There are 7 members in bts, 7 x 8 = 56, 56 -6 = 50, there are 50 states in the U.S. 50 - 49 = 1, there’s only 1 Texas. Beyoncé is from Texas, Houston to be specific. Yoongi is a confirmed Beyoncé stan, bts in Houston 2018 confirmed.
White women need to deal with the fact that most of you voted for Trump. It’s the not the job of black women or any marginalised and oppressed person to take responsibility for the actions of their oppressor or to educate their oppressor.
This is the Bop. The Bop is a type of social dance. Dance is a language, and social dance is an expression that emerges from a community. A social dance isn’t choreographed by any one person. It can’t be traced to any one moment. Each dance has steps that everyone can agree on, but it’s about the individual and their creative identity Because of that, social dances bubble up, they change, and they spread like wildfire. They are as old as our remembered history.
In African-American social dances, we see over 200 years of how African and African-American traditions influenced our history. The present always contains the past. And the past shapes who we are and who we will be.
Now, social dance is about community and connection; if you knew the steps, it meant you belonged to a group. But what if it becomes a worldwide craze? Enter the Twist.
It’s no surprise that the Twist can be traced back to the 19th century, brought to America from the Congo during slavery. But in the late ‘50s, right before the Civil Rights Movement, the Twist is popularized by Chubby Checker and Dick Clark. Suddenly, everybody’s doing the Twist: white teenagers, kids in Latin America, making its way into songs and movies. Through social dance, the boundaries between groups become blurred.
The story continues in the 1980s and '90s. Along with the emergence of hip-hop, African-American social dance took on even more visibility, borrowing from its long past, shaping culture and being shaped by it. Today, these dances continue to evolve, grow and spread.
Why do we dance? To move, to let loose, to express.
Why do we dance together? To heal, to remember, to say: “We speak a common language. We exist and we are free.”
Can you point to one successful example of a capitalist republic in the history of time? You can't, and that's because democratic election of leaders goes against human nature. It might work on a small scale, but all notions of individual liberty are just idealistic pipe dreams. Any time it's been attempted on a large scale, capitalism has killed more people than feudalism ever could. We've already reached the end of history.
*looks at the audience of the stage play like James from The Manor*
The thing is, capitalism has never been reformed ‘peacefully’.
Reform movements which have formally disavowed violent means - from the Civil Rights movement in 1960s America, to Attlee’s Labour government in 1940s Britain - have only been historically successful because mass, organised, revolutionary movements of the politically disenfranchised outside of the formal reform movement have forced those benefiting from the status quo to cede concessions to non-violent, often middle-class, reformist leaders. Malcolm X, the Socialist Party of the USA and the Communist Party forced the American elite to come to the table with Dr. King; the syndicalist and communist trade unions in post-War Britain made opposition to Attlee’s NHS and limited nationalisations foolhardy.
Those who preach non-violence as a strategy rather than as a flexible tactic fatally mistake capitalism for a rational, logical system which plays by its own rules and respects human life.
Daily reminder that the United States is prosperous and existing as it is today only because of the exploitation, destruction, and theft of resources, governments, and people from Central American, Carribbean American, South American, Indigenous North American, African, Southwest, Southeast, and Eastern Asian countries, nations, confederations, and tribes all throughout North American history to today.
America only became great from the destruction, enslavement, and manipulation of others.
And no matter who’s in charge of the nation, this trend will always continue.
i also think this new trend of neo-victorian purity culture in fandom that ridicules people for shipping “bad” ships and attacks writers whose fics have “problematic” content is subtly tied to fandom’s new visibility and conditional mainstream acceptance. because of twitter and the increasing celebrity and showrunner interaction with fans, and because representation politics have somehow melded with respectability politics, there’s this push to “cleanse” ourselves of weird, freaky, disturbing, embarrassing content and present ourselves to the world as just “normal” people who love tv shows and books. because if they see we’re normal and cool, they’ll listen to us right? they’ll respect our demands right? they’ll give us our ships right? nope! instead we’re experiencing a massive dearth in fandom creativity because people are only invested in supporting and uplifting canon ships and canon stories, and instead of looking to ourselves for creativity and representation we’re depending on showrunners who’ve never had our best interests at heart. and honestly eff that. i don’t care about being seen as “normal”. i’m a weirdo! i’m a freak! fandom is weird and freaky and i’m okay with that! in fact, there’s power in that. we don’t need some stamp of approval from showrunners and celebrities, and we certainly don’t need to justify why we write or desire certain content in our fics. be weird! be freaky! be embarrassing! own it! it’s the only thing that’s truly ours.