“Writing about music is like dancing about architecture.” Elvis Costello.
@guidovanhelten recently painted the deaf contemporary dancer Anna Seymour at the Melbourne Polytechnic campus in Prahran. The campus is well-known for teaching a diploma course in AUSLAN.
This piece is an interpretation of contemporary society and its influence in architecture. #streetart #dance #auslan #prahan #art #mural #guidovanhelten #melbourne https://www.instagram.com/p/BQGSkTMA4Lr/
I’m pretty sure when people say they hate fashion they really just mean that they don’t know fashion or clothing and therefore reject it so as to excuse themselves from having to learn it or use it. “I hate fashion, so I don’t CARE if I don’t know how to pick clothes that look good together. Nyeh.”
(That and understanding fashion is associated with femininity, ergo.)
When in reality fashion is just the artful application of color and cloth to your body. It is a medium of art, like sculpture or painting or digital art. It’s okay to not know the finer points of sculpture! The trends, the culture, why one sculpture might be more aesthetically pleasing than the other, why one is of greater nuance than another. But to say you hate sculpture as a whole because you don’t know it sounds a little silly, doesn’t it?
i read a lot about art as well as women’s places in sub-movements and what not so i wanted to compile a little list of notable books i’ve read about the intersection of those things, in case it interests you at all cause it does me. some of these take on an explicitly feminist perspective while others are more objective and “historical”/ devoid of political introspection- both narratives interest me. (if this seems at all crude or without nuance it’s because i’m just a book store clerk and not an academic, lol) :
Danger! Women Artists at Workby Debra N. Mancoff - fun and full of color photos, nice for a coffee table reader or for a broad look at the canon of female work, doesn’t going into the specific histories. Mancoff is an accomplished author of art though- a body of work worth looking through.
Women of the Left Bank and Paris Was a Woman are a little less focused on a visual art historical perspective but are both some of my favorites because i adore portraits of the paris scene in the early 20th century- the women in these groups were incredible, the second takes on a bit of a lesbian/ non het women angle which is great
(i told you there were a lot of books about surrealist women) Surrealism and Women- i like the format of this one, 16 collected essays, i’m including it because it contains Rudolf Kuenzli (author of Marcel Duchamp: Artist of the Century, a book i love) essay “surrealism and misogyny” which is an interesting as it is truly wild. ahaha
An Encyclopedia of Women Artists of the American West - about as comprehensive and informative as you can get, literally a compiled dictionary of over a thousand female artists from around the 1840s to 1980- amazing and a must have. so much research involved with this project. such an essential resource.
Art and Feminism by Helena Reckitt - valuable resource which spans around four decades of the works and artists informed by feminist theory and perspective.
Women Artists: An Illustrated History by Nancy G. Heller - like some others i have listed, this one is sweeping and more of an encyclopedia/ coffee table of female artists, would be ideal as an entry point
Japanese Women Artists, 1600-1900 by Patricia Fister - i don’t know a lot about the history of female art narratives in japan, so this one might be a broad- but i really enjoyed it as an introduction into these histories
i’m surely forgetting some- but i hope this was at least a little of interest!
“Beatriz at Dinner” / U.S.A. (Director: Miguel Arteta, Screenwriter: Mike White) — Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide and neither will ever be the same. Cast: Salma Hayek, John Lithgow. World Premiere
“Before I Fall” / U.S.A. (Director: Ry Russo-Young, Screenwriter: Maria Maggenti) — Samantha Kingston has everything. Then, everything changes. After one fateful night, she wakes up with no future at all. Trapped into reliving the same day over and over, she begins to question just how perfect her life really was. Cast: Zoey Deutch, Halston Sage, Logan Miller, Kian Lawley, Elena Kampouris, Diego Boneta. World Premiere
“The Big Sick” / U.S.A. (Director: Michael Showalter, Screenwriters: Emily V. Gordon, Kumail Nanjiani) — Based on the real-life courtship: Pakistan-born comedian Kumail and grad student Emily fall in love, but they struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail must navigate the crisis with her parents and the emotional tug-of-war between his family and his heart. Cast: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano, Anupam Kher. World Premiere
“Call Me by Your Name” / Italy, France (Director: Luca Guadagnino, Screenwriters: James Ivory, Luca Guadagnino) — The sensitive and cultivated Elio, only child of the American-Italian-French Perlman family, is facing another lazy summer at his parents’ villa in the beautiful and languid Italian countryside when Oliver, an academic who has come to help with Elio’s father’s research, arrives. Cast: Armie Hammer, Timothée Chalamet, Michael Stuhlbarg, Amira Casar, Esther Garrel, Victoire Du Bois. World Premiere
“The Discovery” / U.S.A. (Director: Charlie McDowell, Screenwriters: Charlie McDowell, Justin Lader) — In a world where the afterlife has just been scientifically proven—resulting in millions of people taking their own lives to “get there”—comes this love story. Cast: Jason Segel, Rooney Mara, Robert Redford, Jesse Plemons, Riley Keough, Ron Canada. World Premiere
“Fun Mom Dinner” / U.S.A. (Director: Alethea Jones, Screenwriter: Julie Rudd) — Four women, whose kids attend the same preschool class, get together for a “fun mom dinner.” When the night takes an unexpected turn, these unlikely new friends realize they have more in common than just marriage and motherhood. Together, they reclaim a piece of the women they used to be. Cast: Katie Aselton, Toni Collette, Bridget Everett, Molly Shannon, Adam Scott, Adam Levine. World Premiere
“The Incredible Jessica James” / U.S.A. (Director and screenwriter: Jim Strouse) — Jessica James, an aspiring NYC playwright, is struggling to get over a recent breakup. She sees a light at the end of the tunnel when she meets the recently divorced Boone. Together, they discover how to make it through the tough times while realizing they like each other—a lot. Cast: Jessica Williams, Chris O’Dowd, Keith Stanfield, Noël Wells. World Premiere. CLOSING NIGHT FILM
“The Last Word” / U.S.A. (Director: Mark Pellington, Screenwriter: Stuart Ross Fink) — Harriett is a retired businesswoman who tries to control everything around her. When she decides to write her own obituary, a young journalist takes up the task of finding out the truth, resulting in a life-altering friendship. Cast: Shirley MacLaine, Amanda Seyfried, Anne Heche, Thomas Sadoski, Philip Baker Hall. World Premiere
“Manifesto” / Germany (Director and screenwriter: Julian Rosefeldt) — Can history’s art manifestos apply to contemporary society? An homage to the twentieth century’s most impassioned artistic statements and innovators, from Futurists and Dadaists to Pop Art, Fluxus, Lars von Trier and Jim Jarmusch, this series of reenactments performed by Cate Blanchett explores these declarations’ performative components and political significance. Cast: Cate Blanchett. World Premiere
“Mudbound” / U.S.A. (Director: Dee Rees, Screenwriters: Virgil Williams, Dee Rees, Hillary Jordan) — In the post– World War II South, two families are pitted against a barbaric social hierarchy and an unrelenting landscape as they simultaneously fight the battle at home and the battle abroad. This epic pioneer story is about friendship, heritage and the unending struggle for and against the land. Cast: Carey Mulligan, Jason Clarke, Jason Mitchell, Mary J. Blige, Garrett Hedlund, Jonathan Banks. World Premiere
“The Polka King” / U.S.A. (Director: Maya Forbes, Screenwriters: Maya Forbes, Wally Wolodarsky) — Based on the remarkable true story of the world’s only known Polka Ponzi scheme, this mix of comedy and tragedy is about Jan Lewan, a polish immigrant who believed in the American Dream. But with big dreams came big mistakes for the man who became the “King of Pennsylvania Polka.” Cast: Jack Black, Jenny Slate, Jason Schwartzman, Jacki Weaver, J.B. Smoove. World Premiere
“Rebel in the Rye” / U.S.A. (Director and screenwriter: Danny Strong) — This portrait of the life and mind of reclusive author J.D. Salinger goes from the bloody front lines of World War II to his early rejections and the PTSD-fueled writer’s block that led to his iconic novel, The Catcher in the Rye. Cast: Nicholas Hoult, Kevin Spacey, Sarah Paulson, Zoey Deutch, Hope Davis, Victor Garber. World Premiere
“Rememory” / U.S.A., Canada (Director: Mark Palansky, Screenwriters: Michael Vukadinovich, Mark Palansky) — A famed inventor found dead. A machine that can record people’s memories. A man haunted by the past. This noir mystery explores the ways in which memory defines the present. Cast: Peter Dinklage, Julia Ormond, Martin Donovan, Anton Yelchin, Henry Ian Cusick, Evelyne Brochu. World Premiere
“Sidney Hall” / U.S.A. (Director: Shawn Christensen, Screenwriters: Shawn Christensen, Jason Dolan) — Over the course of 12 years, and three stages of life, Sidney Hall falls in love, writes the book of a generation and then disappears without a trace. Cast: Logan Lerman, Elle Fanning, Kyle Chandler, Michelle Monaghan, Nathan Lane, Margaret Qualley. World Premiere
“Where is Kyra?” / U.S.A. (Director: Andrew Dosunmu, Screenwriters: Andrew Dosunmu, Darci Picoult) — Pushed to the brink after losing her job, a woman struggles to survive. As the months pass and her troubles deepen, she embarks on a perilous and mysterious journey that threatens to usurp her life. Cast: Michelle Pfeiffer, Kiefer Sutherland. World Premiere
“Wilson” / U.S.A. (Director: Craig Johnson, Screenwriter: Daniel Clowes) — Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope, reunites with his estranged wife and gets a shot at happiness when he learns he has a teenage daughter he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her. Cast: Woody Harrelson, Laura Dern, Judy Greer. World Premiere
“Wind River” / U.S.A. (Director and screenwriter: Taylor Sheridan) — An FBI agent teams with the town’s veteran game tracker to investigate a murder that occurred on a Native American reservation. Cast: Jeremy Renner, Elizabeth Olsen, Jon Bernthal. World Premiere
“Congo love, is the start of a series of portraits that explore Congolese
subculture in Luanda, Angola. The portraits meet the viewers gaze,
inviting one to question if in these portraits we can connect
hairstyles, make up, beauty ideals, fabric prints as an identity that
has been developed by like minded Congolese immigrants in Angola that
feel neglected or disconnect from the Angolan society. “ - http://keyezuavision.tumblr.com
China Lake C by 赵半狄 (Zhao Bandi). 2015. Oil on canvas.
Born in Beijing in 1966, Zhao Bandi originally studied oil painting. In the mid-90s, he became known as the “panda man” for making multimedia art that satirised contemporary Chinese society. He recently returned to painting because, he says to Kathleen Bühler, “I lost my illusions and grew emotionally tired. […] I’m disappointed by China and I’m disappointed about the world.”
To paint China Lake C, Zhao invited his friends to attend a party while standing in water, ruining their expensive clothes. He then reconstructs scenes based on photographs and his personal memories. The water signifies Zhao’s impression of today’s China: “Everything looks happy,” he says, “but it’s not safe. You can sink.” The large format of the canvas gives the illusion that the image is a mirror or window that the audience can step through, entering a world of artificiality, fragility, and illusion.
Patricia Cronin Shrine for Girls, 2015 installation inside the sixteenth-century Church of San Gallo, Venice presented by the Brooklyn Rail Curatorial Projects at the 56th Venice Biennale
In one shrine, an altar exhibits hijabs symbolizing the 276 schoolgirls kidnapped by Boko Haram in Nigeria and another alter is in remembrance of three women who were recently gang raped, murdered and left to hang from trees in India. Cronin’s memorial explores that even though the United Nations passed the Universal Declaration of Human Rights in 1948, women and girls around the world continue to be among the most vulnerable members of our global society.