so thats where it came from

4

Dear Merlin, I am telling you now, because I’m afraid that it might be too late one day if I don’t: This was the most fun I’ve ever had. You’re next to me in my life. You’re the best person in the world, and I wouldn’t change a thing. Please remember me, even when I’m not there anymore one day to pick on you, and laugh at you, and call you names. You said I made you feel special. Well, you are special. And I would spend centuries with you if I could. I fear that the universe would rip in half if we went further apart than this, but I don’t think we have a choice. It’s not fair, but none of it ever was. Whatever the future holds, though, I don’t want you to change. I want you to always be you. Let’s make it the best life we can. Love, Arthur. 

i’m sorry i couldn’t help myself

3

Charades feat. the Ipliers

…is fun. And wacky. And dangerous. Especially dangerous.

(I don’t even know where this came from, but I just thought that WIlford would be the only guy who would straight up insult Dark in the face lol. And so, why not? Here you go! Hope you all like it :D)

anonymous asked:

hey do u have any sources about where the MOGAI community came from? i heard it was created by NB ppl who felt excluded from the LGBT+ community and if thats true i dont want to hear the word "MOGAI" come out of cis LGBP ppls mouths given that theyre the ones who do most of the excluding anyways but i dont have any sources

I don’t off the top of my head so I’m gonna open this for followers who know more about this :)

Mod Bethany

Track-By-Track Guide to 'How To Be A Human Being'

“Life Itself”
This one actually started off as a dark, slow, moody track. Quite insular. But eventually we realized there was a cheekiness to the lyrics that we hadn’t really explored, so we injected a sense of optimism into the music. The character that this track is about is a sci-fi obsessed dude who spends most of his time alone inventing strange things and writing stories about ray guns or looking for aliens on Google maps. We made him a website. But that’s what the chords and sound effects were inspired by. Old sci-fi films/series. I also got a bit obsessed with Lollywood music (music from Pakistani films), and thats where the idea for the drums came from.

“Youth”
The idea for this one came from a story someone told me once. They were telling me about their child, and something awful had happened to them. She was crying—but at the same time the memories that they had from that previous life made her so happy—so she was also smiling. That combination of emotions kind of made me feel like my heart was being ripped apart but also optimistic in a weird way. She had found a way to see happiness in this awful thing that had happened to her. That combination of emotions is what this song is getting at. Have a look at this character’s website, too.

“Season 2 Episode 3”
Everyone knows someone like the character from this song. If you don’t, then it’s you. But there are lots of references to different psychedelic cartoons in this one—sonically and lyrically—including Adventure Time. That show is crazy.

“Pork Soda”
I heard a homeless man talking to someone once and say ‘pineapples are in my head.’ In retrospect, I’m pretty sure it wasn’t actually those words, but I thought it was at the time, and it kind of stuck with me. The opening of the song is meant to sound like you’re outside on the street, and you can hear a group of people chanting this song. The drum sounds are made from old bins and trash pieces of metal I found around the studio. Kind of like those street drummers use. All that is meant to set the scene for the story.

“Mama’s Gun”
I don’t use samples very often. I only like using them if they bring something to the table, aside from just music—a context and a further depth to the actual meaning of the song. This song is mainly about mental health, and I remembered this song by The Carpenters called “Mr. Guder.” It fit the atmosphere musically, while the song “Mr. Guder” itself was about an odd character of sorts, and then on top of that, Karen Carpenter’s story added another dimension to the lyrics. if you don’t know the story, you should look it up. It’s important and very sad, and it started a general social dialogue about mental illness which is to this day still a subject matter that we avoid far too much.

“Cane Shuga”
This is the only track on the record that didn’t start with lyrics and vocal melody. It started with the beat and the heavy drums. I let the beat spin and wrote stream of consciousness lyrics through a vocoder for this one to try to capture a certain mentality you might have when you’re a bit fucked up. When you start speaking what seems like gibberish—but maybe that gibberish is actually quite revealing.

”[Premade Sandwiches]”
This is a spoken word interlude. My favorite word in the album is in this: “McFuck.” It’s something that someone’s gotten at McDonald’s. Here it is used in a sentence: “What the McFuck are you eating?”

“The Other Side Of Paradise”
This is musically my favorite track on the record, I think. The chords are quite bizarre, and there are some mad arrangement and structural things going on. And the beat was super fun to make. It’s gonna be fun live!

“Take A Slice”
This track is about someone with a lot of lust. It’s as sleazy as I’ll ever get in lyrics. But everyone has that inside them somewhere, even if it’s only a tiny bit. And it comes out from time to time. For some people, it’s out all the time.

“Poplar St”
This song is meant to open with a kind of musical/lyrical image of a place. A little guitar hook and a floating vocal line that all seems quite peaceful, but things get more and more twisted as the song goes on. The guitar starts doing weirder things, the music builds tension, and then the whole thing flips on it’s head at the end. And you find that maybe that place isn’t what you first expected it was.

“Agnes”
As soon as I started writing it, I knew it would be the album closer. This is my favorite song on the record. And the saddest song I will ever write.

Tbh Y'all

I feel like the first time Bucky has sex after seventy years, he’d cum so quick, but it would look so beautiful.

Like imagine his chest rising and falling, covered in a layer of sweat. His lips red and swollen from kissing and biting.

And the sound he’d make when he orgasms would be somewhere between a cry of ecstasy or a long “fuuuuuuck” I’m not sure which but I’ll take both.

And I have a feeling it would be so intense it would bring tears to his eyes and that’s so hot.

I need Christ.

Mum taught us to be independent. As teenagers she raised us both in what was generally a happy little house. “Latch key kids”, as she called us, we came home from school before she was done with work. While it sometimes caused her maternal guilt, it was never a bad thing, and we learned to coexist as a pair for that daily window, boiling pasta and arguing over the TV remote. When she’d had a bad day, as we all do sometimes, we tried to step up where we could. Harry’s attempts at cheering her up were all the better for their youthful earnestness. a 12-year-old has seen enough romcoms to know that a thoughtful close is one who runs a bath, so thats what she’d get from time to time, with a mismatch of house-gathered candles place around the bathroom.
—  Gemma Styles on Harry
  • what forced heterosexuality means: when two people who are well developed characters on their own happen to be male and female, their stories are often forced to center around one another as romantic interests, even if there are other relationship dynamics or parts of their story that could be better explored. the problem is not that the couple is straight, but that by virtue of being a man and a woman, they are expected to fall in love, and their stories suffer from this expectation. much in the same way that a man and a woman being friends often means they MUST want to date, even though many straight men and women are annoyed by this trope, and thus unknowingly annoyed with forced heterosexuality. "forced homosexuality" doesn't exist because society has a different set of tropes and conditions surrounding gay people's existence on a whole that lends to the OPPOSITE effect, wherein two people of the same gender with great romantic chemistry and teasing are ignored as a potential couple because they aren't straight.
  • what straight people think it means: being straight is bad

Not one of my best works to be honest, cause I was kinda in a rush. But I just had to finish it while Cuphead is still a big thing. :P

Well Hilda Berg is certainly one of my favourite Bosses in the game, from design alone. But I swear, the first thing that came into my mind when I saw her, was that she looks like the love child of Pearl and Betty Boop… so yeah, thats where this idea comes from. XD

Just something little random and silly but I hope it may can inspire some people. :3

Also the little bird with the bigbrain in cuphead looks like his dad f***ed with Jimmy Neutron. XD

  • Nick: You have sort of been on the show. There was the night of the Brit Awards.
  • Harry: No.
  • Nick: Yeeeees. Where we thought it'd be a good idea to go straight from the Brits to do the radio.
  • Harry: I'd say I was on the radio, but I wasn't switched on.
  • Nick: Cause we basically went to some party, it was like 6am and I had to go to do the radio.
  • Harry: You said you would stay out if we all came.
  • Nick: That's true. Which is often my bargain.
  • Harry: How often do people bail to do the radio?
  • Nick: All the time. I don't do it anymore. It was a novelty. Cause I was so excited about having this job I thought 'Fire me! Whatever!' But now I am a serious broadcaster.
  • Harry: You're an adult now.
  • Nick: Yeah. But I remember when we came in. It was me, you, our friend Emily, our friend Jaime, you friend Cal - well, our friend Cal, a Robbie Williams cardboard cutout...
  • Harry: I don't know where we got it.
  • Nick: And a bejeweled bottle of vodka that said 'Grimmy'. So it was a classy night. When we came in, there was no one here. There was no producer Finchy, no producer Fifi.
  • Harry: Tina Daheley was here. And as we came in she was like 'Oh goood'. She looked at us when we came in and we were like 'WHEEEYYY!!!!' And she was like 'Oh jeez'.
  • Nick: Yeah, we were like 'TIIINAAA. NEWS JUST IN - WE HAD A MAD ONE, WHEEEYYYY!!!!' Did you get in trouble for that? Cause I didn't but Fifi did. Fifi, what time did you get in?
  • Fifi: I was here, but I fell asleep in the office.
  • Nick: Yeah, yeah, whatever.
  • Harry: Oh yeah, you weren't on time.
  • Nick: She got here at about 7:45 and we came on air at 6:30. And then she fell asleep on the floor in here and big boss Ben busted her, and she got in trouble.
  • Harry: Oh, yeah yeah yeah.
  • Nick: Did YOU get in trouble?
  • Harry: Ummmmmmmmmm, a little bit. I think it was more like 'Oh, I saw you on Grimmy's show.' I was like 'Yeeeaaaah' And they were like 'You didn't sound very good, did you?'
  • Nick: 'Well, I just thought I'd do extra promo! Helping you guys out! Shift a few copies!'
  • Harry: Socializing.
  • Nick: Yeah. Can't do that now.
Permission

Finn Balor/Jeff Hardy/OC: Reader uses the boy’s moves without their permission. It winds up being helpful though.

Warning: a slight Daddy kink, choking, I think thats it

Part 2

Yeah so this happened and I don’t know where it came from.

@sammiielli @hardcorewwetrash @the-geekgoddes @vebner37 @alexahood21 @alexispoo @kinkymaminicole @ambrosegirlforever


As I sat on a cart backstage I hummed a light tune to myself. I was beyond excited to wrestle tonight and I hoped that my new gear would show that. As I sat there messing with my wrestling gear top I heard two familiar voices. I looked up to see Jeff and Finn arguing about something. I smiled at myself while jumping off the cart and walked up to the two men. “Hey boys. Do you guys like my new gear? It’s not to showy is it?” I did a small turn poking my ass out just a little.

“Yeah baby it looks good. All the men here are gonna get in trouble if you don’t keep your distance.” Jeff said as he raised an eyebrow. He pushed my hip making me turn again. I giggled at the contact.

“Finn, you have anything to say?” I bat my eyelashes at Finn and grabbed his hand.

“Do you always flirt and tease this much?” Finn said as he looked between me and Jeff.

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