too complex. It’s a difficult balancing act and sometimes productions suffer from going too far one way or the other. On Blaze, I helped develop a tool that takes advantage of 3D models to speed up our boarding process. It’s easy to use, and it reduces the amount of technical drawing we need to do, letting us focus on staging and composition, and saving a few hours here and there.
What is one of the most challenging aspects of your job? Blaze and the Monster Machines is a preschool show, meant for children between ages 2-6. It’s the network’s first pre-K STEM show, and while creating a show for such a diverse age group can be challenging, it’s also a unique opportunity to expose kids to new concepts in science and technology. Even though our audiences are close in age, they’re developmentally very different; for example, a 2 year old might have a vocabulary of 100-300 different words, while a 6 year old might have a word count that’s 200 times larger. This makes writing for our audience particularly difficult, as we’re crafting a show that appeals to younger kids, but doesn’t feel like it’s beneath the older kids who are also watching.
On my end, as a storyboard artist, there are lots of similar challenges; We have lots of rules to follow as board artists to make sure that the action is clear and that we’re conveying the right message, and that nothing is visually confusing. The challenging part for me is crafting environments, setups and gags that fall in line with our ‘rules’ while still keeping things dynamic and interesting. It’s a huge part of the job and it’s great practice in story telling for a very specific audience.
Spirit animal? Gazelle. Or deer.
Favorite ice cream/dessert? Wow. Any kind of pie. Especially Boston cream. And cheese cake, or carrot cake with cream cheese frosting. Donuts with sprinkles. Gummi raspberries. Any combination of these things.