An iron dagger with T-shaped pommel with two small roundels to the ends, central rib with hatched design and rivets to the side; long handle and small cross guard with long, stiletto blade; long sheath with roundels to the edges and collar below and large roundel at the end; entire surface decorated with guilloche pattern; Iberian workmanship.
The Celtiberians were Celtic-speaking people of the Iberian Peninsula in the final centuries BC. Archaeologically, the Celtiberians participated in the Hallstatt culture in what is now north-central Spain. The term Celtiberi appears in accounts by Diodorus Siculus, Appian and Martial who recognized intermarriage between Celts and Iberians after a period of continuous warfare.
The Celtiberians were the most influential ethnic group in pre-Roman Iberia, but they had their largest impact on history during the Second Punic War, during which they became the allies of Carthage in its conflict with Rome, and crossed the Alps in the mixed forces under Hannibal’s command. As a result of the defeat of Carthage, the Celtiberians first submitted to Rome in 195 BC; Tiberius Sempronius Gracchus spent the years 182 to 179 BC pacifying the Celtiberians; however, conflicts between various semi-independent bands of Celtiberians continued. After the city of Numantia was finally taken and destroyed by Scipio Aemilianus Africanus the Younger after a long and brutal siege that ended the Celtic resistance (154 – 133 BC), Roman cultural influences increased. The Sertorian War, 80 – 72 BC, marked the last formal resistance of the Celtiberian cities to Roman domination, which submerged the Celtiberian culture.
Italian Decorated Parade Armour of King Philip III of Spain from 1585 on display at the Victoria and Albert Museum in London
From top to bottom, the Burgonet, breastplate and gauntlets comes from a a series presented to the Spanish royal family in the 1580′s. Tailor-made parade armour was iron clothing: the pointed ‘peascod’ breastplate imitated fashionable doublets. Draped with fine silk sashes and with helmets sprouting plumes of ostrich feathers. Such armour was for effect and display rather than protection in battle. Inspired by ancient Roman armour it transformed Renaissance nobles into classical heroes.