What's your favourite part of much ado about nothing 1993?
What a FANTASTIC question!
I think I have two favorite parts. First, it’s Emma Thompson’s line reading of “Oh, GOD, that I were a man! I would EAT his HEART in the MARKETPLACE!!!” Second, it’s the entire scene of Benedick ‘overhearing’ Don Pedro, Leonato, and Claudio discussing how much Beatrice is in love with Benedick, and the following scene of Benedick musing over how it might be possible.
Oh, wait! Honorable mention goes to Phyllidia Law’s line reading of, “Will you come…PRESENTLY?” For some reason, it struck me and my dear friend Erin as completely hilarious when we saw that movie as high-school seniors (at the Dundee Movie Theater, for any Rainbow Rowell fans out there!) and we’ve been quoting the line to each other randomly for the last 24 years.
Also, just random trivia for you, I bought this Much Ado poster at a shop on Hollywood Boulevard when I was visiting family in Southern CA, and it hung in my college dorm room for several years.
On this day in music history: April 13, 1987 - “Tango In The Night”, the fourteenth studio album by Fleetwood Mac is released. Produced by Lindsey Buckingham and Richard Dashut, it is recorded at The Slope in Los Angeles, CA and Rumbo Recorders in Canoga Park, CA from November 1985 - March 1987. With the members of Fleetwood Mac wanting to work on solo projects, and focus on other creative activities, the band wind up taking an extended hiatus. In late 1985, guitarist Lindsey Buckingham begins working on what is to be the follow up to his second solo album “Go Insane”. When Buckingham invites band mates Mick Fleetwood and John McVie into the studio, the project soon morphs into the first new Fleetwood Mac album in five years, when Stevie Nicks and Christine McVie join in on the proceedings. Nicks is absent for a majority of the eighteen months it takes to record “Tango In The Night”, having been on the road promoting her third solo album “Rock A Little” and spending a stint in rehab. She spends a total of only two weeks working on the project. Though the sessions yield a solid album, unresolved past issues between band members, with some still struggling with substance abuse, come to a head during recording. That combined with the burn out experienced by Buckingham having shouldered most of the burden production wise, he refuses to embark on a tour to support “Tango”, and quits shortly afterward. He is replaced by guitarists Rick Vito and Billy Burnette, and Buckingham does not return to the band for ten years. The album is released to solidly positive reviews and becomes the bands second largest studio set behind “Rumours”. It spins off four singles including “Big Love” (#5 Pop), “Little Lies” (#4 Pop), “Seven Wonders” (#19 Pop) and “Everywhere” (#14 Pop). The albums cover art work inspired by French artist Henri Rousseau, is painted Australian artist Brett-Livingstone Strong, which is a painting that Buckingham has hanging in his Southern CA home. To commemorate the thirtieth anniversary of the albums’ release, “Tango” is reissued and remastered on CD and vinyl. Released on March 31, 2017, it is issued as a two CD deluxe edition with the first disc featuring the original twelve song album. The second disc featuring thirteen bonus tracks including demos, B-sides and alternate takes. It is also released as a three CD, DVD + vinyl LP Super Deluxe box set. It features the aforementioned contents plus a third CD featuring fourteen bonus tracks including the original 12" extended mixes edits and dub versions previously on vinyl only. The DVD includes the music videos four all five singles, plus a new high resolution 5.1 surround remix of the album. The set also includes a 180 gram vinyl LP with the newly remastered audio and a 12" x 12" booklet with photos and annotation. “Tango In The Night” peaks at number seven on the Billboard Top 200, and is certified 3x Platinum in the US by the RIAA.